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Bauhaus Museum Weimar - Klassik Stiftung...HANNES MEYER · 3.5 This room introduces you to Hannes Meyer, the second director of the Bauhaus from 1928 to 1930. The centrepiece is an

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Page 1: Bauhaus Museum Weimar - Klassik Stiftung...HANNES MEYER · 3.5 This room introduces you to Hannes Meyer, the second director of the Bauhaus from 1928 to 1930. The centrepiece is an

Bauhaus Museum WeimarExhibition guide and audiotours with the BAUHAUS+ app

BAUHAUS+ APPTake an audio tour of the Bauhaus Museum Weimar using the Bauhaus+ app. Get ready for exciting stories and fasci-nating background information about the exhibition.

Free WiFi is available in the Bauhaus Museum Weimar and at other museums of the Klassik Stiftung Weimar.

WiFi name: klassikstiftungweimar

To enjoy all content and information, we recommend activating your Bluetooth connection and Location Sharing.

How it works1. Download the app for free onto

your smartphone from the App Store or Google Play: www.klassik-stiftung.de/app

2. Open the app.

3. Go to the area “Bauhaus Museum” and select

The Bauhaus in short stories to listen to audio clips during your tour of the museum. The numbers on the floorplan correspond to the symbols in the exhibition.

BASEMENT PROJECT ROOM AThis room is used as a venue for regular daytime and evening events, as well as smaller exhibitions and interactive installations.

PROJECT ROOM B ( 3rd FLOOR)Here we present temporary exhibitions on different themes, ranging from insights into our collection to Bauhaus-related issues of current interest.

CAFÉTake a break and enjoy small dishes, cakes, mueslis, salads and fresh smoothies at Café Kunstpause where you can also relax on the terrace overlooking the Weimarhallenpark in the summer.

Klassik Stiftung WeimarBurgplatz 499423 Weimar T +49 3643 545-400F +49 3643 545-401

[email protected] www.klassik-stiftung.de

klassikstiftungweimarblog.klassik-stiftung.dewww.museumshop-weimar.de

Tourist InformationMarkt 199423 Weimar

ON THE WAY TO THE BAUHAUS!We cordially invite you to visit the Neues Museum Weimar, located only 200 metres away in the direction of the train station. There you can witness the rise of modern-ism in Weimar which began in 1860 and culminated with the founding of the Bauhaus in 1919.

Neues Museum WeimarJorge-Semprún-Platz 599423 Weimar

No.

Bauhaus Museum WeimarExhibition guide and audiotours with the BAUHAUS+ app

BAUHAUS+ APPTake an audio tour of the Bauhaus Museum Weimar using the Bauhaus+ app. Get ready for exciting stories and fasci-nating background information about the exhibition.

Free WiFi is available in the Bauhaus Museum Weimar and at other museums of the Klassik Stiftung Weimar.

WiFi name: klassikstiftungweimar

To enjoy all content and information, we recommend activating your Bluetooth connection and Location Sharing.

How it works1. Download the app for free onto

your smartphone from the App Store or Google Play: www.klassik-stiftung.de/app

2. Open the app.

3. Go to the area “Bauhaus Museum” and select The Bauhaus in short storiesto listen to audio clips during your tour of the museum. The numbers on the floorplan correspond to the symbols in the exhibition.

No.

BASEMENT PROJECT ROOM AThis room is used as a venue for regular daytime and evening events, as well as smaller exhibitions and interactive installations.

PROJECT ROOM B (3rd FLOOR)Here we present temporary exhibitions on different themes, ranging from insights into our collection to Bauhaus-related issues of current interest.

CAFÉTake a break and enjoy small dishes, cakes, mueslis, salads and fresh smoothies at Café Kunstpause where you can also relax on the terrace overlooking the Weimarhallenpark in the summer.

Klassik Stiftung WeimarBurgplatz 499423 WeimarT +49 3643 545-400F +49 3643 545-401

[email protected]

klassikstiftungweimarblog.klassik-stiftung.dewww.museumshop-weimar.de

Tourist InformationMarkt 199423 Weimar

ON THE WAY TO THE BAUHAUS!We cordially invite you to visit the Neues Museum Weimar, located only 200 metres away in the direction of the train station. There you can witness the rise of modern-ism in Weimar which began in 1860 and culminated with the founding of the Bauhaus in 1919.

Neues Museum WeimarJorge-Semprún-Platz 599423 Weimar

Page 2: Bauhaus Museum Weimar - Klassik Stiftung...HANNES MEYER · 3.5 This room introduces you to Hannes Meyer, the second director of the Bauhaus from 1928 to 1930. The centrepiece is an

GROPIUS

MIES

MEYER

WHAT REMAINS?

THEATRE

MODERN LIFE

EXPERIMENT

THE NEW MAN

PRESEN-TATIONS LABORATORY

SITES OF MODERNISM IN WEIMAR

BAU

HA

US

HIS

TORY

SHOP

TICKET COUNTER

1.1

1.3

1.2 1.41.5

1.61.8

1.10

2.1

2.22.3

2.4

2.52.6

3.1

3.3

3.5

3.4

3.2

3rd FLOOR WHAT REMAINS?The Bauhaus was not just a school – it was also a political and social project. This made it a target of criticism from the very beginning. A projection presents the debates and controversies that surround-ed the Bauhaus.

WALTER GROPIUS · 3.1–3.2The Weimar Bauhaus collection was founded in 1925 by Walter Gropius in collaboration with Wilhelm Köhler, the then director of the state art collections. Here you will find the world’s oldest Bauhaus collection in the large display case.

LUDWIG MIES VAN DER ROHE · 3.3–3.4This room is dedicated to the last director of the Bauhaus from 1930 to 1933. Van der Rohe is credited with popularising the“Bauhaus style” internationally. We introduce you to his exquisite furniture designs and present some of his architec-tural projects.

HANNES MEYER · 3.5This room introduces you to Hannes Meyer, the second director of the Bauhaus from 1928 to 1930. The centrepiece is an article he wrote in 1926 describing his ‘New World’. Even today its themes are highly relevant to current debates on how we want to shape society in the future.

2nd FLOORMODERN LIFE · 2.1–2.4Based on the Haus Am Horn, the first-ever example of Bauhaus architecture, we invite you to see how extensively the Bauhaus influenced and transformed modern daily life in the 1920s.

THEATRE · 2.5–2.6The theatre workshop was the creative centre of the Bauhaus. A variety of theatre projects demonstrate the remarkable diversity of ideas and projects that were developed at the school.

1st FLOOR TOMÁS SARACENO: AN ARTWORK FOR THE BAUHAUS MUSEUM · 1.1The artist Tomás Saraceno created the large-scale installation “Sundial for Spatial Echoes” in the foyer. His artwork refers to a diverse array of scientific and artistic issues – very much like the experiments of the historical Bauhaus.

THE NEW MAN · 1.2–1.5Here we examine various images of modern-day humans which scholars and artists intensively discussed after World War I and later at the Bauhaus. The ideas of the “New Man” and the “New Woman” shaped the politics, culture and everyday life of the 1920s.

EXPERIMENT · 1.6–1.10The Bauhaus was a radical experiment in terms of its educational approach. In this section we introduce you to its most renowned instructors and their individual teaching methods.

GROUND FLOOR WELCOME! · 0In our introduction we revisit the history of the Bauhaus between 1919 and 1933 and highlight its role in the Weimar Republic. Examples of its achievements and an overview of its successor colleges in Weimar underscore the enduring influence of the Bauhaus to the present day.

SITES OF MODERNISM IN WEIMARWeimar is home to numerous modernist landmarks which illustrate the contra-dictory developments of the 20th century. A model of the city presents a selection of these important sites.

GROPIUS

MIES

MEYER

WHAT REMAINS?

3.1

3.3

3.5

3.4

3.2

3rd FLOOR WHAT REMAINS?The Bauhaus was not just a school – it was also a political and social project. This made it a target of criticism from the very beginning. A projection presents the debates and controversies that surround-ed the Bauhaus.

WALTER GROPIUS · 3.1–3.2The Weimar Bauhaus collection was founded in 1925 by Walter Gropius in collaboration with Wilhelm Köhler, the then director of the state art collections. Here you will find the world’s oldest Bauhaus collection in the large display case.

LUDWIG MIES VAN DER ROHE · 3.3–3.4This room is dedicated to the last director of the Bauhaus from 1930 to 1933. Van der Rohe is credited with popularising the“Bauhaus style” internationally. We introduce you to his exquisite furniture designs and present some of his architec-tural projects.

HANNES MEYER · 3.5This room introduces you to Hannes Meyer, the second director of the Bauhaus from 1928 to 1930. The centrepiece is an article he wrote in 1926 describing his ‘New World’. Even today its themes are highly relevant to current debates on how we want to shape society in the future.

THEATRE

MODERN LIFE2.1

2.22.3

2.4

2.52.6

2nd FLOORMODERN LIFE · 2.1–2.4Based on the Haus Am Horn, the first-ever example of Bauhaus architecture, we invite you to see how extensively the Bauhaus influenced and transformed modern daily life in the 1920s.

THEATRE · 2.5–2.6The theatre workshop was the creative centre of the Bauhaus. A variety of theatre projects demonstrate the remarkable diversity of ideas and projects that were developed at the school.

EXPERIMENT

THE NEW MAN

PRESEN-TATIONS LABORATORY

1.1

1.3

1.2 1.41.5

1.61.8

1.10

1st FLOOR TOMÁS SARACENO: AN ARTWORK FOR THE BAUHAUS MUSEUM · 1.1The artist Tomás Saraceno created the large-scale installation “Sundial for Spatial Echoes” in the foyer. His artwork refers to a diverse array of scientific and artistic issues – very much like the experiments of the historical Bauhaus.

THE NEW MAN · 1.2–1.5Here we examine various images of modern-day humans which scholars and artists intensively discussed after World War I and later at the Bauhaus. The ideas of the “New Man” and the “New Woman” shaped the politics, culture and everyday life of the 1920s.

EXPERIMENT · 1.6–1.10The Bauhaus was a radical experiment in terms of its educational approach. In this section we introduce you to its most renowned instructors and their individual teaching methods.

SITES OF MODERNISM IN WEIMAR

BAU

HA

US

HIS

TORY

SHOP

TICKET COUNTER

GROUND FLOOR WELCOME! · 0In our introduction we revisit the history of the Bauhaus between 1919 and 1933 and highlight its role in the Weimar Republic. Examples of its achievements and an overview of its successor colleges in Weimar underscore the enduring influence of the Bauhaus to the present day.

SITES OF MODERNISM IN WEIMARWeimar is home to numerous modernist landmarks which illustrate the contra-dictory developments of the 20th century. A model of the city presents a selection of these important sites.