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Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece

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Page 1: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 2: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 3: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 4: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 5: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 6: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 7: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 8: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 9: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 10: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 11: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 12: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 13: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 14: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 15: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 16: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 17: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 18: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 19: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece
Page 20: Excavations in the Territory of Metaponto 1976vases. The hydria is of extraordinary interest. After cleaning and restoration (fig. 6 and 7 and the Cover), it was recognized as a masterpiece