An Elusive Place to Live...to Leave

8/18/2019 An Elusive Place to Live...to Leave

http://slidepdf.com/reader/full/an-elusive-place-to-liveto-leave 1/20

an elusive place to live....to leave

for tape, flute, voice and live electronics

Giovanni Santini, 2016



listen on:

or download mp3 file from:

https://soundcloud.com/giovanni-santini/an-elusive-place-to-liveto-leave/s-F4Amt

https://www.dropbox.com/s/80q7dwe8j8l437j/an%20elusive%20place%20to%20live....to%20leave.mp3?dl=0



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°

¢

°

¢

p mf pp pmf pp mf p

e =108

p mf pp mf pp p mp p f mp

5

24 44 78 34

34 34 716 78 24 24

The vowels are always together with the indicated consonant

sh

u

Mouthpiece completely closed until sign

i

(u)

an elusive place to live...to leave

e(i) i

(o) o(e) e

(u) u

i

Giovanni Santini

3 3 3 3

&

Electronics: Env Follower on

Noise Harm Preset 1

1

D#D

*Ktr ~~~~~~~~~~~~~~ ∑

Preset 2

2

(q) (q) (q) (q)

∑

Env Follower off

Preset 3

33 3 3

3:2x

5

sh i

u(e) e

ou

i

u ooe

o

,i

u> oe

o

3 3

&

* Ktr always alternating the fingering of the indicated pitch with that fingering plus D and D# trill keys.Example for the first passage:

D#D

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~ always on the same keys

Ktr ~~~~~~~~~~~~~~~~~~~~~~ ,

Trigger Soundfile 1

Noise Harm Preset 4

4

.>3 9 8:6 y 8:6y

≈ ™

™ ≈ ‰ ≈ ≈ ≈ ≈ ≈

≈ ‚ ™ ‚ ‚ ‚ ‚ ‚ ‚ ≈ ‚ ‚ ‚# ‚ ‰ ‚# ‚n ‚n ‚b ≈ ‚# ‚ ‚# ‚ ≈ ‚n ‚ ‚b ‚ ≈ ≈ ≈ ‚ ‚# ‚n ‚ ‚n ‚ ‚ ‚b ‚ ‚ ‚b ‚b ‚n

™ ™ ‰ ≈ ™ ‰ ≈ ‰ ™

j ≈ Œ Ó ™

‚# ‚ ‚b ‚‚ ‚b ‚

‚n ‚ ‚# ‚n ‚ ‰ ≈ ‚ ™ ‚ ‚n ‚ ‰

‚n ‚

≈‰ ‚3 3b 3n 3b 3 3b 3 3 3b 3 3b 33 33 3n 3

≈ Œ Ó 3 3b 3n 3 3# 3# 3 3b3R 3

3b





°

¢

°

¢

°

¢

mf pp mp mf

23

mf p mp p mp mf mp

27

pp mf pp p mf p

p

31

24 58 34 24 34

34 38 24 716

716 58 34 44

sh

∑o

(i)e

(u) o

(i)

o(e) e

(u)

i

oee- -

u

io

u

(i)

3 3 3 3

& ∑

10 Noise Harm Preset 6

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

11

- -

Preset 7

- - -

3 3 3 3

sh i

uo

e e ei i

o.>

(i)e

(u) o

(i) i Óo Ó Óe Ó io

3

3

&Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ - -

mf

12

- -

Noise harm Preset 5

Env Follower

.> Ktr ~~~~~~~~ -

3 3

sh

uu

i

u ooe

oo

(i)e

(u)

3

o

e

u

3 3

&Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Noise Harm Preset 4Env Follower off

13

- -3 9

3 10:8y

≈≈

≈≈ ≈

j ≈ ‰ ‰ ™ ≈ ≈ ‰

‰

3 3 3# 3 ≈ 3 3 3b 3 ≈ 3 3b 3n 3n ≈ ‚ ‚ ‚# ‚# ≈ ‚n ‚b ‚b ‚

≈ 3nJ

3 3 3# ≈ ‰ ‰ ™ 3 ≈3 ≈ 3# 3n 3b 3n ‰ 3n ‰

‰ ≈ ‰ ≈ ≈ ≈ ‰≈

≈ ≈ ™ ≈ ≈

3b 3 3n ‰3n 3# ≈ ‰ 3 ≈ 3 ≈ 3 3 3b 3 3 3n 3# 3n 3

≈ ‰ ‚ ‚ ‚# ‚n ≈ ‚ ‚ ‚b ‚n ≈ ‚ ‚b ‚n ‚n ≈ 3b ™ 3 ≈3 ≈ 3# 3n 3b 3

≈ ≈ ≈ ‰ Œ ≈ ≈ ‰ ≈ ≈

≈ 3 ≈ ‚n ‚ ≈ ‚ 3 3b 3 3b 3 3b 3 3 ‰ Œ ‚ ≈ ‚ ≈ ‰ ≈ 3 3b 3 3 3n 3 3 3 ≈ ‚ ‚ ‚ ‚ ‚# ‚ ‚# ‚ ‚ ‚

3



°

¢

°

¢

°

¢

f p mp p p mf pp mf

34

ppp "f" o pp mf p ppp

37

p f ppp mf p o p

44

44 38 44 24

24 44 58 24 34 34 64

64 24 34 44 54 24 44

shi

u

i

(u)

e(i) i

(o) o(e) e

(u) u

i

3

3 3 3 3

&

Trigger Click track (both for flute and voice with delay)

Trigger Soundfile 4

Noise Harm Preset 6

14

.> (q) (q) (q) (q)

3 5 3 3 3

3:2x

5

e = 120

sh

u

i

(o)

Breathe sound

f sh

i

u oo

e

o

sh

i W.T.

Whistle tones always very clean,with as less fundamental

and air noise as possible

3 3

& ∑3

( )w

3( )w

∑

Noise Harm Preset 3

15 mp

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

3 9

sh i

u u

i W.T. sh i

(u)

3

&

Noise Harm Preset 5

16

∑ ∑ Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~ ∑

Preset 7

17

Ktr ~~~~~~~~~

3 5

≈ ‰ Ó Œ j ‰ ‰ ‰ ≈ ≈ ≈ ≈ ≈

‚b ≈ ‰ Ó Œ

‚ ‚n ‚b ‚n ‚n ‚# ‚n

‚n ‚#

‰ ‰ ‚ ‚ ‚# ‚ ‰ ‚# ‚n ‚n ‚b ≈ ‚# ‚ ‚# ‚ ≈ ‚n ‚ ‚b ‚

≈ ≈ ≈

‚ ‚ ‚ ‚ ‚n ‚ ‚ ‚b ‚ ‚ ‚ ‚b

‚

) ) ) ) Œ ≈

~ ~ ‚ 3 3b 3 3b 3 3b 3 3 Œ ≈ 3 ™ 3 3 3 3b 3 3 3n 3b

® ‰ ∑ Œ j ‰ Œ

3b 3 3 3b 3 3 3 3 3b 3n 3 ® ‰3 3 3b 3n 3b 3 3# 3 3n 3 ∑ Œ 3

J 3 3 3 3b 3b ‰ Œ Ó

4



°

¢

°

¢

mf pp pp mf o ppp "f" o

52

S.

p

62

p

62

S.

mp p mf p p p pp mf p o

70

S.

mp o pp mf p pp mp

82

44 78 24 44 58 44 54 34

34 44 54 44 34 24 44

34 44 54 44 34 24 44

44 54 44 54 44 58 34 44

44 24 44 34 78 44 34 58

shi W.T. ̆

W.T.

( )

(o)

f

i

3

sh

(u) u

i

(o)

f sh

i

u

& ∑

Preset 3

18

∑

Preset 6

∑

19

3( )w

3( )w

∑

Preset 7

∑

20

∑

∑ ∑ ∑ ∑Start click track for flute

Harm + Resynth Preset 1

∑1

mf

- .- .- 3

- .- .- .-3

(o)

f

(

W.T.˘)

f

3

∑ ∑ ∑ ∑ ∑ ∑ ∑

&( h.) ( h.) ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑


∑2

∑ ∑ ∑ ∑ ∑ .- .- .-3

3

∑ ∑ .- .- .- .- ∑ o ∑


3

.- .- .- o

5 3 3

Œ ‰ ≈ ™ Œ

) ) ) ) )

Œ ‰ ≈ 3 ™ 3 ™ 3b ™ 3 ™ 3 ™ ‚ ‚ ‚ ‚ ~ ~

O ™ ≈ ≈ O ≈ O O O O ‰ ≈ O ≈ ‰ O ≈ O O O O O O

) ™ ≈ Œ ‰

)

3 ™ 3b ™

≈O ≈‰ O ‰ ‰ O ‰ O ™ ≈Œ ‰ O ‰ Œ O O O O O

‰ O ≈ O O ≈ Œ O O O O ™ ≈ Œ O ≈ O ≈ O O O ‰ ≈ O ‰ O ‰

5



°

¢

°

¢

°

¢

S.

pp mf mp p p pp mp

91

pp "f" o pp p pp

91

S.

mp mf mp p pp pp mf o mp

97

pp "f" o

97

S.

p pp pp

104

"f" o pp p pp

104

58 44 34 44 34 14

58 44 34 44 34 14

14 34 44

14 34 44

44 34 24 44 78

44 34 24 44 78

o ∑ .- .- .- .-Harm + Resynth Preset 2

∑4

.- .-3

W.T.˘ (o)?

s

W.T.˘

& ∑

Noise Harm Preset 6

21

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Noise Harm off

223

∑ .- .- .- .- .- .- .- .- .- .- ∑3 3

˘( W.T. ) (o)?

s

W.T.

&Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~

Noise Harm preset 5

23

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

3

. .- .-3

.- .- .-3

∑ ∑W.T.˘

&24 Noise Harm off

Ktr ~~~~~~~~ Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑

O O O O ™ ≈ ≈ O O ≈ ‰ ≈ O ™ O O O ‰

Ó ‰ 3b 3 3 3 3 3b 3 3 3b 3 3 3n 3 3b 3 3 3 3 ™ 3 3n 3b 3 Ó ‰ 3 3b 3 3 3n 3 3 3 ‰ Ó ‰ ‚

O O O ™ ≈ ‰ O O ‰ ≈ O ‰ O O ‰ O O O O O ‰ O Ó ‰ O

‚ ‚ ‚ ‚ ≈ ‰ Œ Œ ‰ ‚ ‚ ‚ ‚b ≈ ‰ Œ Œ ‚ ‚b Ó ‰ 3b 3 3 3 3 3b 3 3 3b 3 3 3n 3 3b 3 3b 3 3 ™ 3 3n 3b 3

‰ ≈ O ‰ Œ O O ≈ ‰ ≈ O O Œ ‰ O ‰ O ‰ O O O O

Ó ≈ ‚b ™ ‚ ‚ ‚ ≈ ‰ Œ Œ ‚b ‰ 3b 3 3 3 33 3b 3 3 3n 3 3b 3 3 3 Ó ‰ 3 3 3 3 3 ‰

6



°

¢

°

¢

°¢

pp "f"

pp pp pp mf

o

110

p mf ppp mf p o p pp p p ppp

114

S.

121

121

78 44 34 78

78

44

58

24

44

78

44

44

W.T.˘ ?

s

?

f

W.T.˘( )

o

sh

i

3

(u)

& ∑DD#

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ktr ~~~~~~~~~~

e =108

sh i

o oe

u

i W.T.˘ sh ie

u

3

W.T.˘ sh

e o

3

io Óu

&Noise Harm preset 4

25-

- D#D

Ktr ~~~~~~~~~~~~~~

Noise Harm preset 7

263

3

27

∑50"

Trigger Soundfile 5

& ∑

Œ

≈ ‚ ‚ ‚ ‚b ‚ ‚ ‚ ‚n ‚b ‚ ‚ ‚ ‚b ‚ ‚b ‚ ‚ ≈ ‚ ‚ ‰ ≈ ‚n ‚ ‚ ‚ ‚ ‚b Œ ‚ ™ ‚ ™ ‚ ™ ‚ ™

‰ ‰ ≈ Œ ‰ ≈ ‰ ‰ ≈ ‰ Œ

‰‚ ‚

‰‚ ‚b ≈ Œ

3 3n 3 3n 3b 3

n 3

# 3

3n 3 Œ ™ Œ

3 3 3 Œ ≈

‚b ‚ ‚ ‚ ‚ ‚ ‰ ‰ ≈

‚ ‚ ‰ ‰

‚ ‚ ≈ ‰ Œ ‚b ‚

‚ ‚ ‚ ‚

7



S.

mf mp p mp p mp o mf o mp

p mp p

122

S.

pp p pp mf mf mp pmp pp

129

S.

mf mp

136

S.

mp p mp pp

142

44 34 44 24 44 34 24

24 44 34 44 34 44

34 44 34 44

44

34

44

54

Harm + Res Preset 3Env Follower on

5o

Harm + Res Preset 4Env Follower off

6

.- .> . .- .- .-3

7

Harm + Res Preset 3Env Follower on Harm + Res Preset 4Env Follower off

8

.- .- - -5

q = 84

- .- - .- .- -9


oHarm + Res Preset 4Env Follower off

10

.- . .- .- .- .-3

5

11


12Harm + Res Preset 4Env Follower off

.- .- .-3

.- .- .-

3

O ‰ Œ O O ™ O Œ O Œ O O O O O ‰ O ‰ Œ O O O ™ Œ ‰ ≈ O O ‰ O ≈ Œ

O Œ O ™ O O O O ™ O ‰ Œ ‰ O ‰ O ‰ Œ O O O Œ ‰ O ‰ O O O ™ O ‰ O O O O O

‰ O ‰ ≈ O ™ ‰ O ‰ Œ O ™ O O O Œ ‰ O O ‰ O ™ ≈ Œ Œ O O O O Œ ‰ O

Œ ≈ O ™ O ≈ ‰ O ‰ ‰ ≈ O Œ O O O O O ‰ Œ Œ ‰ O Œ ≈ O

Ó

8



°

¢

°

¢

S.

mf o mp p mp pmp pp

148

p f p pp pp mf

148

S.

o p

p mp p mp o

154

p f p p mf pp p p

154

54 34 44 34 44 24 44

54 34 44 34 44 24 44

44 34 24 44 34

44 34 24 44 34

.- .-3


U

13


14

.- .> . .- .- .-3


15

sh

u

i

(u)

W.T.˘ ?

& ∑ ∑

Noise Harm preset 1

28

Noise Harm off

29

Noise Harm preset 4

30

Ktr ~~~~~~~~~~~~~~~~~~~

5 6 3

mf


16mp

.- .- - - .- - .- .- -5

sh

u

i

(u)e o

W.T. ˘ shi i

& ∑

Noise Harm preset 5

31

Noise Harm preset 1

325 6 3

O O Œ Œ Œ O ‰ O ‰ Œ O ‰ Œ O O ™ O Œ O Œ O O O O O ‰

Œ ‰ ‰ Œ

Œ ‰ ‚ ‚b ‚n ‚ ‚ ‚# ‚ ‚ ‚b ‚n ‚n ‰ Œ Œ ≈ ‚ ‚ ‚ ‚b ‚ ‚ ‚ Œ Ó ‰ ‚b ‚ ‚ ‚b ‚ ‚b ‚

O ‰ Œ O O O ™ Œ ‰ ≈ O O ‰ O ≈ Œ O Œ O ™ O O O O ™ O ‰

‰ ≈ ™ ® ≈ ‰ Ó Œ ≈ ® Œ ‰ ≈ ®

‰ ‚ ‚b ‚n ‚ ‚ ‚# ‚‚ ‚b ‚n ‚n ≈ ™3n 3# 3 3b 3® 3 3# 3 3b 3≈ ‰ Œ ‚ ‚ ‚ ‚b ‚ ‚ ‚ ‰ ≈ ® ‚ ‚# ‚ ‚b ‚ Œ ‰ ≈ ® ‚

9



°

¢

°

¢

S.

mf o

159

p f p mf pp mf p pp

159

S.

mp pp mf mp p mf p

163

mf p p mf p mf p o

163

34 44 34 44

34 44 34 44

44

44


17Harm + Res Preset 4Env Follower off

17

.- .- - .- -5

u

shi e

o

i

&

Noise Harm preset 6

33Preset 5

34

?

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~ ?

3 3

Ktr ~~~~~

- .- .- .-3

u

W.T. ̆ ord.

& 2

W.T. ord.

& 2

W.T.

& ~~~~~~~~~~~~~~~~~

Preset 6

35

Harmonizer

36

Ktr ~~~~~~~~~~~~~~ Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ ‰ O ‰ O ‰ Œ O O O Œ ‰ O O ‰ O O O ™ O ‰

‰ Œ ≈ ‰ ‰ ≈ ® ® ≈ ‰ Œ ‰ ≈ ® ‰ Œ

‚# ‚ ‚b ‚ ‰ Œ 3 3 3n 3# 3 3# 3n 3 3# ≈ ‰ ‰ ≈ ® 3n 3# 3 3b 3 ® 3 3# 3 3 3 ≈ ‰ ‰ ‚b ‚n ‚ ‚b ‚n ‚b ‚ Œ ‰ ≈ ® ‚ ‚# ‚ ‚b ‚ ‰ Œ ‰ ‚b ‚ ‚n

O O O O O ‰ O O ‰ ‰ ≈ O Œ ‰ O O ‰ O

Œ ‰ ≈ ® ‰ Œ œ# œ# œ œ œ# œ# œ œ

‚b ‚n ‚b ‚ Œ Œ ‰ ≈ ® ‚ ‚# ‚ ‚b ‚ ‰ ‰ ≈ ‚n r ‚ ‰ ‚ ‚ ‚ ‚# ‚ ‚ ‚ ‚ Œ

10



°

¢

°

¢

S.

p pp

166

p mf p mf p o pp ff

166

S.

Fl.

f f

170

f f

170

24 44 64 38

6

4

3

824 44 64 38

38 34 58 14 34 34

38 14 34

38

34

58

14

34

34

∑ q = 60

&

ord.

& 2

W.T. ord.

& 2

W.T.

& 2 ,

,

"harm. gliss."

,

,

.> q = 60

&Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Trigger Soundfile 6Trigger click trackTrigger Gate-granulation (voice and flute)

37

DD#

3

∑ ∑ ∑

2

∑2

&

Ktr ~~~~~~~~~~~~~~~~ ∑ ∑ ∑

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~

‰ ≈ O Ó Œ ‰ O O ‰ Œ Ó

Œ œ# œ# œ œ œ# œ# œ œ Œ Ó Ó Œ œ œb œ œœ

≈

‰ ‚ ‚ ‚ ‚# ‚ ‚ ‚ ‚ ‚ ‰ Œ Ó Œ ‚ ‚ ‚# ‚ ≈ ‰ Œ ∑

O ™ O

œ# ™ œ# ™ œ# œ#

œ# ™ œ#

11



°

¢

°

¢

S.

Fl.

f

175

ff pp ff pp

175

S.

mf o mp

p mp p

181

pp mf pp

181

34 14 34 78 44

34 14 34

34 14 34 78 44

34 44 24

34 44 24

∑

Gate-gran off


18

8"

∑ ∑ ∑ ∑

& 2 ,

,

"harm. gliss."

,

, .>W.T.˘

&Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~ DD#

∑

Effects off Click track off

Noise-harm preset 6

38

3


19

.- .> . .- .- .-3


20

W.T.˘

∑

&39

Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Noise harm off Harmonizer on

40

∑ ∑3

3

O

œ#œ œb œ œ

œ ≈‰ Œ Œ

œ# œn œ œb œ œb œ œ# œ œ# œn œ œ# œn œ œb œ œb œn œ# œn œ# œn œ# ‚ ‚ ‚# ‚≈‰ Œ Œ ≈‚ ‚ ‚ ‚b ‚ ‚ ‚ Œ

O ‰ Œ O O ™ O Œ O Œ O O O O O O ‰ ‰ O ‰

Œ ‰ ‚b ‚ ‚ ‚b ‚ ‚b ‚ Œ ‚ ‚ ‚ ‚b ‚ ‚ ‚ ‰ ‚ ‚ ‰

12



°

¢

°

¢

S.

mf

186

186

S.

Fl.

f

187

f f

187

14

14

14 54 24

24

14 54 24

o

20"

∑

& ∑

∑

38,5" q = 60

&2

∑ &2

∑

q = 60

&

Gate-granulation on

41

∑Ktr ~~~~~~~~~~~~~~~~~~~~~~~~ Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~

∑

O ‰

O O O

œ# œ# ˙# ˙#

œ# ˙#

13



°

¢

°

¢

°

¢

S.

191

mf pp pp mf p ppp

191

Fl.

mf p mf p o192

Fl.

193

p p

p p p p p p p mf p

193

24 58 24

24 58 24

∑52"

Play all the fragments in the time span. There is no prescription about the exact timing.

W.T.˘ W.T.˘ ?i>

u

i W.T. ̆3

&

Effects off

41

Ktr

~~~~~~~~~~~~~~

Noise harm preset 6

42

U Ktr

~~~~~~~~~~~

Noise harm preset 3

43

U

Noise harm preset 5

44

U Ktr

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3

U

6

(52")

W.T.˘ ord.

& 2 2

W.T. ord.

& 2 2

W.T. ord.

&2

&

?ÚÚÚÚ Always with half air sound

Ktr ~~~~~~~~~~~~~

Harmonizer

45

U Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U Ktr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Harm+ res preset 2

U

46

D#D

3

& 233

œ#2 >< 23

œ k< >>3

2 œL< > 23

œ#2 >< œ k< > 3 3

- -

3

q = 60

&

Perform the fingerings with the C key always depressed,like in the fingerings below (unless differently indicated).

At the same time press the trill key indicated.

z CD

mf

mf mf

> z CDD#

mf mf mf mf

D

- -

3 3 3 3 3

≈ ‰ Œ ≈

‚ ‚ ‰ ‚ ‚ ‚# ‚ ‚b ‚ ‚b ‚ ‚n ≈ ‰ ≈ ‚ ™ ‚ ‚ ‚ ‚b ‚ ‚ ‚n ‚b

œ# œ# œ œ# œ# œ# œ œ# œ# œ ™ œµ Œ

‚n ‚ ‰ ‚ ‚ ‚# ‚ ‚ ‚ ‚ ‚# ‚ ‚ ‚ ‚ ‰ ‚# ‚ ‚ ‚ ‚ Œ

‰ ≈ œ# œn ≈ œ# œn œ ≈ ‰ œ# ‰ ‰ œ# œ# œ# œn ‰ ≈ œ œ œb œ# ≈ ‰ œn ≈ œn ≈ ‰

‰ ≈ 3 3 3b 3# 3b 3 3 ≈ 3 3 3b 3# 3 ≈ ‰ 3# 3b 3 3 ‰ ‰ 3 3 3b 3# 3 3 3 3 3 3b 3# 3 3 3 ‰ ≈ 3 3 3b 3# 3 3 3≈ ‰ 3# ≈ 3 ≈ ‰

14



°

¢

°

¢

°

¢

Fl.

198

p mp p p p p p

198

Fl.

204

p p p p p p p p p p p

204

Fl.

210

p p p p p p p mf p

210

58 24 34

58

24

34

34 24

34 24

&?ÚÚÚÚ( )

œ k< > 3

2 œL< > œn3

< > 3

œ#2 >< 2 23

œ#2 >< 3

& z

mf

C

p p

D#D

mf mf

D

mf

D#

3 3 3

&?

22

ÚÚÚÚ( )

œL< > 3

2 œL< > 23

œ#2 >< 3

2 œL< > 23

œ#2 >< œ k< > ∑3

&

5 z ADD#

C

mf mf mf

D#

mf mf

z

mf

C

∑3 3 3 3 3

&?ÚÚÚÚ( )

∑ 3 3

- - 2 œ k< >

3

2 œL< >3

2 œL< > 3

œ#2 >< - -

& ∑

z

mf

CD

- -mf

D#

mf mf mf mf

D#

- -3

3 3

œ# ‰ ‰ ≈ œ# œ# ‰ œn ‰ ≈ œn ≈ Œ Œ ‰ ≈ œ# œn ≈ ‰ Œ Œ ‰ ≈ œ#

3# 3b 3 3 ‰ ‰ ≈ 3 3 3b 3# 3b 3 3 ‰ 3 3b 3 3 ‰ ≈ 3# 3b 3 3 ≈ Œ Œ ‰ ≈ 3 3 3b 3# 3b 3 3 ≈ ‰ Œ Œ ‰ ≈ 3 3 3b

œ# ‰ ‰ œ# œ# œ# œn ‰ Œ ‰ ≈ œ# œ# ≈ œ# œn Œ œ œ œb œ# ‰ Œ

3# 3b 3 3 ‰ ‰ 3 3 3b 3# 3b 3 3 3 3 3b 3 3 3 3 ‰ Œ ‰ ≈ 3 3 3b 3# 3b 3 3 ≈ 3 3 3b 3 3 3 3 Œ 3 3 3b 3# 3b 3 3 ‰ Œ

œn ≈ œn ™ ‰ ‰ ≈ œn œ# ≈ ‰ ‰ ≈ œ# œ# œ# œ# ≈ Œ œn ‰ œn ≈ œn ≈ ‰

3# ≈ 3 ™ ‰ ‰ ≈ 3 3 3b 3# 3 3 3 ≈ ‰ ‰ ≈ 3 3 3b 3# 3 3 3 3 3 3b 3 3 3 3 ≈ Œ 3# 3b 3 3 ‰ 3# ≈ 3 ≈ ‰

15



°

¢

°

¢

°

¢

Fl.

216

mp pp mp pp p mp pp p mp pp p p mp pp p

216

Fl.

221

p p p p p

221

Fl.

225

p p p p p p p p p

225

34 24 78 24

34 24 78 24

24

24

&?

2

ÚÚÚÚ( )

œL< > 3

œ#2 >< ∑ 23

œ#2 >< 3

2 œL< > 23

œ#2 >< œ#2 >< 3

&

z

D#DC

‰ ∑

D

D#

mf

D#

3 3 3 3

&?

2

ÚÚÚÚ( )

œL< > 23

œ#2 >< œ k< > 3

2 œL< > 3

3

&

5 z

AC

D#D

mf mf

z

mf

C

p

D#

D

mp pp3 3

3 3

& 2

?ÚÚÚÚ( )

œL< > 23

œ#2 >< 3

2 œL< > 23

œ#2 >< œ k< >

3

&5 z

AC

D#D

mf mf

D#

mf mf

Giovanni Santini, Basel 2016

z

mf

C

3 3 3 3

œ# ‰ œn ‰ ≈ œ# œn Œ ‰ ≈ œ# œ# œ# œn ‰ ‰ œn Ó ≈ œ#

3# 3b 3 3 ‰ 3 3 3 3 ≈ 3 3 3b 3# 3 3 3 Œ ‰ ≈ 3 3 3b 3# 3b 3 3 3 3 3b 3# 3b 3 3 ‰ ‰ 3# 3b 3 3 Ó ≈ 3 3 3b

œ# ≈ œ# œn Œ œ œ œb œ# Œ Œ ‰ ≈ œ# œ# ‰ ‰ œ#

3# 3b 3 3 ≈ 3 3 3b 3 3 3 3 Œ 3 3 3b 3# 3 3 3 Œ Œ ‰ ≈ 3 3 3b 3# 3b 3 3 ‰ ‰ 3 3 3b

œ# œ# œn ‰ Œ ‰ ≈ œ# œ# ≈ œ# œn Œ œ œ œb œ# Œ

3# 3b 3 3 3 3 3b 3 3 3 3 ≈ ≈ Œ ‰ ≈ 3 3 3b 3# 3b 3 3 ≈ 3 3 3b 3 3 3 3 Œ 3 3 3b 3# 3 3 3 Œ

16

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