Design for Manufacturing and Assembly.ppt

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  • 7/21/2019 Design for Manufacturing and Assembly.ppt

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    Ken Youssefi UC Berkele 1

    Design for Manufacturing and Assembly

    Design for manufacturing (DFM) is design based on

    minimiing t!e cost of "roduction and#or time to market

    for a "roduct$ %!ile maintaining an a""ro"riate le&el of

    'uality !e strategy in DFM in&ol&es minimiing t!e

    number of "arts in a "roduct and selecting t!e a""ro"riate

    manufacturing "rocess

    Design For *ssembly (DF*) in&ol&es making attac!ment

    directions and met!ods sim"ler

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    Ken Youssefi UC Berkele +

    DFM and DFA Benefits

    ,t reduces "art count t!ereby reducing cost ,f a

    design is easier to "roduce and assemble$ it canbe done in less time$ so it is less e-"ensi&eDesign for manufacturing and assembly s!ould

    be used for t!at reason if no ot!er

    ,t increases reliability$ because if t!e "roduction

    "rocess is sim"lified$ t!en t!ere is less

    o""ortunity for errors

    ,t generally increases t!e 'uality of t!e "roduct for t!e

    same reason as %!y it increases t!e reliability

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    Ken Youssefi UC Berkele .

    DFM and DFA

    DFM and DF* starts %it! t!e formation of t!e

    design team %!ic! tends to be multi/disci"linary$including engineers$ manufacturing managers$

    cost accountants$ and marketing and sales

    "rofessionals

    !e most basic a""roac! to design for

    manufacturing and assembly is to a""ly design

    guidelines

    You s!ould use design guidelines %it! anunderstanding of design goals Make sure t!at t!e

    a""lication of a guideline im"ro&es t!e design

    conce"t on t!ose goal

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    Ken Youssefi UC Berkele 0

    DFM and DFA Design Guidelines

    Minimie "art count by incor"orating multi"le functions into

    single "arts e&eral "arts could be fabricated by using different

    manufacturing "rocesses (s!eet metal forming$ in2ectionmolding) *sk yourself if a "art function can be "erformed by a

    neig!boring "art

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    Ken Youssefi UC Berkele 3

    DFM and DFA Design Guidelines

    Modularie multi"le "arts into single sub/assemblies

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    Ken Youssefi UC Berkele 4

    DFM and DFA Design Guidelines

    Design to allo% assembly in o"en s"aces$ not

    confined s"aces Do not bury im"ortant com"onents

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    DFM and DFA Design Guidelines

    6arts s!ould easily indicate orientation for insertion

    6arts s!ould !a&e self/locking features so t!at t!e

    "recise alignment during assembly is not re'uired 7r$

    "ro&ide marks (indentation) to make orientation

    easier

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    DFM and DFA Design Guidelines

    tandardie "arts to reduce &ariety

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    DFM and DFA Design Guidelines

    Design "arts so t!ey do not tangle or stick to eac!

    ot!er

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    DFM and DFA Design Guidelines

    Distinguis! different "arts t!at are s!a"edsimilarly by non/geometric means$ suc! as color

    coding

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    DFM and DFA Design Guidelines

    Design "arts to "re&ent nesting ;esting is %!en

    "arts are stacked on to" of one anot!er clam" to

    one anot!er$ for e-am"le$ cu"s and coffee lids

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    DFM and DFA Design Guidelines

    Design "arts %it! orienting features to make

    alignment easier

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    DFM and DFA Design Guidelines

    6ro&ide alignment features on t!e assembly

    so "arts are easily oriented

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    DFM and DFA Design Guidelines

    Design t!e mating "arts for easy insertion 6ro&ide

    allo%ance on eac! "art to com"ensate for &ariationin "art dimensions

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    DFM and DFA Design Guidelines

    Design t!e first "art large and %ide to be stable and

    t!en assemble t!e smaller "arts on to" of itse'uentially

    ,nsertion from t!e to"

    is "referred

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    DFM and DFA Design Guidelines

    ,f you cannot assemble "arts from t!e to" do%n

    e-clusi&ely$ t!en minimie t!e number of insertiondirection ;e&er re'uire t!e assembly to be turnedo&er

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    DFM and DFA Design Guidelines

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    DFM and DFA Design Guidelines

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    Minimizing the Number of Partso determine %!et!er it is "ossible to combine neig!boring

    "arts$ ask yourself t!e follo%ing 'uestions=

    If the answer to all questions is NO,you should

    find a way to combine the parts.

    Must t!e "arts mo&e relati&e to eac! ot!er>

    Must t!e "arts be electrically or t!ermally

    insulated>

    Must t!e "arts be made of different material> Does combing t!e "arts interfere %it!

    assembly of ot!er "arts>

    ?ill ser&icing be ad&ersely affected>

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    Minimizing the Number of Parts

    !e conce"t of t!e theoretical minimum number of parts

    %as originally "ro"osed by Boot!royd (198+)During t!e assembly of t!e "roduct$ generally a "art

    is re'uired only %!en@

    1. A kinematic motion of the part is required.

    . A different material is required.

    !. Assembly of other parts would otherwise be

    pre"ented.

    ,f non of t!ese statements are true$ t!en t!e "art is notneeded to be a se"arate entity

    KISS Keep It Simple Stupid

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    DFM Design Guidelines

    *not!er as"ect of design for manufacturing is to make

    eac! "art easy to "roduce

    !e u" to date DFM guidelines for different "rocesses

    s!ould be obtained from "roduction engineerkno%ledgeable about t!e "rocess !e manufacturing

    "rocesses are constantly refined

    DFM D i G id li

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    DFM Design Guidelines

    Ine!tion Molding

    In#ection $oldin%

    Fabri!ation of Plasti!s

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    DFM Design Guidelines

    Ine!tion Molding

    Minimie section t!ickness$cooling time is "ro"ortional to

    t!e s'uare of t!e t!ickness$

    reduce cost by reducing t!e

    cooling time

    6ro&ide ade'uate draftangle for easier mold

    remo&al

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    DFM Design Guidelines

    Ine!tion Molding

    *&oid s!ar" corners$ t!ey

    "roduce !ig! stress and

    obstruct material flo%

    Kee" rib t!ickness less t!an

    4:A of t!e "art t!ickness in

    order to "re&ent &oids andsinks

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    DFM Design Guidelines

    Ine!tion Molding

    6ro&ide smoot! transition$

    a&oid c!anges in t!ickness

    %!en "ossible

    Kee" section t!ickness uniform

    around bosses

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    DFM Design Guidelines

    Ine!tion Molding

    Use standard general tolerances$ do not tolerance@Dimension olerance Dimension olerance

    : d +3 :3 mm : d 1: ::+ inc!

    +3 d 1+3 :8 mm 1 d 3: ::. inc!

    1+3 d .:: 1: mm 3 d 1+: ::0 inc!

    .:: 13 mm 1+: ::3 inc!

    tandard t!ickness

    &ariation

    Minimum t!ickness recommended@

    :+3 inc! or 43 mm$ u" to 1+3 for large

    "arts

    ound interior and e-terior corners to

    :1/:13 in radius (min)$ "re&ents an

    edge from c!i""ing

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    DFM Design Guidelines

    "otational Molding

    * "redetermined amount of "lastic$ "o%der or li'uid form$

    is de"osited in one !alf of a mold

    !e mold is closed

    !e mold is rotated bia-ially inside an o&en

    !e "lastics melts and forms a coating o&er t!e inside

    surface of t!e mold

    !e mold is remo&ed from t!e o&en and cooled

    !e "art is remo&ed from t!e mold

    otational molding "rocess consists of si- ste"s

    " i l M ldi M hi

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    Ken Youssefi UC Berkele +8

    "otational Molding Ma!hines

    ock and roll mac!ine

    Eertical %!eel mac!ine

    !uttle mac!ine

    urret mac!ine

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    Ken Youssefi UC Berkele +9

    "otational Molding

    Ad"anta%es

    Molds are relati&ely ine-"ensi&e

    otational molding mac!ines are muc! less

    e-"ensi&e t!an ot!er ty"e of "lastic "rocessing

    e'ui"ment

    Different "arts can be molded at t!e same time

    Eery large !ollo% "arts can be made

    6arts are stress free

    Eery little scra" is "roduced

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    Ken Youssefi UC Berkele .:

    "otational Molding

    &imitations

    Can not make "arts %it! tig!t tolerance

    arge flat surfaces are difficult to ac!ie&e

    Molding cycles are long (1:/+: min)

    $aterials

    6olyet!ylene (most common)$ 6olycarbonate (!ig! !eat

    resistance and good im"act strengt!)$ ;ylon (good %ear

    and abrasion resistance$ good c!emical resistance$ good

    toug!ness and stiffness)

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    Ken Youssefi UC Berkele .1

    "otational Molding

    6olycarbonate %all t!ickness is ty"ically

    bet%een :4 to .53 inc!es$ 1+3 inc! being an

    ideal t!ickness 6olyet!ylene %all t!ickness is in t!e range of 1+3

    to +3 inc!$ u" to 1 inc! t!ick %all is "ossible

    ;ylon %all t!ickness is in t!e range of :4 to 53inc!

    Nominal wall thickness

    " i l M ldi # l

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    Ken Youssefi UC Berkele .+

    "otational Molding #$amples

    " t ti l M ldi # l

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    Ken Youssefi UC Berkele ..

    "otational Molding #$amples

    DFM D i G id li

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    Ken Youssefi UC Berkele .0

    DFM Design Guidelines

    Sheet%metal Forming

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    DFM Design Guidelines &asting

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    Ken Youssefi UC Berkele .5

    DFM Design Guidelines % &asting

    Casting$ one of t!e oldest manufacturing "rocesses$ dates

    back to 0::: BC %!en co""er arro%!eads %ere made

    'astin% processes basically in"ol"e the introduction of a

    molten metal into a mold ca"ity, where upon

    solidification, the metal takes on the shape of the mold

    ca"ity.

    im"le and com"licated s!a"es can be made fromany metal t!at can be melted

    G-am"le of cast "arts= frames$ structural "arts$

    mac!ine com"onents$ engine blocks$ &al&es$ "i"es$

    statues$ ornamental artifactsH

    Casting sies range form fe% mm (teet! of a i""er)

    to 1: m ("ro"ellers of ocean liners)

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    Ken Youssefi UC Berkele .8

    &asting Pro!esses

    1 6re"aring a mold ca&ity of t!e desired s!a"e %it!

    "ro"er allo%ance for s!rinkage

    + Melting t!e metal %it! acce"table 'uality and tem"

    . 6ouring t!e metal into t!e ca&ity and "ro&iding

    means for t!e esca"e of air or gases

    0 olidification "rocess$ must be "ro"erly designedand controlled to a&oid defects

    3 Mold remo&al4 Finis!ing$ cleaning and ins"ection o"erations

    Sand &asting 'erminolog(

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    Ken Youssefi UC Berkele .9

    Sand &asting 'erminolog(

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    Ken Youssefi UC Berkele 0:

    &asting Defe!ts

    (ot spotsI t!ick sections cool slo%er t!an ot!er sections

    causing abnormal s!rinkage Defects suc! as &oids$ cracks

    and "orosity are created

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    Ken Youssefi UC Berkele 01

    &asting Defe!ts and Design &onsideration

    DFM D i G id li & ti

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    Ken Youssefi UC Berkele 0+

    DFM Design Guidelines % &asting

    ecommended minimum section t!ickness

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    Ken Youssefi UC Berkele 0.

    DFM Design Guidelines % &asting

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    DFM Design Guidelines Ma!hining