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An experimental publication, playing with typography around the general theme of dyslexia.
pokkadots
and
abucu
sses
words
i never knew what words were til i met one
all bottled up and confused and i coexed itmade it open up to mei remember how at first she was afraid,
reluctant and acquiasent saying you have got me all wrong
i am prenounced si-clic-cal not sick-li-cal
im not linear, i dont make senserole of your tonguei am out of context
there is nothing essential about me
i only make meaning in contextit is just about the way that you use me
situate me, without a user i am usless
i am just a word sisterdont be fooled
write now
if i can follow (or endure) the random dreaming strands of thinking
there are points which wasnt where the linear streams were intending to fall
those delicious tangents filling my gob with spit
sugary like lemon squash a bitter sickly loss of meaning
lubricated in succulent disjointed rhythmscomforting and homely
pure oceanic intense but lackingcertainty which bumps
jumps jolts on every rock of the roadon a long unrecorded journey
move me as quick as it becomesa handful of honey, dropping into stops
so lost stomachs are synchronisedby ruptures invited
by shared imprecise humourmaking us alone unable to believe
hunted by motionless repetitions of answersleading us to ideas mapped in consumerable satisfaction like a film that documents us
as subversive angels of other worlds
transgression
the self-reflex makes luminosity loop in talk shifts to continue among playful competitions
that adumbrate alterity by the tongue we chose after it decided us
for speech is a trap and a nooseupon which
identity acts like tax
for the symptoms of freedomcollapsed into symbols resisting and provoking compositions like a book
with new tales on every pageas if a narrative dropped
leaving lack of order without indication toward ideas imprisoning repetitions reconstructed by a readers rhetoric
misinterpreting irony swollen simplicityfor desire to communicate in clarity
like a lung full of lost breathless speech
we are so lucky
to have time that tells us what we should do that we have feelings that guide us
instincts that help shape us in this culture that moulds us
into the likeness of the other
who is strange to me, as i look to them
or even myself, when i stare in a mirrorthey told me i must become one
with the grand body of the languageto be in tune with the feelings, the sensations,and where i was confident i became doubtfulwhere there was motivation, i was bored and i slipped through every happy discourse realising now that everything i knew
doesnt make sense to me, or to you,
i cant float like a balloon and i will not popbut i must squeeze into the space there is for me
i am so lucky because i have to create a way to be yet i never know whether i am good or bad
i dont even know what these words meani cannot become the body of words
even if i try, i may never even please them,for i am not discourse, i cannot speak, i lack punctuation, focus and postulation
i am only a body flirting perverted by silence
aesthetics
marked in quotations by a letter left unopened speaking of internal transformations
that cannot be fixedaltering circles as if they persistfor coreless apple decaying in the soilsare now fertilising the roots of new crops
peeled by the fingers of peopleabsorbed on their deliberations
born, inspired and identified in a state of fluxlike a harbour of verses shifting in stops
deforming clarity before it reaches the climaxfor her ink is drying in the waiting time
while tones imitate the echoes of pretext- with a chorus of vibrating suds to draw on your imagination as they are singing in a language translated yet unheard
drift
themes are colliding in my mindchanges are closing in finding timelike truths in eyes searching
without resolve to evolve and capitalise
on words as they bleed
and become
the expression
that seeps out of mythto encapsulate
a pastiche of soundamongst
this
dynamic
dialogic Drift
this
so much is certain and so much is there to be described there are so many relations and associations to discern
only with a can of paint and a fresh wall could i showwhat i would do without the freedom to take apart the rules
i compete against my silence, challenge my need to talk,
and precisions mark penetrates into this uneaseas its complications define and break in a wave
heavy and weighted like the sea crashing into its own mass,unlike feathers, with their details, that fall light and enchanting.
inelegantly, i long for the absence of myself: to knowhow to not be missed or missing -or miss- for i detest
the menial straightness that undermines my love of clarity yet obstinately
i dont want to change, conform or be configured
as i reject this principle: while i crave and desire cleannesslike a broken lock on a vacated house offers shelter
for a door which is hinged and swings without a catch, is open - as is choice - without
singularity of reason
leaving ideology
i rebooked the appointment,but then suddenly
i had something to do i cant remember what now,
but i am sure it was important. so i am still unemployed
going down to the bottoms lines of over drafts looking forward to the glimpses, the opportunities not substantial
enough to put on a cv which blinks blankness
recording my non reliable ness as i have never done anything
that counts for a job no monotony, no stagnation, no routine,
time keeps goingall juxtaposed and composed
and released into boxeswith their sticky tapes and paper
bags and collections in categories,important for being
slow and having quickness in momentary organisation thats playing futures as it reiterates
itself into the memories that suddenly incomplete me
self
that there was someone who thought what they said was not often what they felt
and what they felt was not what they thought they ought to feel,and so it goes on.
i felt some time that what i do is not what i thought i ought to do
what i ought to do did not seem right.
every time i said somethingwhat i felt was
its not what they wanted to hear.
and sometimes i feel thatim not true to myself
yet i always seem to do what i wantand i read somewhere aboutself-improvement
on how to do every-thing rightbut i though what they said
was just be yourselfbut i think what that is, is to just carry onnot knowing whom it is i am.and i continue to be not what i ought to be
redefining all the time what it means to become the other
to normals
viewing
parked in front of me was somethingi reconsidered, not much before i started
back at what it was
that got me there.i paused for breath, calm with the heartbeat
putting a hold on the gasp on the backof my throat that came, as i looked,
and as i stared, lost at what it was that
i was facing, as the background becamesome sort of film flat, as it was sheer.
music in my headphone projected me onto another place were my breathing was somethingi listened to, and the scenery became weird.
smiling reassuringly, to myself, at the
same time it was people looking at me, and i had to try not to be.
my muscles relaxing and the smiletaking over me and seeing the cars move in the traffic and the dog defecation,
the sun moving into the cloud, and startingto be real, beat harmony and givethe time that homogenous empty feel.
so silently, out of the darkness that camethis pain; a haunting that would never
be believed in isolation; like the same. where we pass through and sum up, in a
less depleted way, that while poetry cannotcorrect it self; the message will not get through
frameworks
different frameworks interposes how it exists
in my many me.
you said before something approaches
the third dimension that we see,
ah! but yes, looking back, looking over
is the third and final three!
what i read becomes the perspectiveof over all angles.
connoted correction balancing
the lines connecting between making up
all in the being words
last youve seen.
dyslexia
searching for the story to write you better
looking for that sentence that in reach becomes
part of you concluded adding up
knowledge as full as well that without partdisarray is in bid as in
shackled made order.towards making the completion within the assertion
the message procrastinated
in hope of teachingstanding behind words to say
they speak me i am the lesson learned
to give and
let give
everything that you handle spokento be beside as you
look onwards lost of learning in the face of mirror void of voice
and writing is your lesson.
art
it all started with a little bit of french
linguistically replaced humour:
from the outset we never determined the time to insure positive forward progression,
it was primarily more a moveable, a syllable of choices:
so dada darling! this world of illusion brought to a head,
strung up quite literally, seeing her face blank with immoveable expression, all that relishes.
what a pretentious preposition! it is
not abou