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8/13/2019 Communion With The Infinite The Visual Music of the Shipibo tribe of the Amazon _ Ayahuasca
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As an astonishing demonstration of this I witnessed two Shipiba paint a large ceremonial ceramic pot known as a
Mahuet. The pot was nearly five feet high and had a diameter of about three feet, each of the Shipiba couldnt see what
the other was painting, yet both were whistling the same song, and when they had finished both sides of the complex
geometric pattern were identical and matched each side perfectly.
The Shipibo designs are traditionally carried out on natural un-dyed cotton (which they often grow themselves) or on
cotton dyed in mahogany bark (usually three or four times) which gives the distinctive brown colour. They paint either
using a pointed piece of chonta (bamboo) or an iron nail with the juice of the crushed Huito (Genipa americana) berry
fruits which turns into a blue- brown-black dye once exposed to air.
Each of the designs are unique, even the very small pieces, and they cannot be commercially or mass produced. In Lima I
met with a woman who had set up a government funded community project which amongst other matters established a
collective for the Shipibo to sell their artisan work and paintings. She tells that a major USA corporation (Pier 1 Imports),
enamoured by these designs ordered via the project twenty thousand textiles with the same design, this order could never
be fulfilled, the Shipibo could simply not comprehend the concept of replicating identical designs.
The Shipibo believe that our state of health (which includes physical and psychological) is dependent on the balanced
union between mind, spirit and body. If an imbalance in this occurs such as through emotions of envy, hate, anger, this
will generate a negative effect on the health of that person. The shaman will re-establish the balance by chanting the
icaros which are the geometric patterns of harmony made manifest in sound into the body of the person. The shaman in
effect transforms the visual code into an acoustic code.
A key element in this magical dialogue with the energy which permeates creation and is embedded in the Shipibo designs
is the work with ayahuasca by the Shipibo shamans or muraya. In the deep ayahuasca trance, the ayahuasca reveals to the
shaman the luminous geometric patterns of energy. These filaments drift towards the mouth of the shaman where it
metamorphoses into a chant or icaro. The icaro is a conduit for the patterns of creation which then permeate the body of
the shamans patient bringing harmony in the form of the geometric patterns which re-balances the patients body. The
vocal range of the Shipibo shamans when they chant the icaros is astonishing, they can range from the highest falsetto
one moment to a sound which resembles a thumping pile driver, and then to a gentle soothing melodic lullaby. Speaking
personally of my experience with this, is a feeling that every cell in my body is floating and embraced in a nurturing
all-encompassing vibration, even the air around me is vibrating in acoustic resonance with the icaro of the maestro. The
shaman knows when the healing is complete as the design is clearly distinct in the patients body. It make take a few
sessions to complete this, and when completed the geometric healing designs are embedded in the patients body, this is
called an Arkana. This internal patterning is deemed to be permanent and to protect a persons spirit.
Angelika Gebhart-Sayer, Professor of Ethnology, University of Marburg writes that Essentially, Shipibo-Conibo therapy
is a matter of visionary design application in connection with aura restoration, the shaman heals his patient through the
application of a visionary design, every person feels spiritually permeated and saturated with designs. The shaman heals
his patient through the application of the song-design, which saturates the patients body and is believed to untangle
distorted physical and psycho-spiritual energies, restoring harmony to the somatic, psychic and spiritual systems of the
patient. The designs are permanent and remain with a persons spirit even after death..
Whilst it is not easy for Westerners to enter and engage with the world view of the Shipibo which has been developed far
away from our linguistic structures and psychological models, there is an underlying sophisticated and complex symboliclanguage embedded in these geometric patterns. The main figures in the Shipibo designs are the square, the rhombus, the
octagon, and the cross. The symmetry of the patterns emanating from the centre (which is our world) is a representation of
the outer and inner worlds, a map of the cosmos. The cross represents the Southern Cross constellation which dominates
the night sky and divides the cosmos into four quadrants, the intersection of the arms of the cross is the centre of the
universe, and becomes the cosmic cross. The cosmic cross represents the eternal spirit of a person and the union of the
masculine and feminine principles the very cycle of life and death which reminds us of the great act of procreation of not
only the universe, but also of humanity, and our individual selves.
The smaller flowing patterns within the geometric forms are the radiating power of the Cosmic Serpent which turns this
way and that, betwixt and between constantly creating the universe as it moves. The circles are often a direct
representation of the Cosmic Anaconda, and within the circle itself is the central point of creation.
In the Western tradition, from the Pythagoreans, and Plato through the Renaissance music was used to heal the body and
to elevate the soul. It was also believed that earthly music was no more than a faint echo of the universal harmony of the
spheres. This view of the harmony of the universe was held both by artists and scientists until the mechanistic universe of
Newton.
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Joseph Campbell the foremost scholar of mythology suggests that there is a universe of harmonic vibrations which the
human collective unconscious has always been in communion with. Our beings beat to the ancient rhythms of the cosmos.
The traditional ways of the Shipibo and other indigenous peoples still reflect the primal rhythm, and their perception of
the universal forces made physical is truly a communion with the infinite.
Article Source: Communion With The Infinite The Visual Music of the Shipibo tribe of the Amazon
Category: Shamanism, Visual Art Tags: art, quiquin, shipibo
Comments
12 Responses to Communion With The Infinite The Visual Music of the Shipibo tribe of the Amazon
Jaysays:
October 22, 2008 at 12:06 am
In my travels and encounters with the Shipibo, I heard that the visual music element of their designs was
folk-lore. I certainly would love to believe it is true, but the only reference to it that I ever seem to read is this
singular one. I purchased several embroidered cloths from Shipibo women in Iquitos. Theyre beautiful, but code
for an icaros melody? My information sadly differs.
1.
Hanasays:
November 5, 2008 at 8:58 pm
Hello, this is a wonderfull article, thank you very much. As someone who is involved in both, sacred medicine as
well as in sacred art making, I found this very inspiring. But I found this after googling anaconda&ayahuasca.
Could anybody please share with me the connection between the two? I became awed by serpents after a number of
ayahuasca sessions and soon after that I was honoured to became a keeper of a pair of very beautiful and rare type
of anaconda. They have a profound impact on my spiritual life. I am very keen to learn as much of indigenous
wisdom connected to the Mother Anaconda. Could anybody please give me more information? Thank you very
much, and blessings on your fantastic work,
Hana
2.
Matthew Levansays:
November 26, 2008 at 1:58 am
Thanks and blessings sent from my self to those who continue the tradition of visionary healing. El mundo es un
lugar seguro porque el Shipibo.
3.
Nicole Shandssays:
February 13, 2009 at 5:11 pm
I saw a move within the last 5 months that was made around this belief. I do not remember the name for I am
always finding jewels like this. I remember when they drank the potion and the visuals the used to attempt to show
us what the person was see was incredible, terrifying, and beautiful all at the same time. It was energy personifiedas far as what I felt within myself in watching. In the movie one person was trying to steal the secrets to life and the
other was protecting it.
Thank you for sharing such a wonderful article.
4.
Jimmy Robinsonsays:
May 24, 2009 at 4:40 am
In response to Nicole Shands comment:
Renegade (a.k.a., Blueberry) is (probably) the movie to which you are referring.
5.
Sashasays:
June 22, 2009 at 10:56 am
Alot of people say that the effects and visuals in the movie Renegade a.k.a. Blueberry,due to ayahuasca drinking
are false,exagerate,bunt the real deal is more beutyfull !
6.
mmunion With The Infinite The Visual Music of the Shipibo tribe ... http://www.ayahuasca.com/spirit/primordial-and-traditional-culture/c...
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Gordon Kuhndsays:
October 16, 2009 at 2:00 pm
Ive seen the documentary Woven Songs, made by Anna Stevens. In this movie one of the female shamans,
Augustine Herlina reads the shipibo weaving like a sheet of music. So, the Shipibo weavings are actual songs of the
shamans ayahuasca visions. The only problem is that the majority of Shipibo weavers have forgotten how to weave
their own visions. They merely just copy others weavings.
Its becoming a forgotten artform. Augustine Herlinda is trying to hand down this tradition to her daughter.
7.
patrick johnsonsays:
November 22, 2009 at 8:22 am
well jay, it must suck to be you.
8.
patrick johnsonsays:
November 22, 2009 at 8:37 am
those patterns are still expressions nonetheless. the spirituality you seek isnt pristine
9.
Kristisays:
May 29, 2010 at 1:52 am
I am happy to have found this article. I am working on a thesis about how energy (light) utilizes sound (music) and
shape (geometry) in life and in spirituality. If anyone has doubts on visual music, look up the study of Cymatics. Its
the same principle, using physical energy and physical matter to create shapes. Its been said that thats what the
crop circles are formed with.
There definitely seems to be hidden magic on this earth and in the universe that utilizes the triad; light (energy),
sound (music, vibrational-frequencies) and shape (geometry, sacred geometry).
10.
Pamelasays:
July 15, 2010 at 8:34 am
In the 1970s we traversed the Amazon starting at Pucallpa and visited the Shipibo, staying for several weeks. Iagree with what you are writing because I have seen it myself, when in the midst of an ayaguasca session, I saw the
movement of the world as a geometric pattern, and the pattern was that same that is on the shipibo textiles. I heard
the cicadas or whatever those grasshopper -singing insects are that sing so loud in the jungle, their song also took
on visual movement and was the same as the patterns of shipibo textiles. These are geometric structures, that when
in motion, allow for a way to communicate with other places in the universe. We are normally just unaware of it,
with the help of Yaje, I saw .
11.
Rosemarysays:
January 9, 2011 at 7:32 pm
On one Ayahausca journey I saw that this pattern as shown on the Shipibo designs is the veil between the third
(physical) dimension and the spiritual dimensions beyond. There are many dimensional realities, in the journeys it
is a clear communion with with the spirits. Ask and you shall receive. If you need healing and insight beyond the
logical minds restraints sit with a very experienced curandero, do the appropriate purification, stay in the heart
center, trust and surrender. Most importantly it is between you and Spirit, this is not a journey for the faint hearted
but truly worth the journey if you are called.
12.
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