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The Cat Street Gallery is proud to present a brand new show of works by celebrated Australian artist, Andrew Taylor. Returning to Hong Kong with his second solo show, Taylor brings this latest series of paintings, celebrating a new colour palette with his trademark floral motifs that act as moments frozen in time. In a world saturated with images and hyperventilating with speed, Taylor finds room to pause and reflect.
His engaging yet subtle canvasses present the viewer with a window into the artist’s vision - one where the natural world reigns supreme, and stands still, giving us a moment to reflect and dream. In a sense, each work is a metaphor for the modern condition - which seeks out equilibrium and calm amidst chaos and commerce.
Though the artist works in response to intensity of contemporary society, Taylor’s work is neither nihilistic nor pessimistic. Rather, the canvasses celebrate what is still wonderful and possible in the twenty-first century. These are artworks which are made all the more vibrant by their refusal to be swept up by an industrialized, digitized, commodified and globalised age.
A truly gifted colourist, Taylor’s compositions balance a figurative yet abstract line, often with an eastern sensibility in his cherry blossom imagery. Such sensibilities draw further still from the artists’ insistence that one should be able to seek solace in the natural world, and be joyful of it in the face of our rapidly moving world around us. Such expertly balanced, composed and coloured works are a delight to see, and as such Taylor continues to exhibit around the world to great acclaim.
DIRECTOR’S FOREWORD
Mandy d’Abo
Founder and Director The Cat Street Gallery
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Plate 9: Outside: 10:19Silkscreen and crushed metals on acrylic60 x 100 cm 2010
Plate 10: Outside: 10:20Silkscreen and crushed metals on acrylic60 x 100 cm 2010
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Plate 11: Outside: 10:21Silkscreen and crushed metals on acrylic
60 x 100 cm 2010
Plate 12: Outside: 10:22Silkscreen and crushed metals on acrylic
60 x 100 cm 2010
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Born 1967, Melbourne, Australia
SOLO EXHIBITIONS
2013 Outside: 11;24, The Cat Street Gallery, Hong Kong
2012 Outside: Periphery, Heather James Gallery, Palm Dessert Outside: From the Pephery, Tim Olsen, Sydney
2011 platform LA, part of the Pacific Standard Time, initiative Los Angeles Outside: Far Away, Rebecca Hossack Gallery, New York
2010 The Cat Street Gallery, Hong Kong
2008 Tim Olsen Gallery, Sydney NSW
2007 Tim Olsen Gallery, Sydney NSW
2005 Crossley Scott Gallery New paintings
2004 Crossley Scott Gallery New paintings
2002 Recent Work, MHA Projects Los Angeles
2000 Recent Paintings, Metropolis Gallery, St. Kilda
1996 Monotypes and works on paper, Scope Gallery, Fitzroy
1995 Recent Paintings, Scope Gallery, Fitzroy
1994 Monotypes, Australian Print Workshop, Fitzroy
1992 Recent Paintings, Pinacotheca, Richmond
1990 Diamonds are Forever, Botanical Gallery, South Yarra
1989 New Painting, Garry Anderson Galleries, Darlinghurst, NSW
1988 New Painting, at 312 Lennox Street Gallery, Richmond
BIOGRAPHY
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GROUP EXHIBITIONS
2010 Fresh, MOCA Los Angeles, CA USA Beauty and the Baroque, W Hotel commission Washington DC, Curated by Chip Tom Landscapes, Heather James Fine Art, Palm Springs, CA
2008 Nature Morte Dead Nature, Rohrer Fine Art Laguna Beach, CA USA
2000 Dobel Drawing Prize, (finalist) at National Gallery of New South Wales
1999 Exposure (Artists portraits of Artists), at Victoria University Gallery, Melbourne and at Linden Gallery, St. Kilda Artist for kids Cultural Trust Auction, at George Gallery, St. Kilda Works in Windows, The St. Kilda Festival Metropolis Opening Exhibition, at Metropolis Gallery, St. Kilda
1998 Works in Windows, The St. Kilda Festival Artist for kids Cultural Trust Auction, at George Gallery, St. Kilda
1997 Artist for kids Cultural Trust Auction, at George Gallery, St. Kilda
1996 Love, Carlisle Lounge Motel, St. Kilda
1995 12th Biannual Spring Festival of Drawings (Invitation), Mornington Peninsula Gallery, Mornington Christmas 1995 small works, Scope Gallery, Fitzroy
1994 Workshop Proofs, A Survey of prints from the Archives, Australian Print Workshop, Doncaster Gallery, Doncaster
1993 Monotypes from the Garner Toullis Workshop, Australian Print Workshop, Fitzroy
1991 The Sub, Ver’sive Stitch, Mori Gallery, Leichharat NSW Contemporary Paintings, Pinacotheca, Richmond
1990 Moet & Chandon Touring Exhibition The Dominique Segan Castlemaine Drawing Prize, Castlemaine State Festival
1989 Art from Elsewhere, The University of Tasmania, Sandy Bay Tasmania The Murdoch Fellowship, School Gallery, Victoria College of the Arts, Melbourne Australian Painting 1960 - 1989, 312 Lennox Street Gallery, Richmond
1988 The Dominique Segan Castlemaine Drawing Prize, Castlemaine State Festival The Scotchman’s Hill Acquisition Art Award, Geelong Art Gallery, Geelong St. Kilda Now, Linden Gallery, St. Kilda
1987 Graduate Show at School of Fine Art, Victoria College of the Arts, Melbourne
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PUBLISHED
The Age November 1988, “Simultaneously accessible and mysterious explicit and puzzling” (Gary Gatalaro)
Vogue Living October 1989 (Page 136)
New Art Three 1989, “Profiles in Contemporary Australian Art” (Neville Drury)
The Age August 17th 1990, Galleries (Jan Blendofs)
Moet & Chandon Turing Exhibition Catalogue 1991 (Francis Lindsay)
The Weekend Australian September 21st 1991, “Serious Funny Business” (Robert Rooney)
The Age September 30th 1992, “Unassuming pictures from an alcove at an imaginary exhibition” (Christopher Heathcote)
The Weekend Australian October 10th 1992, “Figuring out fun of the fair” Robert Rooney)
Workshop Proof Catalogue 1994 (Laurie Benson)
Exposure Catalogue 1999 (Anna Clabburn)
Melbourne Theatre Company Brilliant Lies, Front cover for Publicity Brochure
COLLECTIONS
National Gallery of Victoria Art Bank Shepparton Art gallery Telstra Collection Australian National University Private Collections in Australia, USA and France