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Entertainment WEEK OF JUNE 26-JULY 2, 2009 THE CALL 9 DWAYNE BOYD Influence Of Real Life Father Helps Local Producer/Actor Dwayne Boyd Gain Black Film Festival Nomination By Tracy Allen CALL Staff Writer Had it not been for his firefighting Dad, George Boyd, Dwayne Boyd could have gotten mixed up in a lot of things life offers. Then again, had it not been for his love for the stage and big screen, Boyd wouldn’t be considered among rising young African American filmmakers this country has to offer. This week, Boyd is learning just how good his talent is becoming. A finalist in the “Best Narrative Film” category for his film, “4 Minutes” at the 13th annual American Black Film Festival in Miami through Saturday, says a lot about Boyd’s talent. But most importantly, it also points how this Kansas City native and now, Atlanta filmmaker and actor, learned from one of the most important role models in his life, retired fire captain George Boyd. Even Boyd admits, his father, and mother’s influence was key to not let his surroundings diminish what he aspired to become -- an actor and producer/ director. Boyd was raised around 34th and Askew, yet, he says it didn’t stop him from going forth with his dreams. The fact that the 1990 Van Horn High school graduate, who also attended D.A. Hol- mes, Sanford B. Ladd Elementary schools and Central Junior and Nowlin Junior High schools, has named his film company, 34th and Askew Productions, after his child- hood neighborhood home, says a lot about what Boyd wants kids raised in his inner city neighborhood to realize -- dreams can come true. At least for Boyd, it has. His acting credentials alone have taken him far. In 2005, he starred as Oscar in the Screen Gems production, “The Gospel”, opposite Boris Kodjoe, Idris Elba and Omar Gooding. His television credits include appearances in episodes of NBC’s “Surface”, the Black Family Channel’s “Playhouse 22”, and Lifetime’s “Army Wives.” Boyd’s latest, “4 Minutes” introduces movie fans to the character of Terrance (Ja- son Sylvain), a school teacher whose priority is to be the dad his father, Carl (Gre- galan Williams, “Remember the Titans) was not. Boyd stars as Terrance best friend, Omar, a womanizer who tells any lie he can to get with as many women as possible. Of course, Omar cons Terrance into some wild adventure and funny moments with women they meet and, who they hope to have relationships. Boyd says the film itself, which has been on the table for some time even while filming his “The Gospel” role, and the nomination for “Best Narrative” have all been pleasant moments in a rising career. “It’s so much more fun to be on the creative side,” said Boyd, who admits, he still loves acting. “Taking ownership of a project from start to finish is such a good thing. Every time I think about it, I think about the poster, the premiere, everything, the fact that it was all in my imagination, that is a thrill in itself. I just enjoy this process.” With “4 Minutes” being the first film that Boyd has produced, he’s glad that he didn’t listen to any con- cerns producers and directors run into when it comes to finishing a project. “It just goes to show what we can do,” says Boyd of his latest work. “Anytime you’re a first-time director or producer, you want to make sure you have people on board that can help bring that vision to life,” Boyd said. “I didn’t know a lot about writing, I didn’t know a lot but I had to have credible people that understood what needed to happen here and there. . . That’s what we did with “4 Minutes”. We made people understand what these characters are, you can feel for them and actually relate to them.” What happened is a “best” film nomination, something which is just a beginning to a possible strong film and stage career for this Kansas City native. “I knew that we had a great script and that’s where it has to start,” Boyd said. “I knew that the story had to be told a certain way.” But of course, Boyd’s path can be mostly credited with good parenting. It’s not hard to understand why Boyd loves his parents and his father, who instilled in him it’s not where you start out that matters, it’s how you finish the race and life. 4 Minutes” is a film that speaks about fatherhood on three different levels. What a great example of that with George Boyd. The film is distinguished among over 100 entries in the category and at least 600 entries to the festival overall. “I know that God has blessed me because he was in my life, he made a difference in me,” said Boyd of his father. “I wanted to make sure that George Boyd showed up in this film, and in a sense, he did. My relationship with my father, there was a time he was molding me into a man, he definitely someone I grew up respecting and I know the community respects him. For me, just having him, that was a great example. Without my father, I don’t know where I would be. I know he is proud be- cause I’m not out doing something negative, I’m doing something positive and it’s all because of him.” “I’ll always give him the credit he deserves,” Boyd said of his Dad. Growing up near Prospect and Linwood, Boyd said it would have been easy to fall by the wayside. He didn’t and he encourages other youth and young adults in inner city Kansas City to not let the streets determine their fate. “Growing up around Prospect and all, there was all that negativity back in the day,” said Boyd. “I have to credit even my mother for meeting my father, and I was blessed that she met the kind of man that he. He and my mother both, definitely helped me to understand that in the midst of the madness of being in neighborhood that was at times, poverty stricken, a lot of drugs and different aspects we had to deal with coming up, me and my sister, we could have easily ended up on drugs, in and out of prison, but it didn’t happen because we had a positive example like George Boyd in front of us.” Said Boyd, “While my father was well respected in the city, I want to be well re- spected in my industry.” Like so many black producers/directors, Boyd wants to make films that speak about urban life, but also, gives both sides to the story. “I understand where we (as blacks) come from so you can’t really move forward unless you understand where we’ve been,” said Boyd. “I remember when the Blax- ploitation era blew up and it became profitable in Hollywood. There was nothing wrong with that. But what happened was when it started getting watered down and it wasn’t as profitable and they stopped making films. Then, you saw, Spike Lee coming back in ‘86 and he started the movement all over again. When he started doing films like “Do The Right Thing”, or “Coming to America”, films like that, those all were classics. We need to continue that trend. There are much more stories out there, some that have yet to be told. We have to have that platform. Let’s face it, Hollywood is going to stick with what they know. And they’ll stick to what they think is urban comedy. But, the more you get behind the independent film movement, you’ll see different voices, different stories emerge.” In Boyd’s case, it’s a story about urban life that he says all blacks can relate to, regardless of family upbringing. “I’m all about stories that say, ‘hey, it’s a little different here but it is a story that I can relate,’” said Boyd. A story that Boyd hopes continues receiving interest. A Kansas City premiere is planned in late July and Boyd can’t wait to come home. He also has advice for local film nuts interested in getting in the busi- ness: “Shoot your film no matter what. You have access to equipment now. We’re in a time now where affordable equipment is more accessible than ever before. Also, have a platform. Use the internet. Now, there is no need not to make a movie. Put your stuff out there.” Fast And Furious: New ‘Transformers’ Still Operating With All Its Craziness By Tracy Allen CALL Staff Writer Okay, fasten your seat belt and don’t look far off base until you reach your destination. Transformers: Revenge of the Fallen is your typical ac- tion, spectacular big spending film filled with suspense, crazi- ness, nonsense and a little plot. As expected, another sum- mer blockbuster takes center stage and it isn’t hard to figure out what the second rendition of Paramount’s Transformer is all about -- yeah, lots of wild sus- pense, potty mouth humor, loud noise and as always, moments of nonsense. Okay, here is how the latest Transformers goes in speed format: Beginning starts off with ba- sic car wreck gone real bad in Shanghei, China. Part of the Asian city goes up in smoke thanks to smash effects by dreadful machines. Story takes a turn: Goes from serious destruction to plenty of laughter. Sam Witwicky (Shia LaBeouf) and his family are worst than “My Wife and Kidscharacters -- silly mom Judy Wit- wicky (Julie White) is your basic nut case, son Sam has rebel ten- dencies -- although he is off to college, and dad, Ron Witwicky (Kevin Dunn) well, he is a little more sane than Al but still has moments of kookiness. Best part of the Transform- ers: Revenge of the Fallen My Wife and Kids” version is when Sam heads off to college. Before leaving for his collegiate experience, his house is invaded by little machines who perform a tremendous “Toy Soldiersperformance at the house (in short, house “mates” turn into mean little machines whose only goal -- aim, shoot, fire). This Transformers does like you expect -- it takes so many different twists that you never stay on the same plot scene at once. That’s right, you’ll go from a crazed college campus with babes and hunks running around -- including a “super freak” whose only intentions is to nab the new college freshman Sam. You’ll get everything from ma- chines blowing up Sam’s college, to scenes with h gorgeous girl- friend, Mikaela Banes (Megan Fox), to trips to Egypt to once and for all, end all this machine madness with the help of the Au- tobots. And oh yes, we can never for- get those Autobots that made the first Transformers movie fun to watch. This time though, these “potty mouth” hoods sound more like mechanical “hoodrats” than machines ready to do some damage. While it will be a long night for those who see this latest summer show -- approximately two and a half hours seems a bit too long, if you like lots of action, you enjoy watching machines blow things up and you enjoy some moments of raunchy humor, you will like Transformers: Revenge of the Fallen. If you’re looking for a plot, and lots of it, well, take a notepad: it might be hard to find at times, during this three-hour journey. REUNITED. . . Bumblebee (left) is reunited with Sam Witwicky (Shia LaBeouf, right) in “Transformers: Revenge of the Fallen.” -- Photo courtesy of Paramount Pictures Man Sentenced For Stalking Tyra Banks NEW YORK (AP) -- A man convicted of stalk- ing Tyra Banks has been sentenced to a year’s pro- bation and ordered to complete a treatment pro- gram for stalkers. Brady Green must also stay away from the su- permodel-turned-TV host for the next two years under an order of protection. Manhattan Criminal Court Judge James Burke warned the 39-year-old Green that he would face 90 days in jail if he disobeys any of the orders. Green was convicted in April of stalking Banks from California to New York -- calling her offices, showing up at her TV studios and sending her flow- ers. Police say when Green was arrested March 18, 2008, at a restaurant near Banks’ Manhattan stu- dio, he told officers they “had a thing together.’’ Black Settlers on the Kaw Indian Reservation $19.95 postpaid Also can be at Amazon.com/books or sharpbooks. For More Info. Contact Mr. Jim Sharp@ 508 Wickham Road Manhattan, Kansas 66502 785-539-8582 [email protected]

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  • EntertainmentWEEK OF JUNE 26-JULY 2, 2009

    THE CALL 9

    DWAYNE BOYD

    Influence Of Real Life Father Helps Local Producer/Actor Dwayne Boyd Gain Black Film Festival NominationBy Tracy AllenCALL Staff Writer

    Had it not been for his firefighting Dad, George Boyd, Dwayne Boyd could have gotten mixed up in a lot of things life offers.

    Then again, had it not been for his love for the stage and big screen, Boyd wouldnt be considered among rising young African American filmmakers this country has to offer.

    This week, Boyd is learning just how good his talent is becoming. A finalist in the Best Narrative Film category for his film, 4 Minutes at the 13th annual American

    Black Film Festival in Miami through Saturday, says a lot about Boyds talent. But most importantly, it also points how this Kansas City native and now, Atlanta filmmaker and actor, learned from one of the most important role models in his life, retired fire captain George Boyd. Even Boyd admits, his father, and mothers influence was key to not let his surroundings diminish what he aspired to become -- an actor and producer/director. Boyd was raised around 34th and Askew, yet, he says it didnt stop him from going forth with his dreams.

    The fact that the 1990 Van Horn High school graduate, who also attended D.A. Hol-mes, Sanford B. Ladd Elementary schools and Central Junior and Nowlin Junior High schools, has named his film company, 34th and Askew Productions, after his child-hood neighborhood home, says a lot about what Boyd wants kids raised in his inner city neighborhood to realize -- dreams can come true. At least for Boyd, it has.

    His acting credentials alone have taken him far. In 2005, he starred as Oscar in the Screen Gems production, The Gospel, opposite Boris Kodjoe, Idris Elba and Omar Gooding. His television credits include appearances in episodes of NBCs Surface, the Black Family Channels Playhouse 22, and Lifetimes Army Wives.

    Boyds latest, 4 Minutes introduces movie fans to the character of Terrance (Ja-son Sylvain), a school teacher whose priority is to be the dad his father, Carl (Gre-galan Williams, Remember the Titans) was not. Boyd stars as Terrance best friend, Omar, a womanizer who tells any lie he can to get with as many women as possible. Of course, Omar cons Terrance into some wild adventure and funny moments with women they meet and, who they hope to have relationships.

    Boyd says the film itself, which has been on the table for some time even while filming his The Gospel role, and the nomination for Best Narrative have all been pleasant moments in a rising career.

    Its so much more fun to be on the creative side, said Boyd, who admits, he still loves acting. Taking ownership of a project from start to finish is such a good thing. Every time I think about it, I think about the poster, the premiere, everything, the fact that it was all in my imagination, that is a thrill in itself. I just enjoy this process.

    With 4 Minutes being the first film that Boyd has produced, hes glad that he didnt listen to any con-cerns producers and directors run into when it comes to finishing a project. It just goes to show what we can do, says Boyd of his latest work.

    Anytime youre a first-time director or producer, you want to make sure you have people on board that can help bring that vision to life, Boyd said. I didnt know a lot about writing, I didnt know a lot but I had to have credible people that understood what needed to happen here and there. . . Thats what we did with 4 Minutes. We made people understand what these characters are, you can feel for them and actually relate to them.

    What happened is a best film nomination, something which is just a beginning to a possible strong film and stage career for this Kansas City native. I knew that we had a great script and thats where it has to start, Boyd said. I knew that the story had to be told a certain way.

    But of course, Boyds path can be mostly credited with good parenting. Its not hard to understand why

    Boyd loves his parents and his father, who instilled in him its not where you start out that matters, its how you finish the race and life.

    4 Minutes is a film that speaks about fatherhood on three different levels. What a great example of that with George Boyd. The film is distinguished among over 100 entries in the category and at least 600 entries to the festival overall.

    I know that God has blessed me because he was in my life, he made a difference in me, said Boyd of his father. I wanted to make sure that George Boyd showed up in this film, and in a sense, he did. My relationship with my father, there was a time he was molding me into a man, he definitely someone I grew up respecting and I know the community respects him. For me, just having him, that was a great

    example. Without my father, I dont know where I would be. I know he is proud be-cause Im not out doing something negative, Im doing something positive and its all because of him.

    Ill always give him the credit he deserves, Boyd said of his Dad. Growing up near Prospect and Linwood, Boyd said it would have been easy to fall

    by the wayside. He didnt and he encourages other youth and young adults in inner city Kansas City to not let the streets determine their fate.

    Growing up around Prospect and all, there was all that negativity back in the day, said Boyd. I have to credit even my mother for meeting my father, and I was blessed that she met the kind of man that he. He and my mother both, definitely helped me to understand that in the midst of the madness of being in neighborhood that was at times, poverty stricken, a lot of drugs and different aspects we had to deal with coming up, me and my sister, we could have easily ended up on drugs, in and out of prison, but it didnt happen because we had a positive example like George Boyd in front of us.

    Said Boyd, While my father was well respected in the city, I want to be well re-spected in my industry.

    Like so many black producers/directors, Boyd wants to make films that speak about urban life, but also, gives both sides to the story.

    I understand where we (as blacks) come from so you cant really move forward unless you understand where weve been, said Boyd. I remember when the Blax-ploitation era blew up and it became profitable in Hollywood. There was nothing wrong with that. But what happened was when it started getting watered down and it wasnt as profitable and they stopped making films. Then, you saw, Spike Lee coming back in 86 and he started the movement all over again. When he started doing films

    like Do The Right Thing, or Coming to America, films like that, those all were classics. We need to continue that trend. There are much more stories out there, some that have yet to be told. We have to have that platform. Lets face it, Hollywood is going to stick with what they know. And theyll stick to what they think is urban comedy. But, the more you get behind the independent film movement, youll see different voices, different stories emerge.

    In Boyds case, its a story about urban life that he says all blacks can relate to, regardless of family upbringing.

    Im all about stories that say, hey, its a little different here but it is a story that I can relate, said Boyd.

    A story that Boyd hopes continues receiving interest. A Kansas City premiere is planned in late July and Boyd cant wait to come home. He also has advice for local film nuts interested in getting in the busi-ness: Shoot your film no matter what. You have access to equipment now. Were in a time now where affordable equipment is more accessible than ever before. Also, have a platform. Use the internet. Now, there is no need not to make a movie. Put your stuff out there.

    Fast And Furious: New Transformers Still Operating With All Its Craziness By Tracy AllenCALL Staff Writer

    Okay, fasten your seat belt and dont look far off base until you reach your destination.

    Transformers: Revenge of the Fallen is your typical ac-tion, spectacular big spending film filled with suspense, crazi-ness, nonsense and a little plot.

    As expected, another sum-mer blockbuster takes center stage and it isnt hard to figure out what the second rendition of Paramounts Transformer is all about -- yeah, lots of wild sus-pense, potty mouth humor, loud noise and as always, moments of nonsense.

    Okay, here is how the latest Transformers goes in speed format:

    Beginning starts off with ba-sic car wreck gone real bad in Shanghei, China. Part of the Asian city goes up in smoke thanks to smash effects by dreadful machines.

    Story takes a turn: Goes from serious destruction to plenty of laughter. Sam Witwicky (Shia LaBeouf) and his family are worst than My Wife and Kids characters -- silly mom Judy Wit-wicky (Julie White) is your basic nut case, son Sam has rebel ten-dencies -- although he is off to college, and dad, Ron Witwicky (Kevin Dunn) well, he is a little more sane than Al but still has moments of kookiness.

    Best part of the Transform-ers: Revenge of the Fallen My Wife and Kids version is when Sam heads off to college. Before leaving for his collegiate experience, his house is invaded by little machines who perform

    a tremendous Toy Soldiers performance at the house (in short, house mates turn into mean little machines whose only goal -- aim, shoot, fire).

    This Transformers does like you expect -- it takes so many different twists that you never stay on the same plot scene at once. Thats right, youll go from a crazed college campus with babes and hunks running around -- including a super freak whose only intentions is to nab the new college freshman Sam.

    Youll get everything from ma-chines blowing up Sams college, to scenes with h gorgeous girl-friend, Mikaela Banes (Megan Fox), to trips to Egypt to once

    and for all, end all this machine madness with the help of the Au-tobots.

    And oh yes, we can never for-get those Autobots that made the first Transformers movie fun to watch. This time though, these potty mouth hoods sound more like mechanical hoodrats than machines ready to do some damage.

    While it will be a long night for those who see this latest summer show -- approximately two and a half hours seems a bit too long, if you like lots of action, you enjoy watching machines blow things up and you enjoy some moments of raunchy humor, you will like Transformers: Revenge of

    the Fallen. If youre looking for a plot, and lots of it, well, take a notepad: it might be hard to find at times, during this three-hour journey.

    REUNITED. . . Bumblebee (left) is reunited with Sam Witwicky (Shia LaBeouf, right) in Transformers: Revenge of the Fallen. -- Photo courtesy of Paramount Pictures

    Man Sentenced For Stalking Tyra Banks

    NEW YORK (AP) -- A man convicted of stalk-ing Tyra Banks has been sentenced to a years pro-bation and ordered to complete a treatment pro-gram for stalkers.

    Brady Green must also stay away from the su-permodel-turned-TV host for the next two years under an order of protection.

    Manhattan Criminal Court Judge James Burke warned the 39-year-old Green that he would face 90 days in jail if he disobeys any of the orders.

    Green was convicted in April of stalking Banks from California to New York -- calling her offices, showing up at her TV studios and sending her flow-ers.

    Police say when Green was arrested March 18, 2008, at a restaurant near Banks Manhattan stu-dio, he told officers they had a thing together.

    Black Settlers on the Kaw Indian Reservation

    $19.95 postpaid Also can be at Amazon.com/books or sharpbooks.

    For More Info. Contact Mr. Jim Sharp@508 Wickham Road

    Manhattan, Kansas 66502785-539-8582

    [email protected]