geometry
Semester genap 2012/2013
Geometry & Creativity
From Ghyka and the Euclidean practises of the Modern movement To
the exploration of the apparent non-Euclidian by Post Modern
pioneers of the non Historicist stock Eisenman, Gehry,
HadidGeometric Forms1. The divine 2. The free form
3. The combinatorial form
The form whose existence is undeniableBased on personal decision
of the designer (curves of no apparent origin, unfamiliar
shapes)Geometric shapes composed of parts of the divine & parts
that may belong to free, accomodate the complexity of the
occasional architectural problem
The various lines & geometric shapes and their architectural
application through time
The various lines & geometric shapes and their architectural
application through time
Efforts to address issues of non-Euclidean geometry
Unique geometric application (Goff)Use of polygonal &
polyhedric systems (Wright, Goff, Hecker)
Use of polygonal & polyhedric systems (Wright, Goff,
Hecker)
Summary of geometric basics after Matila Ghyka.After the
original publication in French 1931.
Craig Blackmon, School of Architecture building, fourth-year
design studio @UT Arlington, 1978
John Frederickson, School of Architecture building, fourth-year
design studio @ UT Arlington, 1978,
GEOMETRIC FIELDFrom the abstractions of Piet Mondrian to the
exercises of John HejdukFrom the early efforts of Peter Eisenman to
the Design Studio (Rich Scherr)
From the abstractions of Piet Mondrian to the exercises of John
HejdukRICARDO BOFILL
Les Espaces Abraxas Marne La Valle Paris FrancePlan
Les Espaces Abraxas Marne La Valle Paris France
GEOMETRIC GENERICSAntoine Predock
Rio Grande Nature Center and Preserve
planBasic geometric exercises can result in buildings of
superior architectonic appeal if articulated appropriately, with
concern for the topography & the overall environmental
constraints
Frank O. Gehry
Aerospace Museum
Peter EisenmanHouse Projects
UNSUR GEOMETRI SQUARE MENDOMINASI KOMPOSISI FASAD, SOLID VOID
MASSA, DAN KESELURUHAN KONFIGURASI RUANG & BENTUK
KONFIGURASI RUANG YANG TERJADI OLEH PROSES TRANSFORMASI
GEOMETRIS
KONFIGURASI RUANG YANG TERJADI OLEH PROSES TRANSFORMASI
GEOMETRIS
HASIL OLAH GEOMETRI RUANG AKSONOMETRIK
HASIL OLAH GEOMETRI RUANG AKSONOMETRIK
Richard MeierHoffman House
PROSES KOFIGURASI BENTUK DENAH
ABSTRAKSI GARIS & INTERRELASI SECARA GEOMETRIS
KOFIGURASI BENTUK DENAHZvi Hecker
The Spiral Apartment
BENTUK 3 DIMENSI MEMBERI PENGALAMAN GEOMETRI YANG DINAMIS
KONTEKS BANGUNAN DI ATAS TAPAK
KOFIGURASI BENTUK DENAH
ABSTRAKSI GARIS & INTERRELASI SECARA GEOMETRIS
KONFIGURASI RUANG DAN BENTUK YANG TERJADI OLEH PROSES
TRANSFORMASI GEOMETRISHeinz Galinski School, Berlin
Heinz Galinski School, Berlin
Transformasi sketsa ide geometris menjadi komposisi ruang yg
estetis
Frank llyod wright
Ralph Jester House
GEOMETRI DASAR BERUPA LINGKARAN MEMBENTUK RUANG SECARA 2 DAN 3
DIMENSI
KONFIGURASI RUANG YANG TERSUSUN MELALUI OLAH GEOMETRI
LINGKARANZaha Hadid
IBA House, Berlin
KONFIGURASI RUANG YANG TERJADI OLEH PROSES TRANSFORMASI
GEOMETRIS
It addresses the supermacy of geometric over analytical
depiction, and the reasons for the appeal of geometry over the
years. The early emphasis of aesthetes on geometry was partial,
with a focus on elevations, proportional systems, and the concept
of symphonic composition. It also discusses about the relationship
of the various building types and their corresponding fit with
geometry and the concept of geometric fields is viewed through both
historical examples and contemporary complex building types. The
caution he gave is that geometry can be misused when the emphasis
is on form as opposed to the inclusivist concerns.
