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HEATHER KERN A versatile designer with multi-platform specialties including marketing, magazine design, book jacket design, e-pub, website design, web animations, brochure design, posters, environmental graphics and print-to-web integration.
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+ 646.469.2221 [email protected]
New York, NY
KernHEATHER
marketing magazines books interactive
A versatile designer with
multi-platform specialties including
marketing, magazine design, book
jacket design, e-pub, website design,
web animations, brochure design,
posters, environmental graphics
and print-to-web integration.
HEATHER
Kern+ 646.469.2221 [email protected]
1. Column. Second Site. Silver Medal Redesign. PIX Magazine.
2. Table of Contents. Photoshoot art direction. Silver Medal
Redesign. PIX Magazine. 3. Cover and Logo Design. Photoshoot
art direction. Silver Medal Redesign. PIX Magazine. 4. Column.
E-Projects. Silver Medal Redesign. PIX Magazine.
HEATHER
Kern+ 646.469.2221 [email protected]
pdnedu 23pdnedu 22
Welcome to the world of Elinor Carucci, an Israeli photog-rapher whose savvy, personal work blends a "this-is-life"shrug with an edgy self-consciousness. Her sophisticated,
glib-free technique is a little bit Sally Mann (if Mann's kids, say,were to turn the camera on their parent) and a little bit NanGoldin rock ’n’ roll. The power of Carucci’s work lies not only in itsdetails, but in a bold vulnerability. Whether it's the artist and herhusband entwined, or she and her mother in towels on a hotelroom bed, there is an unspoken history hanging between her sub-jects. Not to mention lots of flesh.
Nudity, says Carucci, "is not an issue with my family. It neverwas.... I see something, like my mother naked, or my father in hisunderwear, and I think, here's an intimate, personal moment thatI want to shoot."
Well, maybe it is that simple. But such overtly sensual workseems to come from a deeper place or motive. Perhaps she's side-stepping, consciously or not, her work's loaded nature. Or maybeshe just doesn't want to talk about it; her work, smart and inter-esting, is ultimately, of course, hers.
Warm and beautiful (her husband is beautiful, too, as is herentire family, which doesn't hurt her work's esthetic), Carucci,only 32, is on a roll. The tip of her iceberg: representation by, andthree solo shows at Ricco/Maresca Gallery; a 2002 GuggenheimFellowship; the 2001 ICP Infinity Award for young photographers;and a book, Closer, published in 2002.
Carucci's resume belies the fact that eight years ago she had noidea how to start her career, which is why, after protesting thatshe's not the one to ask, she offers the following advice: "Goabout your career however you want. I made mistakes out of igno-rance—and they worked. Like if you don't like to go to parties tomeet people, don't go. All the successful photographers I knowhave ‘done it' in different ways."
Carucci landed in New York from Jerusalem in 1995, connec-tionless and unknown. (She did have an aunt in Queens, withwhom she lived.) She brought along a series she'd begun shootingat Jerusalem's Bezalel Academy of Arts and Design—some of thework would eventually appear in Closer—and the naive expecta-tion that she'd swoop on in, get a book deal and swoop back out.
What she did next was as endearing as it was clueless: she hitthe Yellow Pages, writing to the publishers she found there. Onlywhen someone at Rizzoli kindly responded, explaining, amongother things, that, well, perhaps she should get her work into gal-leries first, did she change tactics.
"What they told me was so basic!" says Carucci, laughing atherself. "So I started going to galleries, knocking on doors withmy prints. But even the receptionists intimidated me."
Her naivete, she says, was due in part to Bezalel, which dis-courages students from networking, making contacts or shootingprofessionally. Its philosophy: Students need to be isolated fromthe "real" world, not thrown into it.
"I was against it at the time," she says, "but now I see its ben-efits. I teach at the School of Visual Arts [in New York; she alsoteaches a workshop at ICP and lectures] and the students areobsessed about the market and their careers. That's important,but it's good to have time to concentrate on developing yourselfand your work. I think that, if I'd been one of those who knewhow the market worked, I wouldn't have left my parents' house."
Her break came thanks to a friend of a friend who introducedCarucci to the director of the National Arts Club in 1996. Hequickly put her work in a small group show, for which she hadinvites printed up (in Jerusalem, where it was cheaper). Shedropped them off at a long list of galleries, Ricco/Maresca came,and the rest, as they say, is history. This now includes several soloshows in Europe—most recently this past spring at the Gagosian
it’saliving
Small moments make for Elinor Carucci’s big pictures.Opposite page: “Kiss,” 1998.
Right: “Mother puts on my lipstick,” 1993.
Inside the mind of a Fine-Art PhotographerBy Roberta Bernstein Al
l pho
tos
©El
inor
Car
ucci
Whether it's the artist and her husband entwined, or she and hermother in towels on a hotel room bed, there is an unspoken historyhanging between her subjects. Not to mention lots of flesh.elinorcarucci
pdnedu 23pdnedu 22
Welcome to the world of Elinor Carucci, an Israeli photog-rapher whose savvy, personal work blends a "this-is-life"shrug with an edgy self-consciousness. Her sophisticated,
glib-free technique is a little bit Sally Mann (if Mann's kids, say,were to turn the camera on their parent) and a little bit NanGoldin rock ’n’ roll. The power of Carucci’s work lies not only in itsdetails, but in a bold vulnerability. Whether it's the artist and herhusband entwined, or she and her mother in towels on a hotelroom bed, there is an unspoken history hanging between her sub-jects. Not to mention lots of flesh.
Nudity, says Carucci, "is not an issue with my family. It neverwas.... I see something, like my mother naked, or my father in hisunderwear, and I think, here's an intimate, personal moment thatI want to shoot."
Well, maybe it is that simple. But such overtly sensual workseems to come from a deeper place or motive. Perhaps she's side-stepping, consciously or not, her work's loaded nature. Or maybeshe just doesn't want to talk about it; her work, smart and inter-esting, is ultimately, of course, hers.
Warm and beautiful (her husband is beautiful, too, as is herentire family, which doesn't hurt her work's esthetic), Carucci,only 32, is on a roll. The tip of her iceberg: representation by, andthree solo shows at Ricco/Maresca Gallery; a 2002 GuggenheimFellowship; the 2001 ICP Infinity Award for young photographers;and a book, Closer, published in 2002.
Carucci's resume belies the fact that eight years ago she had noidea how to start her career, which is why, after protesting thatshe's not the one to ask, she offers the following advice: "Goabout your career however you want. I made mistakes out of igno-rance—and they worked. Like if you don't like to go to parties tomeet people, don't go. All the successful photographers I knowhave ‘done it' in different ways."
Carucci landed in New York from Jerusalem in 1995, connec-tionless and unknown. (She did have an aunt in Queens, withwhom she lived.) She brought along a series she'd begun shootingat Jerusalem's Bezalel Academy of Arts and Design—some of thework would eventually appear in Closer—and the naive expecta-tion that she'd swoop on in, get a book deal and swoop back out.
What she did next was as endearing as it was clueless: she hitthe Yellow Pages, writing to the publishers she found there. Onlywhen someone at Rizzoli kindly responded, explaining, amongother things, that, well, perhaps she should get her work into gal-leries first, did she change tactics.
"What they told me was so basic!" says Carucci, laughing atherself. "So I started going to galleries, knocking on doors withmy prints. But even the receptionists intimidated me."
Her naivete, she says, was due in part to Bezalel, which dis-courages students from networking, making contacts or shootingprofessionally. Its philosophy: Students need to be isolated fromthe "real" world, not thrown into it.
"I was against it at the time," she says, "but now I see its ben-efits. I teach at the School of Visual Arts [in New York; she alsoteaches a workshop at ICP and lectures] and the students areobsessed about the market and their careers. That's important,but it's good to have time to concentrate on developing yourselfand your work. I think that, if I'd been one of those who knewhow the market worked, I wouldn't have left my parents' house."
Her break came thanks to a friend of a friend who introducedCarucci to the director of the National Arts Club in 1996. Hequickly put her work in a small group show, for which she hadinvites printed up (in Jerusalem, where it was cheaper). Shedropped them off at a long list of galleries, Ricco/Maresca came,and the rest, as they say, is history. This now includes several soloshows in Europe—most recently this past spring at the Gagosian
it’saliving
Small moments make for Elinor Carucci’s big pictures.Opposite page: “Kiss,” 1998.
Right: “Mother puts on my lipstick,” 1993.
Inside the mind of a Fine-Art PhotographerBy Roberta Bernstein Al
l pho
tos
©El
inor
Car
ucci
Whether it's the artist and her husband entwined, or she and hermother in towels on a hotel room bed, there is an unspoken historyhanging between her subjects. Not to mention lots of flesh.elinorcarucci
1. Column. Portfolio. Silver Medal Redesign. PIX Magazine.
2. Column. It’s a Living. Honorable Mention. Redesign. PDNedu
Magazine. 3. Digital Imaging Contest Insert. Honorable Mention.
PDN/PIX Magazine.
2.
pdnedu 23pdnedu 22
Welcome to the world of Elinor Carucci, an Israeli photog-rapher whose savvy, personal work blends a "this-is-life"shrug with an edgy self-consciousness. Her sophisticated,
glib-free technique is a little bit Sally Mann (if Mann's kids, say,were to turn the camera on their parent) and a little bit NanGoldin rock ’n’ roll. The power of Carucci’s work lies not only in itsdetails, but in a bold vulnerability. Whether it's the artist and herhusband entwined, or she and her mother in towels on a hotelroom bed, there is an unspoken history hanging between her sub-jects. Not to mention lots of flesh.
Nudity, says Carucci, "is not an issue with my family. It neverwas.... I see something, like my mother naked, or my father in hisunderwear, and I think, here's an intimate, personal moment thatI want to shoot."
Well, maybe it is that simple. But such overtly sensual workseems to come from a deeper place or motive. Perhaps she's side-stepping, consciously or not, her work's loaded nature. Or maybeshe just doesn't want to talk about it; her work, smart and inter-esting, is ultimately, of course, hers.
Warm and beautiful (her husband is beautiful, too, as is herentire family, which doesn't hurt her work's esthetic), Carucci,only 32, is on a roll. The tip of her iceberg: representation by, andthree solo shows at Ricco/Maresca Gallery; a 2002 GuggenheimFellowship; the 2001 ICP Infinity Award for young photographers;and a book, Closer, published in 2002.
Carucci's resume belies the fact that eight years ago she had noidea how to start her career, which is why, after protesting thatshe's not the one to ask, she offers the following advice: "Goabout your career however you want. I made mistakes out of igno-rance—and they worked. Like if you don't like to go to parties tomeet people, don't go. All the successful photographers I knowhave ‘done it' in different ways."
Carucci landed in New York from Jerusalem in 1995, connec-tionless and unknown. (She did have an aunt in Queens, withwhom she lived.) She brought along a series she'd begun shootingat Jerusalem's Bezalel Academy of Arts and Design—some of thework would eventually appear in Closer—and the naive expecta-tion that she'd swoop on in, get a book deal and swoop back out.
What she did next was as endearing as it was clueless: she hitthe Yellow Pages, writing to the publishers she found there. Onlywhen someone at Rizzoli kindly responded, explaining, amongother things, that, well, perhaps she should get her work into gal-leries first, did she change tactics.
"What they told me was so basic!" says Carucci, laughing atherself. "So I started going to galleries, knocking on doors withmy prints. But even the receptionists intimidated me."
Her naivete, she says, was due in part to Bezalel, which dis-courages students from networking, making contacts or shootingprofessionally. Its philosophy: Students need to be isolated fromthe "real" world, not thrown into it.
"I was against it at the time," she says, "but now I see its ben-efits. I teach at the School of Visual Arts [in New York; she alsoteaches a workshop at ICP and lectures] and the students areobsessed about the market and their careers. That's important,but it's good to have time to concentrate on developing yourselfand your work. I think that, if I'd been one of those who knewhow the market worked, I wouldn't have left my parents' house."
Her break came thanks to a friend of a friend who introducedCarucci to the director of the National Arts Club in 1996. Hequickly put her work in a small group show, for which she hadinvites printed up (in Jerusalem, where it was cheaper). Shedropped them off at a long list of galleries, Ricco/Maresca came,and the rest, as they say, is history. This now includes several soloshows in Europe—most recently this past spring at the Gagosian
it’saliving
Small moments make for Elinor Carucci’s big pictures.Opposite page: “Kiss,” 1998.
Right: “Mother puts on my lipstick,” 1993.
Inside the mind of a Fine-Art PhotographerBy Roberta Bernstein Al
l pho
tos
©El
inor
Car
ucci
Whether it's the artist and her husband entwined, or she and hermother in towels on a hotel room bed, there is an unspoken historyhanging between her subjects. Not to mention lots of flesh.elinorcarucci
+ 646.469.2221 [email protected]
MAGAZINES1.
3.
HEATHER
Kern+ 646.469.2221 [email protected]
1. Column. One to Watch. Honorable Mention. Redesign. PDNedu Magazine.
2. Cover. Bronze Medal Redesign. Quarterly Magazine. ASMP (American Society
of Media Photographers) Bulletin. 3. Cover and Logo Design. DVNY Home
Magazine. 4. Cover. Digital Imaging Contest Insert. Honorable Mention. PDN/PIX
Magazine. 5 Column. Retail Corner. DVNY Home Magazine.
1.
HEATHER
Kern+ 646.469.2221 [email protected]
A S M P B U L L E T I N 2 5
PAUL SELIGMAN CAPTURED THE DRAMA BEHIND THE GLITTERING FOOTLIGHTS
PARTINGSHOT
It wasn’t until after Brooklyn-born Paul Seligman first proved his
worth as a political and sports cartoonist for the Atlanta
Constitution and as a U.S. Army newspaper reporter in the South
Pacific during World War II, that he turned his attentions to photog-
raphy. He sold his first photograph—of Andrei Vishinsky, the
Russian U.N. delegate, buying a suit at the luxe department store Saks
Fifth Avenue—to LIFE 200 in 1953.
Seligman covered politics extensively, first on paper and then
behind the lens—four of his photographs from the 1964 presiden-
tial campaign now reside in the Museum of Modern Art’s perma-
nent collection.
As a photographer for the New School of Social Research during
the tumultuous Sixties and Seventies, he documented not only a stu-
dent body at the cutting edge of a society in flux, but also the faculty
and guest lecturers, Edward Albee, Thelonius Monk and Martha
Graham among them, whose ideas helped foment that cultural shift.
For two decades, Seligman, who passed away in May of 2002, was
also given privileged access to photograph the Metropolitan Opera
Company, including the October 29, 1956 debut of diva Maria Callas,
pictured here after the historic performance with then-doting hus-
band Giovanni Meneghini—long before Greek tycoon Aristotle
Onassis swept her away.
—AB
©Pa
ul S
elig
man
1. Column. Domestic Trends. Redesign. Worklife Magazine.
2. Cover. Wedding Photography Contest Insert. Top Knots.
Honorable Mention. Photo District News/PDN Magazine. 3. Column.
Bronze Medal Redesign. Quarterly Magazine. ASMP (American
Society of Media Photographers) Bulletin. 4. Cover and logo
design. Redesign. PDNedu Magazine.
+ 646.469.2221 [email protected]
MAGAZINES
A S M P B U L L E T I N 2 5
PAUL SELIGMAN CAPTURED THE DRAMA BEHIND THE GLITTERING FOOTLIGHTS
PARTINGSHOT
It wasn’t until after Brooklyn-born Paul Seligman first proved his
worth as a political and sports cartoonist for the Atlanta
Constitution and as a U.S. Army newspaper reporter in the South
Pacific during World War II, that he turned his attentions to photog-
raphy. He sold his first photograph—of Andrei Vishinsky, the
Russian U.N. delegate, buying a suit at the luxe department store Saks
Fifth Avenue—to LIFE 200 in 1953.
Seligman covered politics extensively, first on paper and then
behind the lens—four of his photographs from the 1964 presiden-
tial campaign now reside in the Museum of Modern Art’s perma-
nent collection.
As a photographer for the New School of Social Research during
the tumultuous Sixties and Seventies, he documented not only a stu-
dent body at the cutting edge of a society in flux, but also the faculty
and guest lecturers, Edward Albee, Thelonius Monk and Martha
Graham among them, whose ideas helped foment that cultural shift.
For two decades, Seligman, who passed away in May of 2002, was
also given privileged access to photograph the Metropolitan Opera
Company, including the October 29, 1956 debut of diva Maria Callas,
pictured here after the historic performance with then-doting hus-
band Giovanni Meneghini—long before Greek tycoon Aristotle
Onassis swept her away.
—AB
©Pa
ul S
elig
man
top knots
g e t t i n g r e a d y c e r e m o n i e s p o r t r a i t s r e c e p t i o n d e t a i l s c a n d i d
the new school of wedding photography
pdn
©W
es J
ohns
on
®
1. 2.
3. 4.
HEATHER
Kern+ 646.469.2221 [email protected]
1. Cover. and Logo Design. Green Matters Magazine. 2. Cover
and Logo Design. DVNY Home Magazine. 3. Cover and logo
design. Redesign. PDNedu Magazine. 4. Interior Spread.
DVNY Home Magazine.
1.
HEATHER
Kern+ 646.469.2221 [email protected]
SOUTH ORANGE
PERFORMING ARTS CENTER
SEE IT ALL
SEASON2011-12
1. Postcard. Hot Peas and Butter. SOPAC Performing Arts
Center. 2. Season Announcement Booklet. SOPAC Performing
Arts Center. 3. Membership Booklet. Jazz House Kids. 4. Powerpoint
Presentation. The Huffington Post.
THE HUFFINGTON POST A Seriously Addictive Web Experience
This is Who We Are
We speak with a unique perspective and voice Macro Advertiser Objectives
n Client Specific Ad Objectives
n What HuffPost Stands For
n HuffPost Audience Profiles
n Audience Engagement Options
TH
E H
UFF
ING
TO
N P
OST
TH
E H
UFF
ING
TO
N P
OST
Growth versus Other Major News Sites
Source: comScore MediaMetrix panel only
+ 646.469.2221 [email protected]
MAGAZINES
SOUTH ORANGE
PERFORMING ARTS CENTER
SEE IT ALL
SEASON2011-12 JAZZ
HOUSE
KiDSA world-class music initiative…
In your own backyard
Let your voice be heard
FOR MORE INFORMATIONContact JAZZ HOUSE KIDS
973.744.2273www.jazzhousekids.org
Jazz House Kids is a 501(c)(3) non-profit organization. Your contributions are tax-deductible to the fullest extent allowed by law.
JAZZHOUSE
KiDS
Pho
tog
raphy b
y Richard
Co
nde and
Chris D
rukker
Desig
n by H
eather Kern, P
op
shop
Stud
io
Award-winning Jazz House Big Band
JAZZHOUSE KiDS
1.
2. 3.
4.
FRI l JULY 25 l 7pm
SOpACSOUTH ORANGE pERFORmING ARTS CENTER ONE SOPAC WAY, SOUTH ORANGE, NJ
TICKETS $15, $8 for children under 18
(and students with ID)973.313.ARTS (2787)
www.sopacnow.org
BEATAn innovative and original production
about a band that must choose between
using their talent for a greater good or
getting on the fast track to fame.
SOpAC EDUCATION
Summer 2008
ArtWorks
Pho
to b
y Ju
lia L
arso
n S
aper
stei
n
1. Poster. Art Direction Photoshoot. ArtWorks
Education. SOPAC Performing Arts Center.
2. GALA Save the Date. The Liberty Science
Center. 3. Poster. 100 Year Anniversary. The
New York Society of Ethical Culture. 4. Poster.
New York/NPR Job Fair. The New York Society
of Ethical Culture.
FRI l JULY 25 l 7pm
SOpACSOUTH ORANGE pERFORmING ARTS CENTER ONE SOPAC WAY, SOUTH ORANGE, NJ
TICKETS $15, $8 for children under 18
(and students with ID)973.313.ARTS (2787)
www.sopacnow.org
BEATAn innovative and original production
about a band that must choose between
using their talent for a greater good or
getting on the fast track to fame.
SOpAC EDUCATION
Summer 2008
ArtWorks
Pho
to b
y Ju
lia L
arso
n S
aper
stei
n
+ 646.469.2221 [email protected]
MARKETING
COCKTAILS AWARD-WINNING
IMAX® DOME EXPERIENCEDINNER
DANCING
All gala proceeds will benefit Liberty Science Center’s exhibitions and programs, which offer exceptional experience for learners of all ages—onsite, offsite and online.
Please contact Elizabeth Bennett at 908.322.1100 or [email protected] to inquire about our many excit ing opportunit ies for participation.
LIBERTY SCIENCE CENTERLiberty State Park, Jersey City, NJ
BLACK TIE
www.lsc.org
G A L AS AV E T H E D AT EF R I D A Y A P R I L 2 7 , 2 0 1 2
2012
1. 2.
3. 4.
FRI l JULY 25 l 7pm
SOpACSOUTH ORANGE pERFORmING ARTS CENTER ONE SOPAC WAY, SOUTH ORANGE, NJ
TICKETS $15, $8 for children under 18
(and students with ID)973.313.ARTS (2787)
www.sopacnow.org
BEATAn innovative and original production
about a band that must choose between
using their talent for a greater good or
getting on the fast track to fame.
SOpAC EDUCATION
Summer 2008
ArtWorks
Pho
to b
y Ju
lia L
arso
n S
aper
stei
n
Name:
Address:
City: State : Zip:
Day Phone:
Evening Phone: Email:
Please charge my:
q American Express q Mastercard q Visa q Discover
Card Number: Exp Date:
Signature:
q I would like to pay by check (please make check payable to SOPAC)
q Send check payable to SOPAC SOPAC One SOPAC Way South Orange, NJ 07079
SEASON THREE 08 l 09 SUBSCRIPTION ORDER FORM
You can fax this form to: 973.275.0688Call the Box Office: 973.313.ARTS (2787) Or visit us online: sopacnow.org
Performance Price Quantity Total
SHOW #1
x SHOW #2
x SHOW #3
x SHOW #4
x SHOW #5
x SHOW #6
x SHOW #7
x SHOW #8
x
Per order service charge 7.00
Become a SOPAC member at the level
Total Amount Due
Purchase an equal number of tickets to 3 and 4 performances and save 15% off of the regular ticket price. Purchase an equal number of tickets to 5 or more performances and save 25% off the regular ticket price. Special events (Judy Collins, Ashford and Simpson) are not available for purchase within subscription packages. Subscriptions may not be combined with any other offer. For discounted ticket prices, see next page.
Name:
Address:
City: State : Zip:
Day Phone:
Evening Phone: Email:
Please charge my:
q American Express q Mastercard q Visa q Discover
Card Number: Exp Date:
Signature:
q Send check payable to SOPAC SOPAC One SOPAC Way South Orange, NJ 07079
SEASON THREE 08 l 09 SUBSCRIPTION ORDER FORM
You can fax this form to: 973.275.0688Call the Box Office: 973.313.ARTS (2787) Or visit us online: sopacnow.org
Performance Price Quantity Total
SHOW #1
x SHOW #2
x SHOW #3
x SHOW #4
x SHOW #5
x SHOW #6
x SHOW #7
x SHOW #8
x
Per order service charge 7.00
Become a SOPAC member at the level
Total Amount Due
Purchase an equal number of tickets to 3 and 4 performances and save 15% off of the regular ticket price. Purchase an equal number of tickets to 5 or more performances and save 25% off the regular ticket price. Special events (Judy Collins, Ashford and Simpson) are not available for purchase within subscription packages. Subscriptions may not be combines with any other offer. For discounted ticket prices, see next page.
and mail with payment to:SOPAC Box Office
One SOPAC WaySouth Orange, NJ 07079
SOUTH ORANGE PERFORMING ARTS CENTER
Purchase an equal number of tickets to 3 or 4 performances and save 15% off of the regular ticket price. Purchase an equal number of tickets to 5 or more performances and save 25% off the regular ticket price. Special events (Judy Collins, Ashford and Simpson) are not available for purchase within subscription packages. Subscriptions may not be combined with any other offer.
membershipSOPAC offers memberships that fit your interests and your
budget. We’ve added new member events, exclusive member discounts on tickets and special offers from local businesses.
For more information about becoming a SOPAC member, please contact the Membership Department at
[email protected] or 973.275.1114 x106.
It’s a perfect fit. Student (under 25) and
Senior (over 62) | $45Individual one adult | $55
Family two adults | $100 Friend of SOPAC begins at | $250 Supporter begins at | $500 Producers Circle begins at | $1,200 Leaders Circle begins at | $2,500 Vanguard Circle begins at | $5,000
+supportContributions to our annual and capital funds from individuals, corporations and foundations are key to our continued success. There are many ways to join us and become a part of SOPAC. From donating, to volunteering, to becoming a member.
SOPAC welcomes you.
Special thanks to our volunteers, our donors, and to The Village of South Orange, Seton Hall University, WaMu, The Wilshire Grand Hotel, Advanced Parking Concepts, Restaurant MC and Whole Foods for their essential support.rt.
For information about making a gift or naming opportunities, please contact the Development Department at 973.275.1114 x108
Box OfficeLocated in main lobby at SOPAC
Monday–Friday: 12 noon–7pmSaturday: 10am–2pm
Sunday: CLOSED
The Box Office is also open two hours before all performances
Online sopacnow.org
Phone 973.313.ARTS (2787)
MailComplete ticket order form
and mail with payment to:SOPAC Box Office
One SOPAC WaySouth Orange, NJ 07079
$3.00 per ticket service charge
applies to all phone and online orders
$7.00 per order service charge applies to all mail orders
4 ways to order
SOPAC is a 501(c)3 not-for-profit organization
SO
UTH
OR
AN
GE
P
ER
FOR
MIN
G A
RTS
CE
NTE
RO
ne SO
PAC
Way
South O
range, NJ 07079
NO
N P
RO
FIT OR
G.
U.S
. PO
STA
GE
PA
IDP
ER
MIT N
O. 13
SO
UTH
OR
AN
GE
, NJ
SEASONTHREE
musicfamily
dancetheater
comedy LuraDiane SchuurFather GooseReduced Shakespeare Company The Complete History of America (abridged) Max Raabe & Palast OrchesterGreat Big SeaThe Discovery Orchestra: Discover SousaPaula PoundstoneSimone & Rachael PriceSuzanne VegaRussian American Kids CircusThe Comedy Genius of Pat CooperJudy CollinsThe RochesThe Nutcracker New York Theatre BalletThe LettermenImani WindsThe DupreesThe Paper Bag PlayersThe Velveteen Rabbit Enchantment Theatre CompanyRachelle FerrellNai-Ni Chen Dance Company Chinese New Year Celebration Orpheus Chamber Orchestra with special guest Anoushka Shankar Joshua Redman TrioLadysmith Black Mambazo Philadanco The Dream Jam BandThe Puppini Sisters Ashford & SimpsonJoe Bonamasa Danú Christian McBride The Discovery Orchestra: Discover Beethoven’s 5thA Couple of Blaguards By Frank McCourt & Malachy McCourtOleta AdamsAn Evening with Robert KleinThe Sippy CupsAmerican Repertory BalletMama’s Night OutLuna Negra Dance Theater Elena Baksht The Spy l The Acting Company
Fri | Oct 3
Sat | Oct 4Sun | Oct 5Tue | Oct 7
Fri | Oct 10Thu | Oct 30 Sun | Nov 2 Fri | Nov 7
Sat | Nov 8 Sat | Nov 15
Sun | Nov 16Sat | Nov 22Sun | Nov 23
Fri | Dec 5Wed | Dec 10
Thu | Dec 11Fri | Dec 12
Sun | Dec 19Sun | Dec 21Sun | Jan 11
Sun | Jan 18Sat & Sun
Jan 24 & 25Fri | Jan 30
Sat | Jan 31Mon | Feb 2
Sat | Feb 7Sun | Feb 8
Thu | Feb 12Sat | Feb 14Sun | Feb 15Wed | Mar 4
Fri | Mar 6Sun | Mar 8
Sat | Mar 14
Fri | Mar 20Fri | Mar 27
Sun | Mar 29Sat | Apr 18
Fri | May 1Sat | May 2Sun | May 3Fri | May 15
Cov
er p
hoto
of P
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dan
co b
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is G
reen
field
There was the p
leasure of the venue, a 415-seat theater w
here the artists seem close no m
atter where you sit.
–Star Led
ger
SEA
SO
NTH
REE
08l09m
usicfam
ilydancetheater
comedy
SOUTH ORANGE PERFORMING ARTS CENTER
1. Poster and Stage Graphics.
Concerts in the Park. SOPAC
Performing Arts Center. 2. Postcard.
Urban Bush Women Dance.
3. Brochure. Education School Time
Performances. SOPAC Performing
Arts Center. 4. Season Announcement
Brochure and Poster. SOPAC
Performing Arts Center.
Name:
Address:
City: State : Zip:
Day Phone:
Evening Phone: Email:
Please charge my:
q American Express q Mastercard q Visa q Discover
Card Number: Exp Date:
Signature:
q I would like to pay by check (please make check payable to SOPAC)
q Send check payable to SOPAC SOPAC One SOPAC Way South Orange, NJ 07079
SEASON THREE 08 l 09 SUBSCRIPTION ORDER FORM
You can fax this form to: 973.275.0688Call the Box Office: 973.313.ARTS (2787) Or visit us online: sopacnow.org
Performance Price Quantity Total
SHOW #1
x SHOW #2
x SHOW #3
x SHOW #4
x SHOW #5
x SHOW #6
x SHOW #7
x SHOW #8
x
Per order service charge 7.00
Become a SOPAC member at the level
Total Amount Due
Purchase an equal number of tickets to 3 and 4 performances and save 15% off of the regular ticket price. Purchase an equal number of tickets to 5 or more performances and save 25% off the regular ticket price. Special events (Judy Collins, Ashford and Simpson) are not available for purchase within subscription packages. Subscriptions may not be combined with any other offer. For discounted ticket prices, see next page.
Name:
Address:
City: State : Zip:
Day Phone:
Evening Phone: Email:
Please charge my:
q American Express q Mastercard q Visa q Discover
Card Number: Exp Date:
Signature:
q Send check payable to SOPAC SOPAC One SOPAC Way South Orange, NJ 07079
SEASON THREE 08 l 09 SUBSCRIPTION ORDER FORM
You can fax this form to: 973.275.0688Call the Box Office: 973.313.ARTS (2787) Or visit us online: sopacnow.org
Performance Price Quantity Total
SHOW #1
x SHOW #2
x SHOW #3
x SHOW #4
x SHOW #5
x SHOW #6
x SHOW #7
x SHOW #8
x
Per order service charge 7.00
Become a SOPAC member at the level
Total Amount Due
Purchase an equal number of tickets to 3 and 4 performances and save 15% off of the regular ticket price. Purchase an equal number of tickets to 5 or more performances and save 25% off the regular ticket price. Special events (Judy Collins, Ashford and Simpson) are not available for purchase within subscription packages. Subscriptions may not be combines with any other offer. For discounted ticket prices, see next page.
and mail with payment to:SOPAC Box Office
One SOPAC WaySouth Orange, NJ 07079
SOUTH ORANGE PERFORMING ARTS CENTER
Purchase an equal number of tickets to 3 or 4 performances and save 15% off of the regular ticket price. Purchase an equal number of tickets to 5 or more performances and save 25% off the regular ticket price. Special events (Judy Collins, Ashford and Simpson) are not available for purchase within subscription packages. Subscriptions may not be combined with any other offer.
membershipSOPAC offers memberships that fit your interests and your
budget. We’ve added new member events, exclusive member discounts on tickets and special offers from local businesses.
For more information about becoming a SOPAC member, please contact the Membership Department at
[email protected] or 973.275.1114 x106.
It’s a perfect fit. Student (under 25) and
Senior (over 62) | $45Individual one adult | $55
Family two adults | $100 Friend of SOPAC begins at | $250 Supporter begins at | $500 Producers Circle begins at | $1,200 Leaders Circle begins at | $2,500 Vanguard Circle begins at | $5,000
+supportContributions to our annual and capital funds from individuals, corporations and foundations are key to our continued success. There are many ways to join us and become a part of SOPAC. From donating, to volunteering, to becoming a member.
SOPAC welcomes you.
Special thanks to our volunteers, our donors, and to The Village of South Orange, Seton Hall University, WaMu, The Wilshire Grand Hotel, Advanced Parking Concepts, Restaurant MC and Whole Foods for their essential support.rt.
For information about making a gift or naming opportunities, please contact the Development Department at 973.275.1114 x108
Box OfficeLocated in main lobby at SOPAC
Monday–Friday: 12 noon–7pmSaturday: 10am–2pm
Sunday: CLOSED
The Box Office is also open two hours before all performances
Online sopacnow.org
Phone 973.313.ARTS (2787)
MailComplete ticket order form
and mail with payment to:SOPAC Box Office
One SOPAC WaySouth Orange, NJ 07079
$3.00 per ticket service charge
applies to all phone and online orders
$7.00 per order service charge applies to all mail orders
4 ways to order
SOPAC is a 501(c)3 not-for-profit organization
SO
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. PO
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, NJ
SEASONTHREE
musicfamily
dancetheater
comedy LuraDiane SchuurFather GooseReduced Shakespeare Company The Complete History of America (abridged) Max Raabe & Palast OrchesterGreat Big SeaThe Discovery Orchestra: Discover SousaPaula PoundstoneSimone & Rachael PriceSuzanne VegaRussian American Kids CircusThe Comedy Genius of Pat CooperJudy CollinsThe RochesThe Nutcracker New York Theatre BalletThe LettermenImani WindsThe DupreesThe Paper Bag PlayersThe Velveteen Rabbit Enchantment Theatre CompanyRachelle FerrellNai-Ni Chen Dance Company Chinese New Year Celebration Orpheus Chamber Orchestra with special guest Anoushka Shankar Joshua Redman TrioLadysmith Black Mambazo Philadanco The Dream Jam BandThe Puppini Sisters Ashford & SimpsonJoe Bonamasa Danú Christian McBride The Discovery Orchestra: Discover Beethoven’s 5thA Couple of Blaguards By Frank McCourt & Malachy McCourtOleta AdamsAn Evening with Robert KleinThe Sippy CupsAmerican Repertory BalletMama’s Night OutLuna Negra Dance Theater Elena Baksht The Spy l The Acting Company
Fri | Oct 3
Sat | Oct 4Sun | Oct 5Tue | Oct 7
Fri | Oct 10Thu | Oct 30 Sun | Nov 2 Fri | Nov 7
Sat | Nov 8 Sat | Nov 15
Sun | Nov 16Sat | Nov 22Sun | Nov 23
Fri | Dec 5Wed | Dec 10
Thu | Dec 11Fri | Dec 12
Sun | Dec 19Sun | Dec 21Sun | Jan 11
Sun | Jan 18Sat & Sun
Jan 24 & 25Fri | Jan 30
Sat | Jan 31Mon | Feb 2
Sat | Feb 7Sun | Feb 8
Thu | Feb 12Sat | Feb 14Sun | Feb 15Wed | Mar 4
Fri | Mar 6Sun | Mar 8
Sat | Mar 14
Fri | Mar 20Fri | Mar 27
Sun | Mar 29Sat | Apr 18
Fri | May 1Sat | May 2Sun | May 3Fri | May 15
Cov
er p
hoto
of P
hila
dan
co b
y Lo
is G
reen
field
There was the p
leasure of the venue, a 415-seat theater w
here the artists seem close no m
atter where you sit.
–Star Led
ger
SEA
SO
NTH
REE
08l09
music
family
dancetheater
comedy
SOUTH ORANGE PERFORMING ARTS CENTER
+ 646.469.2221 [email protected]
MARKETING
1.
2. 3.
4.
JONATHAN
FELDMAN
A philandering husband...
His dead wife...
And one very nasty last
will and testament!
THE HAPPIEST PLACE ON EARTH!THE HAPPIEST PLACE ON EARTH!
yummy in my tummy
Fredrica Syren
Healthy cooking for the whole family
FREDRICA SYREN is the author of the respected family cooking blog sunnyyogakitchen.blogspot.com. Her interest in cooking began while growing up in Karlstad, Sweden with her mother who was a classically trained chef. From an early age, Fredrica was exposed to cooking both at home and in her mother’s restaurant, where a wide array of international culinary influences were present. She has been teaching yoga for over a decade and has become interested in the links between nutrition and health, as well as the correlation between healthy eating and physical performance. She is a valuable source of health and nutritional information for friends and family, a circle which has widened via the success of her blog. As a mother of two, she is committed to raising healthy children and she developed a passion for creating delicious and easy recipes that bring health and enjoyment to both the children and the adults in her extended family, including the non-vegetarians! As the daughter of a chef, she prides herself on always bringing delicious meals and a warm welcome to all that sit at her table; she is excited to share the best of her kitchen experiences with the readers of this cookbook.
JONATHAN
FELDMAN
A philandering husband...
His dead wife...
And one very nasty last
will and testament!
THE HAPPIEST PLACE ON EARTH!THE HAPPIEST PLACE ON EARTH!
COSIMO CLASSICS
5.5 x 8.5
Throughthe
ookingGlass
LL e w I S C a R R O L L
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S I R J O h n t e n n I e L
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hrough the ooking Glass
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COSIMO
n 1865, English author CHARLES LUTWIDGE DODGSON (1832–1898), aka Lewis Carroll, wrote a fantastical adventure story for
the young daughters of a friend. The adventures of Alice—named for one of the little girls to whom the book was dedicated—who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world.
In 1872, in reaction to the universal acclaim *Alice’s Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson’s wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess—all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today’s pop culture than the first book.
This unabridged replica edition features the original illustrations by English artist SIR JOHN TENNIEL (1820–1914), and is sure to become a treasured volume in any library, and one turned to again and again for endless amusement.
COSIMO CLASSICS offers distinctive titles by the great authors and thinkers who have inspired, informed and engaged readers throughout the ages. For more Cosimo Classics titles, please visit cosimobooks.com.
0.2925.5 x 8.5
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Children’s Literature
I
+ 646.469.2221 [email protected]
BOOKS
gardening food & nutrition child & baby care home book about food blog
gardening
food & nutrition
child &baby
home
yummy in my tummy
Fredrica Syren
Healthy cooking for the whole family
book
about
food blog
gardening
Time to turn it over!by Fredrica on OCTOBER 12, 2011One of the school expenses I opt out of for my children are individual school pictures. I don’t mind buying their class pictures because I want them to have the same record of growing up with their classmates that I did. However, I’ve decided to stop buying the individual portraits. The minimum package is $18. One of the school expenses I opt out of for my children are individual school pictures. I don’t mind buying thekage is $18. One of the school expenses I opt out of for my children are individual school pictures. I don’t mind buying their class pictures because I want them to have the same record of growing up with their classmates that I did. However, I’ve decided to stop buying the individual portraits. The minimum package is $18
{ 2 comments }
your guide to the best for your family.
1. Website and Logo Design. valleyartsdistict.
org. 2. Website and Logo Design. Pediatrics
Northwest. 3. Website and Logo Design.
green-mom.com. 4. Website and Logo
Design. urbanbushwomen.org. 4. Website
Design. cosimobooks.com.
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Welcome!We wish to welcome your family to our practice. It is the intent of Pediatrics Northwest, P.S. to insure every visit with us is a quality experience.
Please bring any forms and medical records with you to your visit. If you have questions about what to bring or need additional information, please call 253-383-5777 during normal office hours.
Items to bring to your visit:Any completed formsYour Insurance cards/couponsAny previous medical records and immunization recordsYour co payMake a list of questions you wish to ask your provider. Northwest Welcome to Pediatrics Northwest Welcome to Pediatrics Northwest Welcome to Pediatrics Northwest Welcome to Pediatrics Northwest.
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Our schedulers are trained to get your child in as soon as needed for every visit. At certain times of the year our appointment schedules are heavier than normal. We have established practices with our schedulers to always work with the providers to get your child in to be seen as soon as needed. In the event of an emergency or illness we always leave some appointments open for scheduling
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about us
gardening food & nutrition child & baby care home book about food blog
gardening
food & nutrition
child &baby
home
yummy in my tummy
Fredrica Syren
Healthy cooking for the whole family
book
about
food blog
gardening
Time to turn it over!by Fredrica on OCTOBER 12, 2011One of the school expenses I opt out of for my children are individual school pictures. I don’t mind buying their class pictures because I want them to have the same record of growing up with their classmates that I did. However, I’ve decided to stop buying the individual portraits. The minimum package is $18. One of the school expenses I opt out of for my children are individual school pictures. I don’t mind buying thekage is $18. One of the school expenses I opt out of for my children are individual school pictures. I don’t mind buying their class pictures because I want them to have the same record of growing up with their classmates that I did. However, I’ve decided to stop buying the individual portraits. The minimum package is $18
{ 2 comments }
your guide to the best for your family.
+ 646.469.2221 [email protected]
WEB1. 2.
3. 4.
5.
KernHEATHER
EXPERIENCESOPACPerforming Arts CenterSouth Orange, NJJune 2007- Present
DVNYDevelopment NY MagazineWorklife MagazineHoboken, NJJune 2005-May 2007
Popshop DesignNew York, NYJuly 2002-Present
PIX MagazinePhoto District News MagazineNew York, NYApril 2000-June 2001
Photo District News MagazineNew York, NYApril 2000-June 2001
Consulting Art Director. Developed and managed design of a vibrant performing art center’s marketing materials, including invitations, advertisements, brochures, animations, posters, environmental graphics, flyers, vouchers, direct mail and print-to-web newsletters. Supervised design staff and collaborated with editorial, production, marketing, sales, and licensing departments to build cohesive brand identities across all platforms in a fast paced, lively artistic environment. Integrated with marketing team to conceive, implement, and launch online/interactive campaigns. Responsible for marketing logistics, including event production and collateral coordination. Oversaw social media for the Executive Director, including writing creative content, generating social media strategies, executing contests and tracking analytics.
Consulting Art Director. Designed two monthly magazines for this trade magazine publisher. Responsible for art, photography and design of shelter and lifestyle magazines, shaping all issues from conception to completion. Managed art staff, interns and editorial budget. Directed all pho-to shoots and commissioned illustrations. Designed special newsstand-only issues, supplemental subscriber guides, collateral and tradeshow graphics. Photographed covers, features and product reviews. Managed ad trafficking, magazine production and marketing.
Art Director. Founded this full-service multi-platform boutique design studio. Specialties include branding, magazine design, book jacket design, e-pub, website design, web animations, brochure design, posters, environmental graphics and print-to-web integration. Direct a team of freelance designers, information architects, illustrators, interface developers and flash artists. Expert level understanding of graphic design, information architecture, usability, technology, and experience design.
Art Director. Relaunched digital photography magazine with a national award-winning redesign. Directed all photo shoots and commissioned illustrations. Designed special newsstand-only issues, supplemental subscriber guides, collateral and tradeshow graphics. Photographed covers, features and product reviews. Managed art staff, interns and editorial budget. Managed ad trafficking, magazine production and marketing.
Associate Art Director. Developed feature and cover story design, text formatting, style sheets, photo research and selection for Photo District News, the industry recognized magazine for professional photographers.
Random HouseBallantine BooksNew York, NYApril 1997-October 1999
Simon and SchusterNew York, NYJune 1996-April1997
Henry Holt and CompanyNew York, NYFebruary 1994-June 1996
EDUCATION
PROGRAMS/TECHNICAL
Senior Designer. Led jacket design of trade and mass market fiction for this international publisher. Responsible for all phases of book jacket concept development and quality control through final phases including art direction of illustrators and photographers, creation of original hi-res digital illustration in Photoshop, logo type and font manipulation in Illustrator, supervision of design production staff in reprint and jacket mechanical stages.
Designer. Performed book design—covers and interiors—of trade books for this international publisher of trade fiction and nonfiction. All phases of concept development, including art direction of freelancers and daily back and forth with editors during package development.
Junior Designer. Responsible for all stages of adult trade book jacket development, from design origination to final phases of 4/C print production. Daily interaction with the editors, authors, artists, and illustrators.
Parsons School of Design, NYC Communication Design-Photography/B.F.A. Studies Indiana University, English Literature/B.S.
CS5.5 InDesign, Photoshop, Illustrator, Dreamweaver, Flash, K4, W3C standards, PHP, Mobile and HTML5
+ 646.469.2221 [email protected]
RESUME
marketing magazines books interactive
New York, NY
KernHEATHER
+ 646.469.2221 [email protected]
popshopstudio.com
