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    , EXPERI N;rA'IIO- PAINTINGSDRAWINGS, DRAFTS

    - DESIGN,COI:.LAGES,"PHOTOS " ....

    .,_ LORENTIN

    -.....

    ..

    0'

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    FLORENTIN S

    OUTER-ART

    Experimentation in- pa1tings- drawings, drafts- computer design, collages, photos

    ACHE

    100 coloured - 15 black / white pictures

    ABADDABA2000

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    Ultra - modernism ?ExperimcDtum crucis.What follows after post-modernism: ultra-modem art?I would say an gra tia eX-Artis. this is to be the state of my "outer art":;' Por

    que ? i Por qu e DO !h s e e l i L ~ thai I am an anti-talen t to drawings and pa tings in a traditional manner. I evCD

    disregard this kind of art, J ;ch can easi ly be replaced by mechanical reproduction.Th=forc, I gathered nearly a quarter ofmy "anti-art" art-work done in Turkey, USA (here

    I got in touch with tbe straight an, in brigbl basic colors - yellow fo r the SUD. blue for the sky, redfor the fire, and black for the n i g h ~ somehow naive, of Navajo, Zuni, Apache, Hopi .. PimaIndian tribes), and Mexico, between 1988 - 2000, in a paradoxiSl way:

    " , /'. n " k- panmg lor Don-palbog s sa e- no t drawings. but our every day's scribblings- t i n g overlapping ano tber t i n g - found art in the wasting basket of the an- fine ugly an- para-an and contra-an- art without an- scientific an.

    All oflbe above procedures become, after a period ofmaybe sbocking time, 'oo!llllll' (pleaseread 'traditional') art. Which later wou ld be classified, in their t u ~ as supcmuated. And againthey come back to life a '"nco" prcfix art. because an is cyclic.

    Let's catch the paradoxism in an - an avaote-gardc movement I set up in 1980's, which isfocusing on contradictions (an + an tiart/Donan), bctcrogenity (an + science), innovation (Dewspecies of art). Or savoir faire un chef-deooD-oeuvre. wh ich paraphrases a French maxim: toknow bow to make the unmakablc. Or an eelare DOD artem, wich runs counter a Latin adage.

    Let's revo lt against petrified "classicized" an, and fight fo r a New An World Order. And Iwould like to end with a avajo language greeting, to sec you next time: HA GOO?\rH !

    The (Non)Artist

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    ABSTRACT LANDSCAPES

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    16

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    EXTRA - FLOWERS

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    SUB E COUNTER - IMAGES

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    26

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    OVERPAI NTINGS("Kacbjna, tbe Great Spirit of Indians")

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    GEOMETRISM

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    SNAPSHOTS

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    seRIBBLINGS(Ante-Art & Post-Art)

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    ( ) SYIJ 4BVS( ) TEST .....Wb;'_

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    omCE USE Om.Y.WORK DONE BY:

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    CAL DRAWINGS

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    ANTI-DRAFTS

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    PARADOXIST DRAWINGS(double sense)

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    BAD DRAWINGS

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    105

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    --- - --- -

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    NON-DRAWINGS

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    COM PUTER DESIGN

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    116

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    SEMI - COLLAGES("Neutrosopb.ic Life")

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    121

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    III

    I

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    SUPER - PHOTOS

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    Contents:

    ABSTRACT LANDSCAPES (1-13) : 3EXTRA - FLOWERS (1-6) : 17SUBMARINE COUNTER-iMAGES (1-2) : 24OVERPAlNTfNGS ("Kachioa, the Great Spirit oflodiaos'') ( 1-12) : 27GEOMETRlSM (1 -9) : 40S APSHOTS (1-6): 50SCRIBBLlNGS (Ante-Art & Post-Art) (1-30) : 57

    MECHANICAL DRAWINGS (1-3) : 88ANTI-DRAFfS (1 -4) : 92PARADOXIST DRAWINGS (1-5 ) : 97BAD DRAWINGS (1-4) : 103o -DRAWINGS ( 1-6): 108

    COMPUTER DESIGN ( 1-4) : 115SEMI-COLLAGES ("Neutrosophic Life'') ( 1-5): 120SUPER-PHOTOS (1-6) : 126

    Prmtal iD RoomlJ!iaABAOOABA P'IIbIW!.i!l1 11auKTddu: ~ 9 I n 7 ' 9 2

    &-mail .. . [email protected] 4cs1p ;Tbco VinISBN 973-8102-00-'

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    Florentin Smarandatbe got a M. St. degree in both Mathemarksand ComputerSdence in 1991, and a Pb. D. in Mathematics in 1997."e published 42 books in matbematics (number tbeory, non-euclidean geometry,logic), philosophy, literature (poems, short stories, novel, dramas, essays,translations), and art (experimental drawings, paintings, computer design,coUages, pbotos) in Romanian, Frencb, and Englisb.

    In matbematics tbere are several entries named SmarandacheFunctions, S e q l l e n c : ~ Constants, and Paradoxes in international journalsand encyclopedias. He generalized tbe fuzzy, intuitive, paraeonsistent,multi-valent, dialetbeist logics to tbe (also caUed"Smarandacbe Logic:" in the Denis Howels Dictionary of Computing,England) and, similarly, be generalized tbe fuzzy set to the . Also, be proposed an extension of tbe classical probability and tbeimpred . probability to the , tbat he defined asa tridimensional vector whose components are real subsets of the nODstandard interval 1'0, 1+].

    In philosophy he introduced the , as a generalizationofRegel's dialectie, ...hleh is tbe basement of bis researcbes in mathematicsand economics, sllch as ,