Aperture Spring & Summer 2014 catalog

Spring and Summer 2014

Jo Ann Callis, Larry Fink, Jason Fulford, Nan Goldin,

Gregory Halpern, Danny Lyon, Sally Mann,

Richard Misrach, Kate Orff, Matthew Pillsbury, Bernard Plossu,

Richard Renaldi, The Sochi Project, David Levi Strauss,

Shomei Tomatsu, Larry Towell, Alex Webb, Rebecca Norris Webb

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∞ more than thirty new photobooks, and books about photography, each year

aperture.org/books

∞ a growing digital publishing program, including e-books, apps, and a daily blog, as well as online features

aperture.org/shop/etc

∞ two issues each year of The PhotoBook Review, a newspaper and e-publication, cultivating the appreciation of the photobook

aperture.org/pbr

∞ nearly twenty-five print and other limited editions each year, many by emerging photographers, aimed at collectors and published to support our programs, and the photographers we work with

aperture.org/prints

∞ an annual Portfolio Prize, recognizing and promoting the most exciting emerg-ing photographers internationally

aperture.org/portfolio-prize

∞ with Paris Photo, an annual PhotoBook Award, with First PhotoBook and PhotoBook of the Year categories, recognizing the contribution of photographers’ books to the evolving narrative of photography

aperture.org/photobookawards

∞ talks, workshops, signings, and education events, connecting with our community and reaching out to new audiences, every week, at our New York gallery and bookstore, and at partner venues

aperture.org/talks-tours

Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.

From our base in New York, we produce, publish, and present a program of photography projects, locally and internationally, that includes:

Aperture is also responsible for the Paul Strand Archive, managing and promoting the rights and legacy of this key figure of twentieth-century photography, in partnership with the Philadelphia Museum of Art.

Aperture mark indicates that a limited edition is available. See aperture.org/prints for details.

Welcome to Aperture’s new catalog, presenting our projects for Spring and Summer 2014 and focusing in particular on our new books.

An educational purpose has underscored our publishing programs since Aperture began, but this season, with The Photographer’s Playbook and the first two titles in our new The Photography Workshop series, we’re focused on launching a new range of books aimed at everyone who wants to improve their photographic skills and vision. Working with the best contemporary photographers, alongside our in-person workshops and other education programs, we set out to inspire. We invite all photography enthusiasts to take their interest to the next level.

Another new development this season is the introduction, in July, of our annual Summer Open exhibition. With this and our new membership programs, we are opening Aperture’s doors for more photographers, and others who share a passion for photography, to participate in our programs. Please join us!

—Chris Boot, executive director

From Larry Fink on Composition and Improvisation in The Photography Workshop series

Aperture mark indicates that a limited edition is available. See aperture.org/prints for details.

aperture.org/magazine 4

Aperture MagazineSpeaking the Language of Photography

Aperture is an essential guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. Relaunched in 2013, the new Aperture updates its sixty-two-year-old mission as the world’s most vital photography magazine in print. Alongside regular columns such as What Matters Now? and The Collectors, each issue examines one topic at the heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews, and debate, and Pictures, offering an immersive photographic experience of artists’ projects and series.

Spring 2014, “Documentary Expanded,” explores how photographers are using new media and technology to reshape the field of documentary storytelling. Guest-edited by Susan Meiselas and published in association with Magnum Foundation and the Open Society Foundations.

Summer 2014, “The São Paulo Issue,” focuses exclusively on photography from Brazil, through the prism of the dynamic city of São Paulo.

All print subscriptions include the digital edition at no additional cost, as well as a free subscription to The PhotoBook Review. Aperture’s digital edition is also available through Kindle, Nook, and Zinio.

One year (4 issues): $75.00 Two years (8 issues): $124.00 Digital edition (4 issues): $25.00 Aperture magazine, issue 214, Spring 2014 ISBN 978-1-59711-280-2 Aperture magazine, issue 215, Summer 2014 ISBN 978-1-59711-281-9

Required reading for everyone seriously interested in photography

aperture.org/exhibitions 6

City StagesPhotographs by Matthew PillsburyAperture exhibition, February 20–March 27, 2014

City Stages offers a paean to the craft and visionary potential of large-format, black-and-white photography, as well as to the vibrancy of the cultural landscape at a transitional moment—a moment in which our very relationship to that landscape is increasingly mediated by omnipresent screens. Working with black-and-white, 8-by-10 film and long exposures, Pillsbury captures a range of psychologically charged experiences in the urban environment. This exhibition is produced in collaboration with Bonni Benrubi Gallery. See page 37 for details of the accompanying book.

“This [work] suggests that the story of New York, or Mr. Pillsbury’s New York, is not so much about its overactive residents as it is about architecture and infrastructure—which is to say, the city itself.” —New York Times

limited edition available

aperture.org/exhibitionslimited edition available

Touching StrangersPhotographs by Richard RenaldiAperture exhibition, April 3–May 15, 2014

Richard Renaldi has been working on the Touching Strangers series since 2007, by approaching and asking complete strangers to physically interact while posing together for a portrait. This exhibition coincides with the launch of Renaldi’s book Touching Strangers and includes thirty-five photographs from the series, curated by Ann Pallesen, director of Photographic Center Northwest, Seattle (where the exhibition will tour following its presentation at Aperture Gallery). See page 20 for details of the accompanying book.

“[Richard Renaldi] shows us humanity as it could be—as most of us wish it would be—and as it was, at least for this one fleeting moment in time.” —CBS News

aperture.org/exhibitions 8

The Sochi Project: An Atlas of War and Tourism in the CaucasusRob Hornstra and Arnold van BruggenAperture exhibition, May 30–July 10, 2014

Rob Hornstra and Arnold van Bruggen have been working together since 2009 to tell the story of Sochi, Russia—site of the 2014 Winter Olympics and glamorous Russian Riviera resort on the doorstep of conflict zones Abkhazia, North Ossetia, Georgia, and Chechnya. The exhibition The Sochi Project combines the best of documentary storytelling in a variety of media, including C-prints, newsprints, video, texts, and books. The exhibition also tours to the DePaul Art Museum, Chicago, January–March 2014; CONTACT Photo Festival, Toronto, May–June 2014; and FotoFocus Cincinnati, September–October 2014.

“By examining the stark contrasts contained within [this] small region of the world, and recording both what changes—and what remains the same—Hornstra’s work reflects something deeper and more historic: Russia’s continuing search for a post-Soviet identity.” —Time


aperture.org/exhibitions

Aperture Summer OpenAperture exhibition, July 17–August 14, 2014

Introducing the Aperture Summer Open, an open-submission exhibition about the character of photography now, to which all photographers are invited to submit work. Future editions of the Summer Open will be curated by outside guests, but for its first edition in 2014, photographs will be selected by Chris Boot, Aperture’s executive director. Deadline for entries is April 9, 2014. For submission details, please visit aperture.org/summeropen.

For touring inquiries on the featured exhibitions, please e-mail [email protected].

Aperture’s first annual open-submission exhibition

aperture.org/books 10

The BikeridersPhotographs by Danny Lyon

First published in 1968, The Bikeriders explores fi rsthand the stories and characters of the Chicago Outlaws Motorcycle Club. This volume features photographs and transcribed interviews made from 1963 to 1967, when renowned documentary photographer Danny Lyon was a member of the Outlaws gang. Published as a hardcover facsimile, this edition is faithfully based on the original, albeit including newly gorgeous reproductions from Lyon’s vintage photographs. This is a highly sought-after classic photobook, back in print for the fi rst time in ten years and for the fi rst time ever in its original, journal-size format. The Bikeriders off ers a powerful, immersive tale of 1960s American subculture and society from a highly personalized, uncompromising, and authentic perspective.

6¼ × 9¼ in. (15.9 × 23.5 cm)94 pages, 48 duotone imagesClothbound with jacketISBN 978-1-59711-264-2 $35.00/£22.95April 2014

“. . . a touchstone of the 1960s. It helped inspire the vision of biker as outlaw hero in the 1969 fi lm Easy Rider.”—New York Times



Chewing Gum and ChocolatePhotographs and texts by Shomei TomatsuEdited by Leo Rubinfien and John JunkermanEssay by Leo Rubinfien

Shomei Tomatsu created one of the defining portraits of postwar Japan. In the late 1950s, Tomatsu began to photograph the American bases in Japan, focusing on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts; foreign children at play; and emerging protests to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers—sugary and addictive, yet ultimately lacking in nutritional value. This legendary body of work has never before been gathered together in a single volume. The work is contextualized by Tomatsu’s own writings and an essay by photographer and curator Leo Rubinfien.

10 × 12 in. (25.4 × 30.5 cm) 216 pages, 125 duotone images Clothbound ISBN 978-1-59711-250-5 $80.00/£50.00 May 2014

The definitive last project by “the man who changed Japanese photography forever.” —the Guardian



The Photographer’s Playbook: Over 250 Assignments & IdeasEdited by Jason Fulford and Gregory Halpern

Featuring over 250 photographic assignments, as well as ideas and anecdotes from the world’s top photographers and professionals, The Photographer’s Playbook will inspire fresh ways of understanding and documenting the world. The book contains tips for better shooting and editing, creative ways to start new projects, and personal accounts that reveal the inner workings of photography luminaries’ practices. The wide range of exercises and anecdotes covers a full spectrum of genres, from portraiture and landscape to documentary and still life. Collected together in this unique volume, they provide an indispensable tool for teachers and students, as well as for those looking to enhance their creativity, learn about diff erent approaches, or shake things up within their own vision and process.

6 × 9 in. (15.2 × 22.9 cm)288 pages, 26 black-and-white imagesPaperback with flapsISBN 978-1-59711-247-5$24.95/£16.95June 2014

Inspiring and fun, a tool for photographers of all levels and backgrounds



The Photography Workshop Series Photography deepens our connections to the world around us, to ourselves, and to one another. In this new series, Aperture works with the world’s top photographers, many of whom also teach, to publish their core thinking on photography—making their experience, insight, and knowledge accessible to a wider audience. Each title will provide an essential primer on the photographer’s area of expertise and creative process. Key practices are presented in their own words, along with answers to common questions. Commentary accompanies fi fty photographs—iconic images by each featured photographer as well as key images by others that have infl uenced their thinking and work. Both individually and collectively, the books in the series each function as a “workshop in a book,” serving as an indispensable tool for students, teachers, and everyone who wants to take better pictures or learn to look at them in a more informed way.

The first two books in the series include Larry Fink on Composition and Improvisationand Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image, to befollowed with titles by Rinko Kawauchi, Todd Hido, Dawoud Bey, and Mary Ellen Mark.

7½ × 10 in. (19 × 25.4 cm)128 pages, 70 duotone and four-color images Paperback with flaps $29.95/£19.95 May 2014

Announcing a new and innovative series

Larry Fink

Alex Webb

Larry Fink on Composition and Improvisation Larry Fink, celebrated photographer and teacher, explores the relationship between composing a photograph and improvising with the scene at hand, in creating images with both feeling and meaning. Drawing from his teaching experience, Fink combines advice, expertise, and stories that reveal his own creative process. He covers a variety of topics essential to photographers of all levels, including how to sharpen your photographic perception; maximize the frame to create layered compositions; use the technical aspects of photography as emotional tools; and both anticipate a composition coming together and be responsive to the moment. Throughout, Fink provides insight on how to align your photography practice with intuition, emotions, and what’s unfolding in the world in front of the camera.

ISBN 978-1-59711-273-4


Go beyond taking mundane pictures and break through to create images that convey your vision and feelings about the subject or setting

Larry Fink

Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic ImageRenowned photographers and teachers Alex Webb and Rebecca Norris Webb guide readers on a creative journey through the world of street photography and the poetic image as a path toward deepening a unique photographic vision. Based on their popular workshop, this creative couple combines insight with stories that reveal their own processes and infl uences. They cover a variety of issues essential to photographers of all levels, including how to photograph in cultures other than your own, how to work with color in a way that adds emotion to photographs, how complexity and creative tension aff ect the frame, and how to hone a personal vision in an intuitive and meaningful way. This book provides rare access to the teaching and practice of two leading photographers.

ISBN 978-1-59711-257-4

aperture.org/books

Discover, sustain, and complete a long-term project while you hone an artistic vision

Rebecca Norris Webb


Touching StrangersPhotographs by Richard RenaldiIntroduction by Teju Cole

Since 2007, Richard Renaldi has been working on a series of photographs that involve asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large-format, 8-by-10-inch view camera, Renaldi encounters his subjects in towns and cities all over the United States and invites them to pose together, intimately, in ways that people are usually taught to reserve for their close friends and loved ones. Renaldi creates spontaneous and fleeting relationships between strangers for the camera, often pushing his subjects beyond their comfort levels. The resulting photographs (along with an introduction by award-winning author Teju Cole) raise profound questions about the possibilities for positive human connection in a diverse society. For more details about the Touching Strangers exhibition, please see page 7.

For more details about Richard Renaldi’s tour and workshop schedule, please visit touchingstrangers.org and facebook.com/touchingstrangers.

9 × 11½ in. (22.9 × 29.2 cm) 120 pages, 71 four-color images Hardcover with jacket ISBN 978-1-59711-249-9 $45.00/£30.00 April 2014

“Richard Renaldi’s photographs, once seen, are hard to put out of mind. The stories they evoke have a depth echoing beyond the brief encounters that occasioned them.” —Teju Cole



Other RoomsPhotographs by Jo Ann Callis

Other Rooms, the first publication to feature Jo Ann Callis’s mid-1970s investigation of the nude body and sexuality, is a revelation; the work is provocative, seductive, and remarkably fresh. Callis photographs her models nude, frequently in close proximity, and in anonymous and mysterious settings. The artist’s playful, evocative use of constrictions and overlays on the human form, including twine, belts, tape, and other everyday materials, is both humorous and fraught, offering an intensely personal assessment of the variable meanings of pleasure, eros, and the female nude as a staple of fine art photography. The photographs in Other Rooms are at once beautiful and discomfiting, delicate and raw, mysterious and thoughtful, and confirm Callis’s important place in the history of 1970s photography.

8½ × 11 in. (21 × 27.3 cm) 80 pages, 30 four-color and 15 duotone images Clothbound ISBN 978-1-59711-275-8 $65.00/£40.00 June 2014

Seductive and provocative nudes in a beautifully produced, limited-edition artist‘s book



¡Vámonos! Bernard Plossu in MéxicoPhotographs by Bernard PlossuEdited by Salvador Albiñana and Juan García de OteyzaCopublished with Fundación Televisa

Bernard Plossu is one of the best-loved French photographers working in the reportage tradition of the 1960s and ’70s. For more than fifteen years, Plossu took extended trips to Mexico to photograph people, landscapes, and a culture in flux. ¡Vámonos! Bernard Plossu in México captures the bohemian adventures of this traveler’s four journeys, from 1965 to 1981. Along with more than three hundred photographs, organized into chapters representing each of his Mexican journeys, this first compilation of Plossu’s Mexican work includes an essay by prominent French photo editor Claude Nori that highlights Plossu’s vagabond spirit. Additional commentaries are provided by renowned writers, including Salvador Albiñana, Emmanuel Guigon, Francisco Salinas, Alfonso Morales, and José Agustín.

11 3⁄8 × 12 5⁄8 in. (28.9 × 32.1 cm) 336 pages, 330 duotone and four-color images Clothbound ISBN 978-1-59711-276-5 $125.00/£75.00 April 2014

In the tradition of On the Road, a lavishly produced book for lovers of photography and Mexico



Immediate FamilyPhotographs by Sally MannAfterword by Reynolds Price

First published in 1992, Immediate Family has been lauded by critics as one of the great photography books of our time, and among the most influential. Taken against the Arcadian backdrop of her woodland summer home in Virginia, Sally Mann’s extraordinary, intimate photographs of her children reveal truths that embody the individuality of her own family, yet ultimately take on a universal quality. With sublime dignity, acute wit, and feral grace, Mann’s pictures explore the eternal struggle between the child’s simultaneous dependence and quest for autonomy—the holding on and the breaking away. In print continuously since its release, this reissue features new reproductions from master duotone separator Robert Hennessey, rendered with a freshness and sumptuousness true to the original edition.

11 × 9½ in. (27.9 × 24.1 cm) 88 pages, 60 duotone images Hardcover with jacket ISBN 978-1-59711-254-3 $50.00/£35.00 April 2014

“. . . one of the great photography books of our time.” —the New Republic


Words Not Spent Today Buy Smaller Images TomorrowEssays on the Past and Future of Photography by David Levi Strauss

Words Not Spent Today is an incisive exploration of photography’s changing role as a tool of evidence and conscience as we move forward into—can we say it?—a post-photographic era. In the course of twenty-five essays David Levi Strauss, eminent author, critic, and teacher, discusses the work of artists who provoke us with revealing, clear-eyed investigations of the ostensibly patent world, and others who transport us to new realms—creative minds ranging from Frederick Sommer, Helen Levitt, Daido Moriyama, and Joseph Beuys, to contemporary photographers Sally Mann, James Nachtwey, Susan Meiselas, and Tim Davis. Also considered are the groundbreaking writings of Susan Sontag and Jean-Luc Nancy, the films of Chris Marker and Stan Brakhage, and events that have altered the way we consider the medium of photography and how it communicates: 9/11, Abu Ghraib, the death of Osama bin Laden, the Arab Spring, and Occupy Wall Street.

Aperture Ideas series 6 × 8½ in. (15.24 × 21.6 cm) 192 pages, 35 color and black-and-white images Flexibind ISBN 978-1-59711-271-0 $29.95/£19.95 May 2014

“David Levi Strauss talks about what has been forgotten, what is being systematically erased, and what we need to remember for tomorrow.” —John Berger

Tim Davis

Susan Meiselas


AfghanistanPhotographs by Larry Towell

Renowned Magnum photographer Larry Towell presents a moving and in-depth look at Afghanistan, whose citizens and landscapes are affected by conflict on a daily basis. Towell, who received a grant from the Magnum Emergency Fund for this work, offers a tour de force examination of survival, exile, loss, and recuperation. This limited-edition book presents a facsimile of the photographer’s original artist maquette, complete with his handwritten notes and stories, items he collected in the field, and over 350 images, including powerful collages made by the photographer. Beautifully produced and collectable, this extraordinary object offers an important historical document on present-day Afghanistan seen through its social, political, and environmental landscapes.

11 × 15 in. (27.94 × 38.1 cm) 192 pages, 350 duotone and four-color images Hardcover with jacket Limited edition of 1,000 copies ISBN 978-1-59711-266-6 $150.00/£100.00 July 2014

“It was important for me to learn more about the history of Afghanistan to get some perspective about what’s going on today and see if I even had anything to say.” —Larry Towell


Petrochemical AmericaRichard Misrach and Kate Orff

First released in 2012 as a hardcover edition, this unprecedented, multilayered book received critical acclaim and several awards, including a 2013 American Society of Landscape Architects Honor Award. Petrochemical America features Richard Misrach’s haunting photographic record of Louisiana’s Chemical Corridor, accompanied by landscape architect Kate Orff’s Ecological Atlas—a series of “speculative drawings” developed through research and mapping of data from the region. Their joint effort depicts and unpacks the complex cultural, physical, and economic ecologies along 150 miles of the Mississippi River, from Baton Rouge to New Orleans, and offers an in-depth analysis of the causes of decades of environmental abuse along the largest river system in North America.

11 7⁄8 × 9¼ in. (29.9 × 23.5 cm) 240 pages, 150 four-color images Paperback with flaps ISBN 978-1-59711-277-2 $39.95/£25.00 May 2014 Also available as a hardcover 131⁄2 × 101⁄2 in. (34.3 × 26.7 cm) ISBN 978-1-59711-191-1 $80.00/£50.00

Now available in a compact, easy-to-reference, and affordable paperback edition


Richard Misrach

Kate Orff


The Ballad of Sexual DependencyPhotographs by Nan Goldin

The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers—collectively described by Nan Goldin as her “tribe.” Since its first publication in 1986, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Through an accurate and detailed record of her life, Ballad reveals Goldin’s personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. This new paperback edition has been printed using new scans and separations created by Robert Hennessey from Goldin’s original transparencies, rendering them with unparalleled sumptuousness and impact.

10 × 9 in. (25.4 × 22.9 cm) 148 pages, 126 four-color images Paperback with flaps ISBN 978-1-59711-210-9 $35.00/£19.50 March 2014 Also available as a hardcover ISBN 978-1-59711-208-6 $50.00/£35.00

“The Ballad of Sexual Dependancy is the diary I let people read.“ —Nan Goldin

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Understanding a Photograph John Berger 6 × 8½ in. (15.2 × 21.6 cm) 176 pages, 26 images HC $24.95 978-1-59711-256-7 U.S. and Canada only

Storms Mitch Dobrowner 13 × 10 in. (35.2 × 25.7 cm) 96 pages, 51 images HC $50.00/£30.00 978-1-59711-230-7

Stonework and Lime Kilns Bernd and Hilla Becher 10 5⁄8 × 11¾ in. (27 × 29 cm)244 pages, 232 imagesHC $85.00/£55.00978-1-59711-252-9

Site Specifi c Olivo Barbieri 9¾ × 132⁄3 in. (24.9 × 34 cm)184 pages, 126 imagesHC $75.00/£50.00 978-1-59711-229-1

This Is Mars Edited and designed by Xavier Barral13¾ × 11½ in. (35.4 × 30.2 cm)272 pages, 150 imagesHC $100.00/£65.00978-1-59711-258-1

Sketch of Paris JH Engströ m8½ × 112⁄3 in. (21 × 27.5 cm)314 pages, 250 imagesPB $65.00/£45.00 978-1-59711-253-6

Recent publicationsLimited edition available. See aperture.org/prints for details.

The Sochi Project: An Atlas of War and Tourism in the Caucasus Rob Hornstra9½ × 11½ in. (24 × 30 cm)412 pages, 200 imagesHC $80.00/£50.00978-1-59711-244-4 Copublished with The Sochi Project

The Edge of Vision: The Rise of Abstraction in Photography Lyle Rexer 8 × 10 in. (20.3 × 25.4 cm)292 pages, 180 imagesPB $35.00/£25.00 978-1-59711-242-0

City Stages Matthew Pillsbury8½ × 11½ in. (21 cm × 29.2 cm)128 pages, 75 imagesHC $65.00/£45.00 978-1-59711-237-6

WallJosef Koudelka 14¾ × 10¼ in. (37.5 × 26.4 cm) 120 pages, 54 images HC $60.00/£40.00 978-1-59711-241-3

The Non-ConformistsMartin Parr8 × 9½ in. ( 20.3 × 24.1 cm)168 pages, 124 imagesHC $45.00/£30.00 978-1-59711-245-1

Earth to Sky: Among Africa’s Elephants, A Species in Crisis Michael Nichols 11¾ × 83⁄8 in. (29.8 × 21.7 cm)192 pages, 2 gatefolds, 215 imagesHC $49.95/£29.95 978-1-59711-243-7

The Enclave Richard Mosse Limited-Edition Box Set18¼ × 24 in. (46.3 × 61 cm)$200.00/£125.00978-1-59711-238-3

Sergio Larrain8¼ × 11½ in. (21 cm × 29.2 cm)400 pages, 372 imagesHC $85.00978-1-59711-259-8 U.S. and Canada only

The Enclave Richard Mosse Trade Edition91⁄8 × 7¼ in. (23.2 × 32.5 cm) 240 pages, 142 images PB $80.00/£50.00978-1-59711-263-5

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Diane Arbus: Monograph9¾ × 11 in. (23.5 × 27.9 cm)182 pages, 82 imagesHC $60.00/£40.00 978-1-59711-174-4PB $39.95/£25.00 978-1-59711-175-1

Monographs

A Couple of Ways of Doing SomethingPhotographs by Chuck ClosePoems by Bob Holman11 × 14 in. (28.9 × 37.8 cm)56 pages, 22 imagesHC $50.00/£27.50 978-1-59711-018-1

Diane Arbus: Magazine Work92⁄5 × 11 in. (23.2 × 27.9 cm) 176 pages, 146 imagesPB $35.00/£19.95 978-0-89381-233-1

Occupied TerritoryLynne Cohen12 × 93⁄5 in. (30.5 × 24.4 cm)144 pages, 110 images HC $60.00/£40.00 978-1-59711-145-4

Paris•New York•ShanghaiHans Eijkelboom10½ × 8¼ in. (26.7 × 21 cm)240 pages, 1,256 imagesHC $55.00/£32.00978-1-59711-044-0

The PondJohn Gossage11¾ × 11 in. (29.8 × 27.9 cm)108 pages, 52 imagesHC $65.00/£45.00 978-1-59711-132-4

Model AmericanKaty Grannan97⁄8 × 11½ in. (25.1 × 29.2 cm)112 pages, 70 imagesHC $40.00/£22.00 978-1-931788-81-6

KamaitachiEikoh Hosoe 9½ × 12¾ in. (24.1 × 32.4 cm)112 pages, 48 imagesHC $60.00/£40.00 978-1-59711-121-8

Sawdust MountainEirik Johnson11 × 11 in. (27.9 × 27.9 cm)144 pages, 70 imagesHC $50.00/£32.00 978-1-59711-091-4

KodachromesWilliam Christenberry 92⁄5 × 112⁄5 in. (23.9 × 29 cm)176 pages, 115 imagesHC $65.00/£45.00978-1-59711-147-8

Untitled: Diane Arbus11 × 14 in. (27.9 × 35.6 cm)112 pages, 52 imagesHC $75.00/£45.00 978-1-59711-190-4

back-list highlights

Ametsuchi Rinko Kawauchi92⁄5 × 12¼ in. (24 × 31 cm) 80 pages, 40 imagesHC $80.00/£50.00 978-1-59711-216-1

FieldworkSanna Kannisto11 × 11 in. (27.9 × 27.9 cm)160 pages, 100 images HC $50.00/£32.50 978-1-59711-152-2

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KoudelkaJosef Koudelka117⁄16 × 11 in. (29.5 × 28.5 cm)276 pages, 161 imagesHC $75.00 978-1-59711-030-3U.S. and Canada only

Invasion 68: PragueJosef Koudelka 95⁄8 × 125⁄8 in. (24.5 × 32 cm) 296 pages, 244 images PB $60.00 978-1-59711-068-6 U.S. and Canada only

IlluminanceRinko Kawauchi8½ × 11 in. (21.6 × 28 cm)176 pages, 125 imagesHC $60.00/£40.00 978-1-59711-144-7

At TwelveSally Mann9 × 10 in. (23.8 × 27.6 cm)56 pages, 40 imagesHC $40.00/£25.00 978-0-89381-296-6PB $29.95/£19.95 978-0-89381-330-7

Still TimeSally Mann11 × 9 in. (27.9 × 23.8 cm)80 pages, 62 imagesPB $29.95/£19.95978-0-89381-593-6

Building: Louis I. Kahn at Roosevelt IslandBarney Kulok14 × 11 in. (35.6 × 27.4 cm)80 pages, 40 imagesHC $75.00/£45.00 978-1-59711-225-3

101 Tragedies of Enrique Metinides8½ × 103⁄8 in. (21.6 × 26.4 cm)184 pages, 150 imagesHC $50.00/£35.00978-1-59711-211-6

Legacy: The Preservation of Wilderness in New York City ParksJoel Meyerowitz12 × 10½ in. (30.5 × 26.7 cm)300 pages, 250 imagesHC $65.00/£45.00 978-1-59711-122-5

Destroy This MemoryRichard Misrach15 × 11½ in. (38.1 × 29.2 cm)140 pages, 70 imagesHC $65.00/£45.00 978-1-59711-163-8

Lisette Model12 × 15 in. (30.5 × 38.1 cm)112 pages, 54 imagesHC $50.00/£27.50978-1-59711-049-5

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Zwelethu Mthethwa11¾ × 10 in. (29.8 × 25.4 cm)120 pages, 75 imagesHC $55.00/£45.00978-1-59711-113-3

Labyrinth: Daido Moriyama11¾ × 13¾ in. (29.8 × 34.9 cm)304 pages, 300 imagesPB $80.00/£50.00978-1-59711-217-8

Refl ex: A Vik Muniz Primer8½ × 10 in. (21.6 × 25.4 cm)204 pages, 158 imagesHC $39.95/£22.00978-1-931788-40-3

Invisible: Covert Operations andClassifi ed LandscapesTrevor Paglen9½ × 10¾ in. (24.1 × 27.3 cm)160 pages, 69 imagesHC $49.95/£32.00 978-1-59711-130-0

WorkersSebastião Salgado9¾ × 13 in. (24.8 × 33 cm)400 pages, 346 imagesHC $100.00 978-0-89381-525-7

Life’s a BeachMartin Parr6 × 8¼ in. (15.25 × 30 cm)80 pages, 100 imagesHC $25.00/£16.95 978-1-59711-213-0

American Sports, 1970Tod Papageorge11¾ × 10 in. (29.8 × 25.4 cm)128 pages, 75 imagesHC $50.00/£27.50978-159711-050-1

Uncommon Places Stephen Shore12 × 10 in. (32.7 × 26.4 cm)188 pages, 162 imagesHC $55.00 978-1-931788-34-2

The Garden at OrgevalPaul Strand8 × 103⁄8 in. (20.5 × 26.4 cm)96 pages, 45 imagesHC $45.00/£30.00 978-1-59711-124-9

Paul Strand: Sixty Years of Photographs9½ × 11 in. (24.1 × 28.9 cm)184 pages, 80 images PB $35.00/£22.00 978-0-900406-82-9

SouthwestPaul Strand9½ × 113⁄8 in. (24.1 × 29 cm)112 pages, 95 imagesHC $50.00/£27.50 978-1-931788-46-5

Paul Strand in MexicoText by James Krippner113⁄8 × 12 7⁄8 in. (28.9 × 32.7 cm)356 pages, 435 imagesHC $75.00/£50.00 978-1-59711-137-9


NotesJock Sturges 9 × 9 in. (22.9 × 22.9 cm)96 pages, 92 imagesHC $39.95/£25.00 978-1-931788-47-2

Misty Dawn: Portrait of a MuseJock Sturges10 × 11 in. (25.4 × 27.9 cm)168 pages, 100 imagesHC $50.00/£32.00 978-1-59711-074-7

The Last Day of SummerJock Sturges9½ × 11 in. (24.1 × 28.9 cm)96 pages, 60 imagesHC $45.00/£25.00 978-0-89381-494-6PB $35.00/£19.95 978-0-89381-538-7

The Suffering of LightAlex Webb 13½ × 12 in. (34.3 × 30.5 cm)204 pages, 115 images HC $65.00 978-1-59711-173-7

Is This Place Great or WhatBrian Ulrich9¾ × 11¼ in. (24.8 × 28.6 cm)144 pages, 95 images HC $50.00/£32.50 978-1-59711-192-8

Penelope Umbrico (photographs) 9½ × 10¾ in. (24.1 × 27.3 cm)172 pages,100 imagesHC $65.00/£40.00 978-1-59711-171-3

AnthologiesU.S. $80.00 U.K. £50.00Printed in Germanywww.aperture.org

Jacket cover: Minima Moralia / For Larry Sultan, 2010Jacket design by Green Dragon O�ce

ISBN 978-1-59711-209-3

9 7 8 1 5 9 7 1 1 2 0 9 3

5 8 0 0 0

JAM

ES

WE

LL

ING

M

ON

OG

RA

PH

With an interview by EVA RESPINIEssays by MARK GODFREY and THOMAS SEELIG

JAMES WELLINGMONOGRAPH

JAMES WELLING: MONOGRAPH

By JAMES CRUMPAn interview with the artist by EVA RESPINIEssays by MARK GODFREY and THOMAS SEELIG

Lauded by photographers, artists, and critics for his influence on the contemporary generation of art photographers, James Welling has created beautiful and uncompromising photographs for over thirty-five years. Operating in the hybrid ground between painting, sculpture, and traditional photography, Welling is first and foremost a photo-graphic practitioner enthralled with the possibilities of the medium. James Welling: Monograph provides the most thorough presentation of the artist’s work to date, offering an indispensible resource for those interested in this artist’s remarkable, foundational practice.

Since the mid-1970s, Welling’s work has fluidly explored a mercu-rial set of issues and ideas: the tenets of realism and transparency, abstraction and representation, optics and description, personal and cultural memory, and the material and chemical nature of photogra-phy. To date, the artist has been the subject of numerous catalogs addressing more than twenty-five individual bodies of work—Welling’s

“substantive investigation of the spectrum of abstract to figurative,” as one curator has described it. Yet no book has appeared with the ambition of linking these bodies of work together by examining the primary threads that run through them all. That is, until now.

James Welling: Monograph presents over 250 images, including important early and iconic works from the 1970s to the present. James Crump, chief curator of the Cincinnati Art Museum, contributes an extensive introductory essay; this volume also includes an interview with the artist by Eva Respini and additional essays by Mark Godfrey and Thomas Seelig.

James Welling has exhibited extensively both nationally and internationally. An earlier survey exhibition, James Welling: Photographs, 1974–1999, originated at the Wexner Center for the Arts in Columbus, Ohio, and traveled to the Museum of Contemporary Art in Los Angeles and the Baltimore Museum of Art. In 1999 he received the DG Bank-Forder Prize in Photography from the Sprengel Museum in Hannover, Germany. Solo exhibition venues include Regen Projects, Los Angeles; David Zwirner, New York; Maureen Paley, London; Galerie Nelson-Freeman, Paris; Wako Works of Art, Tokyo; Donald Young Gallery, Chicago; and Galerie Nächst St. Stephan, Vienna. Welling is professor in the UCLA Department of Art, where he has taught for over fifteen years, and a visiting professor at Princeton University.

James Crump is chief curator at the Cincinnati Art Museum and is known internationally for his work with contemporary artists and photographers. Crump has organized exhibitions or published books with Doug Aitken, Richard Misrach, Nan Goldin, Ross Bleckner, Lynn Davis, and the estates of Berenice Abbott, Robert Mapplethorpe, Carlo Mollino, Willem de Kooning, Garry Winogrand, and Walker Evans. His most recent published works include Doug + Mike Starn: Gravity of Light (2012), Walker Evans: Decade by Decade (2010), Variety: Photographs by Nan Goldin (2009), and, with Kevin Moore (ed.), Starburst: Color Photography in America, 1970–1980 (2010). In 2007 Crump wrote, produced, and directed the critically acclaimed feature documentary film Black White + Gray: A Portrait of Sam Wagstaff and Robert Mapplethorpe, which premiered in North America at the Tribeca Film Festival and in Europe at Art Basel.

Eva Respini is associate curator at the Museum of Modern Art, New York. She has organized numerous exhibitions on contemporary art and photography at MoMA, including the recent, critically acclaimed Cindy Sherman retrospective. Other exhibitions she has organized or cocurated include Boris Mikhailov: Case History (2011), Staging Action: Performance in Photography since 1960 (2011), Pictures by Women: A History of Modern Photography (2010), Into the Sunset: Photography’s Image of the American West (2009), Artist’s Choice: Vik Muniz (2008), and New Photography (2012, 2009, 2007, and 2005). She is the author of Cindy Sherman and Into the Sunset: Photography’s Image of the American West, coauthor of Fashioning Fiction in Photography since 1990, and a contributor to numerous other publications.

Mark Godfrey is curator of international art at Tate Modern, London. He has cocurated the exhibitions Alighiero Boetti: Game Plan (2012), Gerhard Richter: Panorama (2011), Francis Älys: A Story of Deception (2010), and Roni Horn AKA Roni Horn (2010). He is currently work-ing on retrospectives of Richard Hamilton and Sigmar Polke that are scheduled to open in 2014. He is the author of Abstraction and the Holocaust (2007) and Alighiero E Boetti (2011), and of recent essays on R. H. Quaytman, Christopher Wool, Christopher Williams, and Julie Mehretu.

Thomas Seelig studied visual communication at the Fachhochschule Bielefeld, Bielefeld, Germany, and curating at the Jan van Eyck Akademie in Maastricht, The Netherlands. Since 2003 he has been curator and curator of collections at the Fotomuseum Winterthur, Winterthur, Switzerland, where he organizes exhibitions of the collec-tion as part of the Set series. He cocurated a retrospective of Mark Morrisroe’s art with Beatrix Ruf and most recently organized Status— 24 Contemporary Documents. He is the coeditor of Photo Art, a survey of contemporary photographic practices jointly published by Dumont (Cologne, Germany), Thames & Hudson (London), and Aperture (New York).

James Crump

James Welling: Monograph9½ × 11½ in. (24.1 × 29.2 cm)256 pages, 250 imagesHC $80.00/£50.00 978-1-59711-209-3

Color Rush: Seventy-Five Years of Color Photography in AmericaKatherine A. Bussard and Lisa Hostetler9 ½ × 11½ in. (24.13 × 29.21 cm)244 pages, ca. 200 images HC $60.00/£40.00 978-1-59711-226-0

Printed and bound in TKwww.aperture.org

bar code

US $TK U.K. £TK

COLOR RUSHAmerican Color Photography from Stieglitz to Sherman

CO

LOR

RU

SHA

merican

Co

lor P

ho

tograp

hy fro

m S

tieglitz to S

herm

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Edward Steichen, Bouquet of Flowers,

January 8, 1940

COLOR RUSH American Color Photography from Stieglitz to Sherman

By Katherine A. Bussard & Lisa Hostetler

Today color photography is so ubiquitous that it’s hard to

believe there was a time when this was not the case. Color Rush:

American Color Photography from Stieglitz to Sherman explores the

developments that led us to this point, looking at the way color

photographs circulated and appeared at the time of their making.

From magazine pages to gallery walls, from advertisements

to photojournalism, Color Rush charts the history of color

photography in the United States from the moment it became

available as a mass medium to the moment when it no longer

seemed an unusual choice for artists. The book begins with the

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color process, and continues up through the 1981 landmark

survey show and book, The New Color Photography, which hailed

the widespread acceptance of atography captured the popular

imagination through its visibility in magazines like Life and

Vogue, as well as through its accessibility in the marketplace

thanks to companies like Kodak. Often in photo histories color

is presented as having arrived fully formed in the 1970s; this

book reveals a deeper story and uncovers connections in both

artistic and commercial practices. A comprehensive chronology

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the increasing visibility of color photography. Color Rush brings

together Ansel Adams and William Eggleston, Eliot Porter

and Cindy Sherman, Edward Steichen and Stephen Shore, and

examines them in a fresh context paying particular attention to

color photography’s translation onto the printed page. In doing

so, it traces a new history that more fully accounts for color’s

pervasive presence today.

KATHERINE A. BUSSARD is associate curator of photography

at the Art Institute of Chicago. Her recent exhibitions include

So the Story Goes: Photographs by Tina Barney, Philip-Lorca

diCorcia, Nan Goldin, Sally Mann, and Larry Sultan, for which

she wrote the accompanying catalog. She has organized an

ongoing series dedicated to emerging photographers, as well

as exhibitions such as Film and Photo in New York and When

Color was New. Prior to joining the Art Institute, she worked for

the J. Paul Getty Museum and Clark Art Institute.

LISA HOSTETLER is the McAvoy Family Curator of Photography

at the Smithsonian American Art Museum, Washington,

D.C. Previously, she served as curator of photographs at the

Milwaukee Art Museum, where she organized a number of

exhibitions, including Taryn Simon: Photographs and Texts,

Saul Leiter: In Living Color, and Street Seen: The Psychological

Gesture in American Photography, 1940–1959, for which she

wrote the accompanying catalog. She came to Milwaukee after

several years as a research associate at the Metropolitan Museum

of Art and earned her doctorate at Princeton University.

Front cover:

Edward Steichen, Bouquet of Flowers (detail), January 8, 1940

Jacket design:

Studio Fernando Gutiérrez

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Phasellus vel dui turpis, porttitor pellentesque metus. Etiam

quis lacus felis. Quisque suscipit, dui id feugiat imperdiet,

ipsum est lacinia libero, eget egestas lorem orci et erat. Proin

risus tortor, cursus et sodales ut, eleifend sit amet massa.

Class aptent taciti sociosqu ad litora torquent per conubia

nostra, per inceptos himenaeos. Nunc et eros sed risus pul-

vinar tempor. Mauris varius, quam non scelerisque semper,

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molestie interdum dolor, eu porttitor diam volutpat eu. Sed

quam augue, varius vitae vestibulum nec, iaculis et risus.Cras

consectetur sodales tellus, vitae imperdiet dolor venenatis

a. Vestibulum ullamcorper tellus magna, eget pellentesque

ante. Morbi ornare, enim in feugiat ornare, odio velit dignis-

sim massa, eu placerat nisi dolor a diam.

The Dutch PhotobookFrits Gierstberg and Rik Suermondt9½ × 11 in. (24 × 28 cm)240 pages, 620 imagesHC $75.00 978-1-59711-200-0U.S. and Canada only

Japanese Photobooks of the 1960s and ’70sIvan Vartanian and Ryuichi Kaneko9 × 12 in. (22.9 × 30.5 cm)240 pages, 400 imagesHC $75.00/£45.00 978-1-59711-094-5U.S. and Canada only

The Latin American PhotobookHoracio Fernández9 × 12 in. (24 × 30 cm)256 pages, 350 imagesHC $75.00/£45.00 978-1-59711-189-8

42

Photo ArtUta Grosenick and Thomas Seeling8¼ × 10 in. (21 × 26.4 cm)512 pages, 565 imagesPB $55.00 978-1-59711-062-4U.S. and Canada only

Photographic MemoryVerna Posever Curtis9½ × 11½ in. (24.1 × 29.2 cm) 288 pages, 350 images HC $75.00/£45.00 978-1-59711-131-7

The New York Times Magazine PhotographsEdited by Kathy Ryan9½ × 11½ in. (24.1 × 29.2 cm) 448 pages, 500 images HC $75.00/£50.00 978-1-59711-146-1

reGeneration2William A. Ewing 9 × 105⁄8 in. (22.9 × 27 cm)224 pages, 208 imagesPB $39.95 978-1-59711-160-7

EssaysAperture Magazine AnthologyEdited by Peter C. Bunnell63⁄8 × 93⁄8 in. (16.2 × 23.8 cm)456 pages, 150 images HC $39.95/£25.00 978-1-59711-196-6

Along Some RiversRobert Adams5½ × 8¼ in. (14 × 21 cm) 112 pages, 28 imagesHC $24.95/£13.95 978-1-59711-004-4

Diane Arbus: A Chronology6½ × 8 in. (16.5 × 20.32 cm)192 pagesPB $29.95/£19.95 978-1-59711-179-9

Beauty in PhotographyRobert Adams5½ × 8¼ in. (14 × 21 cm)112 pages, 23 imagesPB $16.95/£9.99 978-0-89381-368-0

Why People PhotographRobert Adams5½ × 8¼ in. (14 × 21 cm)189 pages, 29 imagesPB $16.95/£9.99 978-0-89381-603-2

The Unseen EyeW. M. Hunt11 × 10¼ in. (28 × 26 cm) 320 pages, 370 images HC $75.00 978-1-59711-193-5U.S. and Canada only


Mexican PortraitsPablo Ortiz Monasterio and Vesta Mónica Herrerías11 3⁄8 × 12 7⁄8 in. (28.9 × 32.7 cm)356 pages, 390 imagesHC $85.00 978-1-59711-227-7

mexican portraitsmexican portraits

mexican portraits

mexican portraits

mexican portraitsmexican portraitsmexican portraitsmexican portraits

mexican portraits

PABLO ORTIZ MONASTERIO

VESTA MÓNICA HERRERÍAS MEXICAN PORTRAITS

Fotografía de portada:Gabriel de la MoraMarcial Sánchez, septiembre 15 de 1897, 2012.

Fotografía de contraportada:Graciela IturbideDe la serie Seris. Los que viven en la arena.Desierto de Sonora, México, 1979.

Lorem ipsum dolor sit amet, consectetur adi-piscing elit. Maecenas tincidunt sem vitae ligula vehicula pellentesque. Phasellus ullamcorper sa-gittis arcu eget facilisis. Donec ullamcorper, dui sed condimentum condimentum, tortor sapien tristique eros, vel commodo lorem libero sed dui. Integer imperdiet est eu eros condimentum quis porttitor nibh sodales. Morbi cursus semper te-llus, eu scelerisque nulla interdum eu. In lacinia, felis vitae sagittis placerat, massa sapien egestas lo-rem, nec fringilla arcu est vitae purus. Vestibulum mauris mauris, pharetra sit amet commodo eget, malesuada nec odio. Cras ut orci vitae nulla bi-bendum auctor at sed odio. Etiam at neque velit. Donec viverra fermentum augue id pulvinar.

Morbi non diam a ante cursus euismod. In hac habitasse platea dictumst. Suspendisse pe-llentesque magna nec urna suscipit dignissim sed id dolor. Proin sed nisi tortor. Maecenas elemen-tum mollis ornare. Mauris ligula magna, pulvinar ut sagittis eget, interdum eu nisi. Etiam eget quam ligula. Curabitur rutrum feugiat orci et convallis. Fusce ut quam tortor.

Aliquam erat volutpat. Donec tempor nisi id magna sollicitudin luctus. Nulla rhoncus accumsan aliquam. Donec tellus enim, facilisis ut volutpat eu, ultrices eget dui. Integer tempus enim ut libero sollicitudin sed bibendum ante elemen-tum. Suspendisse at felis ipsum. Etiam a vulputa-te nisi. Cras convallis vestibulum diam, in sodales orci condimentum a. Cras elementum accumsan nisl, et mollis erat tempus venenatis. Duis ultrices rhoncus turpis, et dictum odio sollicitudin nec.

Lorem ipsum dolor sit amet, consectetur adi-piscing elit. Maecenas tincidunt sem vitae ligula vehicula pellentesque. Phasellus ullamcorper sa-gittis arcu eget facilisis. Donec ullamcorper, dui sed condimentum condimentum, tortor sapien tristique eros, vel commodo lorem libero sed dui. Integer imperdiet est eu eros condimentum quis porttitor nibh sodales. Morbi cursus semper te-llus, eu scelerisque nulla interdum eu. In lacinia, felis vitae sagittis placerat, massa sapien egestas lo-rem, nec fringilla arcu est vitae purus. Vestibulum mauris mauris, pharetra sit amet commodo eget, malesuada nec odio. Cras ut orci vitae nulla bi-bendum auctor at sed odio. Etiam at neque velit. Donec viverra fermentum augue id pulvinar.

Morbi non diam a ante cursus euismod. In hac habitasse platea dictumst. Suspendisse pe-llentesque magna nec urna suscipit dignissim sed id dolor. Proin sed nisi tortor. Maecenas elemen-tum mollis ornare. Mauris ligula magna, pulvinar ut sagittis eget, interdum eu nisi. Etiam eget quam ligula. Curabitur rutrum feugiat orci et convallis. Fusce ut quam tortor.

Aliquam erat volutpat. Donec tempor nisi id magna sollicitudin luctus. Nulla rhoncus accumsan aliquam. Donec tellus enim, facilisis ut volutpat eu, ultrices eget dui. Integer tempus enim ut libero sollicitudin sed bibendum ante elemen-tum. Suspendisse at felis ipsum. Etiam a vulputa-te nisi. Cras convallis vestibulum diam, in sodales orci condimentum a. Cras elementum accumsan nisl, et mollis erat tempus venenatis. Duis ultrices rhoncus turpis, et dictum odio sollicitudin nec.

MEXIC

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E-Books and Apps

Words Without PicturesEdited by Charlotte Cotton and Alex Klein57⁄8 × 8¼ in. (14.9 × 21 cm) 510 pages PB $24.95 978-1-59711-142-3E-book $11.99 978-1-59711-187-4

Moving Mountains (1850–2012)Photographs by Penelope UmbricoFree978-1-59711-267-3

The Mind’s EyeHenri Cartier-Bresson5¼ × 8¼ in. (13.3 × 21 cm)112 pages, 11 imagesHC $19.95/£12.50 978-0-89381-875-3

Light MattersVicki Goldberg5½ × 8½ in. (14 × 21.6 cm)248 pages, 27 imagesPB $19.95 978-1-59711-165-2

Photography After FrankPhilip Gefter 6 × 8½ in. (15.2 × 21.6 cm)224 pages, 75 images PB $29.95/£16.95 978-1-59711-095-2E-Book $16.99 978-1-59711-221-5

Photography Changes EverythingMarvin Heiferman7 × 10 in. (17.8 × 25.4 cm)356 pages, 250 imagesPB $39.95/£25.00 978-1-59711-199-7

Crisis of the RealAndy Grundberg6½ × 9¼ in. (16.5 × 23.5 cm)292 pages, 44 imagesPB $19.95/£12.95 978-1-59711-140-9

Bending the FrameFred Ritchin6 × 8½ in. (15.2 × 21.6 cm)176 pages, 40 imagesPB $19.95/£12.95 978-1-59711-120-1E-Book $16.99 978-1-59711-292-5

Core Curriculum: Writings on PhotographyTod Papageorge6 × 8½ in. (15.2 × 21.6 cm)208 pages, 50 imagesPB $29.95/£18.95 978-1-59711-172-0

Between the EyesDavid Levi Strauss5½ × 8¼ in. (14 × 21 cm)208 pages, 47 imagesPB $19.95/£12.95 978-1-59711-214-7

Photography After Frank

Words Without Pictures

Bending the Frame Moving Mountains (1850–2012)

Merce Cunningham: 65 YearsBy David VaughanApp $14.99978-1-59711-188-1

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