i

S C H U B E R T A T T H E P I A N O -

xew CAwico Qcordings !.

X a r c h , 1925 Played by MORIZ ROSENTHAL hour struck the distant booming of cannon

announced the hostilities already begun and 641238 Waltz, Op. 42, A Flat Major the festivity broke up in precipitous haste.

Chopin 2.00 " There was a sound of revelry by night,

And Belgium's ca@.tal had gabher'd then

Music arose with i h voluptuous swell, - History informs us that Wellington had And all went merry as a marriage-bell;

received intelligence of Napoleon's decisive Birl hush1 hurkl a deep sound strikes like a rising knelll"

b --

This Bulletin with the J Catalog supplies a COMPLETE LIST of all Ampico Recordings to date. +

d

Played by LBO ORNSTEIN

Played lg GERWNE SCENITZER

T IS TEE same d m and lit* matures

Played by MATHILDE COFFER

Played by REGINALD DE KOVEN

Played by Josf TOVAR

ber, Ballad, E Flat.. . . . . .Grey 1.50

Played by HENRI LEFIVRE

64221F Slumber Song, Op. 7, No. 2,

Played by M ~ T O N S U S ~ N D E Major.. . . . . . . . . . . . . . Nevin 1.50 -

piit X e w To#ular

EECORDINGS WITH WORDS FOR Played by J . MILTON DELCAMP SINGING Arm DANCING

2057213 My Best Girl, Fox-Trot, Key ............ Played by ZEZ CONFREY of G.. Donakison 1 .

2056613 Oh, Lady be Goodl "Lady, A N ESTABLISHED hit, attractive not be Good!" Fox-Trot, Key of only in its melody, but in its unusually G.. ............... Gershwin 1.25 appealing verses, tb which Mr. De1-m~

has brought that artistry in interpretation ADY, BE GOOD!" is one of the for which he is well-known. . "L

reigning hits of New York's musical - t I ' season, and here is the hit song played in Played by ADAM CARROLL

one of Confrey's inimitable interpretations. I!,; 205731E Blue-Eyed Sally, Fox-Trot, . 2056713 Oh! Flo, Fox-Trot, E Flat ... h. , * Donddson 1.25 E Flat.. Bernard-Robinson 1.25

;"'I A NOTHER Confrey arrangement of a fox- Played by RALPH REICHENTHAL trot destined for popularity from coast 5 coast. 2057413 Will You Remember Me?

Fox-Trot, Key of C Pjayed by VINCENT LOPEZ, Assisted Santly-Ruhman 1.25

205681E Peter Pan (I Love You), Fox- Trot, Key of G

King-H&sm 1.25

ARILYN MILLER'S "Peter Pan" M has inspired the miter of tbia song who received that little lady's permission to dedicate i t to her. Here it is supgbly played as a fox-trot in Vincent Lopea best style.

2056913 Keep Smiling at Trouble (Tro~~Lde's a Bubble), "Big Boy, Fox-Trot, E Flat

Gmskr 1.25

A L JOLSON'S newest production is one of the biggest successes of his career.

"Keep Smiling a t Trouble" is the theme song from the production and one of the hitd of the season.

205701E Oh! Mabel, Fox-Trot, Key of C.. ............... Fiwito 1.25

A N O T H E R suocessful fox-tro;, tune by Ted Fiorito, composer of No, No,

Nora, " "When Lights are Low" and other popular successes.

2057113 I Ain't Got Nobody to Love, Fox-Trot, E Flat

Cosloro-Saver 1.25

0 NE of Ferdie GrofE's best arrangements in his own brilliant interpretation.

This Bulletln with the January 192s Catdog supplies a

D ANCE orchestras everywhere are fea- t u r i n ~ these two solendid fox-trots

to which ~udam Carroll and ~ a l ~ h Reichenthal have given interpretations that are irresistible.

" L A D Y , B E G O O D ! "

ADELE and FRED ASTAIRE, brotherandsister, who have scored a triumphant success

in this reigning musical comedy hit. COHPLETE LIST of all Ampico Recordings to date.

RECORDINGS WITH WORDS FOR SINGING

Played by EDGAR FAIRCHILD 2057533 Deep in My Heart, "The

Student Prince," Key of G Romberg 1.25

T H E SONG hit from the mu$cal pro- duction "The Student Prince, which is

generally considered the most successful operetta since "Blossom Time. "

Played by CORRINE DE BERT 2057613 Please be Good to My Old

Girl, Key of C. . . .Henderson 1.25 N E of the newest of the opular senti- 0 mental ballads, a song o f disappointed

love. I RECORDINGS PARTICULARLY ADAPTED FOR DANCING

a Played by EDGAR FAIRCHILD 642336 The Blue Danube Waltz. . . . . 1.75 N ALL the wor!d probably the most I PO ular of all waltzes, herein delightfully

perfect tempo for dancing. 7-T;- ;

,! - Played by AD- CARROLL 64243~ Musical Comedy Favorites,

No. 3, Fox-Trot: ,,l. Fascina- ting $hythm, Lady, be Good! 2. Betty Lee, Betty Lee"; 3. So am I, Lady, be Good !" 4. Oh, Joseph, "Madame Pompadour". . . . . 1.50

T HE HIT SONGS from the most recent musical comedy successes arranged and

~lay,ed by Adam Carroll. The series of Musical Com'edy Favorites," of which this

is the'e',third, are meeting with highest favor amon@t Ampico owners.

%w dccompaniment %&ordings with Words

Played by MORTIMER BROWNING 301616 Down in the Forest, "A Cycle

of Lie," E Flat, Soprano or Tenor.. . . . . . . . . . . . . . .Ronald 1.75

30171G Down $,the Forest, "A Cycle of Lie, Key of C, Alto or Baritone.. . . . . . . . . . . . . R d 1.75

301816 Duna, D Flat, Soprano or Tenor.. . . . . . . . . . . . . . . McGiU 1.75

301916 Duna, B Flat, Baritone. McMI 1.75

Dangerous dpp lause EONARD LIEBLING related in L the Musical Courier, Fritz Kreisler's amusing story of an

experience at the Sultan's Court in Turkey.

The great violinist was doing his very best for the Sultan, the veiled women, and the befezzed courtiers, when suddenly the Great One smote loudly upon his hands, and the more the fiddler played the harder grew the Sultan's applause.

Prodigiously flattered, Kreisler was about to modulate into Paganini's twenty-four caprices and give them all without any pauses between, when the Grand Vizier jumped to his side, grasped the violin, and whispered hoarsely: "In the name of Smyrna rugs and Damascus dates, do you wish to lose your head? Don't you hear His Majesty clapping his hands? "

"Well, what of it?" queried the astonished artist.

"What of it? Why, the Sultan is giving you the signal to stop."

-Music& Laughs (Finck) . 'a!

To souls oMressld and dumb with griefl The gods orahin this kind relief, Thol music should in sounds convey What dying lovers h e not say.

-W&. L

I n e hok u* *a harp of Life and mob3 on all ,-

the chords wdh might; Smote the chord of Self, that, trembiing, pass'd

in music out of sigh6. Tennyson-" Locksley Hall."

There's music in the sighing of a reed; There's music in the gushing of a riU; There's mwic in a& things, if men hod ears; Their earth is bul an eGho of the sfiheres.

-Byron.

This Bulletin with the January 1925 Catalog supplies a COMPLETE LIST of all Ampico Recordings to date.

Born at Eisenach on March 21, 1685

lacked none of the trick and su handicaps wi th marily remove

the original an destroyed the boy painfully execute

two hundred years before his b i r th clavier and violi

and composers, but none of them at- tained anything approaching the

church in Anstad

organ and clavier. He made tours of music lovers. Today appreciatio and was everywhere received with of him is complete and the world acclaim and enthusiasm.

I was buried before the news of her

anniversary of his death.

R

This Bulletin with the January 1925 Catalog supplies a COMPLETE LIST of all Ampico Recordinqa t~ me, P

B U S Y DAY AT T H E A M P I C O R E C O R D I N G S T U D I O S One morning recently an unusual number of Arnpico artists happened to be there a t the same time. A photographer was hastily summoned and

BACK ROW, LEFT TO RIGHT: Ralph Reichenthal, Adam Carroll, J. Milton

d p p e a r i n g in X a r c h Where You May Hear Amp'co Artists i n Person

ATES of the concert appearances of some of the Ampico artists now on D tour are given herewith for the convenience and interest of Ampico owners who have expressed a wish to be informed of their recitals.

DATE I 1 SCHNITZER . . . . New York City 13 RACHMANINOFF . Grand Rapids, Mich.

1 MbaB . . . . . Brooklyn, N. Y. 14 LEVITZKI . . . . New York City 2 RACEMANINOFF . Edmonton, Canada 15 LEGINSEA . . . . Boston, Mass. 2 DOHNANYI . . . Missoula, Mont. 16 RACHMANINOPF . . ~alam-, Mich. 3 LEVITZKI . . . Schenectady, N. Y. 16 MBRO . . . . . New York City 3 LEGINSEA . . . . Tallahassee, Fla. 18 LEGINSEA . . . . En lewood, N. J! 3 M t ~ 6 . . . . . Worcester, Mass. 19 RACHMANINOFF . . . %ostOII, Mass. . 4 SCHNITZER . . . New York City 21 LEGINSEA . . . . Syracuse, N. Y. 4 Mf2~t.i . . , . . New York City 21 RACHMANINOFF . . New York City 5 LEGINSKA . . . . Tampa, Pla. 22 LEGINSKA . . . . . Chicago, Ill. 6 BRAILOWSKY . . Toronto, Canada 22 SCEMITZ . . . . . Chicago, 111; 7 LEGINsKA . . . . . Kollins, Va. 23 ~ C H M A N I N O F F . Toronto, Canada 8 RACEMANINOFF . . . Chica o Ill. 23 B ~ L L . . . . . New York Cit 9 RACHMANINOPF . . St. E'aul,Qinn 23 NASH . . . . . Frem C 9 B m . . . . . New York c ~ G 24 MtaB . , . . . 9 LEGINSEA . . . . Richmond, Va. 25 to 31 SCHMITZ . .

5 9 to 11 MERB . . Winnipeg. Canada 27 RACEMANINOFF . . 10 DOHN~NYI . . San Francisco, Cal. 27 CHIAPUSSO . . V 10 CHIAPUSSO . . Crawfordsville, Ind. 28 RACHMANINOFP . 10 LEGINSKA . . . New Rochelle, N. Y. 29 MBRB . . . ~e 11 RACHMANINOFP . . Des Moines, Ia. 29 LEGINSKA . . . . 11 NASH . . . . . . Omaha, Neb. 30 RACHMANINOFF . . 12 DOHNANYI . . . Palo Alto, Cal. 31 RACHMANINOPF . . This Bulletin with the: January 1925 Catalog supplies a COMPLETE LIST of all Ampico Recordings to date.

IFH ! .

What la Critic of the Thiriies Said About His N o c h r ~ e s , - r -

T IS WELL known that Chopin's body; where Field puts some season- ' ' friendship with John Field, an ing into the food, Chopin empties - I Irishman, who lived in Russia, a handful of Cayenne pepper. In

; ' lead to his adoption of the nocturne short, if one holds Field's charming as a musical form in his compositions. romances before a distorting concave Field, who was a composer of salon mirror, so that every delicate expres- pieces, has to his sion becomes a

coarse one, one gets Chopin's work. We implore Chopin to return to nature!"

It is not recorded whether Rellstab chmged his opinion on hearing Chopin's later works bearing this title, which are wholly removed from the limited sphere of Field's parlor romantics. They have a place apart in the realm of p o e t r y a n d tragedy and their characters tread , I the larger stage of life's greater drama.

wi th t h e Field The Irish i d s t froml,whom Chopin It is only in his obtainec? the title Nocturne" . "Nocturne in B fm a Piano Composition. earlier efforts that ,Flat," played by Chopin's debt to Clarence Adler (Ampico Recording Field, if any, can be discerned, for the 60671H), will evidence the superiority great nocturnes resemble then^ in of Chopin's work. This, however, name only and are musical expressions was not a t the time the universal for which other titles might easily be

had his admirers chosen. of ~ h o m was the Many of the h e s t of the nocturnes

an Critic of the are available in h p i m Recordings who, comparing and will be found under "Chopin'J in

wo mposers of that section of the Music Catalogue nocturnes, wrote at the time: in which recordings are listed as to

"Where Field smiles, Chopin makes their composers. Each of the noc- a grinning grimace; where Field sighs, turnes is expressive of poetry, pro- Chopin groans; where Field shrugs foundly felt, clothed in magic and his shoulders, Chopin twists his whole exquisite form. Thls Bulletin with the January 1925 Catalog supplies a COMPLETE UST of dl Ampiw Recordiinm to date.

-

' 'Spinners of Carantec ' ' moments which he describes as "Thirty Moods and Fancies. " It is available

RETAGNE (Brittany) is the in a recording for the Ampico by ancient Duchy occupying the Stewart Wille (No. 62591F). northwestern part of Prance. country still preserves a vast 'a? t of folk lore, fairy tales and Electric c g h t @ t

I which are highly regarded by ple, and the traveler finds Used for "Tatience "

extraordinary brilliancy and .;I' beauty in the national costumes and T HE following item from the

marvels a t the great antiquity of "Greenwich Playbill, " the pro- gram of the Greenwich Village

. their native folk songs. The pic- Theatre, New York, where a successful ness of Brittany h .5 appealed revival of "Patience" was recently both painter and musician, presented will be of interest to present- number gives us in tones a theatre goers. picture of the gayly dressed peasants, "From the time, now some years % spinners of flax, busy a t their wheels since, that the first electric lights in

I .-which whirl incessantly, the sound lamps were exhibited outside the the gay chatter, not Paris Opera House, 1 have been without its occasional quarrel and the convinced that electric light in some drone of the old songs of the country, form is the light of the future for which tell of the adventures of those use in theatres, not to go further.

who have seen the fairies on the lonely This is the first time that it has been roads at night, of strange cast attempted to light any public building the intempted with entirely by elect~city. What is being of the saints and armored heroes, of done is an experiment and may succeed ancient dukes of and kings or fail; it is not possible to guarantee of France. This picturesque number absolutely against any breakdown by RhenC-Baton is recorded for the of the electric light. To provide Olga Steeb (No. 59841G)- .gainst such a contingency, gas is

'PI laid on throughout the building, and

"Old Vienna " the pilot light of the central sun- burner will always be kept alight.

"OM Vienna whose yeskrdays look In case of accident the theatre can be backwards wi(h a smile through lears." flooded with gas light in a few seconds,"

I A ND THERE is a looking back- This address was made by Mr. wards in Godowsky's beautiful D'Oyly Carte, a t the opening of the waltz, and the tears are there, Savoy Theatre, built by him for the

too, for an ineffable and exquisite presentation of Gilbert and Sullivan sadness is heard in every note of the opera. On this festive occasion, music; enchanting melody, intoxica- October 10, 1881, " Patience, " trans- ting waltz rhythm, that bring visions ferred from the Opera-Comique, was

I of the light and laughter of the old performed. In addition to the f i s t years, but in looking back there is a use of electricity, various minor in- something that catches at the heart- novations marked the opening: free strings and brings a lump into the programs, the queue system a t the throat. This beautiful waltz is from box office, tea and Cake-dispensed Godowsky's now famous "Triakon- by the fair hand of Mrs. D'Oyly Carte, tameron, " a collection of musical and "decent whiskey. " This Bulletin with the January 1925 Catalog s

~4

How to Find Pieces Yoa Will Cike Helpful Similar Appeal Chart Compiled for Ampico Owners

W HEN you heir one of the new March recordings that especially appeals to you, check it on this page and ask your dealer to play for you the

pieces, the numbers of which are given. You will find that they have in them the same qualities which you like in the new recordings selected. WALTZ, Op. 42, A Flat Major . . .

PRELUDES, Op. 28, Nos. 21, 18, 19

ETUDE, "La Piccola," Op. 43, No. 2, F Minor

MORCEAUX CARACTI~RISTIQUE (Characteristic Piece), Op. 7, No. 7, E Major

THE FLOWERET, or GENTLE NANETTE and THE FICKLE COUNTRY MAID

CORTEGE (Procession), E Major . . WEDDING MARCH, Op. 405, A Major .

SONGS WITHOUT WORDS, "Funeral March"

THE MARIONETTE SHOW and THE HURDY-GURDY MAN

SLUMBER SONG, Op. 7, No. 2, E Major

GIVE ME ONE ROSE TO REMEMBER

VUELTA ABAYO (Cuban Echoes) .

Similar appeal as

Similar appeal as

Similar appeal as

Similar appeal as

Similar appeal as

Similar appeal as

Similar appeal as

S i l a r appeal as

Similar appeal as

Similar appeal as

Similar appeal as

Similar appeal as

a a

Waltz, Op. 64, No. 3, A Flat Major. . . . . . . . . . . .58073H Waltz, Op. 18, E Flat Major ................ 59743H Valse, A Flat.. . . . . . . . .62531H Waltz (Minute), Op. 64, No. 1, D Flat Major.. . .60481H Preludes, Op. 28, Nos. 22,23,24. ........... .63611H Preludes, Op. 28, Nos. 7,20, 1 . . ............ .59154F The Juggleress. . . . . . . .59901H Spinning Song. ....... .59661H Perpetual Motion. . . . . . a 2 7 3 6 Rondo Capriccioso. ... .55545H Etude from '&Satyr and Nymphsn Op. 18, No. 1.63463H Capriccio Brillante. ... .60993H Tambourin. .......... .62361H Alceste .............. .57687H Wedding Day at Trold- haugen . . . . . . . . . . . . . . . 568546 March of the Knights of the Holy Grail."Parsifal".S2535H Lohengrin, "Wedding Marchn. ............. .53063F Coronation March, "The Prophetv.. ........... .51813F Sonata, Op. 35, No. 2, "Funeral Marchn. .... .63823H Minstrels, Prelude. ... .57973H Waltzing Doll. . . . . . . . . .59981H Berceuse from" Jocelynn56643F Berceuse (Cradle Song) 53933H Until . . . . . . . . . . . . . . . . . 301F Sunrise and You.. ..... 901F Love Sends a Little Gift of Roses.. . . . . . . . . . . . . 711F Malague5a. . . . . . . . . . . .62231 G Bocetos. . . . . . . . . . . . . . ,62371 G Igualada. . . . . . . . . . . . . .62113H

dccompaniment qcordings from Trevious BuZZetins Corn ow PI ed b Price

3 0 % ~ GIVE T i u e ~ ~ ~ A ~ O R S E HF C& Played by Price

RIDE, B Flat, Bari tone 3oY2"i~ WHO ~?%sd"~~:f F, A I ~ O or

.............. O'Bma.. .Pollock 1.76 B d c h u b n r l . . Lamson 1.75 ..................... 301S1G

RIDE, A Key MAN of D. A Tenor-- 'OR'' HE CAN 30131G WHO IS SYLVIA? Key o l G. Mezzo- O'Hara.. ..................... .Pollock 1.76 So~rano or BaritontSehubmi. .Lamaon 1.76 -.

This-Bulletin with the January 1925 Catalog supplies a COMPLETE LIST of all Ampico Recordings to date.

&szt Ociked %con T WAS just like Liszt to discover

the superlative excellence of Eng- lish bacon, Which the Continental

Europeans have nothing to match. It was a way of his to find and enjoy the good things in the cuisine of all nations, musically as well as gastro- nomically speakhg. When he first began to play in

public he wne to places where his fame had not preceded him. One evening there were only a dozen per- sons in the auditorium. Instead of playing, he invited them all to supper, where he treated them to trufHes and game and champagne and cognac and all the delicatessen in season. Then he sat down at the piano and played for his guests for two hours, as only he could play. A few days later he

I announced another recital, in a larger ' hall. I t was filled, but the s'udience

was not invited to supper. As a press agent, evidently, Liszt could have A I

, given p i & to the best of ours. Drawing from life at the time when he -11Qwicd Laughs (Finck) . was the idol of all Europe.

PdL 4 PdL

1

I This Bulletin with the January 1925 Catdoy s u ~ o . a COMPLETE LIST of dl Amploo Re.cordinp to date.

,F T&d,&l,fg ,-F . , f - - - - 11 I&, . r 7 < i!mke ,$&-, I . . .

I Popular JKusic from Previous BuZZetins atle Played by R i m

ADORIVG YOU (Fox-Trot) Grof6 As't 1.45 AFI'ERTHE STORM (~Ox-'Trot) . : G ~ ~ M 1.25 AlDA (Fox-Trot). ...... .Lopez. Ans~sted 1.50 ALL AIDNE (Waltz). ........ .Carrnll 1 .45 ANITRA'S DANCE (Peer Gynt Suite).

for dancin ..... .1FIJrchild ind Carroll 1.50 ANNIE D ~ A R , " A ~ nie Dear." (Fox- mTc3t&.*... ygk .&k5 .h....i;~l~fimn$ I . 25

~ F o t ) .XI. r.7:. .. .-:. :.Lopa. ~&Lsted 1.45 ARCADY (Fox-Trot). ....... Delcamp 1 .45 AT THE END OE'THE ROAD. Bdlad-

Fairchild BAGDAD (Fox-Trot) ......... .Carroll BAMBALINA.. ... Fairchild and Carroll BIG BOY1 (Fox-Trot). ......... .Lange BIMINY (Fox-Trot). ........ Delcamp BOUQUET OF ROSES (Fox-Trot)-

Loper Assisted CALIFORNIA (FOX-~rot).Lo&.Assisted CARMENCIT4 (Pox-Tmt) Lo Assisted CHANSON DANSANTE OX-not)-

Original Piano Trio CHARLESTON CABIN (Pox-Trot)-

Johnson CHARLEY. MY BOY (Fox-Trot) . Gmfh CHARLESTON MEDLEY. Fox-Trot:

1 How Come You Do Me Like You Do. d Doodle Doo Doo; 8. Too pre&

e n f ~ COME BACK TO ME (wal tz) -~auchd COVERED WAGON DAYS (Fox-Trot)-

Lopes Assistfd 1.25 ...... DANCIN' DAN (Fox-Trot) Carol1 1.45 VE.4R ONE (Fox-Trot). .Grog. Assited 1.25 DEEP I N MY HEART (Fox-Trot)-

'Reichenthal 1.25 DON'T BLAME I T ALL ON ME (Fox-

Trot). ....................... .Cnrroll 1.25 DON'T MIND THE RAIN (Fox-Trot)--

Grofb, Assisted 1.95 DON'T TAKE YOUR TROUBLES TO

BED (Fox-Trot). .... Lo . Assisted 1.46 D R E W MELODY wG-

krro l l and H. S. 1. 25 DREARY WEATHER (Fox-Trot)--

Lopez Assisted 1.25 DRIFTWOOD (Fox-Trot). La&.kfislsted 1: 4.5 EASY MELODY (For-Trot) . .hirehiid 1.25 ELlZA (Fox-Trot). .......... .Del m 1.25 EVRY NIGHT I CRY M Y S E L ~ T ~

SLEEP (Fox-Trot). .... .Lawnhurst 1.95 EV'RYTHING YOU-DO (Pox-Trot)-

Lopes 1.25 FADED LOVE LETl%BS (Waltz). Lane 1.50 FEELING THE WAY I DO (Fox-Trot)-

Lange 1.25 FOLLOW THE SWALLOW (Fox-Trot+

GrofB, Assisted 1.m FROM ONE 'TILL TWO (For-Trot)-

Lo Assisted GENERAL PERSHING MECH (on+

Ste ). ......... ..Arden and Lambert G L O L ( C h acteristic Dance) .. .Lope. GOOD NIGHT. SLEEP TIGHT (Fox-

Trot). ............... .Lopez, Assisted HARD HEARTED HANNAH Fox

Trot). ........................ .6rofi HAVANA (Tango). ....... .&ichentbal HAWAIIAN MOON (Waltz). ..... Clair HIAWATHA'S MELODY OF LOVE

(Walk). ............ Clair and Pollock HOME I N PASADENA (Pox-Trot).Camll HONEYMOON CHIMES (Waltz)-

Shipman and C. A. HONOLULD EYES (Waltz). .. .Pollock

No. 204551 E

Title Played by HOW MY SWEETIE LOVES ME (Fox-

'Trnt) ........................ Lange HULA LOU (Fox-Trot). . . . . . .Len e I CAN'T GET THE ONE"[ WAF%

*ox-Trot). .................. .Carroll I & VE YOU (Fox-Trot). . ..Lawnburst I'M GOIN' SOUTH (Fox-Trot). Fairchild I'M SIWING PRETTY IN A PRETTY

LITTLE CITY (Fox-Trot Lawnhurnt IN A LI~TLE R E N D E Z ~ ~ S (FOX-

Trot). ............... .Lopez, Assisted INDL4NA MOON (Wa1tr)-

Cooke and Shipman INDIAN LOVE CALL. "Rose Mnr~e "-

Price

Fairchild 1.25 2048313 INNOCENT EYES (Fox-Trot). . Grofb 1.25 205451E IN SHADOWLAND (Waltz). .l.kirehild 1.95 204731E IN THE EVENING (Fox-Trot)-

Reichenthal 1.95 59125F ITALIAN NIGffPS (Walt. ..... Clair 1.50

204991E I T HAD TO BE YOU ox-'?rot)- GroM. Assisted 1.5%

54224D I T S A BIRD (Fox-Trot) ........ .Arden 1.00 204541E I'VE GOT A SONG KQR SALE (Fox-

Trot). ........................ Lan e 1.95 205461E I WANT TO BE HAPPY. "No. d.

Nanette" (One-Step). . . . . . . . . . . . lane 1 .a 2055513 I WANT 1Y) SEE MY TENNESSEE

(Fox-Trot!. ................. .Johnsi~n I . 45 205191E I WONDER WHAT'S BECOME OF

SALLY? (Ballnd). .......... .Fairchi!d 1.95 205061E JEALOUS (Fox-Trot). ......... .Carr111 I . f5 205l2lE JUNE NIGHT (Fox-Trot)-

Ia APsi.ted1.45 204101E JU§T A GIRL THAT IE!?%ORGE'L'

(Waltz Ballad ............. .Shipman 1.45 204751E JUST A LITTLj: SONG FOR YO0 (Fox-

Trot).. ...................... .G~rroll 1 25 60621E KITTEN ON THE KEYS.. ..... .Clair 1 .Ps

2047013 LAZY (Fox-Trot). . . . . . . . Grof6. Asistwl 1 45 204821E LIMEHOUSE BLUES ( F o x - T ~ o ~ ) . . G ~ o ~ ~ 1.45

... 204361E LINGER AWHILE (Fox-Trot) .Lane 1.46 205201E LITTLE OLD CLOCK ON THE . MANTEL, THE (Fnx-Trot). .Carroll 1.45 205131E LONELY LITTLE MELODY. "Ziegleld

Folhes" (Fox-Trot). ......... .carroll 1.45 2049713 LOOKIN' OUT THE WINDOW-

(Fox-Trot). ................. Johnson 1 .?.i 204411E MVEY CAME BACK. ..... ..Delcamo 1.45

MANDALAY (Fox-Trot). .... .Deleomp MiNDY, MAKE UP YOUR MIND

Dixie to Broadway" (Fox-Trot)- ' Carroll

MARCHIH'A (Po.-Trot)- Reichenthal and A. C.

MAYBE (Fox-Trot). ....... Reichenthal MAYTIME (Fox-Trot). ........ .Carroll MAYTIME SELECTIONS.. .... Kmi ta ME AND THE BOY FRIEND (Fox-

Trot). ................ L a m . Assisted MEMORY LANE (WaltzG

Cannll. Awisted by F. S. MEXICALI ROSE (Waltz)-Reicbenthnl MINDIN' MY BUS'NESS (FoxJQot)-

MORNING F O N ' T YOU fi% COME 'RO hD?) (Fox-Trot).Lange

.......... MR. RADIO MAN Deleamp MUSICAL COMEDY FAVORITES,

NO. 1 (Fox-Rqt): 1. Manda "The Chocolnte D~~nd~es": 4. M Twilight Rose. "Marlone": 8. Then s o u Know Thai You'& in b e . "Top Ho!eW; g When You and I Were Danc~ng. .............. Ritz Revue". Delcamp

This Bulletin with t he January 1925 Catalog supplies . COMPLETE LIST of all Ampico Recordings to date.

Every P I C 0 owner should have these

SELECTED ~@ECORDINGS

6185lG SONGS WITHOUT WORDS, "Spring Song," No. 30, A Major- Mendelssohn . . . . . . . . . Schnitzer $1.75

One of the best known of all musical works. Its flowing melody has come to be regarded as the very voice of spring itself.

61683H THE MOTH (Nachtfalter), "Valse Capricew- Strauss- Tausig . . . . . . . . . . Miinz $2.0

57296H POLONAISE, Op. 40, No. 1, A Major-- Chopin . . . . . . . . . . Rubinstein $2.00

Of all Chopin's works t h i s a n a i s e " is the most consistently bright and joyous. The roud, bold, earacter, and its well marked rhythm have caused it to ge known as the "Mditary Polonaise." I t is full of life and power, festival uproar and buoyancy.

1411H ANNIE LAURIE, Ballad, E Flat . . Levitzki . $2.00 '