Medieval Manuscript Studies in the Digital Age, 24 April 2012,
Hanna Vorholt
1
Decoration of Manuscripts Select Bibliography
Pigments x Clarke, M., The Art of All Colours: Medieval Recipe
Books for Painters and Illuminators
(London 2001) x Clarke, M., 'The Analysis of Manuscript
Pigments: Why, What, and How?', in Gazette du Livre
Mdival 40 (2002), pp. 36-44 x Meijers, M.J., 'Out of the Blue:
the Use of Infrared False Colour Photography as an Art
Historian's Tool', in Gazette du livre mdival 33 (1998), pp.
39-41 x Whitley, K.P., The Gilded Page. The History and Technique
of Manuscript Gilding (New Castle
and London, 2000)
Production Stages and General Reference x Alexander, J.J.G., A
survey of illuminated manuscripts in the British Isles (London,
1978-1996)
[I. J.J.G. Alexander (ed.), Insular manuscripts 6th to the 9th
centuries (1978); II. E. Temple (ed.), Anglo-Saxon manuscripts,
9001066 (1976); III. M. Kaufmann (ed.), Romanesque manuscripts,
10661190 (1975); IV. N. J. Morgan (ed.), Early Gothic manuscripts,
2 vols. (19828); V. L. F. Sandler (ed.), Gothic manuscripts,
12851385, 2 vols. (1986); VI. K. Scott (ed.), Later Gothic
manuscripts, c. 13901490, 2 vols. (1996)]
x Alexander, J.J.G., Medieval Illuminators and Their Methods of
Work (New Haven and London 1992)
x Alexander, J.J.G., "Preliminary Marginal Drawings in Medieval
Manuscripts", in: in: X. Barral i Altet (ed.), Artistes, Artisans
et Production Artistique au Moyen Age, 3 vols. (Paris 1986-1990),
vol. 3, pp. 307-19
x Barral i Altet, X. (ed.), Artistes, Artisans et Production
artistique au Moyen Age (Paris 1986-1990), vol. 3
x Brownrigg, L.L. (ed.), Medieval Book Production: Assessing the
Evidence (Los Altos Hills 1990)
x Calkins, R.G., 'Stages of Execution: Procedures of
Illumination as Revealed in an Unfinished Book of Hours', in: Gesta
27 (1978), pp. 61-70.
x De Hamel, C., Medieval Craftsmen: Scribes and Illuminators
(London 1992) x De Hamel, C., A History of Illuminated Manuscripts
(London 1994) x De Hamel, C., The British Library Guide to
Manuscript Illumination: History and Techniques
(London 2001) x Jakobi-Mirwald, C., Das Mittelalterliche Buch.
Funktion Und Ausstattung (Stuttgart 2004) x Pcht, O., Book
Illumination in the Middle Ages (London 1994) x Stirnemann, P. and
Gousset, M.-T., 'Marques, mots, pratiques. Leurs significations et
leurs
liens dans le travail des enlumineurs', in: O. Weijers (ed.),
Vocabulaire du livre et de l'criture au Moyen Age (Turnhout, 1989),
pp. 34-55
x Watson, R., Illuminated Manuscripts and Their Makers (London
2003)
Components x Brown, M. P., Understanding Illuminated
Manuscripts: A Guide to Technical Terms (London
1994)
[http://www.bl.uk/catalogues/illuminatedmanuscripts/glossary.asp]
general x Edson, E., Mapping time and space: How Medieval mapmakers
viewed their world (London
1997) [maps, general] x Harley, J.B. and Woodward, D., The
history of cartography vol. 1 (Chicago 1987)
Peter Stokes
Peter Stokes29 April 2014
Medieval Manuscript Studies in the Digital Age, 24 April 2012,
Hanna Vorholt
2
x Iconclass [http://www.iconclass.nl/] [iconography] x
Jakobi-Mirwald, C., 'Die historisierte Initiale ein unter- oder
berschtztes Phnomen?', in:
Gazette du livre mdival 33 (1998), pp. 35-39 x Korteweg, A. S.
(ed.), Krizels, Aubergines En Takkenbossen. Randversiering in
Norrdnederlandse Handschriften Uit De Vijftiende Eeuw (Den Haag
1992) [initials] x Murdoch, J., Album of Science: Antiquity and the
Middle Ages (New York 1984) [diagrams] x Scott, K.L., Dated and
Datable English Manuscript Borders c. 1395-1499 (London, 2002) x
Stirnemann, P., 'Fils de la Vierge. L'initiale Filigranes
Parisienne: 1140-1314', in: Revue de
l'Art 90 (1990), pp. 58-73 [initials as aids for the dating of
manuscripts]
Mise-en-page x Gumbert, J.P., The Dutch and their Books in the
Manuscript Age (London 1989), esp. pp. 30-
51 x Martin, H.-J., Vezin, J. (eds), Mise en Page et Mise en
Texte du Livre Manuscrit (Paris 1990) x Kruska, B., 'Zeilen, Rnder
und Initiale. Zur Normierung des Layouts hochmittelalterlicher
Papsturkunden', in: P. Rck (ed.), Mabillons Spur: Zweiundzwanzig
Miszellen aus dem Fachgebiet fr Historische Hilfswissenschaften der
Philipps-Univeristt Marburg zum 80. Geburtstag von Walter
Heinemeyer (Marburg 1992, pp. 231-245)
x Gumbert, J.P., ''"Typography" in the Manuscript Book', in:
Journal of the Printing Historical Society 22 (1993), pp. 5-28
x Byrne, D., 'Manuscript Ruling and Pictorial Design in the Work
of the Limbourgs, the Bedford Master, and the Boucicaut Master',
in: The Art Bulletin 66.1 (1984), pp. 117-38
Copying x Alexander, J.J.G., 'Facsimiles, Copies, and
Variations: The Relationship to the Model in
Medieval and Renaissance European Illuminated Manuscripts', in:
Retaining the Original. Multiple Originals, Copies, and
Reproductions. Center for Advanced Study in the Visual Arts
(Washington 1989), pp. 61-74
x Chavannes-Mazel, C.A., 'Problems in Translation, Transcription
and Iconography: The Miroir Historial, Books 1-8', in: M.
Paulmier-Foucart, S. Lusignan, A. Nadeau (ed.)., Vicent de
Beauvais: Intentions et Rceptions d'une Oeuvre Encyclopdique au
Moyen ge (Paris 1990), pp. 345-74
x Dekeyzer, B., Van der Stock, J. (eds), Manuscripts in
Transition: Recycling Manuscripts, Texts, and Images (Leuven
2005)
x Wenzel, H., Lechtermann, C. (eds), Die Beweglichkeit der
Bilder: Text und Imagination in den illustrierten Handschriften des
'Welschen Gastes' von Thomasin von Zerclaere (Cologne 2002)
Online Resources x http://warburg.sas.ac.uk/index.php?id=339
Peter Stokes
Peter Stokes29 April 2014
