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By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

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Page 1: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 2: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

By the 1830s, there were two By the 1830s, there were two schools of painting (especially in schools of painting (especially in France):France):

• The Neoclassical School (Jean-The Neoclassical School (Jean-Louis David)Louis David)• The Romantics (Delacroix)The Romantics (Delacroix)

Painters often swapped elements of Painters often swapped elements of each school (a neoclassical idea each school (a neoclassical idea painted in a romantic way or vice painted in a romantic way or vice versa).versa).

Background of the Romantic Art Background of the Romantic Art MovementMovement

Page 3: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The French Neoclassicists

The French Neoclassicists

Jacques-Louis DavidJacques-Louis David

Antoine-Jean GrosAntoine-Jean Gros

Page 4: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

• Virtual dictator of European Virtual dictator of European painting from 1800-1820.painting from 1800-1820.• No matter how No matter how revolutionary the subject, revolutionary the subject, used used traditional, neoclassicaltraditional, neoclassical techniques.techniques.• Stressed line, form, Stressed line, form, perspective.perspective.

Jacques-Louis David Jacques-Louis David (French, 1748-1825)(French, 1748-1825)

Page 5: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

DavidDavid

Napoleon Napoleon Crossing Saint Crossing Saint BernardBernard

Page 6: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

David - David - Coronation of Coronation of NapoleonNapoleon

Page 7: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

David - David - The Tennis Court The Tennis Court OathOath

Page 8: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

DavidDavid

Death of Death of MaratMarat

Page 9: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

David; David; Death of Death of SocratesSocrates

Page 10: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

• Moved away from the ideas of his Moved away from the ideas of his teacher, Jacques-Louis David.teacher, Jacques-Louis David.• Followed the more emotional style Followed the more emotional style of Flemish Baroque painter Peter of Flemish Baroque painter Peter Paul Rubens.Paul Rubens.• Still Neoclassical at heart.Still Neoclassical at heart.• Series of battle paintings glorifying Series of battle paintings glorifying Napoleon.Napoleon.

Antoine-Jean Gros Antoine-Jean Gros (French, 1791-1824)(French, 1791-1824)

Page 11: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

GrosGros

Napoleon at Napoleon at Arcole Bridge, Arcole Bridge, Nov. 17, 1796Nov. 17, 1796

Page 12: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Spirit of the Age (1790-1850)The Spirit of the Age (1790-1850)

A sense of a shared vision among the Romantics.

Early support of the French Revolution.

Rise of the individual alienation.

Dehumanization of industrialization.

Radical poetics / politics – an obsessionwith violent change.

A sense of a shared vision among the Romantics.

Early support of the French Revolution.

Rise of the individual alienation.

Dehumanization of industrialization.

Radical poetics / politics – an obsessionwith violent change.

Page 13: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Characteristics of RomanticismCharacteristics of Romanticism

1.The Engaged & Enraged ArtistØ The artist apart from society.

Ø The artist as social critic/revolutionary.

Ø The artist as genius.

1.The Engaged & Enraged ArtistØ The artist apart from society.

Ø The artist as social critic/revolutionary.

Ø The artist as genius.

Page 14: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Characteristics of RomanticismCharacteristics of Romanticism

2.Glorification of Nature:Ø Peaceful, restorative

qualities [an escape from industrialization and the dehumanization it creates].

Ø Awesome, powerful, horrifying aspects of nature.

§ Indifferent to the fate of humans.

§ Overwhelming power of nature.

2.Glorification of Nature:Ø Peaceful, restorative

qualities [an escape from industrialization and the dehumanization it creates].

Ø Awesome, powerful, horrifying aspects of nature.

§ Indifferent to the fate of humans.

§ Overwhelming power of nature.

Page 15: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Characteristics of RomanticismCharacteristics of Romanticism

3.The Supernatural:Ø Ghosts, fairies, witches,

demons.

Ø The shadows of the mind—dreams & madness.

Ø A reaction to rationalism [an escape from reason!]

3.The Supernatural:Ø Ghosts, fairies, witches,

demons.

Ø The shadows of the mind—dreams & madness.

Ø A reaction to rationalism [an escape from reason!]

Page 16: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Characteristics of RomanticismCharacteristics of Romanticism

4.Exoticism:Ø The sexy “other.”

Ø A sense of escape from reality.

Ø A psychological/moral justification of imperialism?

5.Revival of Past Styles:Ø Gothic & Romanesque

revival.

4.Exoticism:Ø The sexy “other.”

Ø A sense of escape from reality.

Ø A psychological/moral justification of imperialism?

5.Revival of Past Styles:Ø Gothic & Romanesque

revival.

Page 17: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

TheEnlightenment

TheEnlightenment

Society is good, curbing violent impulses!

Society is good, curbing violent impulses!

Civilization corrupts;institutions have rippling effects!

Civilization corrupts;institutions have rippling effects!

RomanticismRomanticismEarly19c

Page 18: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 19: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Lady Macbeth - Henry Fuseli, 1794Lady Macbeth - Henry Fuseli, 1794

Page 20: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 21: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Wandering Above the Sea

of Fog

Caspar David Friedrich,

1818

Wandering Above the Sea

of Fog

Caspar David Friedrich,

1818

Page 22: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Dreamer Gaspar David Friedrich, 1835

The Dreamer Gaspar David Friedrich, 1835

Page 23: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Solitary Tree Caspar David Friedrich, 1823

Solitary Tree Caspar David Friedrich, 1823

Page 24: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 25: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

An Avalanche in the AlpsPhilip James de Loutherbourg, 1803

An Avalanche in the AlpsPhilip James de Loutherbourg, 1803

Page 26: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Sunset After a Storm On the Coast of Sicily – Andreas Achenbach, 1853

Sunset After a Storm On the Coast of Sicily – Andreas Achenbach, 1853

Page 27: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The DelugeFrancis Danby, 1840

The DelugeFrancis Danby, 1840

Page 28: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Tree of CrowsCaspar David Friedrich, 1822

Tree of CrowsCaspar David Friedrich, 1822

Page 29: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Wreck of the Hope (aka The Sea of Ice)Caspar David Friedrich, 1821

The Wreck of the Hope (aka The Sea of Ice)Caspar David Friedrich, 1821

Page 30: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Shipwreck – Joseph Turner, 1805Shipwreck – Joseph Turner, 1805

Page 31: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Raft of the MedusaThéodore Géricault, 1819The Raft of the MedusaThéodore Géricault, 1819

Page 32: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Eruption of Vesuvius - John MartinThe Eruption of Vesuvius - John Martin

Page 33: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 34: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Isaac Newton – William Blake, 1795Isaac Newton – William Blake, 1795

Page 35: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 36: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Rain, Steam, and SpeedJoseph Mallord William Turner, 1844

Rain, Steam, and SpeedJoseph Mallord William Turner, 1844

Page 37: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Rain, Steam, &

Speed

(details)

Rain, Steam, &

Speed

(details)

Page 38: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Slave ShipJoseph Mallord William Turner, 1842

The Slave ShipJoseph Mallord William Turner, 1842

Page 39: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Slave Ship

(details)

The Slave Ship

(details)

Page 40: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Man and Woman Contemplating the MoonGaspar David Friedrich, 1825

Man and Woman Contemplating the MoonGaspar David Friedrich, 1825

Page 41: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Moonrise by the SeaGaspar David Friedrich, 1821

Moonrise by the SeaGaspar David Friedrich, 1821

Page 42: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 43: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Flatford Mill – John Constable, 1817Flatford Mill – John Constable, 1817

Page 44: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Corn Field

John Constable,1826

The Corn Field

John Constable,1826

Page 45: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Hay Wain - John Constable, 1821The Hay Wain - John Constable, 1821

Page 46: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 47: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Salisbury Cathedral from the Bishop’s GroundJohn Constable, 1825

Salisbury Cathedral from the Bishop’s GroundJohn Constable, 1825

Page 48: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Salisbury Cathedral from the MeadowsJohn Constable, 1831

Salisbury Cathedral from the MeadowsJohn Constable, 1831

Page 49: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Hadleigh Castle - John Constable, 1829Hadleigh Castle - John Constable, 1829

Page 50: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Eldena RuinCaspar David Friedrich, 1825

Eldena RuinCaspar David Friedrich, 1825

Page 51: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Winter Landscape with ChurchGaspar David Friedrich, 1811

Winter Landscape with ChurchGaspar David Friedrich, 1811

Page 52: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

British Houses of Parliament1840-1865

British Houses of Parliament1840-1865

Page 53: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 54: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Cloister Cemetery in the SnowCaspar David Friedrich, 1817-1819Cloister Cemetery in the Snow

Caspar David Friedrich, 1817-1819

Page 55: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Abbey in an Oak ForestCaspar David Friedrich, 1809-1810

Abbey in an Oak ForestCaspar David Friedrich, 1809-1810

Page 56: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Mad Woman With a Mania

of Envy

TheodoreGericault, 1822-1823

Mad Woman With a Mania

of Envy

TheodoreGericault, 1822-1823

Page 57: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Pity - William Blake, 1795Pity - William Blake, 1795

Page 58: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Great Red Dragon and the Woman Clothed

with the Sun

William Blake, 1808-1810

The Great Red Dragon and the Woman Clothed

with the Sun

William Blake, 1808-1810

Page 59: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Stonehenge - John Constable, 1836Stonehenge - John Constable, 1836

Page 60: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Nightmare (The Incubus)Henry Fuseli, 1781

Nightmare (The Incubus)Henry Fuseli, 1781

Page 61: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Manfred and the Witch of the AlpsJohn Martin - 1837

Manfred and the Witch of the AlpsJohn Martin - 1837

Page 62: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Witches Sabbath

Francisco Goya,1798

Witches Sabbath

Francisco Goya,1798

Page 63: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Procession of Flagellants on Good FridayFrancisco Goya, 1793

Procession of Flagellants on Good FridayFrancisco Goya, 1793

Page 64: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Saturn DevoursHis Son

Francisco Goya,1819-1823

Saturn DevoursHis Son

Francisco Goya,1819-1823

Page 65: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 66: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Greece on the Ruins of

Missolonghi

Eugène Delacroix, 1827

Greece on the Ruins of

Missolonghi

Eugène Delacroix, 1827

Page 67: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Liberty Leading the People Eugène Delacroix, 1830

Liberty Leading the People Eugène Delacroix, 1830

Page 68: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Detail of theMusket Bearer

Delacroix, himself

Detail of theMusket Bearer

Delacroix, himself

Page 69: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Burning of Parliament (1)Joseph Turner, 1834-1835

The Burning of Parliament (1)Joseph Turner, 1834-1835

Page 70: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Rise of the Cartheginian EmpireJoseph Turner, 1815

The Rise of the Cartheginian EmpireJoseph Turner, 1815

Page 71: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

His Majesty’s Ship, “Victory”(Trafalgar) - John Constable, 1806His Majesty’s Ship, “Victory”

(Trafalgar) - John Constable, 1806

Page 72: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

An Officer of the Imperial Horse

Guard

Théodore Géricault, 1814

An Officer of the Imperial Horse

Guard

Théodore Géricault, 1814

Page 73: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Napoleonat the

St. BernardPass

David,1803

Napoleonat the

St. BernardPass

David,1803

Page 74: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Shooting of May 3, 1808Francisco Goya, 1815

The Shooting of May 3, 1808Francisco Goya, 1815

Page 75: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Pandemonium - John Martin, 1841Pandemonium - John Martin, 1841

Page 76: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 77: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Grand Canal, VeniceJoseph Mallord William Turner, 1835

Grand Canal, VeniceJoseph Mallord William Turner, 1835

Page 78: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Massacre of Chios - Eugène Delacroix, 1824Massacre of Chios - Eugène Delacroix, 1824

Page 79: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Fanatics of TangiersEugène Delacroix, 1837-1838The Fanatics of Tangiers

Eugène Delacroix, 1837-1838

Page 80: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Sultan of Morocco and His Entourage

Eugène Delacroix, 1845

The Sultan of Morocco and His Entourage

Eugène Delacroix, 1845

Page 81: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Women of Algiers in Their ApartmentEugène Delacroix, 1834

Women of Algiers in Their ApartmentEugène Delacroix, 1834

Page 82: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Turkish BathJean Auguste Ingres, 1852-1863

The Turkish BathJean Auguste Ingres, 1852-1863

Page 83: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Bullfight - Francisco GoyaThe Bullfight - Francisco Goya

Page 84: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Charge of the Mamelukes, May 2nd, 1808Francisco Goya, 1814

Charge of the Mamelukes, May 2nd, 1808Francisco Goya, 1814

Page 85: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Royal Pavillion at BrightonJohn Nash, 1815-1823

The Royal Pavillion at BrightonJohn Nash, 1815-1823

Page 86: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 87: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

God as the Architect - William Blake, 1794

God as the Architect - William Blake, 1794

Page 88: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Elohim Creating AbrahamWilliam Blake, 1805

Elohim Creating AbrahamWilliam Blake, 1805

Page 89: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Body of Abel Found by Adam and EveWilliam Blake, 1825

Body of Abel Found by Adam and EveWilliam Blake, 1825

Page 90: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Faust and MephistophelesEugène Delacroix, 1826-1827Faust and MephistophelesEugène Delacroix, 1826-1827

Page 91: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Seventh Plague of EgyptJohn Martin, 1823

The Seventh Plague of EgyptJohn Martin, 1823

Page 92: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Cathedral

Gaspar DavidFriedrich,

1818

The Cathedral

Gaspar DavidFriedrich,

1818

Page 93: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Cathedral(details)

Gaspar DavidFriedrich,

1818

The Cathedral(details)

Gaspar DavidFriedrich,

1818

Page 94: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Great Age of the NovelThe Great Age of the Novel Gothic Novel: Jane Eyre - Charlotte Bronte Wuthering Heights - Emily Bronte

Historical Novel: Ivanhoe - Sir Walter Scott Les Miserables - Victor Hugo The Three Musketeers – Alexander Dumas

Gothic Novel: Jane Eyre - Charlotte Bronte Wuthering Heights - Emily Bronte

Historical Novel: Ivanhoe - Sir Walter Scott Les Miserables - Victor Hugo The Three Musketeers – Alexander Dumas

Page 95: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Great Age of the NovelThe Great Age of the Novel

Science Fiction Novel: Frankenstein - Mary Shelley Dracula – Bramm Stoker

Novel of Purpose: The Road to Ruin - Thomas Holcroft

Science Fiction Novel: Frankenstein - Mary Shelley Dracula – Bramm Stoker

Novel of Purpose: The Road to Ruin - Thomas Holcroft

Page 96: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis
Page 97: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Other Romantic WritersOther Romantic Writers

Jacob and Wilhelm Grimm - Grimm’s Fairy Tales

Jacob and Wilhelm Grimm - Grimm’s Fairy Tales

Johann Wolfgang von Goethe - Faust Johann Wolfgang von Goethe - Faust

Page 98: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

The Romantic PoetsThe Romantic Poets Percy Byssche Shelley

Lord Byron (George Gordon)

Samuel Taylor Coleridge

William Wordsworth

John Keats

William Blake

Percy Byssche Shelley

Lord Byron (George Gordon)

Samuel Taylor Coleridge

William Wordsworth

John Keats

William Blake

Page 99: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

George Gordon’s

(Lord Byron)Poem

ThePrisoner

of Chillon

George Gordon’s

(Lord Byron)Poem

ThePrisoner

of Chillon

Page 100: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

MaryShelley

Frankenstein

MaryShelley

Frankenstein

Page 101: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

SirWalterScott

Ivanhoe

SirWalterScott

Ivanhoe

Page 102: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

WilliamWordsworth’s

Poem,

TinternAbbey

WilliamWordsworth’s

Poem,

TinternAbbey

Page 103: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

SamuelTaylor

Coleridge’sPoem,

The Rimeof the

AncientMariner

SamuelTaylor

Coleridge’sPoem,

The Rimeof the

AncientMariner

Page 104: By the 1830s, there were two schools of painting (especially in France): The Neoclassical School (Jean-Louis David) The Neoclassical School (Jean-Louis

Bibliographic SourcesBibliographic Sources

CGFA: A Virtual Art MuseumCGFA: A Virtual Art Museum.. http://cgfa.sunsite.dk/fineart.htm

“ “Romanticism” on Romanticism” on ArtchiveArtchive.. http://artchive.com/artchive/romanticism.html

CGFA: A Virtual Art MuseumCGFA: A Virtual Art Museum.. http://cgfa.sunsite.dk/fineart.htm

“ “Romanticism” on Romanticism” on ArtchiveArtchive.. http://artchive.com/artchive/romanticism.html