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East Bay Recorder Soc iety
May 2014 Vol. 17 No. 9 www.eastbayrecorders.org
thethe
M o u t h p i e c eM o u t h p i e c e
Monthly Chapter Meeting
Friday, May 2, 2014
7:30 pm to 10:00 pm
Zion Lutheran Church,
5201 Park Blvd., Oakland, CA.
If your name begins with M-Z please bring a snack for break, if possible.
Everyone, bring a music stand, a pencil, and instruments (SATB and lower if you have them.) Please arrive in time to set
up and be ready to play at 7:30.
Frances Feldon, baroque flute and recorder, has
performed with American Bach Soloists, California
Bach Society, Sonoma Bach, Ensemble Mirabile,
and in conjunction with Berkeley Early Music
Festival. She is music director of baroque/
contemporary chamber music ensemble Flauti
Diversi, and a principal conductor of The Barbary
Coast Recorder Orchestra. She teaches recorder
and baroque flute at her studio in Berkeley and for
the city of Albany adult community programs, and
has taught at Indiana University and UC Davis. She
conducted her recorder orchestra arrangements of
Gershwin and Ellington classics in Montreal and
Holland, and writes about jazz and pop recorder
players for the magazine American Recorder. She
studied recorder and baroque flute at Indiana
University’s Early Music Institute, where she
completed a doctorate in collegium directing. Her
recording of Boismortier’s complete Opus 37 trio
sonatas for baroque flute, viola da gamba and
chamber organ with Flauti Diversi is forthcoming.
During the Berkeley Early Music Festival, she will
repeat her program “Wingin’ It,” on Tuesday June
3 at noon at Trinity Chapel in Berkeley; the sold
out show was a triumphant success at the
Jazzschool last November.
May Conductor Frances Feldon
For the May meeting, Frances Feldon has chosen some wonderful pieces from the
Duke of Lerma's Chansonnier. She has used the Amherst Early Music edition,
which is on legal-sized paper. There is no way to get this into standard PDF form
without completely redoing the layout, so there will be no music available by
email. Music by snail mail will be sent as usual, although it may be trimmed down
to fit the envelope. If anyone else really, REALLY wants it in advance, email me,
Linda Skory, at [email protected] and we can figure out a way for you to pick
it up.
Most members will be able to sight-read the music without great difficulty, and
it's definitely worth playing.
Program for the May 2 meeting: Instrumental Muzak
from the Golden Age of Spain: Villancicos, Cancions
and Madrigals for the Duke of Lerma.
Professional instrumentalists, called ministriles, were
hard at work from 1607 in San Pedro church in the
village of Lerma, not far from Burgos in northern
Castile. We even know the names of the five musicians:
Miguel de Calavia, bajon (dulcian); Pedro Deza and
Pedro de Porras, sacabueche (sackbut); Felipe Deza,
chirimia (shawm); and in 1608, Andres Alamillos, (who
played a variety of winds including cornetto, shawm,
recorders and krumhorn). This quintet was fortunate to
be able to consult the valuable music library purchased
for the church by the Duke of Lerma. Their duties
included adding polyphonic instrumental music during
liturgical services.
Their repertoire included cancions (chansons), villancicos,
and madrigals popular during the last quarter of the
sixteenth century. We will play two villancicos by
Francisco Guerrero, “O dulce y gran content” and
“Subiendo amor”; two madrigals, “Fiera stella” by
Orlando di Lasso and “Dolce fiammelle mia” by
Giovanni Maria Nanino; and two chansons by Philippe
de Rogier. The music is incredibly beautiful:
transcendent and rewarding to play; you’ll enjoy the
experience.
Hello everyone,
First things first: remember
that there is no chapter
meeting in June. Instead,
enjoy the many wonderful
offerings from the Berkeley Early Music Festival. The
schedule is now up on the SFEMS website and tickets
can be ordered through it. Many fringe concerts have
yet to be posted but will be soon.
The Members Recital held on March 30 was
particularly successful. We had an interesting mix of
performances. The highlight of the afternoon was the
amazingly mellow sound of a sackbut band with Cindy
Keune filling in on tenor recorder for an absent
cornetto player. Britt Ascher commented that the
potluck was perhaps the best she has had at one of
these events. Do plan to participate next year (playing
or just listening) so you too can enjoy the food and the
fun.
This is the time of year when the board is constituted
for next year. I know of one open position that
someone needs to fill, namely Headlands publicity
chair. Brenda Bailey, who has served in this role the
past two years, has put together an excellent
guidebook for the position. It is not terribly time-
consuming so if you would like to further the aims of
EBRS let me know. In fact, anyone who is interested
in being on the board is welcome to come to the next
meeting on April 25. Just let me know and I’ll send
you the details.
Susan Jaffe
President
Rotem and Adam Gilbert
Congratulation to Rotem and Adam Gilbert, 2014
recipients of the Thomas Binkley Award for their
outstanding achievements in scholarship and
performance.
This award is presented by Early Music America and is
named for the legendary lutenist and educator Thomas
Binkley, who taught at the Schola Cantorum
Basiliensis, made ground-breaking recordings with the
Studio der Frühen Musik, and served as founding
director of the Early Music Institute at Indiana
University. The award recognizes outstanding
achievement in both performance and scholarship by
the director of a university or college collegium
musicum.
The Gilberts are active faculty members for many early
music workshops around the country, including
Amherst Early Music. Rotem is especially active as a
teacher and is co-director (with Hanneke van Proodij)
of the SFEMS Recorder Workshop, and Adam is the
new Director of the SFEMS Medieval and Renaissance
Workshop. Adam and Rotem are also the proud
parents of Ilai, Ohad, and Sivan.
EBRS Members' Recital
The EBRS Members' Recital was held on Sunday, March 30, 2014, at the Hillside Swedenborg
Church in El Cerrito. Note the variety in the music performed as well as in the size and
composition of the ensembles. We wrapped up the evening with food and conversation. Many
thanks to all who played and made this such a fun recital/party. If you couldn't make it this year,
do put it on your calendar for March 2015!
Capriol Suite
Peter Warlock (1894-1930)
arr. Stanley Taylor
Basse-Danse | Pavane | Tordion
ELMS+: Ellen Fisher, Susan Jaffe,
Merlyn Katechis, Cindy Keune,
and Linda Skory, recorders
Salve Regina chant from Liber Usualis
arr. by Dom Bohbot
Dom Bohbot, recorder
Rain Dance Ross Edwards (1942 - )
Jody Harcourt and Cindy Keune, recorders
Sonata in G minor, Op. 1, No. 3
Loeillet (1680-1730)
Largo | Allegro | Adagio | Poco Allegro
Susan Richardson, recorder,
Suzanne Siebert, baroque oboe,
Art Ungar, baroque bassoon,
and Ruth Ungar, harpsichord
Alas Departing is Ground of Woe
Anon. English, 15th C.
Bicinium super Salve Sancta Parens
Adrien Petit Coclico (1499-1562)
Linda Skory, flute, Ray White, chalumeau
Prelude to Cello Suite V in C minor, BWV1011
J.S. Bach (1665-1750)
arranged for solo recorder
Glen Shannon, recorder
Britons, Strike Home!
Henry Purcell (1659-1695)
Allelujah
Henry Purcell (1659-1695)
Greg Bodine, Carol Coon, Patricia Wheeler,
and Ray White, recorders and chalumeau
Ricercar
Glen Shannon (1964 - )
Susan Richardson and
Glen Shannon, recorders
Audivi vocem de caelo
Duarte Lobo (1563-1646)
Ron Cohen and Steve Ruppenthal, cornettos,
Rachel Britten, Frank Jensen,
Jeff Mertons, and Scott Sterling, sackbuts
Cindy Keune, recorder
We always eat well at
EBRS potlucks—soup
to dessert
Soup:
Frank Jensen brought a delicious
soup. The basic recipe is at:
http://www.myrecipes.com/
recipe/shrimp-touffe-
10000001918475/
Frank's Notes
1. Use two big pots. One for the
onion, bell pepper, etc. and one for
the flour + butter (the roux)
2. Make the roux by slowly adding
the flour to the butter. Stir
constantly until the roux is
peanut butter color. It may take
longer than 6 minutes. (In the
words of Winton Marsalles, it's
all about the roux!)
3. Use 1/2 clam juice and 1/2 white
wine.
Hotdish: Glen Shannon’s
"recipe" was more of an experiment
on creatively stretching food to fit a
crowd! I found a frozen loaf pan of
bean soup from a supermarket mix,
made without the seasoning packet,
taking up valuable space in the
freezer. Thawed it stovetop in a
Dutch oven. Added 1 cup
uncooked brown rice (stretch item
#1) and let it simmer till the rice
wasn't quite done yet. Browned one
tray of ground turkey breast in olive
oil with plenty of onion and garlic
powders (stretch item #2).
Quartered and browned a bagful of
brown mushrooms from the
organic delivery, with a good bit of
cracked black pepper. Mix
everything to combine, season with
1/2 tsp. of the original seasoning
packet, a dusting of celery salt and
some thyme, and refrigerate
overnight for better flavors. Top
with chopped fresh Italian parsley.
Next day, heat and serve!
I don't know what you'd call it but
if this were the Midwest, they'd call
it "Hotdish."
—Glen Shannon
Dessert: Since some people
asked, here's the instructions for the
dates Linda Skory brought to the
potluck:
Pitted dates (This is much easier
than pitting them yourself.)
Almonds, one per date (Unsalted
or lightly salted, but not flavored)
Good quality very dark chocolate, at
least 70% cacao. For about 20
dates, you'll need about 3 oz.
The usual almonds available
everywhere are just a little too big to
slide inside the date easily, but will
work. If you want to be obsessive,
get the smaller Marcona almonds.
They also tend to have a little more
intense flavor. Push an almond into
the opening where the pit was
removed. Melt the chocolate over
very low heat (if you have a reliable
simmer burner) or over boiling
water. Have a plate or tray lined
with waxed paper. Dip each stuffed
date into the chocolate, preferably
with the opening down, and twirl,
trying to cover at least half the date.
If there's some chocolate left,
drizzle over the spots you missed,
or just lick it up to compensate for
all that work. Chill the dates in the
fridge for a hour or so to solidify
the chocolate, but then they do fine
at room temperature unless it's very
warm.
—Linda Skory
UPCOMING EVENTS
Westminster Presbyterian Church Early Music Series
Saturday, May 3, 2014 - 7:00 PM
Renaissance and Beyond. Doris Williams (vocals, lute), Jonathon Harris (recorders) Howard Kadis (lute, archlute), Mary Prout and Julie Morrisett (violas da gamba), ) in a program of Italian and English songs, arias and instrumental music from the 16th and 17th centuries.
Saturday, May 24, 2014 - 3:00 PM
The capstone concert of the early music series will feature music from the late Renaissance, Baroque and modern periods. Kraig Williams and Greta Haug-Hryciw (recorders/percussion), Mike Megas (recorders/flute), Michele Kelly (recorders), Marylin Winkle (cello), Yu-Ting Wang (viola da gamba), Julia Airapetyan (mezzo soprano), Gennifer Williams (soprano), Jack Perng and Bill Andersen (harpsichord/organ).
Suggested Donation: $10 per person
Reception to follow each concert
Westminster Presbyterian Church is located at 1100 Shasta Avenue (at The
Alameda) in San Jose. For more information email
[email protected] or call 408-294-7447.
UPCOMING EVENTS
There is still time
to sign up for a fun
weekend!
Marin Headlands
Workshop
May 9-11, 2014 The workshop will begin on
Friday evening and close after
lunch on Sunday. It will be held
at the Point Bonita YMCA
Conference Center in the Golden
Gate National Recreation
Area. Cost for the Full Weekend
will be $280; for Partial Weekend
(Friday-Saturday or Saturday-
Sunday), $190; Full Weekend
without lodging, $210; and
Saturday only, $120. Faculty
includes Louise Carslake, Frances
Feldon, Greta Hryciw, Claudia
Gantivar, Andrew Levy, Shira
Kammen, and David Morris.
See registration form and
brochure at the EBRS website.
Questions? Contact: Brenda
Bailey, [email protected]
Berkeley Festival —June 1-8
Information available at: http://sfems.org/bfx/ Fringe events calendar is at: http://sfems.org/bfx/?page_id=1188 The Fringe calendar changes as more events are added. Be sure to check often. The following page has a few that will be of interest to recorder players.
UPCOMING EVENTS
Wingin’ It: Frances Feldon, recorders & Galax Quartet
David Wilson & Anthony Martin, baroque violins; Roy Whelden, viola da gamba; David Morris, baroque violoncello
“Wingin’ It” is a program of new compositions, baroque music and improvisations inspired by birdsong. It includes 17th and 18th century works by Paulus Matthys, Jacob van Eyck, and Francois Couperin; and features newly commissioned works for recorder and string quartet by Erika Oba, Glen Shannon and Roy Whelden.
Tuesday, June 3, 12 noon
Trinity Chapel, 2320 Dana St, between Bancroft and Durant, Berkeley.
Tickets available at the door. Suggested donation.
The Barbary Coast Recorder Orchestra & The Junior Recorder Society of the East Bay
Frances Feldon & Greta Haug-Hryciw, BCRO music directors
Glen Shannon & Joyce Johnson-Hamilton, BCRO guest conductors
Louise Carslake & Hanneke van Proosdij , JRS music directors
Louise Carslake, conductor
“From the Mountains to the Heavens” is a program of music arranged for recorder
orchestra by Aranes, Caldara, Machaut, Ravel, Seibert and Shannon.
Saturday, June 7, 10:00 am
St Mark’s Episcopal Church Sanctuary, 2300 Bancroft Way, Berkeley’.
Tickets available at the door. Suggested donation.
Hildegard von Bingen: Music to Celebrate the Divine Feminine
Vajra Voices, Karen Clark, contralto voice/music director and Angelorum, Cheryl Fulton, medieval harp/music director
Frances Feldon, medieval flute and Roy Whelden, vielle
This program joins voices and harps to explore the essential nature of the medieval mystic Saint Hildegard von Bingen (1098-1179) music and texts that honor the Feminine Divine. This celebration features long time friends and colleagues, Karen Clark, Frances Feldon, Cheryl Ann Fulton, and Roy Whelden, students of Thomas Binkley at Early Music Institute at Indiana University. Students of Karen Clark and Cheryl Ann Fulton join to form Vajra Voices and the medieval harp ensemble Angelorum for an uplifting hour of meditative medieval music.
Saturday, June 7, 1:00 pm
St Mark’s Episcopal Church Sanctuary, 2300 Bancroft Way, Berkeley.
Tickets available at the door. $20 general, $15 senior/student
East Bay Recorder Teachers
David Barnett
Letitia Berlin
www.tibiaduo.com
Tom Bickley
www.metatronpress.com/artists/tbickley/
Frances Blaker
www.tibiaduo.com
Louise Carslake
www.sfems.org/musicsre-creation
Frances Feldon
Judy Linsenberg
www.linsenberg.com
http://www.musicapacifica.org/
Hanneke van Proosdij
www.hannekevanproosdij.com
Registration for the
2014 SFEMS SUMMER WORKSHOPS
is now open on the redesigned SFEMS website.
June 15-21, 2014
Medieval and Renaissance Workshop
Classical Workshop
June 22–28, 2014 Baroque Workshop
Music Discovery Workshop for kids 7-15
June 29-July 5, 2014
Recorder Workshops Week I
July 6-12, 2014 Recorder Workshops Week II
2013 – 2014 EBRS Board of Directors
President: Susan Jaffe
Treasurer and Electronic Distribution: Susan Merrill
Conductor Locator: Greta Hryciw
Newsletter Editor and Producer: Carol Coon
Chapter Meeting Music: Linda Skory
Webmaster: Suzanne Siebert
Headlands Committee: Bill Stewart (Coordinator), Merlyn Katechis (Registration),
Brenda Bailey (Publicity)
Publicity/Librarian/Composer-in-Residence: Glen Shannon
Member Performances: Cindy Keune
Hospitality: Anna Lisa Kronman, Ray White, Brenda Bailey
Members at Large: Britt Ascher, Greta Hryciw, Kathy Cochran,
Brenda Bailey
The Mouthpiece is published by the
East Bay Recorder Society.
EBRS is a chapter of the American Recorder Society and an affiliate
of the
San Francisco Early Music Society.
Please send information and photos for newsletter consideration to Carol Coon at
The deadline for the September issue is August 15
Have a wonderful summer—
travel safely!
Glen Shannon recently returned from a trip to Chicago to play with a German high school recorder orchestra, who were there as part of a school exchange program. (The Chicago folks go to Germany this summer.) The September issue will have his article about the experience and more photos.
At least here's the group photo after the concert, outside the Tivoli Theater in Downers Grove, IL. The woman with me is Annette Bachmann, the director of the Recorder Orchestra of the Bietigheim-Bissingen Musikschule. The kids were great, they played my "Mountain Mosaic" really nicely! — Glen Shannon