Andre Damiao portfolio 2013

CVAndré Damião

ful name:

André Damião Bandeira

date of birth:

02/03/1987

place of birth:

São Paulo, Brazil

website:

http://andredamiao.hotglue.me

contact:

[email protected]

Education

- MA on Sonology- University of São Paulo (USP) (ongoing)

- Bachelor in Electroacoustic Music Composition- University of the State of São

Paulo (UNESP).

Main Participations in Festivals and Exhibitions in the last 3 years

2013- Appmusicmaking, C-Base, Berlin

- FestVilla, at VillaNachts, Heidelberg

- Addicted2Random, at Händel-Haus, Halle

- AVAV, at Epicentro Cultural, São Paulo

-LiveCode Festival, at IMWI,Karlsrhue

2012

- Mobile Radio, at the 30th São Paulo Bienal, São Paulo

- Dotmov, at Revenue St Eriksgatan, Stockholm

- Dotmov, at Design Weekend, Kuala Lumpur

- Dotmov, at Cafe Independants, Kyoto

- Dotmov, at Attic, Sapporo

- IX Bienal of Electroacoustic Music of São Paulo (BIMESP) at SESC, São Paulo

- Nova festival- Centoequatro, Belo horizonte

- Sonorities Festival, at Sonic Arts Research Centre (SARC), Belfast

2011

- Contato Festival- Pça do Mercado, São Carlos

-Festival Experimentacion Mediática, San Marino, Costa Rica

-Nova-festival- Casa França-Brasil,Rio de Janeiro

-CERNE Exhibition, at Arts Institut of São Paulo, São Paulo

Awards

- DOTMOV 2012, held by Shift Magazine, Tokyo

-Honorable mention na 2ª Competition for Brazilian Composers , held by the

Niuew Ensemble, Amsterdam

Main publications,workshops,talks and seminars

2012

- Datamosh- movement corruption, at #11art, Brasília

- Sound Degradation as Compositional Process - IV-SMTC, USP, São Paulo

- Pure Data workshops, USP, São Paulo

2011

- Electronic Music in real-time - Festival Contato, São Carlos

- Process of Eletroacoustic Improvisations - Parque Lage, Rio de Janeiro

2010

- Sound Art in Brazil - CCJ, São Paulo

languages

english- speaks *****/writes ****/ understands *****

german- speaks **/ writes **/ understands ****

french - speaks **/ writes **/ understands ***

I divided this list of works in two parts; - Part 1- Audio-visual performances, Interactive Installations and video art. - Part 2- Chamber music and Acousmatic works

Works List

Part 1

Browser Music is a piece which transforms the web browser into a musical instrument. There is one basic concept, that it would be to resignify the browser interface, that is very common to anyone that has access to the internet. By turning the web browser into an instrument, which is played by moving it around the screen and squeezing the window. Therefore it would be a way of breaking the automatic gestures which are generated by the daily use of these tools. The sounds are composed by non-linear algorithm, which creates an engaging dialog between interpreter and instrument.

https://vimeo.com/73344326http://browsermusic.co.nf

stockhausen_app is composed by a series of mobile applications for android. All of them use the image of the german composer Karlheinz Stockhausen and samples of his music.This piece attempts to raise some questions on what is the role of the contemporary composer of experimental music, and what new fields could this kind of practice explore.Using humour and different types of user interaction.

http://stockhausen.co.nf

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super_fic is a piece of live coding, in which I attempt to create interesting visuals by the manipulation of the code. For that I developed, with the programmer Flavio Schiavoni, external objects for the software Pure Data, which create motion on the screen. Furthermore various softwares are used simultaneously in order to create a complex narrative for the performance

anw.1 is performance for laptop and 4 iPads. The mobile devices generate the sounds and visuals through an app created for this piece. The computer controls the messages sent though a network created between all equipments, which also reacts to the sensors built in the iPads.

https://vimeo.com/68014758



Crack.Var.-op. $ 2 is an interac-tive installationin which a piano is played by the movement of the audience that transits in an area demarcated by adhesives glued on the floor. The result is the creation of an interface that relates sound and space and places the viewer as a performer of a contemporary music composition.

WIMP is an audio-visual performance. This piece explores the most basics graphical user interfaces of the com-puter to generate different types of dialogue between sound and image.The title abbreviation stands for Window, Icon, Menu and Pointer which are the elements that compose the visuals of this performance.



Thermal is an audiovisual composition for laptop orchestra, in which I developed small acrylic cubes equipped with sensors and an Arduino microcontroller, which enabled network communication between five computers, which reacted according to the commands of each and sounds performer.

The performance $1-min-LCPD (Live Coding with Pure Data)is a piece of live coding which is made with the software Pure Data. The work is divided into seven parts, going progresseve-ly from 1 to 7 minutes, totalizing 28 minutes of performance.

http://imwi.hfm.eu/livecode/2013/andre-damiao/

ENTREAOCUBO is an interactive audio-visual instrument. It is controlled by three luminous acrylic cubes sliding on a transparent plate that sits on top of a stack of plastic boxes. Each cube has a different code in tis base, and an on-off switch at the top, these codes are read by a camera that captures the variables X, Y and rotation of the object. From these data are calculated distances between the cubes, and the distances generate the sounds and images.


em_bruto is an audio-visual performance that was made with the objective of exploring the interface of the software Pure Data (PD) as a medium of visual composition. Imagining that in this manner it would be possible promote an aestheticization of the “raw” interface of the sofware in an interesting way, as an allusion to the aesthetics of live coding, and so it would be feasible to add new values and meanings to abstract shapes like squares, circles and crosses..

http://tinyurl.com/87gpanlhttps://vimeo.com/41222516https://vimeo.com/41223018

hast {ROO} is an interactive multimedia installation . The installation aims to ex-plore issues of perception of the viewer through the interactivity with sound, image and space, created by contact with an in-terface made of lycra mesh. The interface commands a back-projection, made on lycra, and the sound is spatialized for 6 speakers that surround the viewer.


Reactattoo is an audio-visual performance the interface are tattos of fiducial symbols. All the process was registered and composes the final performance, in which sounds and images are controlled by a camera, the tattos and a software specially developed for this performance.


Window$ Passacaglia is an au-dio-visual performance, which had its imagery inspired by audio-visual glitches, transported to an algorithm that regularly produce results similar to those caused by glitches.


No news good news2.2 is a video instalation, it makes part of a series of composi-tions for different types of media.Every piece of this se-ries aims to raise questions about mass media communi-cation.


Part 2- 2012 - Curvo- for piano,cello,violin,viola percussion and clarinet

-2012- feedtheradioback- acousmatic- 8 channels*

-2012- array-$1- acousmatic- 4 channels*

-2011- Pressing the Pillow against your EARS- for 12 instruments*

-2011- Zíperes Gordos- acousmatic- 4 channels*

-2011- Haw(r)one- acousmatic- 4 channels *

-2010- Ventre-vento-vidro- for piano,cello,crotales and berimbau*

-2010- Uncle issues song- acousmatic- stereo*

-2010- Performance Purpose- acousmatic-stereo*

-2010- Do abacaxi ficou só a coroa- acousmatic- stereo*

-2009- Dentro- for alto-recorder*

-2009- No news good news- for percussion and live electronics

-2009- Abstrata nº1- for piano

-2008- Silêncio nº1- for piano and tam-tam

-2007- Cradle Song- for voice, harp, cello, violin, viola and percussion.

* pieces available for listening on stereo version, at the website: http://andredamiao.hotglue.me

Documents

Andre Damiao portfolio 2013