Blooms Bury Group & Fauvism

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    Bloomsbury group &

    fauvism

    Shachi pandey

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    Bloomsbury Group

    The Bloomsbury Group orBloomsbury Set was a group of writers,

    intellectuals, philosophers and artists who held informal

    discussions in Bloomsbury throughout the 20thcentury.This English

    collective of friends and relatives lived, worked or

    studied near Bloomsbury in London during the first half of the twentieth

    century. Their work deeply influenced literature, aesthetics, criticism, and

    economics as well as modern attitudes towards feminism,pacifism, and

    sexuality.

    its best known members were Virginia Woolf, John Maynard, E.M. ForsterandLytton Strachey.

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    The Bloomsbury Group came from mostly upper middle-classprofessional families. E. M. Forster, Virginia Woolf and VanessaBell had small independent incomes. Others such as Lytton

    Strachey, Leonard Woolf, the Mac Carthys, Duncan Grant, and

    Roger Fry needed to work for their living. Of these, only Clive

    Bell could be called wealthy. All the male members of the earlyBloomsbury Group except Duncan Grant were educated at the

    Cambridge colleges of Trinity or Kings.

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    FAUVISMThe first of the major avant-garde movements in European 20th

    century art, Fauvism was characterized by paintings that used

    intensely vivid, non-naturalistic and exuberant colors. The style

    was essentially expressionist, and generally featured landscapes in

    which forms were distorted. The Fauves first exhibited together in

    1905 in Paris. The movement was subjected to more mockery and

    abuse as it developed, but began to gain respect when major art

    buyers, such as Gertrude Stein, took an interest. The leading

    artists involved were Matisse, Rouault, Derain, Vlaminck, Braqueand Dufy. Although short-lived (1905-8), Fauvism was extremely

    influential in the evolution of 20th century art.

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    Fauvist Art (c.1905-1908)The term Fauvist denotes a short-lived colourist movement,

    associated with theEcole de Paris, which formed aroundfriendships between French artists around the turn of the century.The name 'Fauves' was coined at the 1905 Salon d'Automneexhibition in Paris.

    Leading members of the Parisian Fauvist school were Henri Matisse(1869-1954) and Andre Derain (1880-1954), who had studiedtogether in 1897, as well as Maurice de Vlaminck (1876-1958) afriend of Derain. At the root of Fauvist philosophy was Derain'snotion of'colour for colour's sake'.

    Although the Fauvist movement was a comparatively short-livedphenomenon, it had a huge influence on the perceived value androle of colour in painting.

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    Henri MatisseBirth name -Henri-mile-Benot

    Matisse

    Born-31 December 1869 (1869-12-31)

    Le Cateau-Cambrsis, Nord

    Died-3 November 1954 (1954-11-04)

    (aged 84)

    Nice, Alpes-Maritimes

    Nationality-French

    Field-painting, printmaking, sculpture,

    drawing, collage

    Training-Acadmie Julian, William-

    Adolphe Bouguereau, Gustave Moreau

    http://en.wikipedia.org/wiki/File:Portrait_of_Henri_Matisse_1933_May_20.jpg
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    Movement-Fauvism, Modernism

    Works-Woman with a Hat (Madame Matisse), 1905 in museums:

    Museum of Modern Art

    Barnes Foundation

    Patrons-Gertrude Stein, Etta Cone, Claribel Cone, Michael and

    Sarah Stein, Albert C. BarnesInfluenced by

    John Peter Russell, Paul Czanne, Paul Gauguin, Vincent van

    Gogh, Paul Signac

    Influenced-Hans Hofmann, David Hockney, Tom Wesselmann

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    Famous works The bright red foreground andbackground flatten the space in this

    view of a table being cleared afterdinner. The floral pattern of thetable cloth continues onto thewallpaper, and has equal

    importance with the figure, theobjects on the table, and the viewout the window. Originally thedominant colour in the painting was

    mostly green, then blue, and finallyred, as Matisse went throughsuccessive stages of repainting.

    Harmony in Red (The DinnerTable)

    (1908) by Henri Matisse.

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    Henri Matisse did several

    versions of his Joy of Life

    painting. In this version, theartist has used bold, flat,contrasting colors to create awork with much impact. His

    simplified figures with strongoutlines are all finding theirown peace in their own way,with some dancing, othersrelaxing, while the couple inthe lower right are embracingeach other.

    Painting Title: Le bonheur de vivre

    (The Joy of Life) 1905-06

    Oil on Canvas - approx 175x241cm

    Henri Matisse

    http://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htm
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    Painting Title: Notre-Dame (A

    Glimpse of Notre Dame in the

    Late Afternoon) 1902Oil on Paper

    About the the Notre-Dame

    Painting

    In this city view, Henri Matisse

    has flattened the buildings,

    making them solid shapes and

    colors, with detail beingavoided.

    http://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htm
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    The paintings' bold strokes had

    an autonomous existence that

    often had little to do withmimicking surface appearances.

    The colors were unblended,

    without the subtle shading that

    suggests three-dimensionality.

    Their very brilliance and the

    strong rhythms of the

    brushstrokes worked against any

    perception of depth.Henri Matisse, Open Window, Collioure,1905, National Gallery of Art, Washington.

    http://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htm
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    About the the Le Lit Dans La

    Glace Painting

    Henri Matisse never hid the factthat he painted beautiful things.

    He wanted his paintings to be

    celebrations of life. He wanted

    his works to be easy to think

    about and view. A vase of

    colorful flowers achieves all of

    his aims.Painting Title: Le Lit Dans La Glace1919Henri Matisse

    Famous French artists - Still Life Paintings -

    20th Century painter

    http://www.artquotes.net/masters/henri-matisse/paintings.htmhttp://www.artquotes.net/masters/henri-matisse/paintings.htm
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    Andr Derain

    Born

    10 June 1880(1880-06-10)Chatou, Yvelines,le-de-France

    Died8 September 1954 (aged 74)

    Garches, Hauts-de-Seine, le-de-FranceFieldPainting, SculptureTraining

    Acadmie Camillo, Acadmie JulianMovementFauvism

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    Famous works

    Charing Cross Bridge, London(1906), National Gallery of

    Art, Washington, D.C.

    Portrait of a Man with a

    Newspaper (1911-1914), State

    Hermitage Museum, Saint

    Petersburg

    http://en.wikipedia.org/wiki/File:Derain_CharingCrossBridge.png
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    Portrait of a Girl in Black(1913), State Hermitage

    Museum, Saint Petersburg

    Portrait of a Young Girl in

    Black, an early example of

    Derain's classical style.

    http://en.wikipedia.org/wiki/File:Derain_-_Portrait_of_a_Girl_in_Black_(1913).jpghttp://en.wikipedia.org/wiki/File:Derain_-_Portrait_of_a_Girl_in_Black_(1913).jpg
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    London BridgeDate: 1906 -

    Museum: Museum ofModern Art

    London Bridge, one of

    thirty paintings Dearain

    completed in London.

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    Raoul Dufy

    Raoul Dufy (3 June 187723 March 1953) was a French Fauvist

    painter. He developed a colorful, decorative style that became

    fashionable for designs of ceramics and textiles, as well as

    decorative schemes for public buildings. He is noted for scenes of

    open-air social events. He was also a draftsman, printmaker, bookillustrator, a theatrical set-dresser, a designer of furniture, and a

    planner of public spaces.

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    Raoul Duffy - Caudebec, Le PortOriginal (1913)

    This painting is Oil on canvas .

    Caudebec, Le port reflects his focus

    on a heightened intensity of lightand vibrancy, freeing color from the

    constraints of imitation and

    representation.

    http://www.arcadja.com/auctions/en/lot-details/http://www.arcadja.com/auctions/en/lot-details/
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    Raoul Dufy Pcheurs et

    baigneuses au bord de la mer

    signed 'Raoul Dufy' gouache,watercolour and pen and India

    ink on paper 23 x 18 in. (58.4

    x 47 cm.)

    http://www.arcadja.com/auctions/en/lot-details/http://www.arcadja.com/auctions/en/lot-details/
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    NATURE MORTE signed

    Raoul Dufy watercolour on

    paper To be included in thesupplement to the Catalogue

    raisonndes aquarelles, gouaches

    et pastels de Raoul Dufy being

    prepared.

    http://www.arcadja.com/auctions/en/lot-details/http://www.arcadja.com/auctions/en/lot-details/
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    Raoul Dufy, French, 1877-1953,

    Boats and People on Beach,

    Watercolor, pencil signed lowerleft, matted and framed

    http://www.arcadja.com/auctions/en/lot-details/http://www.arcadja.com/auctions/en/lot-details/
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    Maurice de Vlaminck

    Born4 April 1876(1876-04-04)Paris, FranceDied11 October 1958 (aged 82)NationalityFrenchFieldPainting

    Along with Andr Derain and Henri Matisse he is considered one ofthe principal figures in the Fauve movement, a group of modern artists whofrom 1904 to 1908 were united in their use of intense color.

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    Artistic influences

    Vlaminck's compositions show familiarity with the

    Impressionists He was visiting a van Gogh exhibit, he declared that

    he "loved van Gogh that day more than my own father". From 1908his palette grew more monochromatic, and the predominant

    influence was that of Czanne. His later work displayed a dark

    palette, punctuated by heavy strokes of contrasting white paint.

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    His famous works

    Maurice de Vlaminck (1876-1958)Bouquet de fleurs signed'Vlaminck' (lower left) oil oncanvas 18 1/8 x 13 in.

    Maurice de Vlaminck 1876-1958 (French) Flowers oil on

    canvas h:55 w:38 cm

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    Maurice de Vlaminck (French,

    1876-1958) Le Pont sur l'Oise

    Mry (Walterskirchen187)Lithograph, in colours, a Bright

    impression.

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    Maurice de Vlaminck (French,

    1876-1958) Barque au bord de la

    rivire signed 'Vlaminck. Thecolor has used here basically

    watercolor and pencil on paper

    41.5 x 50.5cm.

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    Maurice Vlaminck (1876-1958)

    Valmondois a la Nuit Tombantte

    (Walterskirchen 190) lithograph,circa 1926, on wove paper,

    signed in pencil, numbered

    18/35, with the Galerie de

    Paintres-Graveurs Paris blindstamp, unidentified collectors

    stamp lower left, hinge mounted,

    remains of tape on the reverse,

    time staining throughout .

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    Thank you..