Upload
agnis-vanags
View
221
Download
62
Embed Size (px)
DESCRIPTION
Includes all songs from the album. In guitar tab.
Citation preview
D#m1\ ,. -It
" I
I~r--i
tl x ><Jplace of the mud shark in your my - thol - 0 - gy. Here it __
Rhy.Fig.2.-- 3------. ...---3----. ....--3----.
I\~-It~ J J J J J J
tl ..'---3----' '----3---' '---- 3-----'
.., .., .. - - - - - - .; - - - - - - - -:. ;, ;, :. :. :. :. :. :. :. :. :. :. :. :. :. " :.
" lI' lI' lI' :: lI' :: :: II :: :r :: :r :: x :: :: :::: I;; .. u .. --v u v I
3B9r---3---,
r--- ----.
~I
---..,:..
-- goes now... _ the cir - eu - 1ar mo . lion ...
..--3- ,.--- 3-----. End Rhy. Fig. 2,...--- 3-------. ,.--- 3-----. ....--3-----._. J J .J .J I
.. .. .. .. ..T- -------------- ---------------~------- ------------;
- - - - -s: i: to. II x - - - - - ...:: :=: = ~ :=: :: !! :: :: :=: :: :;. . , , "t: ,
~ .. .. ..,
.-3 ......B9
Ott. 2: wI Rhy. Fig. 2 (2 times, simile)
DImr-3--.
~~ ;. ~ -
IIIRub it!
(Here, Fi - do... _
GIr.5
1\ ~ * ~ ~ ~ - ,.-... .lo<~ r--: r-;
tl I ..I Bi-- 3----' '--3----' '--3----' '--3----' '---- 3----'
1 1 1... '1'- ....
/ . .;, ;. ;, ..'" .:, '. ;.; ~ - - .: '. .... - '. . I;:- ... , ... , , .. rr: oJ . ~ . ~ - ~ .-' ,/
j!! j!! ii'! u ..
D#m B9.--3--.
Here, Fi - dol)
'--3--'
1~
112
16
GIr. 5 tacet89
3D#m7
'" JIo itr- ---. .--3--. L
.; -- --I can't ___ see.
~ .--3--, ~~~Gtt.7 t¥.J n I r =/'=(fuzz)
Gtr. 7~ t!:--:"~ t!:-~ t!:- i.t!:- .. t!:-~!# f:;,;.J:-..~---II. JJ. '* .L - - - - -..,
~~~~(' '--3--' '--- 3---'
Otr.5divisi 2
"~"~"1IJt I
....~ .... .... - .... ... i'+--'".. .. ... .. .. ,. 4 ...... ......... 11 ..... .... "A ..:. .. .;:. ,.~ n •• .- ... - .. ,/ " .. /..;" i..
• ft.W .~ ·w \ ..., ...
'w ....
~"~~~~
oe.s~ J.
End Riff A
.. -It- ...I I I
3
~.. .:; " ~
" .. ... ;. ;. ;; ;,;;; ;;; :: x ..
~ .. " '"w
.- .. x .. ... w
"
Dtm789Gtr. 6: wi Riff A
D#m73II.JIooll: .. r- '.::-' l
ltJ rWha'? 1.
Gtr.7 8va-··---·-··-----··----··----····---····--···----·--- --.. ---- .. ---- ... ---- .. ---- ... ----- .. ---- .... ---- .... -...
tlJ! .L"""" 1# .. 11'..--- !#-h...;;-, - ~~~~.
..,'--.3--' 3 '--3-' '--3--' '---3----' '--3--'
I 1
........... .. J ... ~. ... ... J ~. "11 """~ ..."ft .- ..... ..... .... ~ ..... ....... .." i",
.. ..........w .w
VerseGtr, 2: wi Rhy. Fig. 1 (4 times, simile)Gtr, 7 lacel
D#m7,.....3..., ,.....3...,3
89r-- ----.
r--- 3 ----.,IUoll:~ i I I'" -- ....-3---,
..; - ::;:;.-
~.,--,
2. He took a dog - doo sno cone.
8va ._-_.._----------~-----------_.----- ..----- ,~~~~ !';;::';. ~~,~~,~~~..~~~
" Jl, oI! ,.....
fit} 3
I
~~~" J-:J""..~~~~"'""'''"~~~"'"''''... .v .w,~
20
VerseDouble-time feel
Gtrs. 2 & 5 tacet
Cloco
*
F
I~
c F
,
oJ
Sung: 4. I wrapped a news - pa - per 'round my head __ so I'd look
Gtr. IA
like
Iwas deep,_
I said some _ Mum - bo Jum-bos<:»
told him he was go - in' to sleep. _
•
c
'" Doubled one octave higher.
3F
,
then, _
c F
cA
oJ
robbed
A
"'l)"'"
F C Ff.
~
I
his rings _ an' pock-et watch _ an' ev - 'ry-thing else L, found. _
C F C F
A~3~ ~3~ ~3~
~I ,-
oJ L......J L. I -I - <:»I had that suck-er hyp - no-tized. He could not e _ yen make , a sound. _
=I pro-
oJ .'!:.::!"'
46
I.-
-- -.
,,~ "{II-~ ~~. {II-{II-~ {II- i'i'.--.... *' > r~ t..--.. > > ,,>~
oJ """""I =- ~3~ ~~3~
~ i:---, .,
A.
OJ
62
>
rake -I rake-I grad. bend
1_
-I 112.--
>
2
2 2
v- - -I
64
II]N.C.
.. p.l!:: a
A
Dm7 G7 Bbm
)
•2. Just keep yer nose ,
~.
-
VerseGtr. I: wi Rhy. Fig. I, simile
Dm Dm/C GIB GmIB, Am7 Gm7 Dm
to the grind - stone, they _ say. Will that re - deem~
us, __ Un - de
(Ah.~
Ab,
Gm7 B' F B'ID F B,IC
~~
Re mus?_ I can't wait till my fro __ is full - grown._ I'll just
~ah. _ Ah.
Dm7 G7 Bbm FIC B,IC FIC
......."throw 'way my dOD _ rag_
A+5/C#
at home. _""
I'll takea drive to
Dm
<sBev-er -ly Hills c;
Ah, _
just be - fore~
dawn, _ an' knock the lit - tIe jock'-=eys off the
74
ah, _ ah,
100: 19....19
I
81B:;;~ril11
8819
r-...12 19 8
r-;8 19
over, an' he
~-~--2-------.
r-------2- ~
on "n
VerseGtr. 4 tacet
C72
4 ,..--3----.
Spoken: 5. Well, then Fi do got up off the floor an' he rolled
i Gus. 1&2
" /.'-. •.., .-
;--3----!....I I
t.------ 3 -----'2 ,
112;-
....u
~.. n . ~n ~".- w
_4" .... .-
"• k
...------ 2 -----.
", 2 3 .-- 3--.
.., -* -*""\ Int'x ""'-' fl-* -* """\looked me straight in the eye, an' you know what he said? "Once up-on a time,
,----- 2 ----. ,----- 2-----'
" ./':"-,. .-3--:.-3--' /:"- .-3--:
.., .... '-- 3--' I I .. I i ~3--''--- 2 ---.." --."
112 112... ...J I.- ."""...... n u ..... " ~.. ...- - ... ....... ... - ... ... .-
n .- .k .- ft .- .k-
?loco
8b33"r-e- --. r-- -.., v - - _....."'I
~r--_---. r--- w----.
..,* * X;><' "'*""\ ""~~""\x*~
--...;.' ....~~ "D
some-bod-y say to me," this is a dog talk-in' now, "What is your con - cep - tu - al
,..--- 2 ------. , 2~
" /.'-. .--3-:. /.'-. ..--3---. ..--3 --.I
.., .... '-- 3 ---.I I I ..........3--'.. f I I r
'----2---.. --..112 112+ +
I
""" .-'v
~.. n ft ... .... v ...... 4,.~ft .ft 'W .k ._ V
W ... ·u .... .-" .- n-
89
loJ
con -
.. *,ti - nu - i - ty?" "Well, I told him right then,"
:;t ~ ~Pi - do said,
IOJ .. '--3----' I"----2~
I '--3 --' .. '--3 --.:.. I
'---2~
I ,
112+
112+
oJ ee .. -t- .. **J
"it should be eas - y to see, .. "'"'the crux of the bis - cuitXIS
*-,,:the A -
• ""~ .. ~3~
I I
'---2~
112+
r .. '--- 3 ---' I
"----2~
112+
I
,.- <--3---'
~--2--~~3...,
,,'T .... *","-":"0 .. * :;t"0 :;t'x [,:;tthe man that was talk-in' to the dog looked at the dog, and he said,
,..---2~
~3~
~'
Well, you know,pas - tro-phe."
1~ ~2
"q:;t. * * :;t.. "'"' @sort of star-ing in dis - be ~ lief, "You can't say that!" He said,
,..---2~
.-- 3 --, .--- 3 ---.
OJ .. I
112
•
I ,
90
NATURALHARMONIC:Strikethenotewhilethefret-handlightlytouchesthestringdirectlyoverthefretindicated.
Harm.
MUFFLEDSTRINGS:Apercussivesoundisproducedby layingthefrethandacrossthestring{s)withoutdepressing,andstrikingthemwiththepickhand.
ARPEGGIATE:PlaythenotesofthechordindicatedbyQuicklyrollingthemfrombottomtotop.
PINCHHARMONiC:Thenoteisfrettednormallyandaharmonicisproducedbyaddingtheedgeofthethumborthetip oftheindexfingerof thepickhandtothenormalpickattack.
P.H.
PALMMUTING:Thenoteis partiallymutedbythepickhandlightlytouchingthestring(s)justbeforethebridge.
.~ ~ ~ ~
P.M.-- -~ - -- --- -- ---I
VIBRATOBARDIVEANORETURN:Thepitchofthenoteorchordisdroppedaspecifiednumberofsteps(inrhythm)thenreturnedto theoriginalpitch.
HARPHARMONIC:Thenoteisfrettednormajyandaharmonicis producedbygentlyrestingthepickhand'sindexfingerdirectlyabovetheindicatedfret(inparentheses)whilethepickhand'sthumbor pickassistsbypluckingtheappropriatestring.
8,"
H.H.
RAKE:Dragthepickacrossthestringsindicatedwithasinglemotion.
, rake----I
VIBRATOBARSCOOP:Depressthebarjustbeforestrikingthenote,thenQuicklyreleasethebar.
PICKSCRAPE:Theedgeofthepickisrubbeddown(orup)thestring,producingascratchysound.
r.s.
TREMOLOPICKING:Thenoteis pickedasrapidlyandcontinuouslyaspossible.
VIBRATOBARDIP:Strikethenoteandthenimmediatelydropaspecifiednumberofsteps,thenreleasebacktotheoriginalpitcn.
wI bar- - -- - ~- - - - - --.,-1/2 -112 -112V V V
A ....
----------wI bar
-1
wfbar--- .,
-1/2V
-112V
-112V
v
D.S.al Coda
D.C.al Fine
Additional Musical Definitions(accent) Accentuatenote(playit louder) Rhy_Fig. Labelusedto recalla recurring
accompanimentpattern(usuallychordal).
(accent) • Accentuatenotewithgreatintensity Riff Labelusedto recallcomposed,melodiclines(usuallysinglenotes)whichrecur.
(staccato) • Playthenoteshort Fill Labelusedto identifya briefmelodicfigurewhichis to beinsertedintothearrangement.
• Downstroke Rhy_Fill A chordalversionof a Fill.
• Upstroke tacet • Instrumentis silent(dropsout).
Gobackto thesign(~ ), thenplayuntil
~• Repeatmeasuresbetweensigns.
themeasuremarked"ToCOda,"thenskipto thesectionlabelled"Coda."
Gobackto the beginningof thesongand rilrz.- Whena repeatedsectionhasdifferentplayuntilthe measuremarked"Fine"(end). endings,playthefirst endingonlythefirst
~timeandthesecondendingonlythe- .secondtime.
NOTE: Tablaturenumbersin parenthesesmean:1.Thenoteis beingsustainedovera system(notein standardnotationis tied),or2.Thenoteis sustained,buta newarticulation(suchasa hammer-on,pull-off,slideor vibratobegins),or3. Thenoteis a barelyaudible"ghost"note(notein standardnotationis alsoin parentheses).
96