Emanuele D’Antrassiarchitecture, design, creativity

BR +55 (11) 96449-3360

IT +39 3481863572

e.dantrassi@gmail.com

www.behance.net/emanueledantrassi

BORN: 20/03/1989

NATIONALITY: ITALY

Curriculum Vitae

2009 - 2012formation

Università Iuav di VeneziaUniversity in Venice, Italy

2010 - 2011formation

Abate Zanetti Srl Scuola Del Vetro

2013 - 2014

2014 - 2015

formation

formation

Politecnico di Milano

Escola da Cidade

Curriculum Vitae

2011 - 2014 2012

2013

2014

2013 - 2014

2014

2014

work experience work experience

work experience

work experience

work experience

work experience

work experience

Venini S.p.a. competition ARCHImedium

competition AC-CA padilion

fifa world cup RJ

competitioninterior design

Museum Murano’s glass

Cincinnatus project

installation MICROmacro’s

space Salone del mobile

Progress S.r.l. 2015work experience

installation Kimi Nii

exposição no Rio de Janeiro

2015work experience

CEO Ca.Da project

personal Skills

personal Skills

ItalianEnglishPortughese

PhotoshopIndesignIllustratorVrayAutocadRhino 3dOfficeGlassblowingAdobe AcrobatDigital SketchingInterior DesignWacom Tablet

Cincinnatus is an object based on an organic shape that gives the barrique a new image and functionality linking oak with crystal.Cincinnatus project works in two different moments: happyhour/taste of red and white wines and taste of grappa and schnapps.The project completely made in Italy is based onhand-crafted work in each phase of its creation.The object finds its own place in the wine business, from wine cooperative to wine shop.Cincinnatus is perfectly located also in the catering business giving elegance and uniqueness in special ambient.

Cincinnatus

“ O tecido de luz, devido à sua forma e sua densa rede de fios de led e borracha, é um objeto flexível, aplicável em diferentes ambientes e em diferentes situações.

uma noite na praiaum jantar românticouma tapeçaria na parede.

o objeto é completamente costumizável, tanto em tamanho quanto na cor, adaptando-se aos gostos de todo de uma maneira diversificada.”

The world known glass producer, Venini, took me under its wing offering me a work experience at their Venice based factory. From the furnace sector to the moleria sector, from the colours’ chemist to the packaging sector, they were a second family to me. Humble and simple people, they were hiding knowledge that I could not find in any book. Moreover, in 2011 I had the amazing chance to follow and help the Campana brothers in their tribute work for the Venini’s 90th anniverisary. In this occasion I came across an utterly different aspect of design: the re-use, a way of changing the intrinsic functionality of an object at zero cost.

The world known glass producer, Venini, took me under its wing offering me a work experience at their Venice based factory. From the furnace sector to the moleria sector, from the colours’ chemist to the packaging sector, they were a second family to me. Humble and simple people, they were hiding knowledge that I could not find in any book. Moreover, in 2011 I had the amazing chance to follow and help the Campana brothers in their tribute work for the Venini’s 90th anniverisary. In this occasion I came across an utterly different aspect of design: the re-use, a way of changing the intrinsic functionality of an object at zero cost.

blends the knowledge of the blow glass of Murano, and not only, in a single vase using the incalmo technique to unify two half apples made with different techniques.The vase merges the application of mur-rina with the use of the “filigrana”; the combination of plate glass with opaque glass. The apple, the heart of the vase, has always been a symbol of knowledge; it is the symbol of Murano and a clear manifesto of the refined glassmaking culture that has always been inherent in the island

Fruit mold:

The aim of this International Competi-tion is to design a free standing World Cup Structure in Lapa square in the heart of Rio de Janeiro during the 2014 FIFA World Cup.

The neighborhood of Lapa, known as the cradle of bohemian Rio is also famous for its architecture, with struc-ture such as the arches “Arcos da Lapa” constructed in 1723. It was intended to transport water from the Carioca river height to the surrounding area, now serves as a track for the cable cars that climb the hill of Santa Teresa and an iconic landmark.

International Competition hosted by [AC-CA]

redevelopment of Sacca Fisola, Murano Island

The place is situated in the north of the Murano’s island, in sacca Fisola.

This is an area of 31 hectares which currently has not a particular purpose, and it is used as a dump site rich of glass rubbish due to the glass industries. The idea is to develop a park in a context so characteristic strictly linked with the scale of the laguna.

The north of Murano, really far from Venice as a place of mass tourism, has to combined global interests and local needs in a new setting

Extention project Rietveld Accademy