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An art-ificial history of mathematics An art-ificial history of mathematics Dirk Huylebrouck Department for Architecture Sint-Lucas Brussels BELGIUM "Show" of African music and mathematics

An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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Page 1: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Afrika + 1

An art-ificial history of

mathematics

An art-ificial history of mathematics

Dirk HuylebrouckDepartment for Architecture Sint-Lucas Brussels BELGIUM

"Show" of African music and mathematics

Page 2: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Afrika + 2

Kunst der Füge

1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

M.C. Escher's "Reptiles," modified for quilts by Kay Parker in herbook "Contem-porary Quilts".

Kunst der Füge

1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Kunst der Füge

1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Kunst der Füge

Picture of the UN in NY inspired by Escher

1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Page 3: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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Footprints in ash and pumice dated to 385,000 to 325,000 years ago on the slopes of the Roccamonfina volcano in southern Italy.

2) Dawn

43000 - 82000 years old

Neanderthal flute, Slovenia

2) Dawn

43000 - 82000 years old

Neanderthal flute, Slovenia

Tiny 77000-years-old stone from the Lebombo Mountains in South Africa

2) Dawn

43000 - 82000 years old

Neanderthal flute, Slovenia

France's "Grotte Chauvet" up to 32,000 years ago (horses).

2) Dawn

43000 - 82000 years old

Neanderthal flute, Slovenia

25000 years old “key-pattern” from Mezin, Ukraine

Page 4: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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3) From Africa over the Middle East to Greece

Structural propertiesmusic inAfrica:1 Hemiola2 Additive rhythm3 Gestalt

RujindiriRwanda

3) From Africa over the Middle East to Greece

Structural propertiesmusic inAfrica:1 Hemiola2 Additive rhythm3 Gestalt

RujindiriRwanda

Proportions?

3) From Africa over the Middle East to Greece

Structural propertiesmusic inAfrica:1 Hemiola2 Additive rhythm3 Gestalt

RujindiriRwanda

3) From Africa over the Middle East to Greece

Structural propertiesmusic inAfrica:1 Hemiola2 Additive rhythm3 Gestalt

RujindiriRwanda

“Ostrakas" in what is now called ‘Iraq’

Page 5: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Afrika + 5

Delphi stone with music notation of the hymn.

doremifasollasido

1:19:8

81:644:33:2

27:16243:128

2:1

4) Greece: Euclide, Parthenon, Cithar

Delphi stone with music notation of the hymn.

doremifasollasido

1:19:8

81:644:33:2

27:16243:128

2:1

4) Greece: Euclide, Parthenon, Cithar

Delphi stone with music notation of the hymn.

doremifasollasido

1:19:8

81:644:33:2

27:16243:128

2:1

4) Greece: Euclide, Parthenon, Cithar

Delphi stone with music notation of the hymn.

doremifasollasido

1:19:8

81:644:33:2

27:16243:128

2:1

4) Greece: Euclide, Parthenon, Cithar

Roger Herz-Fischler 1987; George Markowsky, 1992

Page 6: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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deffisgabccisd'

1:19:8

32:2781:64

4:33:2

27:1616:9

243:1282:1

5) Fibonacci, cathedrals, kyries

Stacking up tones in the medieval tone "system" or … working without it.

deffisgabccisd'

1:19:8

32:2781:64

4:33:2

27:1616:9

243:1282:1

5) Fibonacci, cathedrals, kyries

Stacking up tones in the medievaltone "system" or … working without it.

deffisgabccisd'

1:19:8

32:2781:64

4:33:2

27:1616:9

243:1282:1

5) Fibonacci, cathedrals, kyries

Stacking up tones in the medieval tone "system" or … working without it.

deffisgabccisd'

1:19:8

32:2781:64

4:33:2

27:1616:9

243:1282:1

5) Fibonacci, cathedrals, kyries

Stacking up tones in the medieval tone "system" or … working without it.

Page 7: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

Afrika + 7

doremifasollasido

1:19:85:44:33:25:3

15:82:1

6) Pacioli, Brunelleschi, simplified ratios

Simplifying ratios in tackling the Pythagorean commaproblem

Filippo Brunelleschi, San Lorenzo, 1440.

doremifasollasido

1:19:85:44:33:25:3

15:82:1

6) Pacioli, Brunelleschi, simplified ratios

Simplifying ratios in tackling the Pythagorean commaproblem

Dutch artistsVredeman de Vries ±1550

doremifasollasido

1:19:85:44:33:25:3

15:82:1

6) Pacioli, Brunelleschi, simplified ratios

Simplifying ratios in tackling the Pythagorean commaproblem

Borromini gallery, as a transportable"blow up 'play' castle"

doremifasollasido

1:19:85:44:33:25:3

15:82:1

6) Pacioli, Brunelleschi, simplified ratios

Simplifying ratios in tackling the Pythagorean commaproblem

Page 8: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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Rembrandt, The Night Watch, 1642 (Amsterdam).

7) Newton, Vermeer, Bach

Music studies in centre of attention:mean tone scales, etcmusic geometry

doremi…

11.118… = √5/2 1.25 = (√5/2)2

7) Newton, Vermeer, Bach

Music studies in centre of attention:mean tone scales, etcmusic geometry

doremi…

11.118… = √5/2 1.25 = (√5/2)2

Aldert Mantje & Jan Maris: Night Watch Research Project

www.verbekefoundation.com/

7) Newton, Vermeer, Bach

Music studies in centre of attention:mean tone scales, etcmusic geometry

doremi…

11.118… = √5/2 1.25 = (√5/2)2

Johannes Vermeer 1632 - 1675 Girl with a pearl earring

7) Newton, Vermeer, Bach

Music studies in centre of attention:mean tone scales, etcmusic geometry

doremi…

11.118… = √5/2 1.25 = (√5/2)2

The Anatomy Lesson of Dr. Nicolaes Tulp(Rembrandt)

Influence science & technology:linseed (flax seed) replaces egg tempera paint; lenses and mirrors: chiaroscuro (clairobsur), geometric composition ...

Page 9: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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doremifasollasido

11.122…=22/12

1.259…=24/12

1.334…=25/12

1.498…=27/12

1.681…=29/12

1.887…=211/12

2

8) Gauss, J-F Millet, 21/12 relation.

One mathematical rule explains all music notes

John Constable, Dedham Vale 1802

doremifasollasido

11.122…=22/12

1.259…=24/12

1.334…=25/12

1.498…=27/12

1.681…=29/12

1.887…=211/12

2

8) Gauss, J-F Millet, 21/12 relation.

One mathematical rule explains all music notes

Jacques-Louis David, La mort de Socrate 1787

doremifasollasido

11.122…=22/12

1.259…=24/12

1.334…=25/12

1.498…=27/12

1.681…=29/12

1.887…=211/12

2

8) Gauss, J-F Millet, 21/12 relation.

One mathematical rule explains all music notes

Adolph von Menzel, Flötenkonzert 1850-52

doremifasollasido

11.122…=22/12

1.259…=24/12

1.334…=25/12

1.498…=27/12

1.681…=29/12

1.887…=211/12

2

8) Gauss, J-F Millet, 21/12 relation.

One mathematical rule explains all music notes

Jean-François Millet, The Gleaners (1857), a realistic painting, applying all known techniques before photography.

Page 10: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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doremifasollasido

261.63 Hz293.66 Hz329.63 Hz349.23 Hz

392 Hz440 Hz

493.88 Hz523.25 Hz

9) Cantor, Seurat, Hertz.

Some label AntonWebern’s “Concerto for Nine Instruments” pointillist.Georges Seurat, Sunday Afternoon on the Island of La

Grande Jatte 1886

doremifasollasido

261.63 Hz293.66 Hz329.63 Hz349.23 Hz

392 Hz440 Hz

493.88 Hz523.25 Hz

9) Cantor, Seurat, Hertz.

Some label AntonWebern’s “Concerto for Nine Instruments” pointillist.

Theodoor van Rysselberghe,

Portrait of Alice Sethe, 1888

doremifasollasido

261.63 Hz293.66 Hz329.63 Hz349.23 Hz

392 Hz440 Hz

493.88 Hz523.25 Hz

9) Cantor, Seurat, Hertz.

Some label AntonWebern’s “Concerto for Nine Instruments” pointillist.Georges Seurat, Sunday Afternoon on the Island of La

Grande Jatte 1886Georges Seurat, La Parade, 1889

doremifasollasido

261.63 Hz293.66 Hz329.63 Hz349.23 Hz

392 Hz440 Hz

493.88 Hz523.25 Hz

9) Cantor, Seurat, Hertz.

Some label AntonWebern’s “Concerto for Nine Instruments” pointillist.

After Georges Seurat, La Parade, 1889

Page 11: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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10) Einstein, Picasso, Grisey.

Pablo Picasso, The Bull lithographies, 1945.

Helmholtz: consonance = overlap overtones,in ear of observer.

Applied by composer Gérard Grisey founder of spectralism.

10) Einstein, Picasso, Grisey.

Pablo Picasso,, Les Demoiselles d'Avignon, 1907

Helmholtz: consonance = overlap overtones,in ear of observer.

Applied by composer Gérard Grisey founder of spectralism.

10) Einstein, Picasso, Grisey.

Georges Braque, Violin and Candlestick, 1910.

Helmholtz: consonance = overlap overtones,in ear of observer.

Applied by composer Gérard Grisey founder of spectralism.

10) Einstein, Picasso, Grisey.

Helmholtz: consonance = overlap overtones,in ear of observer.

Applied by composer Gérard Grisey founder of spectralism.

Einstein formuleerde de bijzondere relativiteitstheorie (1905) weliswaar vóór het kubisme tot bloei kwam (1910-11), maar deze bloei werd uiteraard voorafgegaan door een ontluiking. De nieuwe, relativistische wijze van zien tekent zich in de schilderkunst reeds twintig jaar eerder af, met name in het werk van Cézanne. Bovendien maakt de bijzondere relativiteitstheorie de werkelijkheid nog niet kenbaar als een complex energetisch veld. Deze opvatting van de werkelijkheid, die in het kubisme van 1910 gestalte krijgt, vindt haar wetenschappelijke formulering pas in de algemene relativiteitstheorie, die Einstein in 1916 voltooide.

Uit “Aldo Van Eyck”: […] Hieruit hoeft echter niet geconcludeerd te worden dat het kubisme beïnvloed werd door de relativiteitstheorie.

Page 12: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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Vasarely, Stri Neu. Some speak of colloïdal art, and make comparisons with chemical topics

11) Russell, Vasarelly, sound illusion.

Sound illusions

perception

Bridget Riley,Movement in Squares, 1961.

11) Russell, Vasarelly, sound illusion.

Sound illusions

perception

11) Russell, Vasarelly, sound illusion.

Sound illusions

perception

11) Russell, Vasarelly, sound illusion.

Sound illusions

perception

Page 13: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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Xenakis’ musical pavilion in Brussels (1958) and stochastic music.

Jack The Dripper.

12) Schrödinger, Pollock, Xenakis.

Xenakis’ musical pavilion in Brussels (1958) and stochastic music.

Jackson Pollock, Lavender Mist 1950.

12) Schrödinger, Pollock, Xenakis.

Xenakis’ musical pavilion in Brussels (1958) and stochastic music.

CD collection jazz Pollock allegedly listened to while painting. Is it art?

12) Schrödinger, Pollock, Xenakis.

Xenakis’ musical pavilion in Brussels (1958) and stochastic music.

12) Schrödinger, Pollock, Xenakis.

Page 14: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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13) Finite geometry, minimal art, discrete-tones

Jean-Marie Dendoncker (Belgium) is a carpenter – mathematician, who makes wooden models, for, for instance, an arrangement of 7

points on 7 lines, 3 by 3.

Twelve tone symmetry

Xenakis's Bohor layout

13) Finite geometry, minimal art, discrete-tones

ISISTihany2004Bukowsky

Twelve tone symmetry

Xenakis's Bohor layout

13) Finite geometry, minimal art, discrete-tones

Carlo Sequin's (Berkeley) Minimal Trefoil

Twelve tone symmetry

Xenakis's Bohor layout

13) Finite geometry, minimal art, discrete-tones

Twelve tone symmetry

Xenakis's Bohor layout

Page 15: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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14) Romanticism

Young van Beethoven; Beethoven's third symphony = “good romantic style”

J.M.W. Turner, The fighting Téméraire tugged to her last Berth to be broken, 1839.

14) Romanticism

Young van Beethoven; Beethoven's third symphony = “good romantic style”Francisco de Goya y Lucientes, The Third of

May, 1808.

Egide Charles Gustave Wappers, Episode of the Belgian Revolution of 1830, painted in 1834.

14) Romanticism

Young van Beethoven; Beethoven's third symphony = “good romantic style”

Francisco de Goya y Lucientes, The Third of May, 1808.

14) Romanticism

Young van Beethoven; Beethoven's third symphony = “good romantic style”

Théodore Géricault, Raft of the Medusa, 1839.

Page 16: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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15) Impressionism

In Claude Debussy's time, nocturnes, arabesques and preludes became fashionable.

Edgar Degas, La Classe de Danse, 1874

15) Impressionism

In Claude Debussy's time, nocturnes, arabesques and preludes became fashionable.Pierre-Auguste Renoir, Le Moulin de la

Galette, 1876

15) Impressionism

In Claude Debussy's time, nocturnes, arabesques and preludes became fashionable.Claude Monet, Impression, soleil levant, 1872

15) Impressionism

In Claude Debussy's time, nocturnes, arabesques and preludes became fashionable.

Monet’s Sunset changed to grey values: the disk of the sun had to be added.

Page 17: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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Tatlin Tower. Model of the Monument to the Third Interna-tional

16) Constructivism

Alexander Mosolov’s “Steel Foundry” introduced mechanical sounds.

16) Constructivism

Alexander Mosolov’s “Steel Foundry” introduced mechanical sounds.

Rodchenko, Stairway, 1930.

16) Constructivism

Alexander Mosolov’s “Steel Foundry” introduced mechanical sounds.

Constructivists designed of posters for every-thing from film to propa-ganda; here: photo-montage by Gustav Klutsis.

16) Constructivism

Alexander Mosolov’s “Steel Foundry” introduced mechanical sounds.

Tatlin’s tribute to the working class.

Page 18: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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17) Expressionism

Schoenberg’ s opera “Erwartung” (1909) is called expressionist because of “screaming emotions” of the main character.Constant Permeke, The Daily Bread

17) Expressionism

Schoenberg’ s opera “Erwartung” (1909) is called expressionist because of “screaming emotions” of the main character.

Edvard Munch, The Scream, 1893; forerunner of expressi-onism.

17) Expressionism

Schoenberg’ s opera “Erwartung” (1909) is called expressionist because of “screaming emotions” of the main character.El Greco, View of Toledo, 1595-1610 resembles 20th

cent. expressionism (art-historically: “mannerism”).

17) Expressionism

Schoenberg’ s opera “Erwartung” (1909) is called expressionist because of “screaming emotions” of the main character.

Above: painting by Schoenberg’s friend Kandinsky; left: painting by the composer

Schoenberg.

Page 19: An art-ificial history of mathematicsetopia.sintlucas.be/3.14/DoReMath SintL.pdf · Afrika + 2 Kunst der Füge 1) Douglas Hofstadter: “Gödel, Escher, Bach, an eternal golden braid”

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18) Continued?* Gödel Escher Bach in recent times?

Popular music?

J. Cage, 1952:4’33”

… of silence

abstract artAd Reinhardt, Painting, 1960

new realism Luc Tuymans The Perfect Table Setting, 2004

Some music is difficult to put in a box and so used here …

* education?

Going by the books? Or …

… learning intuitively, as if it were a game?

18) Continued?