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P a g e 1
Year 5 Autumn 2: National Curriculum Coverage Topic: Kings and Queens Theme: Power and Government
History Geography Music Art Science RE
Continue to develop
chronologically
secure knowledge
of history
Establish clear
narratives within
and across periods
studied
Identify historically
significant people
and events in
situations
Identify and give
reasons for, results
of, historical
events, situations,
changes
Construct informed
responses by
selecting and
organising relevant
historical
information
Understand how knowledge of the past is constructed
from a range of sources
Regularly address
and sometimes
devise historically
valid questions
Name and
locate
counties
and cities of
the United
Kingdom,
geographica
l regions
and their
identifying
human and
physical
characteristi
cs
Describe
and
understand
key aspects
of the water
cycle
Human
geography,
including
types of
settlement
and land
use and
economic
activity
Appreciate
and
understan
d a wide
range of
high-
quality
live and
recorded
music
drawn
from
different
traditions
and from
great
composers
and
musicians
Develop
an
understan
ding of the
history of
music
Evaluate and analyse creative
works using the language of art,
craft and design
Pupils should be taught about
great artists, architects and
designers in history
They should also know how art
and design both reflect and shape
our history, and contribute to the
culture, creativity and wealth of
our nation.
Pupils should be taught to create
sketch books to record their
observations and use them to
review and revisit ideas
Pupils should be taught to improve
their mastery of art and design
techniques, including drawing,
painting and sculpture with a
range of materials [for example,
pencil, charcoal, paint, clay]
Produce creative work, exploring
their ideas and recording their
experiences
Know about great artists, craft
makers and designers, and
understand the historical and
cultural development of their art
forms
Evaluate and analyse creative
works using the language of art,
craft and design
Become proficient in drawing,
painting, sculpture and other art,
craft and design techniques
Compare and group together
everyday materials on the basis
of their properties, including
their hardness, solubility,
transparency, conductivity
(electrical and thermal), and
response to magnets
Working Scientifically:
Classifying and Grouping
Know that some materials will
dissolve in liquid to form a
solution, and describe how to
recover a substance from a
solution
Use knowledge of solids, liquids
and gases to decide how
mixtures might be separated,
including through filtering,
sieving and evaporating
Planning different types of
scientific enquiries to answer
questions, including recognising
and controlling variables where
necessary
Explain that some changes
result in the formation of new
materials, and that this kind of
change is not usually reversible,
including changes associated
with burning and the action of
acid on bicarbonate of soda.
SACRE: What Happens
After We Die?
Ask and suggest varied
answers to questions
about the origins of
human life engaging
with the mysterious
questions for
themselves (SACRE)
Express views about
their own spiritual
ideas and questions
about life as a journey
(SACRE)
Explore some of the
mysteries of life and
death in the contexts
of religious and non-
religious beliefs
(SACRE)
Describe some of the
difficult questions life
presents for everyone,
including questions
about God (SACRE)
Describe the impact of
ceremonies that mark
important stages in
people’s lives, making
links to their own lives
P a g e 2
Overarching Concepts
History Geography Music Art Science RE
Sources of
Evidence
Historically
Significant People
UK
Geography
Settlement
Land Use
Great
Musicians
Interpret
ation &
Analysis
Portraiture
History of Art
Interpretation & Analysis
Reversible
Reactions
Material Properties
Life after Death
Grace
Reincarnation
Art/Architecture Vocabulary Music Vocabulary Prosody
Week 1:
Week 2: Hampton Court Architecture and
Gardens
Week 3: Michelangelo, Sistine Chapel
Ceiling
o NB Discuss the thematic nature of
art in the period (portraits and
religious themes)
Week 4: Bayeux Tapestry
Week 5: Cecil Beaton, Elizabeth II on her
Coronation Day
Week 6: Andy Warhol, Reigning Queens
Week 1-2: Elgar, Pomp and Circumstance
Week 3: Handel, Zadok the Priest
Week 4: Handel, Messiah
Week 5-6: Hubert Parry, Jerusalem
Week 1: Shakespeare, This Sceptered Isle
Week 2-3: Shakespeare, Now is the Winter
of our Discontent
Week 4-5: Shakespeare, Sonnet 18
Week 6: John McCrae, In Flanders Fields
(Remembrance Day)
P a g e 3
Concept(s) Composites Success Criteria Progress
ion
NC Links Overarching
Concepts &
Medway
Concepts
Activities
Week 1 – Setting a Context
His
tory
Understanding
the Role of the
Monarchy
SB
Who is the
current
British
monarch?
Why does
the UK
have a
monarchy?
What is the
importance
of a
monarch in
modern UK
society?
What’s the
difference
between
reigning
and ruling?
To know what
is the
monarchy and
how does it
differs from
the gov’t
To compare
and contrast
the monarchy
today and in
the past
To understand
the changing
role of the
monarchy over
time
Role
Models
and
Inspirati
onal
People
(Y5)
Greeks
and
Vikings
(Y4)
Romans
and
Egyptian
s (Y3)
Victorian
s (Y6)
Continue to
develop
chronologically
secure knowledge
of history
Establish clear
narratives within
and across
periods studied
Identify
historically
significant people
and events in
situations
Monarchy
Social
Hierarchy
Mobility
Equality
1. Establish context:
Recap prior knowledge
and understanding of
key terms relating to a
monarchy, and then
our monarchy using
visual stimuli to
support.
2. Listen to the monarchs
song to briefly see
progression and
change over time
https://vimeo.com/67
553046. (noting pre-
existing knowledge of
other monarchs)
3. Model effective
research.
4. Organise and sort
British monarchs
chronologically in
groups, before
researching key
information about
them using iPads.
P a g e 4
5. Record as a timeline in
books.
6. Plenary: Initial
discussion about ideas
about how the
monarchy has
developed and
changed
Geogra
phy
Locate and
identify
counties, cities
and regions of
the UK
AK
What are
the physical
and human
characterist
ics of an
area?
How do I
locate
cities,
countries
and
continents?
To locate countries
and cities in the
UK
To identify human
and physical
features.
Y5:
using
maps
and
atlases
to
locate/u
se of
map key
Y4: map
symbols
Y3:
Cities of
the UK
Leicester
shire
towns
and
villages
Name and locate
counties and
cities of the
United Kingdom,
geographical
regions and their
identifying human
and physical
characteristics
Countries
and borders
Physical
geography
Geopolitics
1. Locate countries and
cities on a map using
an atlas: review.
2. https://www.ordnance
survey.co.uk/mapzone
/games/puzzle-
adventure Puzzle up
each country in the
UK- with city names.
3. Discuss human and
physical features
4. Using a map, highlight
the physical and
human features found
there.
5. Sort out human and
physical features on a
table. Add their own-
ext. LA: sort pictures
of H and P features.
P a g e 5
Art
Analysing and
Interpreting
Portraits
AK
How can I
evaluate
Art using
the
language of
Art?
Can I
describe art
using
accurate
vocab?
How do I
interpret
the
historical
context of
Art?
To consider the
purpose of the
artist’s choices.
To include new
vocabulary in my
analysis.
Art
Starters:
Describi
ng a
piece of
Art
Y3/4:
evaluativ
e piece
of
artwork
Evaluate and
analyse creative
works using the
language of art,
craft and design
Pupils should be
taught about
great artists,
architects and
designers in
history
They should also
know how art and
design both
reflect and shape
our history, and
contribute to the
culture, creativity
and wealth of our
nation.
Artist’s
intention
ality
Propagan
da
Criticality
1. Context: Learn vocab
to describe art and
discuss initial ideas.
Interpret in historical
context based on
author’s intentions.
2. Look at different
portraits of Richard
III. Discuss: What do
they notice/Which do
they prefer and why?
3. Discuss key vocab:
expression,
background,
foreground, profile,
full length, standing,
seated, colour, light,
culture, period in time
etc.
4. Focus on 1 portrait:
Analyse collaboratively
using above vocab.
Repeat with a portrait
of Queen Elizabeth II
and also one of Prince
Harry and Prince
William, if time.
5. Plenary: What
conclusions can we
make after analysing
these portraits? Is
there anything that
they have in common?
P a g e 6
How have changes
been reflected? RE
Expressing
ideas about
what happens
after death
LW
What is
death?
What do I
believe
about life
after
death?
What views
to others
hold?
How do we
know, and
are there
different
types of
knowledge?
To express
ideas about
what happens
after death.
To understand
why people
believe what
they do about
life after death
To understand
how beliefs
about life after
death affect
believers and
their lives
To understand
the different
ways we know
answers to
spiritual
questions, and
the relative
strengths of
such sources.
Source
Reliabilit
y (Y5)
What do
I
believe?
(Y2)
What do
different
people
think
god is
like?
(Y1)
Ask and suggest
varied answers to
questions about
the origins of
human life
engaging with the
mysterious
questions for
themselves
(SACRE)
Express views
about their own
spiritual ideas
and questions
about life as a
journey (SACRE)
Nature of
truth
Criticality
1. Watch clip of RIII
funeral in Leicester
Cathedral as stimulus.
2. Discuss why funerals
are so important, and
what pupils think
happens after death.
3. Mind-map sources of
knowledge for what
happens after death,
order their sources
and debate the
relative strengths of
these
4. Discuss why people
might want to believe
in life after death, and
how this might give
meaning to life.
P a g e 7
Week 2 – Sources of Knowledge H
isto
ry
Forming
opinions using
historical
sources
SB
Who was
Richard III?
How does
history
remember
RIII and why?
How has the
memory of
RIII changed
over time?
How can you
recognise bias
in a source?
What sources
can be trusted
to inform us,
particularly on
historical
topics?
To know the
difference
between
biased and
unbiased
sources
To construct
an
argument
using
justification
from
appropriate
sources
To consider
the link with
the modern
debate on
reliable
sources and
fake news,
drawing
personal
conclusions
Source
Reliability
(Y4/Y5)
How do we
know about
the past?
(Y3)
Change over
time (Y3-Y6)
Events
beyond living
memory that
are
significant
nationally or
globally (Y1)
Identify and
give reasons
for, results
of, historical
events,
situations,
changes
Construct
informed
responses by
selecting and
organising
relevant
historical
information
Reliability
Bias
Criticality
1. Read a synopsis of
Shakespeare’s
portrayal of RIII,
pupils discuss what
impression this gives.
2. Class discussion to
ensure all understand
source types,
reliability and bias
using examples.
3. Watch:
https://www.bbc.co.uk
/cbbc/watch/horrible-
histories-richard-iii-
song?collection=horrib
le-histories-songs
4. Review and discuss
the PPT of RIII secrets
5. Pupils collaboratively
prepare to debate
whether RIII was good
or bad and why, using
primary sources as
evidence.
6. Pupils write up their
final opinions, with
justification.
P a g e 8
His
tory
Understanding
how
interpretations
of the past are
constructed by
historians
SB
When a story
has two (or
more) sides,
how do you
decide which
story to
believe?
How do you
examine
evidence in
order to draw
plausible
conclusions?
What previous
details of
RIII’s death
were found to
be factual
following the
discovery of
his grave, and
how do you
think those
historians
obtained their
information?
To say why
I think
something
happened,
using
evidence to
support
To
understand
the methods
of historical
enquiry,
including
how
evidence is
used
rigorously to
make
historical
claims
To critically
evaluate a
source,
deciding
whether I
find it
trustworthy
or not
Source
Reliability
(Y4/Y5)
How do we
know about
the past?
(Y3)
Change over
time (Y3-Y6)
Understand
how
knowledge of
the past is
constructed
from a range
of sources
Reliability
Bias
Criticality
1. Role play a “he said-
she said” style
argument with pre-
selected pupils.
Discussion about who
the onlookers believe
and why.
2. Discuss bias and
reliability based on
author, including how
truth is a scale and
not absolute, before
sharing ideas about
reliability of specific
sources.
3. Using the King Richard
expert packs, Pupils
decide what they think
killed King Richard and
why. They then make
a presentation and
poster to explain their
case and present their
findings to the class.
4. Class to decide which
group’s rationale was
most plausible and
why, feeding back on
their oracy in
particular.
RE
Understanding
what Christians
believe
What do
Christians
believe
To
understand
what
What does it
mean to be
Explore some
of the
mysteries of
Grace
Afterlife
Probity
1. Recap core Christian
beliefs
P a g e 9
happens after
death
LW
happens after
death?
What do
Christians
believe
determines
where you go
after death?
How to
Christian
beliefs
compare and
contrast with
my own?
What sources
inform
Christian
beliefs about
life after
death?
How do
Christians
reconcile
grace with the
Bible’s call to
do good?
Christians
believe
happens
after death
To
understand
why
Christians
believe
what they
do about life
after death
To compare
Christian
beliefs with
those of
other faiths
and
personal
beliefs
To critically
engage with
the tension
between the
doctrine of
grace and
good works
Christian?
(Y3)
Why do
Christians
follow Jesus?
(Y6)
What does
light/dark
mean? (Y4)
life and death
in the
contexts of
religious and
non-religious
beliefs
(SACRE)
2. Pupils to read sources
from the bible and
discuss what this
suggests about
Christian beliefs about
life after death
3. Focus on the Christian
doctrine of grace -
analyse a
contemporary song
with a Christian
theme, ‘blinded by
your grace’
4. Discuss and debate
key questions relating
to the doctrine of
grace, incl. Romans
6:1
5. Annotate the song in
books
6. Finally, compare and
contrast Christianity
with other beliefs
RE
Know and
understand
Sikhs beliefs
What do Sikhs
believe
To explain
the concept
of
Who is a
Sikh and
Describe
some of the
difficult
Reincarn
ation
Probity
1. Learn about Sikh
beliefs about life after
death looking at
P a g e 10
about life after
death
LW
happens after
death?
What is
reincarnation?
How does
Karma work?
How does this
compare with
Abrahamic
beliefs?
Can I learn
from Sikh
beliefs about
Chowa?
What sources
of evidence
can we use to
understand
Sikh beliefs?
reincarnatio
n
To define
karma,
mukti,
hukam and
Waheguru
To describe
how Sikhs
believe a
soul may be
set free
from the
cycle of
rebirth
To compare
and contrast
what Sikhs
believe
about life
after death
with other
religions
what do they
believe? (Y1)
questions life
presents for
everyone,
including
questions
about God
(SACRE)
Explore some
of the
mysteries of
life and death
in the
contexts of
religious and
non-religious
beliefs
(SACRE)
Karma primary and secondary
sources
2. Draw comparisons
with other religions.
Discuss the significant
differences with
Abrahamic faiths and
the concept of rebirth
and karma.
3. Write a paragraph
describing Sikh beliefs
in books
4. Plenary: Fill in a grid
to demonstrate
comparisons and
similarities with
Christianity
P a g e 11
Scie
nce
Sorting,
grouping and
classifying
materials
AM
What is a
material?
What are
they key
properties to
describe
materials?
What
vocabulary
can I use
when
describing
materials?
How can I
test a
material’s
properties?
To know
vocabulary to
describe the
properties of
a material
To recognise
that materials
may have
certain
properties to
a greater or
lesser extent
To recognise
similarities
and
differences
between
materials
Compare and
group
together
everyday
materials on
the basis of
their
properties,
including
their
hardness,
solubility,
transparency,
conductivity
(electrical
and thermal),
and response
to magnets
Working
Scientifically:
Classifying
and Grouping
Material
Properties
Sustainabilit
y
1. ‘Feely bags’ to
describe as vocab
stimulus
2. Learn new scientific
vocab to describe
materials.
3. Experiment testing
and classifying
different materials
using scientific
apparatus.
4. Feedback results and
discuss
misconceptions
Week 3 – Experimentation
P a g e 12
Scie
nce
Demonstrating
that some
changes are
reversible
AM
What does
reversible
mean?
What is a
solution?
Which
reactions are
reversible
and
irreversible?
To know that
some
reactions are
reversible
To know the
difference
between a
reversible
and
irreversible
reaction
To know the
processes
that can be
used to
reverse
dissolving in
water
To make
predictions
about the
processes
that might be
used to
separate a
mixture
To make
predictions
about an
experiment
To evaluate
the results of
an
experiment
against
predictions
Know that
some
materials will
dissolve in
liquid to form
a solution,
and describe
how to
recover a
substance
from a
solution
Use
knowledge of
solids, liquids
and gases to
decide how
mixtures
might be
separated,
including
through
filtering,
sieving and
evaporating
Material
Properties
Reversible
Reactions
Sustainabilit
y
Equality
1. Watch a video
stimulus of a sugar
dissolving in a cup of
tea, discussing initial
ideas about what
happened.
2. Teacher input on
melting and
dissolving, soluble and
insoluble.
3. Make predictions
about what might
affect the speed of
dissolving, explain
how these are
variables and model
who to construct an
experiment to test for
them (recap
independent,
dependent and
controlled variables).
4. Pupils to do the
dissolving experiment
collaboratively.
5. Discuss how to
present results,
including the purpose
of this.
6. Present results using
graphs.
P a g e 13
To compare
and group
together
everyday
materials on
the basis of
their
solubility
P a g e 14
Art
Developing
sketching
technique
AK
Can I
describe Art
using the
correct
vocab?
How do I
plan a royal
portrait with
purpose?
Can I
improve my
sketching
techniques?
Considering
facial proportions
To use guidelines
to help me to
accurately
position facial
features.
To sketch
all/some features
of an accurate
proportion.
Y3: use a
range of
media
Y4: using
a
sketchboo
k
Pupils should
be taught to
create sketch
books to
record their
observations
and use them
to review and
revisit ideas
Pupils should
be taught to
improve their
mastery of
art and
design
techniques,
including
drawing,
painting and
sculpture
with a range
of materials
[for example,
pencil,
charcoal,
paint, clay]
Artist’s
intentionalit
y
Propaganda
Mobility
Criticality
1. Context: Planning a
royal portrait for the
purpose of conveying
wealth and power,
looking at sketching
techniques and
proportions.
2. Discuss the meaning
of sketching and the
purpose of sketching.
Children to have a go
at completing a self-
portrait and a portrait
of their partner so that
they’re getting lots of
practise in at
sketching proportions
and facial features. All
children to complete a
seated portrait
(roughly shoulders
upwards). Go through
sketching ppoint for
each step.
3. Mini-plenary: How
might we convey
wealth and power?
(discuss prior learning
of symbolism, e.g.
crowns, maces,
posture etc.)
4. Plenary: What did you
find easiest to sketch?
What did you find
more difficult? Self-
reflection and teacher
P a g e 15
assessment to be
followed up with
additional sketching
support in next lesson
if needed.
P a g e 16
Scie
nce
Using scientific
knowledge to
separate
mixtures
AM
What is a
mixture?
How can
solutions be
separated?
What effect
do I predict
that filtering,
sieving and
evaporation
might have?
Why might it
be important
to be able to
separate
mixtures and
sol,
particularly
water?
What is
evaporation?
How are
reversible
reactions
important to
the water
cycle?
To recognise
that mixtures
can be
separated
To know the
processes
that can be
used to
reverse
dissolving in
water
To make
predictions
about the
processes
that might be
used to
separate a
mixture.
To identify
scientific
apparatus
To identify
methods for
separating
mixtures
To apply
scientific
knowledge to
separate a
mixture
Planning
different
types of
scientific
enquiries to
answer
questions,
including
recognising
and
controlling
variables
where
necessary
Use
knowledge of
solids, liquids
and gases to
decide how
mixtures
might be
separated,
including
through
filtering,
sieving and
evaporating
Material
Properties
Reversible
Reactions
Sustainabilit
y
Criticality
Context: Disaster at
Buckingham Palace!
The Royal cooking staff
have received the
ingredients for the Royal
Banquet celebrating
Queen Elizabeth’s
Platinum Jubilee.
However, the ingredients
have got all mixed up in
the back of the delivery
truck!
1. Recap suspensions
and solutions using a
sorting activity.
2. Pupils need to
separate ingredients in
the royal kitchen,
discuss and share
ideas for how to do
this.
3. Teacher explanation
of:
a. Evaporation.
b. Magnetic
attraction
c. Sieving
d. Filtration
4. Pupils to carousel
round to read and
understand processes
in groups, recording
on a chart what would
P a g e 17
be useful to separate
each thing.
5. Feedback, share and
discuss results.
6. Assessment task: How
is separating sand and
salt done differently,
discuss and share.
P a g e 18
Week 4 – Experimentation 2 Art
Evaluating and
experimenting
with different
media
AK
What
mediums
can I use to
produce
artwork?
Why are
they
effective?
To experiment and
decide upon the
colours (shades)
that I’m going to
use.
To experiment and
decide upon how
I’m going to
reflect light and
dark in my
portrait.
Y3/4:
evaluating
artwork
Y3: use a
range of
media: wax
crayons
Y4: Use
visual and
tactile
elements
Y5: Art
vocab
starters
Produce
creative
work,
exploring
their ideas
and recording
their
experiences
Know about
great artists,
craft makers
and
designers,
and
understand
the historical
and cultural
development
of their art
forms
Artist’s
intention
ality
Criticality
1. Context: To look at
different mediums and
develop an
understanding of
which is appropriate
for the purpose of
painting a royal
portrait.
2. Children to return
back to the many
different portraits of
Richard III. Discuss
and focus specifically
on the ranges of
colours used. A brief
discussion and link
back to the first lesson
about why this might
be.
3. Refer back to the
vocabulary introduced
in the first lesson
(expression,
background,
foreground, colour,
light). How are they
going to make the
colours required for
their self-portrait?
Where is the light
going to be shining on
them from? How can
they use shade and
light to make their
P a g e 19
portrait look realistic?
If they want to paint
delicate areas e.g.
eyes, lips, jewellery
etc. how’re they going
to do this? How is the
foreground going to
stand out from the
background? Children
to be given time to
experiment with the
media
(paint/watercolours)
on plain pieces of
paper, making and
mixing colours,
different amounts of
water and different
brushes.
4. Make notes for
themselves as a
reminder about the
colours, techniques,
brushes etc. that
they’re intending to
use for their portrait in
busy books.
Scie
nce
Demonstrating
that some
changes are
irreversible
AM
How do
bicarbonate
of soda and
an acid
(vinegar)
react?
To recognise
that
bicarbonate of
soda reacts
with acid
To understand
that this
reaction is
irreversible
Plastics (Y5,
Environment
)
Explain that
some
changes
result in the
formation of
new
materials,
and that this
kind of
change is not
1. Context: Cooking in
the Royal Kitchen –
watch a video
stimulus.
2. PPT: Irreversible
reactions: Chemical
changes involve
reactants and
products.
P a g e 20
How do
Milk and
vinegar
react?
Can this
reaction be
reversed?
Why can’t
this
reaction be
reversed?
What other
reactions
are
irreversible
?
To draw
comparisons
with other
irreversible
reactions
To understand
why the
reaction is
irreversible
usually
reversible,
including
changes
associated
with burning
and the
action of acid
on
bicarbonate
of soda.
3. Sort pictures into
reversible and
irreversible to assess
understanding.
4. Pupils to complete two
experiments for
reversible and
irreversible reactions,
recording results.
a. Bicarbonate of
Soda
experiment
with Balloon.
b. Milk and
Vinegar
experiment.
5. Use what you have
learnt to decide
whether these
statements are true or
false.
Art
Sketching and
painting a self-
portrait, in the
style of a royal
artist
AK
How do I
analyse my
self-
portrait and
make it
purposeful?
To apply the
techniques that
I’ve learnt
(proportions, use
of media, idea of
portrait).
To consider how to
show wealth and
power in my
portrait.
Y4: to
improve
their
mastery of
art and
design
techniques,
including
drawing,
painting:
creating
images with
paintings
Become
proficient in
drawing,
painting,
sculpture and
other art,
craft and
design
techniques
Self-
expressio
n
Criticality
1. Context: Pupils to
apply their skills to
paint a self-portrait in
the style of a royal
portrait, before
showing an awareness
of the strengths and
weaknesses of their
work for its desired
purpose.
2. Children to draw their
self-portrait (this
might need to be re-
modelled briefly as a
reminder). Then to
P a g e 21
Latin 1. Minimus Chapter
Y3: paintings
of houses
paint, in the style of a
royal artist and
applying the
techniques and
knowledge from their
experimentation last
week.
3. Pupils to
collaboratively reflect
on the intentionality
and symbolism of their
painting.
Week 5 – Evaluation and Significance
Music
/His
tory
Recognise the
historic and
symbolic
importance of
Handel’s music
LW
How do I
describe
music?
What
meaning
can music
contain?
How was
music used
throughout
history?
How can
music
To know
terminology to
describe music
To interpret
the meaning of
lyrics
To understand
the historical
importance of
music in
ceremonies
To interpret
the meaning of
a melody
To compare
the role of
Medieval
banquet
music (Y1)
Music and
Nationalism
(Y6)
Appreciate
and
understand a
wide range of
high-quality
live and
recorded
music drawn
from different
traditions and
from great
composers
and
musicians
(Music)
Power and
Governme
nt
Artistic
intentionali
ty
Great
figures
(history)
1. Remind pupils of key
musical vocabulary
then listen to the
Coronation Music
used today (Handel)
and discuss initial
thoughts
2. Read a Handel expert
pack to understand
the context behind
the music
3. Each group to
analyse a different
part of the melody
(e.g. the lyrics, the
P a g e 22
continue to
impact and
inspire
today?
music in the
past to today
Develop an
understandin
g of the
history of
music (Music)
Establish
clear
narratives
within and
across
periods
studied (Hist)
use of strings, the
changes in pitch) and
discuss what they
think they mean
before sharing with
the class
4. Answer questions in
books
5. Plenary: This music
is still used in
coronations today
(and in the
Champions league) –
does it still have the
same meaning in a
modern context?
Art
Evaluating
artwork
AK
In what
ways can I
analyse Art
work?
How do I
improve my
artwork?
To say what I like
about my work.
To make
suggestions about
how I can improve
my work next
time.
To evaluate my
art-work with
reference to
specific vocabulary
and techniques.
Y3/4:
describing
artwork
Y3: to
improve their
mastery of art
and design
techniques
Evaluate and
analyse
creative
works using
the language
of art, craft
and design
Subjectivit
y
Artist’s
intentionali
ty
Criticality
1. To consider how to
evaluate art,
including the
subjectivity of this.
Evaluate the
effectiveness of their
own artwork and
areas to improve.
2. Give them
information on how
to evaluate- sort out
in groups what they
think is effective
evaluation and why.
3. Evaluate each other’s
artwork.
4. Children to stick a
photograph of their
P a g e 23
portrait into their
book. Then write
their evaluation of
their artwork
underneath.
RE
Recognising
the significance
of a Christian
funeral
What is a
funeral?
What
happens at
a Christian
funeral?
What is the
symbolism
behind
component
of a
Christian
funeral?
How do
Christian
beliefs help
believers to
cope with
loss?
To describe
some key
components of
a Christian
funeral
To link the
features of a
Christian
funeral with
Christian
beliefs about
life after death
To describe
how their
beliefs help
Christians cope
with loss
To explain how
Christian
beliefs give
meaning to
both life and
death
People’s
History (Y5,
China)
Deeper
meanings of
celebrations
(Y3)
The meaning
of symbols
(Y1)
Places of
Worship (Y2)
Describe the
impact of
ceremonies
that mark
important
stages in
people’s
lives, making
links to their
own lives
Grace
Afterlife
Inclusion
1. Watch part the RIII
funeral, discuss if
ordinary people’s
funerals would look
like that and, if not,
why not?
2. Each group to look at
a different source
(an order of service,
bible verse, CofE
prayers) for a
Christian funeral and
analyse what they
mean before sharing
3. Describe two images
of the funeral in
books, annotating
key features
4. Plenary - debate if a
funeral is a happy or
a sad occasion for
Christians, and
why/why not
Week 6 – Historical Skills
P a g e 24
His
tory
Thinking
critically to
draw
conclusions
SB
Can you
justify an
opinion
with
evidence?
What does
it mean to
consider
both sides
of an issue?
How do you
draw a
conclusion
on
reliability
and bias in
a source?
What
vocabulary
is
appropriate
to use
when
commentin
g on the
monarchy?
To consider
both sides of
an argument
when putting
forward my
case
To use
information
from more
than one
example as
evidence
To consider
the providence
and
provenance of
my source in
drawing my
opinion
To justify my
opinion in
writing using
evidence to
support my
point(s)
Source
Reliability
(Y4/Y5)
Gender
Equality (Y4-
Y6)
Victorians
(Y6)
Regularly
address and
sometimes
devise
historically
valid
questions
Construct
informed
responses by
selecting
and
organising
relevant
historical
information
Reliability
Bias
Criticality
1. Discussion on Kings
v Queens using
playing card example
on PPT
2. Watch
https://binged.it/2RP
D5GV (on 0.75
speed!) that is
embedded in the PPT
3. Share out the expert
pack to pairs/3’s to
read and discuss,
preparing a
statement according
to number 4 (15
mins to read and
prepare).
4. Pupils to present an
argument as a group
based off their pack
to answer the
question: what was
this monarch’s place
in history and why?
(They need to use
the vocabulary on
the final slide and
comment on their
ideas about reliability
and bias in the pack
info. 2 mins max per
presentation!)
5. Pupils write a PEE
paragraph justifying
their argument.
P a g e 25
His
tory
Comparing
historical
trends between
the past and
present
SB
What are
some of the
jobs the
Queen does
today?
What are
some
differences
between
monarchy
in the past
and in the
present?
How the
role of the
monarchy
today is
different
from that
throughout
early
history?
What
comparison
s can you
draw
between
monarchs
and
democratic
To articulate
similarities and
differences
between
historical
figures over
time
To consolidate
my learning of
this topic to
form a justified
and evidence-
based
conclusion
To compare
and contrast
the monarchy
today and in
the past
Source
Reliability
(Y4/Y5)
How do we
know about
the past?
(Y3)
Change over
time (Y3-Y6)
Events
beyond living
memory that
are
significant
nationally or
globally (Y1)
Changes
within living
memory (Y1)
Victorians
(Y6)
Describe /
make links
between
main events,
situations
and changes
within and
across
different
periods/socie
ties
Note
connections,
contrasts and
trends over
time
Continuity
and
Change
Monarchy
Nobility
Criticality
Equality
Mobility
1. Review the PPT
2. Pupils review the fact
files on QEI and
QEII, completing the
comparison sheet in
their pairs/3’s
3. Class discussion
comparing and
contrasting the two
monarchs
4. Students then to
write as per the PPT
task, be sure to note
the success criteria
P a g e 26
ally elected
leaders? H
isto
ry
Understanding
how democracy
developed in
the UK
SB
How has
British
democracy
evolved?
What was
the role of
Suffragette
s and
Suffragists?
How will
you
construct
arguments
in favour of
votes for
women/all?
To link my
learning with
earlier
examples of
non-violent
protest
To evaluate
my own
actions and
inactions on
issues of
gender
equality and
express those
in writing
To explain the
current role of
British Values,
particularly
democracy, in
my everyday
life
Source
Reliability
(Y4/Y5)
How do we
know about
the past?
(Y3)
Change over
time (Y3-Y6)
Events
beyond living
memory that
are
significant
nationally or
globally (Y1)
Changes
within living
memory (Y1)
Victorians
(Y6)
The lives of
significant
Establish
clear
narratives
within and
across
periods
studied
Describe /
make links
between
main events,
situations
and changes
within and
across
different
periods/socie
ties
Democracy
Suffrage
Continuity
and
Change
Equality
Inclusivity
1. Context: Discussion
of how Britain
became a democracy
(The reform acts of
1832, 1918, 1928 in
particular), including
attitudes to women-
use the info sheet to
support the
discussion
2. Discuss how the
suffragettes broke off
from the suffragists
to form a more
‘extreme’ group and
then watch the HH
suffragette song,
https://www.bbc.co.
uk/cbbc/watch/horrib
le-histories-
suffragettes?collectio
n=horrible-histories-
songs. TTYP about
what you’ve gleaned
3. Read through the
expert pack with
your partner- class
discussion to
P a g e 27
individuals in
the past who
have
contributed
to national
and
international
achievement
(Y1)
ascertain and clarify
new information
4. Pupils to use their
learning to date
about Democracy,
suffrage, and
equality to write a
justified opinion
piece
Week 7 – Links to Future Topics
Geogra
phy/
His
tory
Understand the
impact of
physical
geography on
human life
LW
What is
physical
geography?
How does
geography
affect land-
usage?
How does
the water
cycle work?
What was
life like for
ordinary
people
during
RIII’s
reign?
To recognise
that most
people were
agricultural
labourers
To know that
weather
affects crops
more so than
today
To understand
how the water-
cycle works
Floods
(Dystopia,
Y5)
Harvest
Festival (Y3)
Water Cycle
(Y4, Y5)
The Nile (Y3,
Egyptians)
Weather (Y1
& Y2)
Describe and
understand
key aspects
of the water
cycle (Geo)
Human
geography,
including
types of
settlement
and land use
and economic
activity (Geo)
Establish
clear
narratives
within and
across
periods
studied (Hist)
Equality
Rivers
Water
Cycle
Land-use
Hierarchies
1. Look at the lives of
ordinary people
(People’s history
link) and how most
were farmers.
2. Discuss how reliant
farmers were on the
rain, link to harvest
festival (Y3).
3. Note that we’re not
quite so dependent
on the weather today
due to artificial
irrigation, but it can
still cause issues
(e.g. Lettuce
shortage)
4. Look at the scientific
process behind the
water cycle
5. Plenary: When there
is too little water
P a g e 28
How was
the impact
of weather
more
significant
in the past?
crops fail, what
happens when
there’s too much?
(Floodlands link)
Next Topic: Floodlands