European Art & Old Masters

European Art & Old Masters 01/28/14

01/28

/14

European Art & Old Masters 01/28/14

Exhibitions:Thursday, January 23 and

Friday, January 24

10am-5pm

Saturday, January 2512 noon-5pm

Sunday, January 26By appointment only

Monday, January 2710am-5pm

Catalogue:$35 in the gallery$42 domestic mail$47 international mail

Inside Front Cover: Lot 27 (detail)Inside Back Cover: Lot 138 (detail)

Color images of every lot are available atwww.freemansauction.com

Bidding:Cara Bishoff267.414.1208fax: [email protected]

Printing by Brilliant Studio

Exton, Pennsylvania

AuctionSale 1481

Tuesday, January 28, 2014 at 11am

Inquiries:

David Weiss267.414.1214

[email protected]

Alasdair Nichol267.414.1211

[email protected]

Andrew Huber267.414.1210

[email protected]

G13-16270_EuropeanTXT1-32_Layout 1 12/16/13 9:52 PM Page 1

2 www.freemansauction.com

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Old MastersTuesday January 28, 2014 at 11amlots 1-50



1 131610/5ALBRECHT DÜRER(german 1471-1528)“THE ANNUNCIATION” from ‘THE LIFE OF THE VIRGIN’After the Latin text edition of 1511.Woodcut11 3/4 x 8 5/16 in. (29.8 x 21.1cm)[Bartsch 83]provenance:Private Collection, Princeton, NewJersey.$800-1,200

2 132505/1ALBRECHT DÜRER(german 1471-1528)“LAST JUDGMENT” & “THEANNUNCIATION OF THE VIRGIN”from ‘THE SMALL PASSION’c. 1511. WoodcutsEach: 5 x 3 3/4 in. (12.7 x 9.5cm)[Bartsch 19; Bartsch 52](2)provenance:Private Collection, Oklahoma.$1,000-1,500

www.freemansauction.com 5

3 132055/1JEAN FRANÇOIS MILLET(french 1814-1875)“LE SEMUER”1851. Lithograph on thin laid paper7 7/16 x 6 1/8 in. (18.9 x 15.8cm)[Delteil 22, ii/ii]provenance:Private Collection, Philadelphia,Pennsylvania.$2,500-4,000

Opposite: lot 37 (detail)


6 132430/17ATTRIBUTED TO BERNARDINOBARBARELLI POCCETTI(italian 1548-1612)THE SEVEN SAINTLY FOUNDERSPen and brown ink, brown wash heightenedwith white on paper10 x 15 5/8 in. (25.4 x 39.7cm)provenance:Private Collection, Princeton, New Jersey.$1,000-1,500

4 138059/13FRANCISCO DE GOYA(spanish 1746-1828)SIX ETCHING AND AQUATINTS(later impressions)“Disparate de Carnabal,” from LosProverbios, plate 14 [Delteil 215]“No se Puede Mirar,” from Desastresde la Guerre, plate 26 [Delteil 26]“Que Alboroto es Este?,” fromDesastres de la Guerre, plate 65[Delteil 184]“Los Moros hacen otro Capeo enPlaza con su Albornoz,” from LaTauromachie, plate 6 [Delteil 229]“Le Fameux Martincho Posant desBanderilles en Donnant le Quiebro,”from La Tauromachie, plate 15[Delteil 238]“Temerite de Marincho dans la Placede Saragosse,” from La Tauromachie,plate 18 [Delteil 241]Various sizes.(6)provenance:Private Collection, Virginia.$1,000-1,500

5 132430/15FOLLOWER OF MICHELANGELO(italian 1475-1564)SATYR FROM BEHINDBlack chalk on paper; with RobertMond [Lugt 2813a] collector’s markon mat and verso12 x 7 7/8 in. (30.5 x 20cm)provenance:Robert Ludwig Mond, London.Private Collection, Princeton, NewJersey.note:The drawing is very close in style tofigures in Michelangelo’s LastJudgment fresco in the SistineChapel.$1,000-1,500



7 132430/18ATTRIBUTED TO LUCA CAMBIASO(italian 1527-1585)AGONY IN THE GARDENPen and brown ink, gray wash with touchesof red chalk on paper11 5/8 x 7 5/8 in. (29.5 x 19.4cm)provenance:Private Collection, Princeton, New Jersey.$800-1,200


8 132158/3ATTRIBUTED TO JEAN-CHARLESDELAFOSSE(french 1734-1789)ARMAMENTSInscribed ‘La Barbier’ on mount, pen, blackink, gray wash and watercolor on paper13 x 9 in. (33 x 22.8cm)together with:AFTER CARLO MARATTA(italian 1625-1713)MADONNA AND CHILDPen and brown ink with brown washes onpaper; with unidentified German collector’sstamp6 11/16 x 5 3/8 in. (17 x 13.5cm)(2)provenance:Private Collection, Maryland.$1,000-1,500

9 132430/12FRENCH SCHOOL(18th century)MOSES AND THE BRAZENSERPENTPen, dark grey ink & sanguine washon paper10 1/4 x 9 in. (26 x 22.9cm)provenance:Sotheby’s sale of January 30, 1982,lot 130.Private Collection, Princeton, NewJersey.$800-1,200


10 132505/4VENETIAN SCHOOL(c. 1700)AENEAS AND ANCHISES FLEEING TROYBlack chalk, brown washes with remnant red chalk on paper,with:CLASSICAL HEAD STUDIESverso10 1/4 x 15 in. (25.8 x 38cm), lunette, unframedtogether with:ITALIAN SCHOOL(18th century)THE BETRAYAL OF CHRISTPen and brown ink, brown washes over black chalk6 x 8 in. (15.2 x 20.2cm)(2)provenance:Private Collection, Oklahoma.$1,000-1,500


11 132430/13CIRCLE OF CARLO DOLCI(italian 1616-1686)PORTRAIT OF A YOUNG MAN, POSSIBLY LORENZO DE MEDICIRed and black chalks on paper11 1/16 x 9 1/4 (28.1 x 23.4cm)provenance:Richard Day, Bond Street, London.Purchased from the above, 1982.Private Collection, Princeton, New Jersey.$1,000-1,500

12 132497/4TOBIAS VERHAECHT(flemish 1561-1631)FORTRESS IN A MOUNTAINOUS LANDSCAPEPen and brown ink, brown wash on paper7 3/4 x 10 3/8 in. (19.6 x 26.4cm)provenance:‘Old Master Drawings’, Sotheby’s New York,January 28, 1998, lot 151.Private Collection, Massachusetts.$2,000-3,000


13 132430/21JOSEPH DIONYSIUS ODEVAERE(belgian 1778-1830)VIEW OF ROME WITH THE COLOSSEUMInscribed lower left ‘au Palais des EMP: ROME 1808’ alsosigned and dated ‘J. Odevaere 1808’ on support, pen, brownink, brown washes over pencil, heightened with white, twoattached pieces of paper laid down to card17 x 26 1/4 in. (43 x 66.2cm)provenance:Private Collection, Paris.Acquired from the above, November 5, 1986.Private Collection, Princeton, New Jersey.note:A similar drawing is illustrated in Denis Coekelberghs’ LesPeintres Belges À Rome De 1700 À 1830’. 1976.$1,000-1,500


14 132158/1ADAM BUCK(british 1759-1833)PORTRAIT OF A LADYSigned and dated ‘A. Buck 1824’bottom right, watercolor over blackchalk on paper, unframed8 x 6 3/4 in. (20.3 x 17.1cm)together with:FRENCH SCHOOL(18th century)PORTRAIT OF A LADYRed and black chalks on paper6 3/4 x 6 1/2 in. (17.2 x 16.3cm)

15 132430/19ATTRIBUTED TO CHARLES-ANTOINE COYPEL(french 1694-1752)HALF LENGTH PORTRAIT OF A SEATED WOMANInscribed ‘Boucher’ lower right, red chalk with traces of blackand white chalks on paper11 x 7 1/4 in. (27.9 x 18.3cm)provenance:Private Collection, Princeton, New Jersey.$800-1,200

together with:ENGLISH SCHOOL(18th century)SPANISH VILLAGE IN THE MOUNTAINS(MONTIJO)Pen and brown ink and wash on a faded bluepaper8 1/4 x 11 3/4 in. (20.8 x 29.6cm)(3)provenance:Private Collection, Maryland.exhibited:City Art Museum, St. Louis, Missouri, 1915.(Adam Buck).$1,000-1,500



17 132430/16ANTON RAPHAEL MENGS(german 1728-1779)STUDY FOR THE TRIUMPH OF HISTORY OVER TIMESigned ‘Mengs’ lower left, black chalk heightened withwhite and notes of color on blue paper18 7/8 x 10 7/8 in. (47 x 29.8cm)provenance:Sotheby’s (n.d.)Private Collection, Princeton, New Jersey.note:This drawing is a study for Meng’s important ceilingfresco in the Vatican Library, The Triumph of History Over Time (Allegory of theMuseum Clementinum) in the Camera dei Papiri,completed in 1772. For similar drawings see SteffiRoettgen’s Anton Raphael Mengs 1728-17792 vols,Munich 2003, vol 1. Kat no. 307.$2,000-3,000

16 132497/3NICOLAS LANCRET(french 1690-1743)KNEELING MAN WITH TWOSEATED WOMENRed chalk on paper6 11/16 x 8 1/4 in. (16.9 x 20.9cm)provenance:Private Collection, Massachusetts.$4,000-6,000


18 122038/2MANNER OF GIOVANNI DI PAOLO(italian active circa 1420-1482)A TRIPTYCH: THE CENTRAL PANEL, VIRGIN ANDCHILD WITH GOD THE FATHER ABOVE, CENTEREDBY THE VIRGIN ANNUNCIATE; THE LEFT PANEL,SAINT PETER; THE RIGHT PANEL, SAINT PAULTempera on panel with gold ground25 1/4 x 14 in. (64.1 x 35.6cm) (center panel)27 7/8 x 8 1/8 in. (70.8 x 20.6cm) (left panel)27 7/8 x 7 5/8 in. (70.8 x 19.4cm) (right panel)27 7/8 x 32 13/16 in. (70.8 x 83.3cm) (overall,including space created between panels with laterhardware)provenance:Private Collection, Pennsylvania.$3,000-5,000

19 132403/5EGBERT VAN HEEMSKERCK THEELDER(dutch 1634-1704)THREE MEN IN AN INTERIORSigned with monogram and dated‘1697’ upper left, oil on panel6 1/2 x 5 1/2 in. (16.5 x 14cm)provenance:Private Collection, Virginia.$1,500-2,500


20 132538/2LEIDEN SCHOOL(18th century)THE ALCHEMISTOil on canvas22 5/8 x 27 3/8 in. (57.5 x 69.5cm)provenance:An Estate, Rittenhouse Square,Philadelphia, Pennsylvania.$2,000-3,000


21 132533/2FOLLOWER OF MATHYSSCHOEVAERDTS(flemish 1665-1723)A RIVER LANDSCAPE WITHFIGURES ALONG THE SHORE ANDIN BOATSOil on canvas11 1/4 x 16 in. (28.6 x 40.6cm)provenance:Private Collection, Washington DC.$2,000-3,000

22 132533/4FLEMISH SCHOOL(16th century)ADAM AND EVEwith:CHRIST ON THE COLUMNverso, oil on copper, unframed9.5 x 7.5 in. (24.1 x 19.1cm)provenance:Private Collection, Washington DC$1,500-2,500


23 132329/1CIRCLE OF FRANS FLORIS THEELDER(flemish c. 1519-1570)JEPHTHAH KEEPS HIS VOW TOJEHOVAHOil on cradled panel, unframed28 5/8 x 48 3/8 in.(72.7 x 122.9cm)provenance:Private Collection, Pennsylvania.$4,000-6,000


24 132446/4DUTCH SCHOOL(17th century)PORTRAIT OF A LADY, PROBABLYMARGARETHA RERINCKInscribed and dated ‘CA DN* 1620ÆTATIS SUÆ 47’ top right, oil onwood panel38 x 28 3/4 in. (96.5 x 73cm)provenance:Private Collection.Venduehuis der Notarissen, TheHague, November 10, 1966.Private Collection, Pennsylvania.note:We would like to thank Fred Meijerand the Rijksbureau voorKunsthistorische Documentatie fortheir identification of this work. Thispainting is number 149631 in theironline database.$2,500-4,000

25 132446/2ANGLO FLEMISH SCHOOL(17th century)PORTRAIT OF A WOMANOil on canvas46 x 37 1/2 in. (116.8 x 95.3cm)provenance:Private Collection, Pennsylvania.$1,500-2,500


26 132541/1MANNER OF LUCAS HORENBOUT(british c. 1490-1544)ANNE BOLEYNOil on panel38 x 31 in. (96.5 x 78.7cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

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27 131652/1ATTRIBUTED TO GASPAR VAN WITTEL(flemish c.1653-1736)THE COLOSSEUM AND THE ARCH OF CONSTANTINESigned and located ‘Gasparo Van Witel Roma’ bottomcenter on column, oil on canvas22 3/16 x 43 1/8 in. (56.4 x 109.5cm)Set within a later trumeau.provenance:Private Collection, New York, New York.By descent in the family.Private Collection, New York, New York.note:Also known as Vanvittelli, Gaspar van Wittel was thepreeminent painter of 18th century Italian Veduta scenes.Briganti publishes numerous versions of this composition(G. Briganti, Gaspar Van Wittel, Milan, 1996. pp 151-155,numbers 54-60), which depicts the Colosseum from thegardens of the Friars of Santa Francesca Romana.Another version sold ‘Important Old Master Pictures’Christie’s, London. December 16, 1996, lot 69.$25,000-40,000


28 132252/1CIRCLE OF OTTAVIO VANNINI(italian 1585-1643)CHRIST HEALING THE BLINDOil on canvas68 x 88 1/2 in. (172.7 x 224.8cm)provenance:Private Collection, New Jersey.$3,000-5,000

29 138042/25NORTHERN ITALIAN SCHOOL(17th-18th century)DANAEOil on canvas33 1/4 x 47 1/4 in. (84.5 x 120cm)provenance:An Estate, Florida.$1,200-1,800


30 132292/1FOLLOWER OF JACOPO DAPONTE BASSANO(italian c.1510-1592 )YOUNG WOMAN OFFERINGFLORAL GARLANDOil on canvas47 x 65 in. (119.4 x 165cm)provenance:Private Collection, Pennsylvania.$1,500-2,500


31 132403/2ITALIAN SCHOOL(17th-18th century)FIGURES IN AN EXTENSIVELANDSCAPEOil on canvas21 1/2 x 26 in. (54.6 x 66cm)provenance:Private Collection, Maryland.$2,000-3,000

32 131892/5MANNER OF GIOVANNI PAOLOPANINI(italian 1691-1765)CAPRICCIO WITH FIGURESOil on canvas17 1/4 x 23 7/8 in. (43.8 x 60.6cm)provenance:Private Collection, New York, NewYork.$1,200-1,800


33 132338/6ROMAN SCHOOL(17th-18th century)THE CONVERSION OF ST. PAULOil on canvas31 7/8 x 41 7/8 in. (81 x 106.4cm)provenance:Private Collection, Florida.$1,500-2,500


34 132336/2FOLLOWER OF JAKOB BOGDANI(hungarian 1660-1724)PHEASANT AND MIXED FLOWERSIN A LANDSCAPEOil on canvas laid to board26 x 34 3/4 in. (66 x 82.3cm)provenance:Private Collection, Massachusetts.$3,000-5,000

35 132403/3ITALIAN SCHOOL(17th century)STILL LIFE OF FLOWERS, BIRDSAND WATERMELONOil on canvas27 7/8 x 41 in. (70.8 x 104.1cm)provenance:Private Collection, Pennsylvania.$2,500-4,000


36 132403/4ITALIAN SCHOOL(18th century)STILL LIFE OF GRAPES IN ALANDSCAPE; A PAIRPair oils on canvasEach: 19 3/8 x 27 7/8 in.(49.2 x 70.8cm)(2)provenance:Private Collection, Maryland.$3,000-5,000


37 132446/1ADRIAEN VAN OOLEN(dutch 1651-1694)A HEN AND CHICKS WITH APIGEON IN A LANDSCAPESigned ‘Adriaenus van Oolen’bottom center right, oil on canvas35 x 29 3/8 in. (88.9 x 74.5cm)provenance:Reverend Theodore Pitcairn,Philadelphia, Pennsyvlania. Acquired by the above inAmsterdam in the 1950’s.By descent to the present owner.‘Old Master Paintings’ Christie’sNew York. January 28, 2009, lot252.$6,000-10,000

38 132240/4CIRCLE OF HIERONYMOUS (DENDANSER) JANSSENS(flemish 1639-1693)AN ELEGANT PARTY ON THETERRACE WITH A PALACE IN THEBACKGROUNDPair oils on canvasEach: 40 3/4 x 37 in.(103.5 x 94cm)(2)provenance:Private Collection, Ohio.note:The two paintings are nearlyidentical to the composition of asingle painting by HieronymusJanssens. We would like to thankFred Meijer and the Rijksbureau voorKunsthistorische Documentatie fortheir identification of this work.Please see number 122952 in theironline database for the painting byJanssens.$4,000-6,000



39 132336/3ROMAN SCHOOL(17th century)MADONNA AND CHILDOil on canvas, unframed32 x 28 1/4 in. (81.3 x 71.8cm)provenance:Private Collection, Massachusetts.$2,000-3,000

40 131854/3AFTER BERNARDINO LUINI(italian 1475-1532)“VANITY AND MODESTY”Oil on canvas27 7/8 x 30 7/8 in. (70.8 x 78.4cm)provenance:Private Collection, Delaware.$1,000-1,500


41 132494/1FLORENTINE SCHOOL(16th century)PORTRAIT OF BLANCA CAPPELLO,GRAND DUCHESS OF TUSCANYOil on panel27 1/2 x 22 1/4 in. (69.9 x 56.5cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,500-4,000


42 132488/2FOLLOWER OF ANTON RAPHAELMENGS(german 1728-1779)SALVATOR MUNDIOil on canvas9 x 7 3/8 in. (22.9 x 18.7cm)provenance:Private Collection, South Carolina.$1,000-1,500

43 131023/15CONTINENTAL SCHOOL(18th century)PORTRAIT OF A LADYOil on canvas30 x 25 in. (76.2 x 61cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


44 132224/1AFTER JEAN MARC NATTIER(french 1685-1766)FLORA (MARQUISE DE BAGLION)Oil on canvas38 1/2 x 31 1/4 in. (97.8 x 79.4cm)provenance:Private Collection, Florida.note:This painting resembles Nattier’smasterwork The Maquise de Baglionas Flora painted in 1746 and nowfound in the Alte Pinakothek,Munich.$2,000-3,000


45 138158/1CIRCLE OF MICHIEL (CARRÉE) CARRE(dutch 1657-1747)CATTLE, SHEEP, GOAT AND DONKEY IN AWOODED LANDSCAPEOil on canvas, unframed17 3/8 x 16 in. (44.1 x 40.6cm)provenance:Private Collection, Virginia.$1,000-1,500

46 132357/2AFTER SIR PETER PAUL RUBENS(flemish 1577-1640)INFANT CHRIST WITH JOHN THEBAPTIST AND TWO ANGELSOil on canvas33 1/2 x 50 in. (85.1 x 127cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


47 132217/3ATTRIBUTED TO MICHELANGELOMAESTRI(italian died c. 1812)TRIUMPH OF LOVEOil on canvas12 3/4 x 18 1/2 in. (32.4 x 47cm)provenance:Private Collection, New York, NewYork.$1,000-1,500


48 132510/1NORTHERN ITALIAN SCHOOL(c. 2nd half 16th century)ALLEGORY OF POVERTY ANDVENGEANCETempera on arch form panel, in thelunette45 1/2 x 51 in. (115.6 x 129.5cm)In period gessoed, craved & gildedframe.provenance:Private Collection, Milan.Acquired from the above, c. 1980.Private Collection, Pennsylvania.$10,000-15,000



49 138103/3SPANISH COLONIAL SCHOOL(18th century)VIRGIN AND CHILD ENCIRCLEDBY SCENES FROM THE LIFE OFCHRIST WITH KNEELING SAINTSOil on canvas, unframed47 1/2 x 35 in. (120.6 x 88.9cm)provenance:Private Collection, Virginia.$2,000-3,000

50 132497/2FRENCH SCHOOL(18th century)PILGRIMMAGE TO THE ISLE OFCYTHERAPair oils on canvas laid to boardEach: 12 3/4 x 8 in. (30.5 x 20.3cm)(2)provenance:Private Collection, Massachusetts.$1,000-1,500



European ArtTuesday January 28, 2014lots 51-155



51 132354/1SIR JOHN HOPPNER(british 1758-1810)RICHARD, FIRST LORD GROSVENOROil on canvas36 x 27 1/2 in. (91.4 x 69.9cm)provenance:The Sitter.Possibly the Erle-Drax Collection, Kent.Possibly with Arthur Tooth, London, 1933.Private Collection, The Main Line, Pennsylvania.note:The sitter was a patron of Hoppner’s best friend,the essayist and poet William Gifford andsupported Hoppner as well. Hoppner honoredthe Grosvenor patronage by naming his secondchild Richard Belgrave Hoppner.We would like to thank Dr. John Wilson for hisauthentication of this work on the basis of anelectronically transmitted image as well as forhis assistance in cataloguing the work.We would also like to thank Paul Cox and theNational Portrait Gallery, London for theirassistance with the portrait's provenance.$6,000-10,000

52 132452/1FOLLOWER OF THOMAS LAWRENCE(british 1769-1830)FREDERICK WILLIAM HARVEY, 5TH EARL OFBRISTOLStamped ‘306 NP’ verso, oil on canvas50 1/2 x 40 3/8 in. (128.3 x 102.5cm)provenance:Private Collection, Washington DC.note:After the original composition in Ickworth, Suffolk.A portrait of Harvey, given to Thomas Lawrence,sold at Christie’s, March 31, 1964, lot 12. Thepresent painting may or may not be the abovereferenced portrait.$2,000-3,000


Opposite: lot 73 (detail)


53 131892/2BRITISH SCHOOL(19th century)TWO YOUNG GIRLSOil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:An Estate, Philadelphia,Pennsylvania.$2,000-3,000


55 133035/29CIRCLE OF JOHANN JOSEPHZOFFANY(british 1733-1810)PORTRAIT OF A GENTLEMANOil on canvas, framed in the oval29 5/8 x 24 5/8 in. (75.2 x 62.5cm)provenance:An Estate, Delaware.$2,000-3,000

54 132185/1BRITISH SCHOOL(late 18th century)PORTRAITS OF CHILDRENEach signed with initials and dated ‘AW 1796’,pair oils on panel, ovalEach: 6 5/8 x 5 3/8 in. (16.8 x 13.7cm)(2)provenance:Private Collection, New York, New York.$1,000-1,500


56 131812/2FOLLOWER OF SIR JOHNHOPPNER(british 1758-1810)PORTRAIT OF A GENTLEMANSAID TO BE JOHN HARVEYOil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, New Jersey.$1,000-1,500

57 131812/3MANNER OF THOMAS GAINSBOROUGH(british 1727-1788)PORTRAIT OF A LADY SAID TO BE LADYFITZGERALDOil on canvas29 1/8 x 24 in. (74 x 61cm)provenance:Private Collection, New Jersey.$1,000-1,500


58 132240/3ANGLO DUTCH SCHOOL(18th century)PORTRAIT OF NOBLE BOYOil on canvas laid to board44 1/2 x 36 in. (113 x 91.4cm)provenance:Private Collection, Ohio.$2,000-3,000


59 132545/2FREDERICK GOODALL(british 1822-1904)“A BEDOUIN ENCAMPMENT NEARSAKARA”Signed with monogram and dated‘189*’ bottom left, also withhandwritten stretcher label andLondon preparer’s stencil verso, oilon canvas15 x 36 in. (38.1 x 91.4cm)provenance:Private Collection, New York, NewYork.$4,000-6,000

60 132456/1HENRY PERLEE PARKER(british 1795-1873)“PAYING OFF THE SMUGGLERS”Signed ‘H.P. Parker pinx’ bottomright, oil on canvas laid to panel24 3/4 x 19 3/8 in. (62.9 x 74.6cm)provenance:Frank S. Schwarz & Son Gallery,Philadelphia, Pennsylvania.Private Collection, Pennsylvania.literature:‘Philadelphia Collection XV’. Frank S.Schwarz & Son. Philadelphia. May1982, plate 29, illustrated.$1,500-2,500



61 132357/1WILLIAM SHAYER THE ELDER(british 1787-1879)TRAVELLERS AT RESTSigned and dated ‘WM Shayer 1887’on rock center left; with unidentifiedlabel verso, oil on canvas18 x 24 in. (45.7 x 61cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

62 132351/6DANIEL SHERRIN(british 1868-1940)ALONG THE CANALSigned ‘D. Sherrin’ bottom left, oil oncanvas24 1/2 x 36 in. (62.2 x 91.4cm)provenance:Private Collection, Ohio.$1,000-1,500


63 132421/1ALFRED AUGUSTUSGLENDENING SR.(british 1840-1910)“STRATFORD-ON-AVON”Signed and dated ‘A.A. Glendening01’ bottom right, oil on canvas18 1/4 x 15 1/4 in. (46.4 x 38.7cm)provenance:Private Collection, Pennsylvania.$1,500-2,500


64 132213/1CHARLES JOHNSON PAYNE(SNAFFLES)(british 1884-1967)“GOT HIM BATE”Signed ‘Snaffles’ lower left,watercolor on paperSight size: 11 3/4 x 12 1/4(29.8 x 31.1cm)provenance:Malcolm Innes Gallery, Edinburgh.Private Collection, Pennsylvania.$1,000-1,500

65 132487/7ATTRIBUTED TO JOHN MARTIN(british 1789-1854)BEFORE THE TEMPLEWatercolor over traces of pencil onpaper9 3/4 x 13 9/16 in. (24.8 x 34.4cm)provenance:Appleby Brothers, London.Private Collection, Scotland.$2,000-3,000



66 132217/2GEORGE ARMFIELD(british c. 1808-1893)A PICNIC WITH THE DOGSSigned and dated ‘G. Armfield 1873’bottom right, oil on canvas14 1/2 x 17 1/2 in. (36.8 x 44.5cm)provenance:Private Collection, New York, NewYork.$1,000-1,500

67 132411/2JOHN CHARLES MAGGS(british 1819-1895)THE BATH-LONDON MAILCOACH, WINTERSigned, located and dated ‘’J CMaggs / Bath 1882’ bottom left, oilon canvas24 1/4 x 36 in. (61.6 x 91.4cm)provenance:Property from Ditchley, the Colonialhouse formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.$2,500-4,000


68 132411/1JOHN CHARLES MAGGS(british 1819-1895)“THE LIVERPOOL LONDON ROYALMAIL”Signed, located and dated ‘J CMaggs/Bath 1878’ bottom right, oilon canvas25 1/4 x 30 in. (64.1 x 76.2cm)provenance:Property from Ditchley, the Colonialhouse formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.$2,500-4,000


69 131825/1CHARLES JOHN DE LACY(british 1856-1936)BOATS IN HARBORSigned ‘C.J. de Lacy’ bottom left, oil on canvas17 7/8 x 32 in. (45.4 x 81.3cm)provenance:Private Collection, Florida.$1,200-1,800

70 131825/2THOMAS ROSE MILES(british fl. 1869-1910)ROUGH SEASSigned ‘T. R. Miles’ bottom left, oil on canvas24 x 42 in. (61 x 106.7cm)provenance:Private Collection, Florida.$1,500-2,500


71 131825/3E. DE LACY BARNETT(british 19th - 20th century)“A RAMSGATE TRAWLER”Signed and dated ‘E. De Lacy Barnett 1904’ bottom left; with RoyalAcademy London exhibition label verso, oil on canvas12 x 24 in. (30.5 x 61cm)provenance:Private Collection, Florida.$1,200-1,800

72 132325/2BRITISH SCHOOL(early 19th century)“MAN-O-WAR SHIPPING IN A BREEZE”Oil on canvas; with two Frost & Reed gallery labels verso20 x 28 in. (50.8 x 71.1cm)provenance:Frost & Reed, London.Private Collection, Haverford, Pennsylvania.$3,000-5,000


73 132466/1MONTAGUE DAWSON(british 1890-1973)“NEARING HOME; THE HELICON”Signed ‘Montague Dawson’ bottomleft; also titled and inscribed verso,oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$40,000-60,000



74 138060/2EDWARD BURNE-JONES(british 1833-1898)PSYCHESigned with initials and dated ‘EBJ1896’ lower right, gouache and goldchalk on paper13 7/8 x 8 5/16 in. (35.2 x 21.1cm)provenance:Private Collection, Virginia.note:The present work is a study ofPsyche for The Wedding of Psyche, alarger composition that wascompleted in 1896 and now residesin the collection of the MuséesRoyaux des Beaux-Arts Belgique inBrussels.We would like to thank Dr. ElisaKorb for her assistance incataloguing this work.$10,000-15,000



75 132423/1EDOUARD MANET(french 1832-1883)“CHAT ET SON OMBRE”Signed ‘E. Manet’ lower right, penand ink heightened with blue andbrown wash on paper4 11/16 x 2 3/4 in. (12 x 7cm)c. 1880.[Wildenstein 622]provenance:Nicolas Makeev, Paris.The Wright Family, New Jersey.Acquired from the above, 1973.Private Collection, New Jersey.exhibited:Ecole des Beaux-Arts, Paris, 1884,no.179 as “Cadre” (part of a largergroup of works framed together).literature:Étienee Moreau-Nélaton, Manet:Raconté Par Lui-Meme. HenriLaurens, Paris. 1926. no. 179, Fig.353 (as “Cadre”).Adolphe Tabarant, Manet: Et SesOeuvres. Gallimard. 1947. pg 393, no.651 (illus).Alain De Leiris, The Drawings ofEdouard Manet. University ofCalifornia Press. 1969. no 554.Denis Rouart & Daniel Wildenstein,Edouard Manet: CatalogueRaisonné. La Bibliothèque Des Arts,Lausanne-Paris. Tome II, 1975. pp220-221, no. 622 (illus).Juliet Wilson-Bareau, Division andRevision: Manet’s ReichschoffenRevealed. Paul Holberton Publishing,London. 2008. pp 54; 85. no. 37, fig.41. (as “Cadre”).note:It has been suggested that thepresent work was framed witheleven other works on paper to formthe work known only as "Cadre,"lent by Alphonse Dumas to theManet memorial exhibition at theEcole des Beaux-Arts in 1884. Thepiece was captured in a photographby Jules-Michel Godet. "Chat Et SonOmbre" is believed to have been inthe bottom center register, furthestto the right.$12,000-18,000



76 132327/2PAUL CÉSAR HELLEU(french 1859-1927)PORTRAIT OF A LADY SAID TO BEMADAME SINGERSigned ‘Helleu’ lower left, titledverso, charcoal and colored chalk onpaper30 1/8 x 23 in. (76.5 x 58.4cm)provenance:Private Collection, Pennsylvania.$10,000-15,000



77 132314/2JEAN JACQUES HENNER(french 1829-1905)MYSTERIOUS WOMANSigned ‘JJ HENNER” center left; withJulius O*HME, New York gallerylabel verso, oil on canvas16 1/2 x 13 1/2 in. (41.9 x 34.3cm)provenance:Julius O*hme Gallery, New York,New York.Private Collection, Washington DC.$1,000-1,500

78 131812/4JEAN JACQUES HENNER(french 1829-1905)AUBURN BEAUTYSigned ‘JJ Henner’ top right, oil oncanvas13 x 9 1/2 in. (33 x 24.1cm)provenance:Private Collection, New Jersey.$1,000-1,500


79 131812/5JEAN JACQUES HENNER(french 1829-1905)YOUNG WOMAN IN PROFILESigned ‘HENNER’ bottom centerleft, oil on panel10 5/8 x 8 1/2 in. (27 x 21.6cm)provenance:G. Blair Lang, Ltd. Toronto, Ontario.Private Collection, New Jersey.$1,000-1,500


80 132433/1CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)LA VALLÉE DE L’OISESigned ‘Daubigny’ bottom right, oilon cradled panel17 9/16 x 26 15/16 in.(44.6 x 68.4cm)provenance:Private Collection, New York, NewYork.$12,000-18,000

81 131739/2CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)PAYSAGESigned ‘C. Daubigny’ bottom right,oil on paper laid to board7 3/4 x 15 3/4 in. (19.7 x 40cm)provenance:Private Collection, Pennsylvania.$4,000-6,000



82 132406/1CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)LAVANDIERES, ILE DE VAUXSigned ‘Daubigny’ bottom left, oil onpanel7 1/2 x 15 1/8 in. (19.1 x 38.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$5,000-8,000

83 132336/1JULES DUPRÉ(french 1811-1889)COTTAGE BY THE SEASigned ‘Jules Dupre’ bottom left, oilon canvas13 x 16 in. (33 x 40.6cm)provenance:Estate of Mrs. Harold S. Greenan,Boston, Massachusetts & Landaff,New Hampshire.Private Collection, Massachusetts.$2,500-4,000



84 132336/4GEORGES LAUGÉE(french 1853-1937)BEARING THE HARVESTSigned ‘Georges Laugée’ bottomleft, oil on canvas24 x 32 in. (61 x 81.3cm)provenance:Estate of Mrs. Harold S. Greenan,Boston, Massachusetts & Landaff,New Hampshire.Private Collection, Massachusetts.$10,000-15,000



85 131618/345CESARE MACCARI(italian 1840-1919)“MUSIC HATH CHARMS”Signed, inscribed and dated ‘MACCARIROMA 1876’ top right, inscribed withtitle on stretcher verso, inscribed onlabel verso, oil on canvas44 3/4 X 35 3/4 in. (113.7 X 90.8 cm).With a companion.(2)provenance:Private Collection, Pennsylvania.‘Fine American & European Paintings.’Freeman’s, Philadelphia. June 23, 2002,lot 13.The Collection of Robert and BarbaraSafford, Vaux Hill.$10,000-15,000



86 131984/1HERMAN FREDERIK CAREL TENKATE(dutch 1822-1891)TAVERN BRAWLSigned ‘Herman ten Kate ft.’ bottomleft, oil on panel17 1/2 x 25 1/2 in. (44.5 x 64.8cm)provenance:Private Collection, Pennsylvania.By descent in the family.Private Collection, Pennsylvania.By descent in the family.Private Collection, North Carolina.$5,000-8,000

87 131984/2HERMAN FREDERIK CAREL TEN KATE(dutch 1822-1891)A DRINK FOR THE CAVALIERSSigned ‘Herman ten Kate ft.’ bottom right, oil on panel11 7/16 x 15 15/16 in. (29.1 x 40.5cm)provenance:Private Collection, Pennsylvania.By descent in the family.Private Collection, Pennsylvania.By descent in the family.Private Collection, North Carolina.$1,500-2,500


88 132544/1CORNELIS KOPPENOL(dutch 1865-1946)MATERNAL CARESSigned ‘C. Koppenol’ bottom right, oil on canvas32 x 39 3/4 in. (81.3 x 101cm)provenance:Private Collection, New York, New York.$2,000-3,000


89 132336/8CHARLES LOUIS KRATKE(french 1848-1921)COURTING SCENESigned and dated ‘C. KRATKÉ 1878’bottom left, oil on panel, 10 5/8 x 81/2 in. (27 x 21.6cm)provenance:Private Collection, Massachusetts.$2,000-3,000

90 132224/3EMIL RAU(german 1853-1937)ENTERTAINED IN THE TAVERNSigned, located and dated ‘E. RauMunchen 1900’ bottom left, oil oncanvas39 x 31 1/2 in. (99.1 x 80cm)provenance:Private Collection, Florida.$2,000-3,000


91 131812/6CONTINENTAL SCHOOL(19th century)CONCERTOOil on canvas18 1/4 x 18 3/8 in. (46.4 x 46.7cm)provenance:Private Collection, New Jersey.$1,000-1,500


92 131164/8CESARE AUGUSTE DETTI(italian 1847-1914)NEWS FROM HOMESigned ‘C. Detti’ lower left, oil oncanvas16 1/4 x 10 3/8 in. (41.3 x 26.4cm)provenance:Estate of Ann B. Ritt, Haverford,Pennsylvania & Scottsdale, Arizona.$1,000-1,500

93 138042/27LAVAILLE DE LAMEILLERE(french 19th century)THE GENTLEMAN’S PROPOSALSigned and dated ‘L de Lameillere1884’ lower right, oil on canvas32 x 23 in. (81.3 x 58.4cm)provenance:An Estate, Florida.$3,000-5,000


94 131164/13FRANÇOIS NICOLAS AUGUSTINFEYEN-PERRIN(french 1826-1888)FRUITS DE MERSigned ‘Feyen-Perrin’ bottom left, oilon canvas27 3/8 x 35 in. (67.7 x 88.8cm)provenance:Freeman’s sale of American &European Paintings, June 4, 2000,lot 26.Estate of Ann B. Ritt, Haverford,Pennsylvania & Scottsdale, Arizona.$1,000-1,500


95 132534/1ANSELMO GIANFANTI(italian 1857-1903)“LA GOURMANDISE”Signed in ligature ‘A. Gianfanti’bottom right; inscribed ‘property ofShirley Mason’ on stretcher verso,oil on canvas56 x 44 in. (142 x 112cm)provenance:Briest, Scp. Sale of March 21, 1990,lot 129.‘Nineteenth Century European Art,’Christie’s, New York. May 1, 2000,lot 70.Private Collection, New Jersey.$20,000-30,000



96 132336/6GIUSEPPE COSTANTINI(italian 1844-1894)AN IMPROMPTU CONCERTSigned ‘G. Costantini’ bottom right, oil on panel11 5/8 x 14 3/4 in. (29.5 x 37.5cm)provenance:Private Collection, Massachusetts.$2,000-3,000

97 131827/1GIOVANNI SANDRUCCI(italian 1828-1897)DELIVERING THE NEWSSigned ‘G. Sandrucci’ bottom left, oil on canvas32 3/4 x 43 1/2 in. (83.2 x 110.5cm)provenance:Private Collection, New York.$2,000-3,000


98 131827/2(ALFRED LOUIS VIGNY) JACOMIN(french 1842-1913)FAUST AND MEPHISTOPHELESSigned and dated ‘A. Jacomin 1869’bottom left, oil on canvas laid toboard39 x 31 in. (99.1 x 78.7cm)provenance:Private Collection, New York.$5,000-8,000



99 132488/1MAX NONNENBRUCH(german 1857-1922)YOUNG BEAUTYSigned, located and dated ‘M.Nonnenbruch. Munchen. 1920’bottom left, oil on canvas43 1/4 x 27 9/16 in. (109.9 x 70cm)provenance:Adrian Brugger, Munich.Private Collection, South America, c.1940.By descent in the family.Private Collection, South Carolina.$15,000-25,000


100 132486/1ANDREA LANDINI(italian 1847-1935)THE CARDINAL’S CATCHSigned ‘A. Landini’ bottom left, oil oncradled panel18 1/4 x 15 in. (46.4 x 38.1cm)provenance:John Krol, Cardinal of Philadelphia.Private Collection, Cincinnati, Ohio.$15,000-25,000



101 132536/1GIULIO ROSATI(italian 1858-1917)A GAME OF BACKGAMMONSigned ‘Guilio Rosati’ upper left,watercolor on card20 15/16 x 14 1/2 in. (53.2 x 36.8cm)provenance:Private Collection, Delaware.$6,000-10,000



102 132534/3JOSEPH (JEF) LEEMPOELS(belgian 1867-1935)“A MORNING MISSIVE”Signed ‘Jef Leempoels’ bottom left, oil on canvas51 1/2 x 44 in. (130.7 x 111.8cm)provenance:‘Nineteenth Century European Art,’ Christies, New York. May 1, 2000, lot 92.Private Collection, New Jersey.$15,000-25,000



103 132534/2MARIA (PHILIPS-WEBER) WEBER(german c.1845-c.1942)“A LULL IN THE BALLET”Signed ‘M. Weber’ bottom right, oilon canvas26 x 35 1/2 in. (66 x 90cm)provenance:Kurt E. Schon, New Orleans,Louisiana, 1993.‘Nineteenth Century European Art,’Christies, New York. May 1, 2000,lot 100.Private Collection, New Jersey.$5,000-8,000

104 132349/2JOHN FRANK KELLY(irish 1885-1958)“THE VIOLINIST”Signed and dated ‘John F. Kelly 1942’bottom right, oil on panel20 x 16 in. (50.8 x 40.6cm)provenance:Scottish Art Heritage, Glasgow,Scotland.Purchased from the above October,1994.Private Collection, New York, NewYork.$1,500-2,500



105 132321/6CONTINENTAL SCHOOL(19th century)FULL LENGTH PORTRAIT OF ALADY IN A GOWNSigned indistinctly top right, oil oncanvas46 1/4 x 26 1/4 in. (117.5 x 66.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

106 132453/1CONTINENTAL SCHOOL(19th century)PORTRAIT OF A WOMANSigned and dated ‘JM 1875’ bottom right, oil onboard24 1/4 x 17 in. (61.6 x 43.2cm)provenance:Schwarz Gallery, Philadelphia, Pennsylvania.Acquired from the above, 2000.Private Collection, Philadelphia, Pennsylvania.literature:‘Philadelphia Collects LXVII’ Schwarz Gallery,Philadelphia. Plate 28.$1,000-1,500


107 138112/1CONTINENTAL SCHOOL(19th century)PORTRAIT OF CHRISTINE BOYERSigned ‘DAVID’ bottom right, oil oncanvas39 1/2 x 29 1/4 in. (100.3 x 74.9cm)provenance:Private Collection, Virginia.$1,000-1,500


108 132456/5JAN JACOB COENRAAD SPOHLER(dutch 1837-1923)WINTER SKATING SCENESigned ‘JJC Spohler’ bottom right, oilon canvas17 x 26 1/2 in. (43.2 x 67.3cm)provenance:Frank S. Schwarz & Son,Philadelphia, Pennsylvania.Private Collection, Philadelphia,Pennsylvania.literature:'Philadelphia Collections XV,' FrankS. Schwarz & Son, Philadelphia. May1982, plate 9 (illus).$4,000-6,000

109 132287/2PIETER GERARDUS VERTIN(dutch 1819-1893)ENTRANCE TO ENKHUIZEN FROM THESEASIDESigned ‘P.G. Vertin f. 1856’ bottom left, oil oncanvas21 x 27 7/8 in. (53.3 x 70.8cm)provenance:Acquired in Amsterdam, late 1940s.Private Collection.By descent in the family.Private Collection, Pennsylvania.$2,000-3,000


110 132287/1PIETER GERARDUS VERTIN(dutch 1819-1893)ENKHUIZEN IN SNOWSigned and dated ‘P.G. Vertin 1855’bottom right, oil on canvas20 1/2 x 27 7/8 in. (52.1 x 70.8cm)provenance:Acquired in Amsterdam, late 1940s.Private Collection.By descent in the family.Private Collection, Pennsylvania.$2,000-3,000


111 131892/6E. DUCAT(continental 19th century)CHILDREN IN SNOWSigned ‘E. Ducat’ bottom left, andstamped ‘Rob’t Fullerton Art Dealer’verso, oil on canvas13 1/2 x 17 5/8 in. (34.3 x 44.8cm)provenance:Private Collection, New York, NewYork.$1,000-1,500

112 132456/6ALEXANDRE-LOUIS LELOIR(french 1843-1884)THE LUTE PLAYERSigned and dated ‘Louis Leloir 1872’bottom right, oil on canvas12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000


113 131826/1JOHANN WILHELM LINDLAR(german 1816-1896)VILLAGE IN WINTERSigned ‘JW Lindlar’ bottom right, oilon canvas35 3/4 x 43 1/2 in. (90.8 x 110.5cm)provenance:Guido Marx, the former mayor ofToledo, Ohio (by repute).Private Collection, Ohio.$3,000-5,000


114 131812/11HENDRIK BAREND KOEKKOEK(dutch 1849-c. 1885)FISHERFOLK ALONG THE SHORESigned ‘H.B. Koekkoek’ bottom left,oil on panel13 5/8 x 20 1/8 in. (34.6 x 51.1cm)provenance:Private Collection, New Jersey.$1,200-1,800

115 132533/3JACQUES FRANÇOIS CARABAIN(belgian 1834-1933)A VIEW OF THE DANUBESigned ‘J. Carabain’ bottom left; alsoinscribed verso, oil on panel7 1/4 x 9 3/8 in. (18.4 x 23.8cm)provenance:Private Collection, Washington DC.$1,200-1,800


116 138135/1ULPIANO CHECA SANZ(spanish 1860-1916)VIEW OF THE ARC DE TRIOMPHESigned ‘U. Checa’ bottom left, oil onpanel10 x 16 1/16 in. (25.4 x 40.6cm)provenance:Private Collection, Virginia.$2,000-3,000


117 132361/1JEAN FERDINAND MONCHABLON(french 1854-1904)QUIET DAY IN THE VILLAGESigned and dated ‘Jean Monchablon1888’ bottom right; also inscribed‘CE XXXII’ bottom right, oil oncanvas15 x 22 in. (38.1 x 55.9cm)provenance:Private Collection, New York, NewYork.By descent in the family.Private Collection, Boston,Massachusetts.$3,000-5,000

118 132545/1ERNEST DE LANDERSET(french 1832-1907)GATHERING FLOWERSSigned and dated ‘DE LANDERSET18**’ bottom left; also indistinctlyinscribed and dated ‘1875’ bottomright, pastel on paper laid to canvas39 1/8 x 31 3/4 in. (99.4 x 80.6cm)provenance:Private Collection, New York, NewYork.$2,500-4,000


119 1380104/4ALFRED VICTOR FOURNIER(french 1872-1924)SEDAN CHAIR RIDESigned ‘Alfred Victor Fournier’bottom left, oil on canvas18 x 15 in. (45.7 x 38.1cm)provenance:Private Collection, Florida.$1,500-2,500


120 132456/4ARMAND GUILLAUMIN(french 1841-1927)“ROCHERS SUR LA COTEMÉDITERRANÉENNE”Signed 'Guillaumin' bottom right;also with 'M. Charles Durand-Ruel'label and two unidentified gallerylabels attached verso, oil on canvas18 x 21 1/2 in. (45.7 x 54.6cm)c. 1915provenance:M. Charles Durand-Ruel, Paris.Private Collection, Philadelphia,Pennsylvania.$12,000-18,000



121 132336/7ANTHONIE JACOBUS VANWIJNGAERDT(dutch 1808-1887)COWS IN A MEADOWSigned ‘AJ v Wijngaerdt fe’ bottomright, oil on panel7 7/8 x 13 3/8 in. (20 x 34cm)provenance:Private Collection, Massachusetts.$2,500-4,000

122 138172/3WILLIAM RAYMONDDOMMERSEN(dutch active 1850-1927)PEASANTS ON A ROAD ALONGTHE COASTSigned ‘W. Dommersen’ bottomright; located ‘Modena Italy’ verso,oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, Virginia.$1,000-1,500


123 132336/5FRANÇOIS HENRI NAZON(french 1821-1902)FIGURES ON A HILLSIDESigned ‘Nazon’ bottom left, oil oncanvas13 x 21 1/2 in. (33 x 54.6cm)provenance:Doll and Richards, Boston,Massachusetts.Private Collection, Massachusetts.$2,500-4,000


124 132224/2WILLIAM DIDIER POUGET(french 1864-1959)“BRUYÈRES EN FLEURS”Signed ‘Didier-Pouget’ bottom right;titled verso, oil on canvas36 x 29 in. (91.4 x 73.7cm)provenance:Private Collection, Florida.$1,000-1,500

125 132036/3JULES DIDIER(french 1831-1892)“AMAZONE ET LA CAVALIER ENLA CHASSE”Signed ‘Jules Didier’ bottom left, oilon canvas22 x 18 1/4 in. (55.9 x 46.4cm)provenance:‘The House Sale,’ Christie’s NewYork. December 20, 2006, lot 56.Private Collection, Massachusetts.$2,000-3,000


126 131763/4MARIE DIETERLE(french 1856-1935)COWS WATERINGSigned, located and dated ‘M.E.Dieterle, Paris, 9*’ bottom right, oilon canvas22 x 30 in. (55.9 x 76.2cm)provenance:Private Collection, Washington DC.$1,500-2,500


127 132456/3ALBERT RAOUX(french 19th century)FLORAL STILL LIFEIndistinctly signed bottom centerleft, oil on canvas laid to board38 1/2 x 31 in. (97.8 x 78.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$5,000-8,000

128 132469/1JAKOB LEHNEN(german 1803-1847)“STILL LIFE WITH HARE ANDGAME BIRD”Signed in ligature and dated ‘18JHehlen 39’ bottom right; alsoinscribed and located ‘M. RodertGuersnel’ ‘J. Lehnen’ and‘Dusseldorf’ on stretcher verso, oilon canvas28 x 22 3/4 in. (71 x 57.8cm)In original Biedermeier frame.provenance:Private Collection, Greenwich,Connecticut.$5,000-8,000



129 132295/2MANTOVANI(italian 19th century)ROOSTERS AND DUCKS INFARMYARDSigned, located and dated‘Mantovani Roma 18*9’ bottom left,oil on canvas50.5 x 73.5 in. (128.3 x 186.7cm)provenance:Private Collection, New Jersey.$4,000-6,000

130 132300/1ANTOINE VOLLON(french 1833-1900)TABLETOP STILL LIFESigned ‘Vollon’ bottom right, oil oncanvas21 3/4 x 18 3/16 in. (55.2 x 46.2cm)provenance:Private Collection, New Jersey.$4,000-6,000



131 132224/4RAOUL MAUCHERAT DELONGPRÉ(french 1855-1911)ROSESSigned ‘Raoul M. de Longpre fils’bottom right, gouacheSight Size: 28 1/4 x 36 3/8 in.(71.8 x 92.4cm)provenance:Private Collection, Florida.$2,000-3,000

132 131739/3LOUIS ROBERT CARRIER-BELLEUSE(french 1848-1913)LOOKING OUT TO SHORESigned ‘Louis Carrier Belleuse’bottom center right along top rail, oilon canvas19 7/8 x 28 7/8 in. (50.3 x 73.3cm)provenance:Private Collection, Pennsylvania.$1,200-1,800


133 132533/5JOHANN GEORG MEYER VONBREMEN(german 1813-1886)YOUNG GIRL AT THE WELLSigned and dated ‘Meyer vonBremen 1843’ bottom left, oil onpanel6 3/8 x 4 3/4 in. (16.2 x 12.1cm)provenance:Private Collection, Washington DC$1,000-1,500


134 132534/4FRANZ LEFFLER(czech 1831-1898)AN ALLEGORY OF THE ARTSSigned ‘F. Leffler’ bottom right, oil oncanvas37 3/4 x 49 1/2 in. (95.9 x 125.7cm)provenance:‘19th Century European Paintings,Drawings and Watercolors.’Christie’s New York. February 28,1991, lot 68 (one of a pair).Private Collection, New Jersey.$3,000-5,000

135 132534/5FRANZ LEFFLER(czech 1831-1898)CHERUBS AT PLAYSigned ‘F. Leffler’ bottom right, oil oncanvas37 3/4 x 49 1/2 in. (95.9 x 125.7cm)provenance:‘19th Century European Paintings,Drawings and Watercolors.’Christie’s New York. February 28,1991, lot 68 (one of a pair).Private Collection, New Jersey.$3,000-5,000



136 131812/1RAIMUNDO DE MADRAZO YGARRETA(spanish 1841-1920)PORTRAIT OF A LADYSigned ‘R. Madrazo’ top left; withJulius Lowy, NY label verso, oil oncradled panel30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, New Jersey.$10,000-15,000




137 132403/1RAIMUNDO DE MADRAZO YGARRETA(spanish 1841-1920)ELEGANT LADYSigned ‘Madrazo’ lower right;painted in the oval, oil on canvas32 x 28 in. (81.3 x 71.1cm)provenance:Private Collection, Maryland.$3,000-5,000


138 132391/2JOSEF VON BRANDT(polish 1841-1915)ON THE LOOKOUTSigned, dated and located ‘JozefBrandt 1881 Warszawy Monachium’bottom left; with Parrish ArtMuseum label (detached), oil oncanvas39 3/8 x 35 in. (100 x 88.9cm)provenance:The Estate of Ernestyna Schenker,New York, New York.$70,000-100,000





139 132391/4JULIAN FALAT(polish 1853-1929)ON THE HUNTSigned and located 'J. Falat Bystra'bottom left; with an exhibition andan unidentified label verso, oil onboard23 1/2 x 57 1/4 in. (59.7 x 145.4cm)provenance:The Estate of Ernestyna Schenker,New York, New York.exhibited:'Artists in Krakow,' Polish ArtSociety, (n.d.)$12,000-18,000




140 132391/3ROMAIN KRAMSTYK(polish 1885-1942)GENTLEMAN FEASTING ONSHELLFISHSigned ‘Kramstyk’ top right,with: ‘DOG STUDY’verso, oil on canvas33 x 23 in. (83.8 x 58.4cm)provenance:The Estate of Ernestyna Schenker,New York, New York.$20,000-30,000


141 132456/2ANTON KOZAKIEWICZ(polish 1841-1929)HUNTERS IN WINTERSigned ‘A. Kozakiewicz’ andindistinctly inscribed and dated‘1872 (?)’ bottom left, oil on canvas19 x 23 in. (48.3 x 58.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$3,000-5,000

142 132391/5CONTINENTAL SCHOOL(19th century)FISHERMANSigned indistinctly bottom right, oilon canvas33 3/4 x 21 1/4 in. (85.7 x 54cm)provenance:The Estate of Ernestyna Schenker,New York, New York.$2,000-3,000




143 131812/9JAN HOYNCK VANPAPENDRECHT(dutch 1858-1933)CAVALRY PROCESSIONSigned ‘J Hoynck Van Papendrecht’bottom left, oil on canvas25 3/8 x 39 3/8 in. (64.4 x 100cm)provenance:Private Collection, New Jersey.$6,000-10,000

144 132285/1WOICIECH (ALDABERT) RITTERVON KOSSAK(polish 1857-1942)HORSEMAN WITH TRAVELERSSigned ‘Wojciech Kossak’ bottomleft, oil on board11 3/8 x 19 in. (28.9 x 48.3cm)provenance:Private Collection, Pennsylvania.$1,500-2,500


145 131712/1PETR IVANOVICH PETROVICHEV(russian 1874-1947)AUTUMN LANDSCAPESigned in Cyrillic and dated 1922(?)bottom right, oil on canvas laid toboard21 x 31 5/8 in.(53.3 x 80.3cm)provenance:Purchased in Moscow in 1934.John Finley Williamson and RheaParlette Williamson, Princeton, NewJersey.By descent in the family.Private Collection, Tennessee.note:This painting was purchased byJohn Finley Williamson and RheaParlette Williamson, co-founders ofthe Westminster Choir College,Princeton, while the choir was ontheir second European tour in 1934,invited by the government of theSoviet Union.$5,000-8,000


146 131712/2KONSTANTIN YAKOVLEVICH KRYZHITSKY(ukrainian 1858-1911)FOOTSTEPS TO THE BOATSigned in Cyrillic, dated ‘89’ and inscribed ‘A.A. BMMB.’bottom right, oil on board9 3/4 x 7 3/4 in. (24.8 x 19.7cm)provenance:Purchased in Moscow in 1934.John Finley Williamson and Rhea Parlette Williamson,Princeton, New Jersey.By descent in the family.Private Collection, Tennessee.note:This painting was purchased by John Finley Williamson andRhea Parlette Williamson, co-founders of the WestminsterChoir College, Princeton, while the choir was on theirsecond European tour in 1934, invited by the government ofthe Soviet Union.$2,000-3,000


147 132270/1ANDRÁS MARKÓ(austrian 1824-1895)SHEPHERD BOY LEADING THEHERDSigned and dated ‘Andras Marko1881’ bottom left, oil on canvas45 1/2 x 33 in. (115 x 83.8cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

148 132013/1OTTO EDUARD PIPPEL(german 1878-1960)FIGURES AT LEISURESigned ‘Otto Pippel’ bottom right;also signed and inscribed ‘Ausflugder Kunstler’ verso, oil on canvas24 5/8 x 19 7/8 in. (62.5 x 50.5cm)provenance:Private Collection, New Jersey.By desecent in the family.Private Collection, New Jersey.$4,000-6,000


149 132013/2OTTO EDUARD PIPPEL(german 1878-1960)PIANO BY CANDLELIGHTSigned and dated ‘Otto Pippel 41’bottom right; inscribed ‘Prof Fischerin Schloss’ on stretcher verso, oil oncanvas23 7/8 x 19 in. (60.6 x 48.3cm)provenance:Private Collection, New Jersey.By descent in the family.Private Collection, New Jersey.$3,000-5,000


150 131988/61CHARLES CLEMENT FRANCISPERRON(french 1893-1958)“LE POT BLEU”Signed ‘C. Perron’ bottom right;unidentified gallery label verso, oilon board5 1/2 x 7 1/4 in. (14 x 18.4cm)provenance:Private Collection, New York, NewYork.$1,200-1,800

151 132419/1LUCIEN ADRION(french 1889-1953)“OLYMPIC MARATHON 1924”Signed ‘Adrion’ bottom right; alsoinscribed ‘Adrion’ on stretcher verso,oil on canvas25 1/2 x 32 in. (64.8 x 81.3cm)provenance:An Estate, New Jersey.$1,500-2,500


152 132027/1LUIGI PAOLILLO(italian 1864-1934)SUNSET ON THE LAKESigned ‘L. Paolillo’ bottom right, oilon canvas28 x 36 in. (71.1 x 91.4cm)provenance:Private Collection, Pennsylvania.$2,500-4,000


153 131812/10DIETZ EDZARD(german 1893-1963)“PLACE DE LA CONCORDE”Signed ‘D. Edzard’ bottom right; alsosigned and titled verso, oil on canvas23 5/8 x 36 1/4 in. (60 x 92.1cm)provenance:Private Collection, New Jersey.$1,500-2,500

154 132203/8RENÉ CHARLES EDMOND HIS(french 1877-1960)WATER LILLIES IN A STREAMSigned ‘E. Rene His’ bottom left, oilon canvas32 x 46 in. (81.3 x 116.8cm)provenance:Private Collection, Pennsylvania.$2,500-4,000


155 132365/1HUGHES CLAUDE PISSARRO(french b. 1935)“LE HAMEAU DU PONT”Signed ‘H. Claude Pissarro’ bottomright, also inscribed ‘H. ClaudePissarro le petit fils’ and titled verso,oil on canvas25 1/2 x 32 in. (64.8 x 81.3cm)provenance:Acquired in Chicago, 1990.Private Collection, Philadelphia,Pennsylvania.$8,000-12,000

END OF SALE



names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary



Adrion, L., 151Anglo Dutch School, 58Anglo Flemish School, 25Armfield, G., 66

Bassano, J.D.P., 30Bogdani, J., 34British School, 53, 54, 72Buck, A., 14Burne-Jones, E.C., 74

Cambiaso, L., 7Carabain, J.F., 115Carre, M., 45Carrier-Belleuse, L.R., 131Checa Sanz, U., 116Continental School, 43, 91, 105, 107,

142Costantini,G., 96Coypel, C.A., 15

Daubigny, C.F., 80, 81, 82Dawson, M. 73Delafosse, J.C., 8de Lacy, C.J., 69de Lacy Barnett, E., 71de Lameillere, L., 93de Landerset, E., 118de Longpre, R.M., 131de Madrazo Y Garreta, R., 136, 137Detti, C.A., 92Didier, J., 125Dieterle, M., 126Di Paolo, G. 18Dolci, C., 11Dommersen, W.R., 122Ducat, E., 111Dupré, J., 83Dürer, A., 1, 2Dutch School, 24

Edzard, D., 153English School, 14

Falat, J., 139Feyen-Perrin, F.N.A., 94

Flemish School, 22Florentine School, 41Floris The Elder, F., 23Fournier, A.V., 119French School, 9, 14, 50, 106

Gainsborough, T. 57Gianfanti, A., 95Glendening Sr., A.A., 63Goodall, F., 59Goya, F.D., 4Guillaumin, A. 120

Helleu, P.C., 76Henner, J.J., 77, 78, 79His, R.C.E., 154Hoppner, J., 51, 56Horenbout, L., 26

Italian School, 10, 31, 35, 36

Jacomin, A.L.V., 98Janssens, H., 38

Kelly, J.F., 104Koekkoek, H.B., 114Koppenol, C., 88Kossak, W.A., 144Kozakiewicz, A., 141Kramstyk, R., 140Kratke , C.L., 89Kryzhitsky, K.Y., 146

Lawrence, T., 52Lancret, N., 16Landini, A., 100Laugée, G., 84Leempoels, J.J., 102Leffler, F., 134, 135Lehnen, J., 128Leiden School 20Leloir, A.L., 112Lindlar, J.W., 113Luini, B., 40

Maccari, C., 85

van Heemskerck The Elder, E., 19van Papendrecht, J.H., 143van Oolen, A., 37van Wijngaerdt, A.J., 121van Wittel, G., 27Vannini, O., 28Venetian School, 10Verhaect, T., 12Vertin, P.G., 109, 110Vollon, A., 130Von Brandt, J., 138Von Bremen, J.G.M., 133

Weber, M.P., 103

Zoffany, J.J., 55

Maestri, M., 47Maggs, J.C., 67, 68Manet, E., 75Mantovani, 129Maratta, C., 8Markó , A., 147Martin, J. 65Mengs, A.R., 17, 42Michelangelo, 5Miles, T.R., 70Millet, J.F., 3Monchablon, J.F., 117

Nattier, J.M., 44Nazon, F.H., 123Nonnenbruch, M., 99Northern Italian School, 29, 48

Odevaere,J.D., 13

Panini, G.P., 32Paolillo, L., 152Parker, H.P., 60Payne (Snaffles), C.J., 64Perron, C.C.F., 150Petrovichev, P.I., 145Pippel, O.E., 148, 149Pissarro, H.C., 155Poccetti, B.B., 6Pouget, W.D., 124

Raoux, A., 127Rau,E., 90Roman School, 33, 39Rosati, G., 101Rubens, P.P., 46

Sandrucci, G., 97Schoevaerdts , M., 21Shayer The Elder, W., 61Sherrin, D., 62Spanish Colonial School, 49Spohler, J.J.C., 108

Ten Kate, H.F.C., 86, 87

Index


all property offered and sold (“property”) through samuel t. freeman &co, (“freeman’s”) shall be offered and sold on the terms and conditionsset forth below which constitutes the complete statement of the termsand conditions on which all property is offered for sale. by bidding atthe auction, whether present in person or by agent, by written bid,telephone, internet or other means, the buyer agrees to be bound bythese terms and conditions.

Premium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% thereafter.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outside thestate where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts or omissionsin packing or shipping of purchasedlots whether or not such carrierrecommended by Freeman’s. Packingand handling of purchased lots is atthe responsibility of the buyer and isat the entire risk of the buyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must be submittedin writing to Freeman’s prior tocommencement of the offer of thefirst lot of any sale. Freeman’s copyof any such bid shall conclusively bedeemed to be the sole evidence ofsame, and while Freeman’s acceptsthese bids for the convenience ofbidders not present at the auction,Freeman’s shall not be responsiblefor the failure to execute, or, toexecute properly, any pre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in the exclusivediscretion of the auctioneer, subjectto compliance by the buyer withthese Conditions of Sale. Buyerthereupon assumes full risk andresponsibility of the property sold,agrees to sign any requestedconfirmation of purchase, and agreesto pay the full price, plus Buyer’sPremium, therefore or such part,upon such terms as Freeman’s mayrequire.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

1Unless otherwise indicated, allProperty will be offered by Freeman’sas agent for the Consignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty or representationregarding the description,genuineness, attribution, provenanceor condition to the Property of anykind or nature with respect to theProperty.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriate incrementof bids or the constitution of lots.

6The highest bidder acknowledged bythe auctioneer shall be the buyer.The auctioneer has the right to rejectany bid, to advance the bidding at hisabsolute discretion and in the eventof any dispute between bidders, theauctioneer shall have the sole andfinal discretion either to determinethe successful bidder or to re- offerand resell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines that anyopening or later bid or any advancebid is not commensurate with thevalue of the Property offered, he mayreject the same and withdraw theProperty from sale.

Terms & Conditions


To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hoursare Mon - Fri, 9:30 - 4:30pm. For larger items, please email [email protected] to schedule a loading dockappointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required.Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of 3rd party collectingproperty. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients inthe past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLCContact: Gordon G Murray II12 Salem RoadSchwenksville, PA 19473484.552.8741Fax: [email protected]

UPS StoreContact: John Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990Fax: [email protected]

Mr. C’sContact: Charles [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104718.706.7999Fax: [email protected]

A. Mastrocco Jr. Moving & StorageContact: Roseanne1060 Louis DriveWarminster, PA 18991215.491.0346Fax: [email protected]

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629Fax: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA [email protected]

The Packaging StoreContact: Duane Freed2333 West Main StreetLansdale, PA 19446215.361.6940Fax: [email protected]

FURNITURE & LARGER ITEMS:For larger pieces where delivery time isnot the primary concern, we suggestgetting your items freighted:

www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com.


Purchase removal, shipping and offsite storage information

v2.2013


SALE NO BIDDER NO CLIENT NO

NAME BUSINESS NAME

ADDRESS

CITY STATE COUNTRY

ZIP CODE E-MAIL

FAX

RESALE / TAX IDENTIFICATION STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of eachlot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO DESCRIPTION MAXIMUM BID

bank reference

BANK NAME ACCOUNT NO

CONTACT NAME TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute yourbid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

q PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN’S CATALOGS

bidding & registration form

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected] www.freemansauction.com

please adhereto the bidding increments

$10UNTIL $200 IS REACHED

$25UNTIL $500 IS REACHED

$50UNTIL $1,000 IS REACHED




$1,000UNTIL $30,000 IS REACHED



OVER $100,000AUCTIONEER’S DISCRETION

(Primary) (Secondary)PHONE PHONE

q ID CONFIRMED


depart≤ents

Appraisalssa≤uel ≤ free≤an iijames e buckleydonald e walteramy parentilaura cox

Consignmentssamuel h cooperjames e buckleymaya shah-o’donnell

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrollmarianne dagescara bishoffwhitney longmaya shah-o’donnellbethany mobbsfran nicosialauren carpinelli

Operationsnathan norleyherbert draytonderrick draytonisaac crawfordgerald davisdarryll byram

Financemark beckermankaren bajczyk

Business Development & ≤arketingtara theune davismelissa gellerthomas b mccabe ivchristopher brownesusannah mcgovern

Trusts & Estatessamuel t freeman iiithomas b. mccabe ivholen miles lewisamy parentimatthew wilcoxlaura cox

Photographyelizabeth fieldelizabeth schultzthom clarkryan buckwalter

officers

chair≤ansamuel ≤ freeman ii

vice chair≤anmargaret d freeman

vice chair≤analasdair nichol

presidentpaul roberts

chief operating officerhanna dougher

executive vice presidentja≤es e buckley

senior vice presidentdavid weisstara theune-davis

chief financial officereric a smith

vice presidentsdavid j bloom lynda a cainanne henrysamuel t. freeman iiimatthew wilcoxthomas b mccabe iv

Directory

Printsanne henrydavid weissaimee pfliegerandrew hubercandace vivianfred frederick

European Art & Old Mastersalasdair nicholdavid weissandrew hubercandace vivian

Photographs & Photobooksaimee pfliegercandace vivianfred frederick

Modern & Contemporary Artanne henryalasdair nichol david weissaimee pfliegercandace vivianfred frederick

Oriental Rugs & Tapestriesrichard cervantesdavid weiss

Books, Manuscripts, Maps& Ephemeradavid j bloomchristiana scavuzzo

specialist departments

American Furniture, Decorative & Folk Artlynda a cainsamuel ≤ free≤an iiwhitney bountytim lambert

American Silversamuel ≤ free≤an ii

Asian Artsrichard cervantesrobert waterhouse

(consulting specialist)tianhan gaoandrew zajack

English & ContinentalFurniture & Decorative Artsdavid walkertim andreadissarah blattnertim lambert

Silver & Objet de Vertudavid walkersarah blattner

Fine Jewelry & Watchessamuel ≤ free≤an iimadeline mccauleyallia dhodynatalie prusich

American Artalasdair nichol david weissandrew hubercandace vivian

colin clarkeCharlottesville, [email protected]: 434.296.4096

kelly wrightBoston, [email protected]: 617.367.3400

maya o’donnell-shahWayne, [email protected]: 610.254.9700

matthew s wilcoxWashington, [email protected]: 215.940.9825

william ruddCincinnati, [email protected]: 513.802.0090

representatives

v6.2013



The George D. Horst Collectionof Fine Art Auction 03/30/14

www.freemansauction.com

Alasdair Nichol [email protected]

From Garber and Hassam to Corot and Boudin,this rare collection of paintings has been privatelyowned and unseen for nearly 100 years.

JEAN BAPTISTE CAMILLE COROT(french 1796-1875)"GARDEN GATE"Signed 'Corot' bottom left, with par-tial label verso oil on canvas13 x 18 1/4 in. (33 x 46.4cm)$60,000-80,000(detail)


www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

Documents

European Art & Old Masters