Allegro Classical January 2013 New Release Book

Release Date: January 8, 2013

Order Due Date: December 18, 2012

January 2013

A d iv i s ion of Allegro MediA group

ElektraRICHARD STRAUSSNetherlands Philharmonic OrchestraToonkunst Choir AmsterdamMarc Albrecht

Live recordings by De Nederlandse Opera

PG 7

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allegro ClAssiCAl news

tOp 10 RECENt RELEASES

1. Handel & Haydn Society Mozart: Coronation Mass (CRO 16104)

2. Zimmermann & Gerstein Sonatas for Viola & Piano V2 (MYR SACD 8)

3. Belcea Quartet Beethoven: Complete String Qrts Vol. 1 (ZIG 315)

4. Ton Koopman Buxtehude: Complete Works 15: Chamber 3 (CHR 72254)

5. The Sixteen Handel: Saul (CRO 16103)

6. Philippe Herreweghe Bach: Ach susser Trost! Leipzig Cantatas (PHY 6)

7. Christiane Karg Amoretti (BER 300389)

8. Nicholas Phan Still Falls the Rain (AVR 2258)

9. Diabolus in Musica Plorer, gemir, crier (AEN 1226)

10. Halle Orchestra Wagner: Die Walkure (HLE 7531)

GRAMOpHONE RECORD OF tHE YEAR

The 2012 Gramophone Awards have been announced, and we’re delighted to report that an Allegro-distributed release won the coveted Record of the Year Award. Baroque ensemble Vox Luminis were named winners for their recording of Schütz’s Musicalische Exequien, released on the Ricercar label.

NICHOLAS pHAN IN BILLBOARD

Nicholas Phan’s newest release for Avie, Still Falls The Rain, landed at #12 on Billboard’s Traditional Classical Albums chart in its debut week!

A LAtE QUARtEt NOVEMBER pREMIERE

Just in time for the film’s premiere in November, the related aeon title has a new sticker! This release contains the music featured in the film A Late Quartet, inspired by and structured around Beethoven’s Opus 131 Quartet, starring Philip Seymour Hoffman and Christopher Walken.

tABLE OF CONtENtS

pORtLAND P: (800) 288–2007

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aeon 8Alpha 24Ancalagon Records 3Audiomax 34Avie Records 16Berlin Classics 10–11BNL 39CAvi-music 31Challenge Classics 6–8Col legno 31Delphian Records 15Delta 35Flora 36Fryderyk Chopin Institute 21Fuga Libera 26Globe 37Hallé 5Hortus 10KAIROS 25La Bottega Discantica 39

LAWO Classics 17Melodiya 18–20Meridian Records 32Musiepoca 38Nimbus Records 29Opera d’Oro 12–13Paraty 38Passacaille 33Phaedra 38PHI 4Querstand 22–23Ramée 24Red Priest Recordings 28Reference Recordings 9Ricercar 28Somm Recordings 14Summit Records 26Tactus 30Winter & Winter 32Zig-Zag Territoires 27

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Vox LuminisMusicalische exequien Cat # RCE 311 Price Code: S (SRP $18.99)Number of Discs: 1

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Nicholas phanstill falls The rain Cat # AVR 2258Price Code: Q (SRP: 15.99) Number of Discs: 1

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Brentano String Quartetlate string Quartets, op. 127Cat # AEN 1110 Price Code: S (SRP $18.99)Number of Discs: 1

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release date: January 8, 2013 Ancalagon records

Lara St. John, Scott St. John: violinsAriana Ghez: oboe

New York Bach EnsembleThe Simon Bolivar Youth Orchestra of Venezuela

J.S. BACH: Violin Concerto No. 1 in A minor, BWV 1041 • Violin Concerto No. 2 in E major, BWV 1042 • Double Violin Concerto in D minor, BWV 1043 • Concerto for Oboe and Violin in C minor, BWV 1060

“St. John’s approach to these demanding works is a combination of supple grace and power.” — Strings

“She makes the most ordinary passages come to life.” — Gramophone

Of Lara St. John’s 2001 recording of Bach’s two solo violin concertos and the double violin concerto with her brother Scott, American Record Guide said, “I can’t even think of a recording that I would name as second best to this one. This recording is in a class by itself.”

With Ariana Ghez, the principal oboist of the Los Angeles Philharmonic Orchestra, and the Simon Bolivar Youth Orchestra of Venezuela, the J.S. Bach concertos for violin are now complete with the inclusion of the oboe/violin concerto in C minor.

J.S. BACHThe violin ConcertosCat # ANC 138 Price Code: R (SRP $17.99) Number of Discs: 1 Digipak, Box Lot 35

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ALSO AVAILABLEJ.S. BACHsonatasCat # ANC SACD 139Price Code: S (SRP $18.99) Number of Discs: 1

J.S. BACHThe six sonatas & partitas for violin soloCat # ANC SACD 132Price Code: 2L (SRP $23.99) Number of Discs: 2

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release date: January 8, 2013

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phi

Collegium Vocale GentOrchestre des Champs-Élysées

Philippe Herreweghe: conductor

BEETHOVEN: Missa solemnis, Op. 123

This major work of the sacred repertoire, high on the list alongside Bach’s Mass in B minor and the Mozart Requiem, is Beethoven’s longest work and assuredly the one that demanded the most work. The composer even considered the Mass his finest work. Philippe Herreweghe shares this opinion, and judges the Missa solemnis to be one of the apogees in the history of classical music. With four

superb soloists and a refined chorus and orchestra, Philippe Herreweghe invites us to a thoroughly transcendental experience.

Ludwig van BEEtHOVENMissa solemnis, op. 123Cat # PHY 7 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 25

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ALSO AVAILABLEJ.S. BACHAch susser Trost! leipzig CantatasCat # PHY 6 Price Code: S (SRP $18.99) Number of Discs: 1

VICtORIA officium defunctorumCat # PHY 5 Price Code: S (SRP $18.99) Number of Discs: 1

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release date: January 8, 2013 Hallé

Hallé OrchestraSir Mark Elder: conductor

Rebecca Evans: sopranoAlice Coote: mezzo-soprano

Paul Groves: tenorHalle Choir & Youth Choir

ELGAR: The Apostles, Op. 49

This new release presents the oratorio planned to open the trilogy, the lesser-known and under-served work The Apostles, in a performance The Guardian described as “revelatory.” This retelling of Christ’s Passion from the viewpoint of His followers features extensive and effective use of leitmotivs and choral writing that is arguably an advance on that of Gerontius, with the work’s closing

section — depicting Christ’s Ascension to heaven — thought to be one of the most poignant ever written.

The performance benefits from extensive research by Mark Elder, including study of a proof copy of the vocal score that he matched with what Elgar himself conducted in 1921, reinstating the semichorus of nine male voices, sung here by an ensemble Elder specially

selected from the Royal Northern College of Music.

This recording is probably the first — since Elgar conducted The Apostles on September 7, 1921 at the Three Choirs Festival — to incorporate Elgar’s intentions at several points in the oratorio. Elgar included a part for a shofar, an ancient Hebrew instrument made

of ram’s horn. In most performances modern instruments imitate this, but this recording features a genuine shofar player.

Sir Edward ELGAR The ApostlesCat # HLE 7534 Price Code: 2Q (SRP $31.99) Number of Discs: 2 Double Slimline, Box Lot 25 5% pREORDER DISCOUNt

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Challenge Classics

Olga Domnina: piano

GENIN: Seven Melodies for the Dial (premiere)

A solo debut on Challenge Classics by a renowned Russian pianist! This is the world premiere recording of a piano cycle written in 2011 by Vladimir Genin, dedicated to Olga Domnina. Since moving to London and entering the Royal Academy of Music in 2007, Olga Domnina has been dividing her time between England and Italy. She has collaborated with such internationally acclaimed artists as the violinists Julian Rachlin and Viktor Tretyakov, the violist Paul Silverthorne, and the cellist Thomas Carroll.

Combattimento Consort AmsterdamJan Willem de Vriend: violin, conductor

HANDEL: Concerti grossi, Op. 6

Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances, and conductor/violinist Jan Willem de Vriend’s name is known worldwide. The artistic director of Combattimento Consort Amsterdam, since 2006 De Vriend has been the chief conductor and artistic director of the Netherlands Symphony Orchestra. He has been a guest conductor with the Netherlands Radio Philharmonic Orchestra, Netherlands Radio Chamber Philharmonic, Netherlands Philharmonic Orchestra, Hague Philharmonic, and Royal Concertgebouw Orchestra.

PLAYABLE IN ALL CD PLAYERS. For optimal sound, use compatible surround sound system.

George Frideric HANDELConcerti grossi, op. 6 [Hybrid sACd]

Vladimir GENINseven Melodies for the dial

Cat # CHR SACD 72570 Price Code: 3S (SRP $56.99) Number of Discs: 3 O-Card Jewel, Box Lot 10

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Cat # CHR 72568 Price Code: Q (SRP $15.99) Number of Discs: 1 O-Card Jewel, Box Lot 22 WORLD pREMIERE

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ALSO AVAILABLEHANDELConcerti grossi, op. 3Cat # CHR SACD 72140 Price Code: R (SRP $17.99) Number of Discs: 1

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release date: January 8, 2013 Challenge Classics

Michaela Schuster, Evelyn Herlitzius, Camilla Nylund, Hubert Delamboye, Gerd Grochowski: vocal soloistsNetherlands Philharmonic Orchestra

Toonkunst Choir AmsterdamMarc Albrecht: conductor

STRAUSS: Elektra

The first CD release of De Nederlandse Opera on Challenge Classics! Due to its immense success this was the fourth time that this production, with director Willy Decker, was repeated. It features soloists Michaela Schuster, Evelyn Herlitzius, Camilla Nylund, Hubert

Delamboye, and Gerd Grochowski. De Nederlandse Opera’s new chief conductor, Marc Albrecht, is known for his interpretations of works by Wagner and Richard Strauss, and of contemporary music. DNO has grown into one of Europe’s most prominent and

progressive opera companies under the leadership of artistic director Pierre Audi and managing director Truze Lodder.


Richard StRAUSSelektra (live 2011) [Hybrid sACd]Cat # CHR SACD 72565 Price Code: 2U (SRP $39.99) Number of Discs: 2 Book + 2 CDs, Box Lot 10

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Challenge Classics

æon

Luigi De Filippi: violin

TARTINI: Sonata No. 17 in D major • Sonata No. 4 in C major • Sonata No. 10 in B flat major • Sonata No. 15 in G major • Sonata No. 14 in G major • Sonata in A minor

Giuseppe Tartini was a legend in his lifetime, and one of the most influential figures in the golden age of the baroque era. Through the performance of violinist Luigi De Filippi on this debut CD, we catch a glimpse of Tartini’s real expression: the intense and intelligent face of a man who, although not exactly oriented towards the future, all the same moved decidedly away from the baroque era.

Eddy Vanoosthuyse: clarinet Brussels Philharmonic OrchestraPaul Meyer: conductor

CORIGLIANO: Clarinet Concerto • CARTER: Clarinet Concerto

A tribute to American music! This disc presents an opportunity to sample some of the most up-to-date American music, with two masterpieces in the concertante genre: the clarinet concertos of Elliott Carter and John Corigliano. Presented here by leading interpreters of this music, these two pieces are emblematic of the rich stylistic diversity of the American continent. John Corigliano’s Clarinet Concerto of 1977 showcases the soloist’s virtuosity. It is a highly sensitive work in which the clarinetist plays the role of a valiant hero weathering the storm: the tumultuous, tempestuous material of the orchestra. The purely melancholy power of the music sometimes recalls the most moving moments of his Violin Concerto, which served as material for François Girard’s film The Red Violin (Oscar® winner for Best Film Score, 1999).

A different style and a different way of introducing the narrative is found in Elliott Carter’s Clarinet Concerto, composed 20 years later in 1997. This piece gives the impression of a veritable musical dramaturgy, in which each instrument is treated individually. The composer also treats the concerto itself in a new way, since he sets up an alternating dialogue between the soloist and each of the instrumental groups, which are independent of each other and laid out in a semicircle. The style of the work is characterized by both virtuosity and precision in the articulations and the accents. Elliott Carter, whose 104th birthday is celebrated this year, is unquestionably one of the most inventive composers of his time.

Giuseppe tARtINIsonatas for solo violin

John CORIGLIANO & Elliott CARtERAmerican Clarinet Concertos

Cat # CHR 72561 Price Code: Q (SRP $15.99) Number of Discs: 1 O-Card Jewel, Box Lot 22

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Cat # AEN 1230 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 25

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release date: January 8, 2013 reference recordings

Kansas City Symphony OrchestraMichael Stern: conductor

ELGAR: Enigma Variations • VAUGHAN WILLIAMS: The Wasps • Greensleeves

This magnificent new symphonic recording with the Kansas City Symphony is also the premiere recording made in Helzberg Hall, in the Kauffman Center for the Performing Arts in Kansas City, Missouri. Grammy®-winning engineer Keith O. Johnson has captured this

colorful, beloved English music in brilliant HDCD sound. The Kansas City Symphony garnered tremendous critical acclaim for their first project on Reference Recordings, incidental music for The Tempest by Sullivan and Sibelius. Their second release on RR, Britten’s

Orchestra, received a Grammy® for Best Surround Sound for both the engineer and producer, as well as rave reviews everywhere, although the title is now unfortunately out of print.

This release again features Michael Stern, the son of famed violinist Isaac Stern. He is also the founder of the Iris Chamber Orchestra in Memphis, TN and, in addition to RR, has recorded for Sony, Hyperion, Denon, Arabesque, and Naxos. Producer David Frost won Grammy®

Awards in 2005, 2009, and 2011 for Classical Producer of the Year. He has produced a large roster of stars and Grammy®-winning titles.

Media Service to national and international music and audiophile press.Radio Service to all classical stations.

Social Networking and internet marketing & promotion by Rosebrook Classical.

Sir Edward ELGAR enigma variationsCat # REF 129 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 30 5% pREORDER DISCOUNt

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editions Hortus

Berlin Classics

Géraldine Dutroncy: pianoLaurent Camatte: viola

JOLAS: Quatre Duos (alto piano) • Pièce pour (piano) • Quoth the raven (version alto piano) • Pièce pour Saint-Germain (piano) • Ruht wohl (alto piano) • Épisode sixième (alto solo) • B for Sonata

Betsy Jolas’ father, poet and journalist Eugene Jolas, founded and edited the magazine Transition, which featured the greatest names of literature, painting, and music — notably James Joyce, whose entire Finnegans Wake came out in serial form under the title “ work in progress.” Thanks to her family background, Betsy Jolas was initiated at an early age to words and the recitation of words, and it was through her enthusiasm for the human voice that she was later able to temper her participation in the post-Webernian adventure of the immediate after-war. Thus, although she followed the fortunes of Pierre Boulez’s Domaine Musical in the ’60s, she was more a “fellow traveler” of serialism than an unconditional disciple. An avid contemporary music enthusiast, Géraldine Dutroncy’s encounter with Betsy Jolas in 2007 gave birth to a series of concerts devoted to her piano work.

Isang Enders: celloAndreas Hering: piano

SCHUMANN: Adagio and Allegro in A flat major, Op. 70 for horn and piano (version for cello and piano) • Fünf Stücke im Volkston, Op. 102 for cello and piano • “Mit Myrten und Rosen” from the Liederkreis by Heinrich Heine, Op. 24, No. 9 • Fantasiestücke, Op. 73 for clarinet and piano (version for cello and piano) • Andante Cantabile in A major from the Piano Quartet in E flat major, Op. 47 (version for cello and piano) • YUN: Espace I (1992) • Nore (1964)

Robert Schumann and Isang Yun speak two very different musical languages that share a common love of vocal melody. This link has a special meaning for Isang Enders, and as a “singer on the cello,” this son of a German-Korean family of musicians has chosen to place his personal stamp on his debut CD by delving into his musical and personal background. A poetic album full of surprises!

Betsy JOLASB for Betsy

Robert SCHUMANNMit Myrten und rosen

Cat # HOR 99 Price Code: R (SRP $17.99) Number of Discs: 1 Digipak, Box Lot 28

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Cat # BER 300430 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 30 5% pREORDER DISCOUNt

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release date: January 8, 2013 Berlin Classics

Berlin Symphony OrchestraKurt Sanderling: conductor

Peter Schreier: tenorBirgit Finnilä: alto

MAHLER: The Song of the Earth • Symphony No. 9 in D major • Symphony No. 10 in F sharp major (performing version prepared by Deryck Cooke)

To mark the 100th birthday of Kurt Sanderling, this informatively presented edition brings together Mahler’s late symphonic works, which the great conductor studied and lived with throughout the course of his life. Only after many years of concert performance did he

step before the microphone with his Berlin Symphony Orchestra to capture this moving music on disc.

Gustav MAHLERsymphonies 9 & 10Cat # BER 300440 Price Code: 2O (SRP $27.99) Number of Discs: 3 Triple Digipak, Box Lot 17 5% pREORDER DISCOUNt

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ALSO AVAILABLESHOStAKOVICH symphonies 1 & 6Cat # BER 21812Price Code: O (SRP $13.99) Number of Discs: 1

SIBELIUS Complete symphoniesCat # BER 20592Price Code: 4E (SRP $31.99) Number of Discs: 4

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opera d’oro

Luciano Pavarotti: tenor

Music from Verdi, Bellini, Donizetti, De Curtis, Mozart, Massenet and Tosti

Although famous for his starring roles in the most familiar operas of Verdi and Puccini, Luciano Pavarotti had a wide range of repertoire outside opera. This disc gives an introduction to the great tenor in a range of roles and genres.

Verdi is featured with the lyrical aria from Luisa Miller, the opening ensemble from La traviata, his blending in the Kyrie Eleison from the Requiem, and the way in which he could bring down the house with an aria sung in recital to piano accompaniment (“Di quella pira”). His mastery of the “bel canto” style of Italian singing is showcased in Bellini’s operas I Capuleti e i Montecchi and I Puritani, Donizetti’s Lucia di Lammermoor and La figlia del reggimento, and Rossini’s stirring Stabat Mater.

The gorgeous Italian tradition of Neapolitan song is heard in Pavarotti’s interpretations of “Non ti scordar di me” (“Don’t Forget Me”) and Tosti’s “Aprile.” Pavarotti surprised the opera world by his successful forays into Mozart in the opera Idomeneo and Massenet’s French opera Manon. Finally, his moving way with religious music is shown in Bizet’s “Agnus Dei.”


Music from Verdi, Donizetti, Puccini, Di Capua, De Curtis and Leoncavallo

This disc contains an overview of some of Pavarotti’s most famous and beloved recorded opera arias and songs, opening with a universal favorite, “La donna è mobile” from Rigoletto, followed by “Amici miei” from Donizetti’s comedy La figlia del reggimento. This aria brought down the house at Pavarotti’s Metropolitan Opera debut in 1972. Having delivered nine faultless high Cs in this one impossible aria, he received a record 17 curtain calls.

“Che gelida manina” from Puccini’s La Bohème shows Pavarotti in one of his signature roles; it would remain a standard throughout his 40-year career. The disc also features selections by Donizetti, Verdi, and Leoncavallo, climaxing in “Nessun dorma” from Puccini’s Turandot, which he had sung at the World Cup in Italy in 1990.

Luciano pavarottiThe essential performances

Luciano pavarottiAn introduction to pavarotti

Cat # OPD 6009 Price Code: C (SRP $5.99) Number of Discs: 1 Jewel Case, Box Lot 305% pREORDER DISCOUNt

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Cat # OPD 6010 Price Code: C (SRP $5.99) Number of Discs: 1 Jewel Case, Box Lot 305% pREORDER DISCOUNt

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release date: January 8, 2013 opera d’oro


Music from Beethoven, Bellini, Liszt, Mascagni, Donizetti,Tosta, Respighi, Verdi and Schubert.

With one exception, all the numbers on this recording are from the non-operatic repertoire for which Pavarotti was famous on the recital stage, a venue far more intimate than the opera house. The earliest selection is Beethoven’s moving “In questa tomba oscura,” the lament of a forsaken lover. Sorrow also pervades a song by Bellini, and “Pace non trovo” by Franz Liszt. The mood then lightens with Mascagni’s “Serenata” and the rollicking “Il barcajuolo” of Donizetti.

The Neapolitan style is further exemplified in selections by Tosti and Bixio. More songs by Bellini are followed by three of Ottorino Respighi, one of the few Italian composers more famous for his orchestral pieces than his vocal works. A famous aria from Verdi’s opera Il trovatore is surprisingly transformed into a recital song with piano accompaniment, and the program concludes with Schubert’s universally beloved “Ave Maria.”

Luciano Pavarotti: tenorRenata Scotto: sopranoMirella Freni: sopranoGundula Janowitz: sopranoMontserrat Caballé: sopranoFiorenza Cossotto: mezzo-soprano

Music from Verdi, Donizetti, Mozart and Bellini

This disc presents Pavarotti in duets with several of the great ladies of opera. Renata Scotto was noted for the beauty of her voice, her intelligence, and total immersion in the Italian operatic idiom. Pavarotti had sung Rigoletto with her in Florence in 1966, as heard here, and a year later Lucia di Lammermoor in Turin, again represented on this disc. One of his great early triumphs onstage occurred opposite Scotto in Rome in 1969, and she would remain a frequent colleague throughout the years.

Also on this disc, Mirella Freni is heard in characteristic selections from operas by Donizetti and Bellini. German soprano Gundula Janowitz is a perfect match in Mozart’s Idomeneo, and the disc is rounded out with duets with the legendary soprano Montserrat Caballé in Verdi’s Luisa Miller, and the great mezzo Fiorenza Cossotto in Donizetti’s La Favorita.

Luciano pavarottipavarotti and the divas

Luciano pavarottiThe intimate pavarotti

Cat # OPD 6011 Price Code: C (SRP $5.99)

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Cat # OPD 6012 Price Code: C (SRP $5.99)



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soMM recordings

Mark Bebbington: piano

IRELAND: The Towing Path • Three Pastels • In Those Days • Leaves from a Child’s Sketchbook • Meine Seele • The Epic March (premiere) • Pastoral • Month’s Mind • On a Birthday Morning • Columbine • Equinox

With the final volume of SOMM’s four-volume series of the complete piano music of John Ireland, we reach the end of our fabulous journey through the composer’s piano music. Like most of the repertoire on volumes 1–3, this music was recorded in the sumptuous acoustic of Birmingham’s Symphony Hall with Mark Bebbington, SOMM’s favorite artist.

This year is the 50th anniversary of John Ireland’s death, and he has been celebrated far and wide, both during the BBC Proms and extensively through the press and BBC Radio. Recording Ireland’s complete œuvre for the piano has been enormously rewarding, and also gave SOMM the chance to discover and add a few premieres along the way — on this CD, the instrumental version of “The Epic March.”

Orchestra of the SwanApril Fredrick: sopranoDavid Curtis: conductor

COPLAND: Quiet City • Eight Poems of Emily Dickinson • BARBER: Knoxville: Summer of 1915, Op. 24 • Capricorn Concerto, Op. 21 • GERSHWIN: Summertime

This CD showcases the spectacular voice of American soprano April Fredrick. SOMM first heard her in concert singing the songs of Ivor Gurney, which she studied closely as part of her MMus in Vocal Performance at the Royal Academy of Music. The label unhesitatingly recommended April to David Curtis, conductor of the Orchestra of the Swan, who enthusiastically engaged her for several concerts. This recording, which took place during a concert at the Civic Hall in Stratford last year, was her debut with the Orchestra of the Swan.

Orchestra of the Swan are becoming a favorite of classical radio stations across the US, and their performances are regularly heard on the nationally syndicated program Performance Today on over 260 stations nationwide. Their discs have been named “Disc of the Month” and “Best of the Year” at WFMT Chicago, “Disc of the Week” at WETA Washington DC, and they are perennial favorites on WQXR New York. The orchestra has received rave reviews and major features in the New York Times, Washington Post, American Record Guide, Fanfare, Indianapolis Star, and Dallas Morning Post, among others.

Orchestra of the SwanMusic by Copland, Barber & gershwin

John IRELANDThe piano Music, vol. 4

Cat # SMM 118 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 25 5% pREORDER DISCOUNt

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Cat # SMM 115 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 25 5% pREORDER DISCOUNt INCLUDES WORLD pREMIERE

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release date: January 8, 2013 delphian records

Tewkesbury Abbey Schola CantorumCarleton Etherington: organBenjamin Nicholas: director

RUTTER: Lord, thou hast been our refuge • Dormi, Jesu • This is the day • Carol of the Magi • As the bridegroom to his chosen • The Lord is my shepherd • Ave Maria • The Lord bless you and keep you • A Prayer of Saint Patrick • Hymn to the Creator of Light •

Wells Jubilate • God be in my head • The Gift of Charity • There is a flower • A Choral Amen

For his final recording with the Tewkesbury Abbey Schola Cantorum, Benjamin Nicholas celebrates Britain’s best-loved living composer, John Rutter. This program explores the full range of the composer’s output, from “The Lord is my shepherd” and “Lord, thou hast

been our refuge” to his most recent piece “This is the day,” written for the marriage of Prince William and Kate Middleton. Rutter’s rare communicative gifts are given a special glow by the refulgent acoustic of Tewkesbury Abbey and the choir’s luminous singing.

Advertising in Gramophone and BBC Music Magazine.

John RUttERThe Tewkesbury CollectionCat # DPH 34107 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 25 5% pREORDER DISCOUNt

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ALSO AVAILABLEStANFORDChoral MusicCat # DPH 34087Price Code: R (SRP $17.99) Number of Discs: 1

W.A. MOZARtCoronation Mass in CCat # DPH 34102Price Code: R (SRP $17.99) Number of Discs: 1

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Avie records

The Benvenue Fortepiano TrioMonica Huggett: violinTanya Tomkins: celloEric Zivian: pianoAdam LaMotte: viola

SCHUMANN: Piano Trio No. 2 in F major, Op. 80 • Kinderszenen, Op. 15 • Piano Quartet in E flat, Op. 47

“Great music will always transcend its own and any other period. That it does it so richly here is due in strong part to the fact that these are not only born but practiced conversationalists.” — BBC Music Magazine HHHHH

The Benvenue Fortepiano Trio’s acclaimed accounts of Schumann’s First and Third Piano Trios opened the ears of chamber music devotees with the crystalline textures of its period instruments and the drawing-room intimacy of its interpretations. Anchored by the enterprising violinist Monica Huggett, who has produced numerous chart-topping recordings and a Grammy® nomination for Avie Records, the Trio completes Schumann’s canon for the genre, complimenting the Second Trio with the Piano Quartet and casting the spotlight on Eric Zivian and his mellifluous 1841 instrument with his rendition of Schumann’s beloved “Kinderszenen.”

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Luiza Borac: pianoAcademy of St. Martin in the FieldsJaime Martin: conductor

LIPATTI: Concertino in classical style, Op. 3 for piano and chamber orchestra (1936, dedicated to Florica Musicesco) • Sonatine for the left hand (1941) • Piano Sonata in D minor (1932) (premiere) • Motto: Musica este limbagiul zeilor – ‘Music is the Language of Gods’ (1932) • Nocturne in F sharp minor, Op. 6 (dedicated to Clara Haskil) • Nocturne in A minor on a Moldovan theme • Fantaisie, Op. 8 (1940, dedicated to Madeleine Cantacuzène) (premiere) • ALBENIZ: Navarra, trans. Lipatti (premiere) • J.S. BACH: Pastorale in F, BWV 590 trans. Lipatti • Was mir behagt ist nur die muntre Jagd!, BWV 208 by J.S. Bach, trans. Lipatti

“A fabulously gifted young pianist.” — BBC Music Magazine

Pianist Luiza Borac is the most dedicated champion of music from her native Romania, recognized with a BBC Music Magazine Award for her artistry and advocacy of the piano canon of Georges Enescu. She now turns to another compatriot, best known as one of the greatest pianists of the 20th century: Dinu Lipatti. The rarities that Luiza has unearthed for this two-disc set feature a number of world premiere recordings including Lipatti’s first Piano Sonata, an arrangement of Albeniz’s “Navarra,” and the complex “Fantasie.”

Print Advertising in Gramophone, BBC Music Magazine, Listen, International Piano, and Pianist.Features Expected in International Piano and Pianist.Target Classical Radio for airplay.E-blast to Avie mailing list (c. 5,000).

Dinu LIpAttIpiano Music of dinu lipatti

Robert SCHUMANNpiano Trio no. 2

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17

release date: January 8, 2013 lAwo Classics

Kare Nordstoga: organ

BACH: Concertos and Chorale Preludes

Bach on the Silbermann cathedral organ in Arlesheim, Switzerland, performed by Oslo Cathedral organist Kåre Nordstoga! Andreas Silbermann, brother of the more famous organ builder Gottfried Silbermann, originally built this organ. The cathedral’s acoustics are superb, and although the organ has been rebuilt over the years, it still has the unique warmth and clarity of sound that was the hallmark of the baroque masters. On the first of the two CDs, we find all of Bach’s transcriptions for organ. Three are Bach’s arrangements of violin concertos by Antonio Vivaldi, and Prince Johann Ernst of Saxe-Weimar originally wrote two others. He died at age 21, and is perhaps best remembered by music historians because Bach — while he was organist at the ducal court in Weimar — transcribed the compositions for organ and cembalo. The second disc contains Bach’s famous Good Friday partita “Sei gegrüsset, Jesu gütig,” as well as many of the chorale arrangements not belonging to collections published in Bach’s time.

Marianne Beate Kielland: mezzo-sopranoNils Anders Mortensen: piano

BERG: Fraue, Du Süsse • Über Den Bergen • Tiefe Sehnsucht • Er Klagt, Daß Der Fruhling So Kortz Bluht • Augenblicke • Winter • Am Strande • Traurigkeit • Hoffnung • Spaziergang • Flötenspielerin • Erster Verlust • Leukon • SCHÖNBERG: Erwartung • Jesus Bettelt/Schenk Mir Deinen Goldenen Kamm • Erhebung • Waldsonne • WEBERN: Tief Von Fern • Aufblick • Blumengruss • Bild der Liebe • Sommerabend • Heiter • Der Tod • Heimgang in der Frühe

Berg, Webern, and Schönberg all inhabited a borderland between tonality and atonality. This CD from LAWO Classics is entitled Früh because the works date from an early period in the career of each of the three composers, and they are extraordinarily beautiful. A break with tonality is imminent, but the music is still firmly anchored in the tonal tradition. The songs are seldom performed, and there are few recordings of the material. Thus, it is all the more satisfying to present Grammy® nominees Marianne Beate Kielland and Nils Anders Mortensen with this magnificent late Romantic repertoire (2011, Best Classical Vocal Solo).

Marianne Beate Kiellandfrüh: Berg, schönberg & webern

J.S. BACHConcertos and Chorale preludes

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18

Melodiya

The USSR Ministry of Culture Symphony Orchestra Gennady Rozhdestvensky: conductor

SHOSTAKOVICH: Symphony No. 7 in C major, Op. 60 “Leningrad”

Melodiya presents a recording of Dmitri Shostakovich’s famous opus, performed by one of the best interpreters of his music. Composed in the first months of the Great Patriotic War, Shostakovich’s Symphony No. 7 became a symbol of the struggle against fascism; its most memorable performances took place in Moscow, New York, London, and Buenos Aires, but its premiere in beleaguered Leningrad in Autumn 1942 was of the utmost importance. This bright and tragic music has not lost any of its emotional power and topicality; it sounds as a protest against totalitarianism, violence, and suppression of human personality and that was exactly how it sounded in the interpretation of outstanding conductor Gennady Rozhdestvensky in 1986, when Shostakovich’s homeland was again on the threshold of great change.

Rodion Shchedrin: piano, organ

SHCHEDRIN: 24 Preludes and Fugues for Piano Volume I (I–XII) “Sharp keys” • 24 Preludes and Fugues Volume II (XIII–XXIV) “Flat keys” • The Polyphonic Book, 25 polyphonic preludes • Musical offering (for the 300th anniversary of J.S. Bach’s birth)

Rodion Shchedrin embarked on a composing career at the dawn of the second half of the 20th century, and since then has been actively creative. Shchedrin is the happy owner of a gift that combines a topical music language with traditional elements of Russian music culture, which let him easily fit in with the global music space and, at the same time, remain an artist with strongly pronounced national attributes of style. While Shchedrin has created remarkable works in virtually all music genres, his relations with piano music are special. A student of the famous professor Yakov Flier, who was a brilliant soloist and teacher, Shchedrin continues the glorious traditions of the Russian school. His concert performances and recordings of his own works have always been bright events, and have attracted the attention of thousands of music lovers.

Rodion SHCHEDRINshchedrin plays shchedrin

Dmitri SHOStAKOVICHsymphony no. 7 “leningrad”

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19

release date: January 8, 2013 Melodiya

Leningrad Philharmonic OrchestraEvgeny Mravinsky: conductor

TCHAIKOVSKY: Francesca da Rimini (Fantasy after Dante), Op. 32 • Capriccio Italien, Op. 45 • Serenade for String Orchestra, Op. 48

Recorded from the 1940s to the 1970s, Melodiya offers a wonderful gift for all admirers of Russian music culture: Tchaikovsky’s symphonic works performed by the Leningrad Philharmonic Orchestra conducted by Evgeny Mravinsky. It is impossible to imagine the Orchestra — and perhaps the entire domestic music culture of the 20th century — without Mravinsky. For more than half a century, he was at the head of the orchestra and turned it into one of the best symphony collectives in Europe, receiving worldwide recognition. The repertoire of Mravinsky and his orchestra was broad and diverse, but the maestro’s highest achievements were associated with music of Shostakovich and Tchaikovsky. Mravinsky performed and recorded Tchaikovsky’s last three symphonies, concertos, ballet suites, and other symphonic works for dozens of times, much to the delight of listeners in Moscow, Leningrad, Vienna, Prague, Milan, London, and other European cities.

Sviatoslav Richter: piano

J.S. BACH: The Well-Tempered Clavier, Book II

Johann Sebastian Bach’s cycle of preludes and fugues, The Well-Tempered Clavier, holds a very special place in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is literally an encyclopedia of polyphonic art and the desk book of every thinking musician. The work gives plenty of play to every different performer’s interpretations; none of the significant musical works have caused as many debates about the way they should be interpreted! In the words of pianist Sviatoslav Richter, “When I set to The Well-Tempered Clavier, I get always consumed with desire not to exclude any sides for the sake of one narrow and dogmatic position … I am convinced that Bach can be played differently, with different articulation and different dynamics. So long as the whole is preserved, so long as the strict contours of style are not distorted, so long as the performance is convincing enough.”

J.S. BACH The well-Tempered Clavier, Book ii

pyotr Il’yich tCHAIKOVSKYsymphonic works

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Melodiya

Dmitri SHOSTAKOVICHSonata for violin & Sonata for viola

Oleg Kagan: violin/Yuri Bashmet: viola/Sviatoslav Richter: piano

SHOSTAKOVICH: Sonata for Violin and Piano, Op. 134 • Sonata for Viola and Piano, Op. 147

This disc features two of Shostakovich’s chamber opuses performed by two of the best musicians of the 1980s: Oleg Kagan and Yuri Bashmet. Behind the piano is the great Sviatoslav Richter, who was involved in the premiere of the violin sonata in 1968 and performed the viola sonata with Bashmet more than 30 times.

Ludwig van BEETHOVENComplete Piano Sonatas Maria Grinberg: piano

BEETHOVEN: Complete Piano Sonatas

One of the greatest albums in Soviet recording history is now reborn on CD! Maria Grinberg was a remarkable pianist and the last student of the great Felix Blumenfeld. Unlike her classmate Vladimir Horowitz, she did not enjoy great fame, she was generally not allowed to go abroad, and the number of recordings she made was not large. However, contemporaries who were lucky enough to hear both pianists compared her manner with Horowitz and outstanding piano teacher Heinrich Neuhaus noted the “earnestness” and “noble concentration of thoughts and feelings” in her playing.

Modest MUSSORGSKYSymphonic Works

USSR State Academic Symphony Orchestra/Evgeny Svetlanov: conductor

MUSSORGSKY: Scherzo in B major • Intermezzo in modo classico • Night on Bald Mountain • Solemn March (The Capture of Kars) • Pictures at an Exhibition

Today, Modest Mussorgsky — who was passed over for fame when he was alive, who perplexed even his distinguished peers and comrades — is one of the recognized geniuses of the 19th century. Here, Mussorgsky’s compositions are performed by the USSR State Academic Symphony Orchestra conducted by Evgeny Svetlanov, a recognized master of interpretation of the Russian symphonic music.

Various Artists Anthology of Piano Music by Russian and Soviet Composers, Part 2 Ekaterina Mechetina, Vyacheslav Gryaznov, Nikita Mndoyants: piano

RODION SHCHEDRIN: Sonata No. 2 (1996) • ALEXANDER TCHAIKOVSKY: Sonata No. 2, Op. 85 (2006) • VLADIMIR RYABOV: Six Bagatelles, Op. 46 (1991) • NIKITA MNDOYANTS: Variations on a theme by Paganini (2007)

Melodiya presents part two of the Anthology of Piano Music by Russian and Soviet Composers, which demonstrates the musical trends of the last decades. The featured authors are Rodion Shchedrin, Vladimir Ryabov, and Alexander Tchaikovsky. Despite all the differences between them, they have one thing in common: a synthesis of very different, at times contrary, musical traditions, styles, and directions.


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21

release date: January 8, 2013 fryderyk Chopin institute

Alex Szilasi: piano

CHOPIN: Nocturnes Nos. 9, 15, 27, 32, 37, 48, 62

A Hungarian pianist whose links with Chopin extend from preparing editions of his music to performing his works on historical instruments, Alex Szilasi’s awards include Best Soloist from Hungarian Radio (1991), the Ferenc Kölcsey Cultural Prize (2005), and Classical Musician of the Year from both the Hungarian Academy (2007) and the Hungarian classical and jazz magazine Gramofon (2008). This is the Fryderyk Chopin Institute’s first release of Szilasi’s recordings of Chopin nocturnes with the unique sound of a Pleyel upright piano from 1847. Recorded at the Witold Lutosławski Concerto Studio of Polish Radio, Warsaw, February 2012.

Akiko Ebi: piano

CHOPIN: 24 Preludes, Op. 28 • 4 Impromptus

Japanese pianist Akiko Ebi, winner of the Grand Prix in the International Marguerite Long Competition and Fifth Prize in the Chopin Competition in Warsaw in 1980, is regarded as an outstanding interpreter of French music. In the series The Real Chopin, she was the first to choose the oldest Erard piano in the Fryderyk Chopin Institute’s collection of historical instruments, dating from 1838. This disc features the whole Opus 28 set of Preludes, as well as Chopin’s four Impromptus. Recorded at the Witold Lutosławski Concerto Studio of Polish Radio, Warsaw, June 2011.

Frédéric CHOpIN24 preludes, op. 28

Frédéric CHOpINnocturnes

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Querstand Mechthild WinterCembalo: Inspiration & Originality Mechthild Winter: harpsichord

D’ANGLEBERT: Deuxième Suite in G • J.S. BACH: Französische Suite in C minor, BWV 813 • Chromatic Fantasy and Fugue in D minor, BWV 903 • Italian Concerto, BWV 971 • FROBERGER: Toccata No. 5 in D minor • VIVALDI: Concerto in D major • Transcription of BWV 973 by J.S. Bach

The first solo CD from experienced Leipzig-based harpsichordist Mechthild Winter on the Querstand label is played on a harpsichord built after a famous old Ruckers instrument, which was enlarged in the early 18th century and thus perfectly fits most of the repertoire here.

Franz SCHMIDTPiano Concerto & Concertante Variations

MDR Symphony Orchestra/Fabio Luisi: conductor/Carlo Grante: piano

SCHMIDT: Concertante Variations on a Theme by Beethoven for Piano and Orchestra • Concerto in E flat for Piano (left hand) and Orchestra

The sixth CD in the MDR Edition series, featuring works by Franz Schmidt, contains a unique repertoire: Schmidt’s piano concertos “for the left hand.” Both works are dedicated to famous pianist Paul Wittgenstein, who had lost his right arm during World War I and developed a unique style of playing with only his left hand. This disc features splendid musicianship by Fabio Luisi and the MDR Symphony Orchestra, with the solo part played by Carlo Grante, one of today‘s best Italian pianists.

Gustav MAHLERSymphony No. 4

MDR Symphony Orchestra/Fabio Luisi: conductor/Sandra Trattnigg: soprano

MAHLER: Symphony No. 4 in G major

This new release, part of the MDR Edition series, presents the next portion of Querstand’s “series within a series” dedicated to the works of Gustav Mahler. Features splendid musicianship by the MDR Symphony Orchestra and its famous conductor Fabio Luisi, as well as promising Austrian soprano Sandra Trattnigg.

Cat # QUE 1217 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 25

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release date: January 8, 2013release date: January 8, 2013 Querstand

Gewandhaus Orchestra LeipzigPaul Schmitz: conductor Gustav Brecher: conductor

A collection of works by Weber, Wagner, Mozart, Verdi and Beethoven

This second CD in the series featuring historical recordings by the Gewandhaus Orchestra Leipzig contains recordings from 1929 to 1945, most of them published for the first time, including one of the earliest known recordings in the Large Hall of the Second Gewandhaus (the “Freischütz” Overture, recorded in 1929). The release also contains some extremely rare recordings in the New Theater Leipzig, which allow the listener to study the acoustics of this theater, which was destroyed in WWII. Special packaging features a beautiful hardcover book, slightly larger than the size of a DVD case, with texts in English and German.

Gewandhaus Orchestra Leipzig Herbert Blomstedt: conductor

BRUCKNER: Symphony No. 2 in C minor

The ninth SACD in the Bruckner cycle with Herbert Blomstedt and the Gewandhaus Orchestra Leipzig marks the completion of this series, just in time to celebrate Blomstedt’s 85th birthday in 2012! The Symphony is performed in the early version from 1872, which was just edited and published in 2005. The booklet contains detailed information about this early version, which has not been published in such a context before.


Anton BRUCKNERsymphony no. 2 [Hybrid sACd]

Gewandhaus Orchestra Leipzigedition gewanshausorchester, vol. 2

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BRUCKNERsymphony no. 4Cat # QUE SACD 1018 Price Code: U (SRP $19.99) Number of Discs: 1

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24

Alpha

raméeJean-Marie LECLAIRViolin Concertos, Op. 7

Les Muffatti/Peter Van Heyghen: director/Luis Otavio Santos: violin

LECLAIR: Violin Concertos, Op. 7

Few French musicians of the 18th century were as appreciated during their lifetime as the virtuoso violinist Jean-Marie Leclair. Three years after his tragic death — he was murdered in 1764 by a jealous nephew — Charles Henry de Blainville remembered him as “the Corelli of France.” In 1754, Friedrich Wilhelm Marpurg placed Leclair on the level of Telemann, Handel, and members of the Bach family in terms of harmony and counterpoint; for Francesco Galeazzi in 1790, he was the sole Frenchman on the list of principal masters of the violin in 18th-century Europe, alongside such major names as Corelli and Vivaldi. His Violin Concertos, Op. 7 are presented here by brilliant violinist Luis Otavio Santos (winner of a Diapason d’Or for his album of Leclair sonatas released by Ramée) and Les Muffatti, under the magic wand of Peter Van Heyghen.

Le Poème HarmoniqueOstinato Le Poème Harmonique/Vincent Dumestre: director BRICEÑO: Danza De La Hacha • FASOLO: Lamento Di Madama Lucia, Con La Riposta Di Cola • Bergamasca • La Barchetta Passagiera • Ciaccona: Acceso Mio Core • Serenata... Carnevale: Ballo Di Tré Zoppi • Tono Françes: Ay Amor Loco • JOHNSON: Sellengers • Wakefield on a green • ANONYMOUS: Uponla mi re • JACARA: Para Tener Noche buena • Gaitas • SEGUIDILLA: Dime Que Te Quejas • Pasacalle: Que Tenga Yo A Mi Mujer • MONTEVERDI: Lamento Della Ninfa II • ROBINSON: Twenty waies upon the bells • Españoleta The Ostinato literally went through ages … it’s a musical process founded on the repetition of a rhythmic, or melodic, or harmonic formula. It’s the “weft” of passacaglias, ciacconas, and of very popular works such as Ravel’s Boléro or Pachelbel’s Canon. The process also inspired a lot of pop musicians, and minimalist American composers. Now, Vincent Dumestre has chosen the theme of “Ostinato” to showcase some of the best Le Poème Harmonique recordings.

Robert SCHUMANNSchumann Project: Complete Piano Solo Music Eric Le Sage: piano SCHUMANN: Complete Solo Piano Works Winner of the Prix de l’Académie Charles Cros, this set brings together Robert Schumann’s complete works for solo piano. This great cycle benefited from having been recorded in the unique acoustics of La Chaux-de-Fonds, Switzerland, by Jean-Marc Laisné. Sales of the 13 CDs comprising this set have exceeded 20,000 copies around the world. This complete recording is now acknowledged as a reference and, at the same time, an important step in the artistic life of pianist Eric Le Sage.

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release date: January 8, 2013 KAiros

Klangforum WienStefan Neubauer: clarinetGertrude Rossbacher: violaEnsemble KontrapunktePeter Keuschnig: conductorTonkünstler-Orchester NiederösterreichAndrés Orozco-Estrada: conductorChorus sine nomineJohannes Hiemetsberger: choirmaster

RESCH: Collection Serti • Figuren • Ein Garten • Pfade, die sich verzweigen • Cantus Firmus

Gerald Resch, born in 1975 in Austria, developed his economical approach to composition during his studies with Beat Furrer in Graz. Expanding upon this, Resch commented, “Encounters, junctures, and abstract patterns are all able to inspire the beginning of a composition. I like superimpositions, unforeseen changes of perspective, and hidden symmetry. I also like to invent logical but surprising developments of simple material.” This release demonstrates his preoccupation with plastic forms in “Cantus Firmus,” with the perception of nature in “Ein Garten,” and with the omnipresence of a burdensome, loaded tradition.

Neue Vocalsolisten StuttgartArditti QuartetHannah Weirich: violaErik Borgir: celloSusanne Leitz-Lorey: sopranoAndreas Fischer: bass

RONCHETTI: Hombre de mucha gravedad • Pinocchio, una sotria parallela • Hamlet’s Mill • Anatra al sal

Lucia Ronchetti is an Italian composer of contemporary music, whose work comprises both avant-garde virtuosity and a close relationship to tradition. The works on this release demonstrate her unique approach to musical theater and vocal music, performed by the superb a cappella group Neue Vocalsoloisten Stuttgart, who have long collaborated with the composer.

Lucia RONCHEttIdrammaturgie

Gerald RESCHCollection serti

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fuga libera

summit recordsMark HetzlerThree Views

Mark Hetzler: trombone/Jessica Johnson: piano/Martha Fischer: piano/Anthony Di Sanza: percussion/Todd Hammes: percussion/Sean Kleve: percussion

RUSH: Rebellion • Inner Rebellion • VAYO: Climb • STEPHENSON: New England Scenes • LLINAS: Walking Dreams • HETZLER: Three Views of Infinity

On this epic musical journey, Mark Hetzler and friends explore a diversity of styles and cultural influences with an exhilarating program for trombone, piano, and percussion. Marked by American Record Guide as one of the world’s greatest trombone players, Mark Hetzler is a veteran musician who was previously a member of the Empire Brass Quintet. He has performed in recital and as a soloist with symphony orchestras in China, Japan, Hong Kong, Taiwan, Germany, Italy, Austria, Malaysia, Singapore, Bermuda, St. Bartholomew, and across the United States.

Yu-Chien TsengFrench Violin Sonatas Yu-Chien Tseng: violin/Inga Dzektser: piano

FRANCK: Sonata for violin and piano in A major, M. 8 • DEBUSSY: Sonata for violin and piano, L. 140 • Clair de lune • RAVEL: Sonata for violin and piano No. 2 in G major

Fuga Libera is happy to announce the beginning of a collaboration with young Taiwanese violinist Yu-Chien Tseng, Fifth Prize winner of the Reine Elisabeth Violin Competition. During that competition, Yu-Chien Tseng managed to convince both the jury and the audience (winning both audience prizes) with his personal, poetic interpretations of pieces such as the Brahms Concerto and Ravel’s Violin Sonata. For his first recording he has chosen a few of his favorite violin sonatas, recorded in the magnificent Flagey Concert Hall in Brussels. His “partner in crime” is Russian pianist Inga Dzekster, whom he met at the Tchaikovsky Competition.

César FRANCKSymphony in D minor Liège Royal Philharmonic Orchestra/Christian Arming: conductor

FRANCK: Symphony in D minor • Ce qu’on entend sur la montagne • Hulda, Ballet allégorique

Fuga Libera is pleased to present Christian Arming, the new conductor and artistic director of the Liège Royal Philharmonic Orchestra. For this recording project with Liège, the Austrian conductor gives his point of view on the musical spirit of the Franco-Belgian composer César Franck. Opening the disc is the great Symphony in D minor, followed by two rare works: the symphonic poem “Ce qu’on entend sur la montagne” and the ballet music from the opera Hulda.

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27

release date: January 8, 2013 Zig-Zag TerritoiresW.A. MOZARTPieces for two pianos

Alexei Lubimov: piano/Yury Martynov: piano

MOZART: Sonata in D major, KV 448 • Second Quartetto, arranged for two harpsichords by I. Pratsch

Two Zig-Zag artists unite for a disc that includes an original Mozart work (the Sonata in D major) as well as transcriptions for two pianos. Recorded on two historic instruments from the collection of Edwin Beunk, this is an operatic and symphonic conversation. It is also an illustration of the highly fruitful collaboration of two singular pianists as well as a new recording featuring Yury Martynov, who earned a Choc de Classica for his Beethoven & Liszt disc.

J.C. BACHZanaida

Opera Fuoco/David Stern: director

J.C. BACH: Zanaida

After a long war, Turkish emperor Soliman and Persian sophi Tamasse decide to seal the peace between their two countries and, to this end, exchange hostages. The preliminary treaty stipulates that, in order to make this alliance solid, Tamasse will wed Zanaida, Soliman’s daughter. Meanwhile, the sophi falls in love with Osira, a Persian hostage sent by the emperor. This is where the action of this opera begins, the plot skillfully mixing Tamasse’s infidelity, Zanaida’s magnanimity, and Osira’s ambition. It is a particularly appealing opera by the fourth and last of Johann Sebastian’s sons, whose life was atypical for a Bach, for he carried out his career not in Germany but in Italy and England.

Ensemble 415Italian Baroque Sonatas & Concertos

Ensemble 415/Chiara Banchini: director/Gli Incogniti/Amandine Beyer: director

A collection of sonatas and concertos by baroque composers

This set brings together recordings of Italian music by Chiara Banchini and Amandine Beyer. It is symbolic of a filiation between the two artists, Amandine Beyer having succeeded Chiara Banchini as professor of Baroque violin at the Schola Cantorum in Basle, Switzerland. The release follows Amandine Beyer’s recording of Bach’s Sonatas for solo violin as well as Chiara Banchini’s recording of his Sonatas for violin and keyboard, both of which received a Diapason d’Or. The set includes the re-release of Vivaldi’s Four Seasons by Amandine Beyer.

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28

ricercar

red priest recordingsPiers AdamsShine and Shade

Piers Adams: recorder/Julian Rhodes: piano

FULTON: Scottish Suite • RUBBRA: Meditazione Sopra Coeurs Désolés • BOWEN: Sonata, Op. 121 • BERKELEY: Sonatina • GREGSON: Three Matisse Impressions • DODGSON: Shine and Shade • SWANN: Rhapsody from Within

It is arguably only in the 20th century that the recorder has found its true expressive voice. The music on this album is a testimony to the shining brilliance and soulful emotion that can be coaxed from a simple pipe, much of which would not exist without the pioneering work of the late Carl Dolmetsch, who commissioned over 50 new pieces for his annual Wigmore Hall recitals between 1939 and 1989. This program includes five of the best works from this important collection, together with two others of similar merit, to produce a disc that places the recorder firmly in the musical mainstream.

Adriaen WILLAERTChansons, Madrigali, Villanelle Romanesque/Philippe Malfeyt: lute, bass lute, chitarrone, percussions, director WILLAERT: Qual dolcezza giamai • Zoia zentil • Dessus le marché d’Arras • Allons, allons gay • Quante volte diss’io • Vecchie letrose • Chi la dira • E se per gelosia • Un giorno mi prego • Cingari simo • Joyssance vous donneray • Arousez vo violette • Ricercar X • Occhio non fu • ATTAIGANT: Dessus le marché d’Arras • TERZI: Canzon (Allez mi faut) di Adriano • VALENTE: Chi la dira dissminuita • CABEZON: Tiento IV sobre Qui la dira • BASSANO: A la fontana • WILLAERT-ABONDANTE: O quando a quando havea • BONIZI: Joyssance • WILLAERT-PISADOR: O bene mio famm’uno favore To celebrate Adriaen Willaert’s anniversary, this recording of the composer’s secular repertoire gives us a very different vision of his work compared to his religious music, previously illustrated by the Vespro della Beata Vergine recording (RCE 325). Recorded by Romanesque in 1994, this CD offers a lot of pleasure — and there is no competition in the market for this recording!

François COUPERINComplete Sonatas

Les Dominos/Florence Malgoire: violin, director COUPERIN: La Convalescente (premiere) • La Pucelle • La Steinquerque • La Sultane (Sonate en quatuor) • L’Astrée • La Superbe • La Visionnaire

After the success of a CD devoted to the sonatas of Elisabeth Jacquet de la Guerre, Florence Malgoire’s ensemble Les Dominos explores the first French sonatas. All of these works date from the 1680s, when the French had just discovered the Italian sonata style and had begun to use it, albeit in some secrecy. This recording contains the complete sonatas of François Couperin, four of which are the original versions of sonatas that Couperin would later make use of in Les Nations. It is the first recording to present the sonatas in their entirety, in particular because the sonata “La Convalescente” appears on record for the very first time. The sonata was discovered only recently in a manuscript copy in Germany.

Cat # RPR 10 Price Code: Q (SRP $15.99) Number of Discs: 1 Jewel Case, Box Lot 25 5% pREORDER DISCOUNt

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Cat # RCE 331 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 25

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29


nimbus Alliance

nimbus records

BarluathSource

Barluath/Ainsley Hamill: vocals/Eilidh Firth: fiddle/Edward Seaman: bagpipes/Colin Greeves: bagpipes/Alistair Iain Paterson: piano, glockenspiel

TRADITIONAL: The Fox Hunter • The Lambs on the Green Hills • Devil in the Kitchen • Crò Chinn t-Sàile (The Fold of Kintail) • PATERSON: The Pentland Incident • TRAD./HAMILL: Ora Turais (Prayer for Travelling) • BLAKE: Billy Gray • HAMILL: The Selkie • FIRTH/GREEVES: The Trooper and the Maid • MACDONALD: The Poshability

On a cold night in January 2010, a group of four musicians from the Royal Conservatoire of Scotland gathered to sound check for their first gig. Colin Greeves had recruited childhood friend Eddie Seaman, and they were joined by Ainsley Hamill and Alistair Iain Paterson to play Partick Folk Club’s annual Burns Supper. They invited Eilidh Firth to join the band for their first tour of Scotland in Summer 2011, and with this exciting combination of musicians they have wowed audiences from Portmahomack to Washington DC.

Franz SCHUBERTDi Sheyne Milnerin: Schubert’s cycle of love forlorn retold in Yiddish song

Mark Glanville: bass-baritone/Alexander Knapp: piano

WARSCHAWSKY: The miller’s tears, Op. 11, No. 12 • GEBIRTIG: Reyzele • TRILLING: You shine like the sun • CHEN: My beloved is mine • TRADITIONAL: The new dance • Are you angry with me? • Tumba • The thief ’s genealogy • Two doves • Where is the little street? • The shutters are dozing • Klipp klapp!, Op. 14, No. 10 • A sheyn lid hob ikh gezungen, Op. 12, No. 15 • SCHUBERT: translation of AmFeirabend from Die schöne Müllerin, D.795: After work • RUMSHINSKY: Hear, O Israel • KNAPP: Anthem • WEINER: Six Yiddish Art Songs, No. 3 • OLSHANETSKY: I love you too much • SCHERMANN: Op. 1, No. 3 “Filled with misery” • YOMEN: The sun is setting

A specially devised cycle of 20 songs from the Yiddish repertoire, and only the second time a collection of Yiddish songs has been forged into a narrative cycle with a coherent dramatic trajectory! A stark contrast to Mark Glanville’s Holocaust-focused program A Yiddish Winterreise, this record explores different aspects of the Yiddish tradition to tell a story of unrequited love.

Frederick DELIUS & Edvard GRIEGThe Complete Works for Cello & Piano

Raphael Wallfisch: cello/John York: piano

DELIUS: Romance • Chanson d’Automne • Sonata for cello and piano • Caprice • Elegy • GRIEG: Intermezzo • Allegretto • Sonata in A minor, Op. 36

Friendships between major composers are often important and mutually beneficial, and they shed light on our perception and enjoyment of their music. Schumann and Brahms, Stravinsky and Debussy, Wagner and Liszt, Holst and Vaughan Williams — in each case one life was influenced, aided, inspired, and affected by the other in real and tangible ways. So it was, however unlikely it might seem, with Grieg and Delius.

Cat # NIM 6206 Price Code: J (SRP $9.99)



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30

TactusGiacomo Antonio PERTIMoses, Leader of the Jewish People

Ensemble Les Nations/Maria Luisa Baldassari: harpsichord, director

PERTI: Moses, Leader of the Jewish People

The revival of the 1685 oratorio Moses, Leader of the Jewish People for five voices, trumpet, and strings celebrates the 350th anniversary of the birth of Giacomo Antonio Perti, a versatile Bolognese musician born in 1661. This miniature opera presents a series of characters that are skillfully outlined by Perti’s lively music. Perti’s arias require great virtuosity in the singers; this edition, recorded by the Ensemble Les Nations, features some of the best Italian specialists of baroque singing. The trumpet is an unusual presence, but this instrument was much appreciated in the Bolognese musical milieu of that period, and it lends a unique instrumental timbre to the composition.

Girolamo CRESCENTINISolo Voice Arias

Marina Comparato: mezzo-soprano/Gianni Fabbrini: piano

CRESCENTINI: 6 cantatas and 18 arias for voice and fortepiano composed in Paris in 1810, and a collection of 6 arias composed for the Queen of Holland

The musician Girolamo Crescentini was a very well known figure in the greatest theatres, both in Italy and abroad, at the end of the 18th century. He had started out as a castrato singer, but at the beginning of the 19th century he had already become singing teacher to the imperial family and court composer in Paris. This recording contains a monographic collection of six cantatas and 18 arias for voice and fortepiano composed in Paris in 1810, and a collection of six arias composed for the Queen of Holland. These pieces, which have a classical form and are based on texts by Metastasio, show musical characteristics that range from late Classicism to early Romanticism, with a certain influence of Mittel-European lied music, particularly in the piano part.

Gino MARINUZZI JR.Piano Works

Martina Colli: piano/Rossella Rubini: piano

MARINUZZI: Partita (1941, for two pianos) • Divertimento on a popular theme (1945, for piano four hands) • Lagerlieder (1944, for piano four hands)

Son of the famous conductor and composer Gino Marinuzzi, this composer was born in New York in April 1920, during one of his father’s U.S. tours. As a good piano player and a brilliant student, he started composing mainly piano music. From 1943 to 1944 he was imprisoned in Ludwigshafen Nazi camp, where he wrote the Lagerlieder for piano four hands, only discovered many years later. This CD contains the Partita for two pianos, the Divertimento for piano four hands, and the unedited Lagerlieder.

Cat # TCT 661603 Price Code: T (SRP $14.99) Number of Discs: 1 Jewel Case, Box Lot 25 5% pREORDER DISCOUNt

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31

release date: January 8, 2013 CAvi-music

Col legno

Wolfgang Meyer: clarinetEisler QuartetElisabeth Weber: violinClemens Linder: violinPauline Sachse: violaSascha Meyer: cello

BUSCH: Seven Bagatelles for clarinet, viola and cello, Op. 53a • Variations on an original theme (in F) for clarinet and string quartet, Op. 53c • Serenade for string quartet in G major, Op. 14 • Duet in B flat major for violin and clarinet, Op. 26b • German Dances in F major for clarinet, violin and cello, Op. 26c

After his emigration to the US in 1939, Adolf Busch founded the famous School of Music in Marlboro. Well known as both a solo performer and leader of his Busch Quartet, his U.S. tours from the ’30s and ’40s are still fondly remembered. Busch also was a great composer with modern tendencies based on the tonal system, similar to his contemporary Max Reger.

Adolf BUSCHChamber music for clarinet and strings

Cat # AVI 8553268 Price Code: Q (SRP $15.99)



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Clemens GADENSTÄTTERPortrait

Johanna Gröbner: piano/Veronika Trisko: piano/Josef Gumpinger: percussion/Gerhard Windbacher: percussion/Anna Maria Pammer: voice/Florian Müller: piano/ORF Radio Symphony Orchestra Vienna/Pascal Rophé: conductor/Arturo Tamayo: conductor

GADENSTÄTTER: Fluchten/Agorasonie 1 for two pianos, percussion and orchestra (2009) • Auf Takt for full orchestra (1997/99) • Ballade 1 for voice and piano (1997)

A perfect “screen capture” of Gadenstätter’s oeuvre!

Elmar LAMPSONMysterienszenen

Soloists of the International Mahler Orchestra/Yoel Gamzou: conductor

LAMPSON: Vision of Johannes I • Vision of Johannes II • Rocks, air and light • Rock temple • In flowing light • Prayer • Vision of Johannes III • Sun Temple I • Fairytale Scene • Sun Temple II • Vision of Benedictus • Spirits of light and darkness • The guardian of the threshold • Ahriman’s Realm • Gnomes and Sylphs • The flames take flight • Temple Scene • In the spirits’ domain

The Mysterienszenen were inspired by Rudolf Steiner’s Mystery Dramas. As Lampson’s grandparents had personally witnessed Steiner’s performances, he became acquainted with them as a young man.

Cat # CNO 20408 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 30

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Cat # CNO 20407 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 30

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Meridian records

winter & winterVarious ArtistsBaroque Music in the 21st Century Teodoro Anzellotti: accordion/Paolo Beschi: cello/Uri Caine: piano/Lorenzo Ghielmi: cembalo/Vittorio Ghielmi: viola da gamba/Die Freitagsakademie/Forma Antiqva/Windsbacher Knabenchor/Marianne Rônez: baroque violin/Aarón Zapico: harpsichord

BACH: Contrapunctus 1 (The Art of Fugue) • Variation 18, Canon at the 6th • Variation for cello solo • Variation I. a I Clav. • Variation 25 (The Goldberg Variations) • Brandenburg Concerto No. 3: Allegro • Tönet, ihr Pauken! (Das Weihnachtsoratorium) • Prelude from Cello Suite IV • HANDEL: Aria from Mi palpita il cor (HWV 132) • FRESCOBALDI: Gagliarda Prima • FORQUERAY: La Couperin • PURCELL: Fantazia • ARIOSTI: Largo from Pur al fin gentil Viola • KAPSBERGER: Passacaglia from Libro IV d’intavolatura di chitarrone • VIVALDI: Allegro non molto, Largo from Winter (The Four Seasons) • SCARLATTI: Allegro from Sonata K. 248 • CASTELLO: Sonata seconda à sopran solo

Stefan Winter celebrates the unconventional thinkers who confidently transform the Baroque tradition to make it their own, and sometimes even cross the boundaries into jazz.

Hanne Tofte JESPERSENThe Testimony of Melangell

Music for the Mysteries: voices and instruments

JESPERSEN: The Wild Woman • The Road Back • The Journey into the Land • So the Journey went on (4b) • The Sword of Destiny • The Ancient Man • Arianrhod • A Time before Fear • The Dreamtime before Time • The Thinker (9b) • The Mind of Light • The Dwelling • The Hunters and the Hare • The Prince of Brochwell • Remembrance Kantele Introduction based on The Water Kelpie (trad. Isle of Man) • The Dancing Stone

Meridian Records is proud to announce the release of Hanne Tofte Jespersen’s music to the Celtic female saint and mystic Melangell’s magical tale, recorded by the composer’s Scandinavian ensemble Music for the Mysteries. Jespersen’s one-hour composition is scored for five singers, violin, double bass, piano, percussion, and with recital integrated in the music. Her creative work with the script, as well as the author’s account for it, is found in the illustrated booklet along with the text set to music.

Christopher RATHBONEMusic by Christopher Rathbone

Daniel’s Beard/Alastair Savage: violin/Fiona Stephen: violin/Sophie Lang: viola/Emma Peebles: viola/Tom Rathbone: cello/Sonia Cromarty: cello/Jo Nicholson: clarinet/Richard Blake: flute/Andy Saunders: horn/Lynda Cochrane: piano/Sam Hutchings: piano/Christopher Rathbone: organ

RATHBONE: Daniel’s Razor, Op. 117 • Elegy, Op. 56 • Clarinet Quintet, Op. 61 • Tarn Hows, Op. 101 • Terzetto, Op. 55 • Organ Quartet, Op. 100 • Three Bagatelles, Op. 67 • Horn Quintet, Op. 120

The quirkily-named Glasgow-based chamber group Daniel’s Beard takes Einstein’s description of chamber music as its motto: the music of friends. This ethos means that this second disc from the group is one that is very special indeed. It features music by organist and composer Christopher Rathbone, with some of the music written especially for them while other pieces date from earlier in Rathbone’s career. And the group’s connection with the composer has a further dimension — his son, cellist Tom, is one of the ensemble’s founding members.

Cat # WTR 2012 Price Code: S (SRP $18.99) Number of Discs: 1 Digipak, Box Lot 20

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Cat # MER 84617 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 25

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Cat # MER 84616 Price Code: R (SRP $17.99) Number of Discs: 1 Jewel Case, Box Lot 25

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33

release date: January 8, 2013 passacailleErik SATIELe Fils des Étoiles

Alexei Lubimov: piano

SATIE: Le Fils des Étoiles

This impressively long work has never been recorded in its complete version on an instrument of Satie’s lifetime. It is in many ways a revolutionary piece, where Satie explores harmonic constellations that other composers would almost 30 years later. On this release, the music is played by pianist Alexi Lubimov, one of the most strikingly original musicians performing today. His vast repertoire, combined with his dedication to principle and musical morals, make him a notable exception in today’s music scene.

Margret KöllGiants: Bach, Gesualdo, Monteverdi

Margret Köll: triple harp/Luca Pianca: lute

J.S. BACH: Partita in C major, BWV 997 • Prelude, Fugue, and Allegro in E flat major, BWV 998 • GESUALDO: Beltà, poi che t’assenti • Gagliarda del Principe da Venosa • Canzon del Principe con le fioriture • Ahi, disperata vita • MONTEVERDI: L’Orfeo intavolato

Margret Köll, a rising star in the world of historical harps, joins Il Giardino Armonico founder Luca Pianca to present a musical experience conceived on the model of the old master instrumentalists and improvisers who were capable of adapting all kinds of music to the needs of the moment. The title Giants refers to the composers presented on this recording, who are truly musical giants. Monteverdi began the Baroque era, Bach brought it to an end 150 years later, and both have left us masterpieces of immense artistic value. This CD guarantees a fresh look into this music via the surprising sound combination of lute and harp.

C.P.E. BACHQuartets for flute, viola, cello and pianoforte Jan De Winne: flute/Marten Boeken: viola/Roel Dieltiens: cello/Shalev Ad-El: piano

C.P.E. BACH: Quartet for flute, viola, cello and pianoforte

In a letter to Johann Friedrich Rochlitz, W.A. Mozart wrote of Carl Philipp Emanuel Bach: “He is the father, we are the children. Those of us who do something well have learnt it from him. Whoever refuses to admit this is not honest.” Carl Philipp Emanuel Bach was also revered by Haydn and Beethoven, and his keyboard method was quoted as a work of reference until well into the 19th century. The genius of Johann Sebastian’s second son was also well recognized during his lifetime, and his fame was greater than that of his father.

Cat # PAS 965 Price Code: R (SRP $17.99)


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34

Audiomax

Doris Hochschied: celloFrans van Ruth: piano

BADINGS: Cello Sonatas 1 & 2 • DRESDEN: Cello Sonatas 1 & 2

On the latest release in their prizewinning series featuring cello sonatas from the Netherlands, Doris Hochscheid and Frans van Ruth bring together works by Henk Badings and Sem Dresden. For many older residents of Holland this program breaks a taboo, but despite their many musical differences these two composers were partners in fate.


Max Brod Trio

BEETHOVEN: Piano Trio, Op. 1/2 • “Archduke Trio” Op. 97

Performing with youthful vigor, the Max Brod Trio brings together the late Archduke Trio and the early Trio Op. 1/2 to demonstrate the immense development, not only of Beethoven’s compositional oeuvre but also within the genre of the piano trio. A fascinating glimpse at the music history of the early 19th century!


Ludwig van BEEtHOVENpiano Trios op. 1/2 & op. 97 [Hybrid sACd]

Doris Hochschieddutch Cello sonatas vol. 5 [Hybrid sACd]

Cat # AMX SACD 9031764 Price Code: U (SRP $19.99) Number of Discs: 1 Jewel Case, Box Lot 25

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35

release date: January 8, 2013 delta Classics

Tatjana Blome: piano Peter Bruns: celloKammersymphonie Berlin Mendelssohn Kammerochester Leipzig Jürgen Bruns: conductor

TOCH: Bunte Suite, Op. 48 • Variations on Mozart’s “Unser dummer Pöbel meint” K.455 • Concerto for Cello and Orchestra, Op. 35

Anyone who tries to find out more about the composer Ernst Toch will soon realize that it is not an easy task. No monograph is to be found on the shelves of leading bookstores, and even in the big libraries only a handful of scientific works can be consulted. However, almost all publications quote a sentence by Toch with which he characterized his late years: “I am the twentieth century’s most forgotten composer.” In his youth he experienced the Habsburg Empire’s metropolis in what was probably her most exciting time ever. However, his life and work was less influenced by Vienna than by the almost coeval Alban Berg and Erich Wolfgang Korngold, ten years his junior, who both soon formed part of the most influential coteries of Vienna’s musical life.

Bo Skohvus: baritoneWDR Radio Orchestra CologneStefan Blunier: conductor

SPOHR: 6 Lieder, Op. 154 • BEETHOVEN: Flohlied des Mephisto, Op. 75, No. 3 • SCHUBERT: 3 Lieder • WOLF: Selections from Spanish Songbook, Italian Songbook & Mörike-Lieder • SIBELIUS: 7 Lieder • R. STRAUSS: Traum durch die Dämmerung • Heimliche Aufforderung • Die Zueignung

Baritone Bo Skovhus was born in Denmark and studied at the Academy of Music in Aarhus, the Royal Academy for Opera of Copenhagen, and in New York. In 1988 he launched his career at the Volksoper in Vienna, and this city is still the focus of his work. For more than 10 years he has been a regular guest performer at the State Opera. Time and again he has been engaged by the Musikverein as well as the Konzerthaus to perform at recitals and concerts. In 1997 he was awarded the Austrian honorary title Kammersänger. He is one of the most influential interpreters of his generation, and is regularly invited to major festivals around the globe.

Bo Skohvusnacht der Träume: orchestral songs

Ernst tOCHBunte suite, Mozart Transcriptions & Cello Concerto

Cat # DLT 90062 Price Code: R (SRP $17.99)

Number of Discs: 1 O-Card Jewel, Box Lot 22

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36

flora

Philippe Pierlot: bass violRainer Zipperling: bass viol François Guerrier: harpsichord Eduardo Egüez: theorbo

MARAIS: Suite in D • Suite in A • Suite in E

In the year 1700, Corelli published his Violin Sonatas Op. 5, without doubt the most important collection of instrumental music of the beginning of the century. One year later, though he admits that the publication was overdue, Marin Marais published his “Deuxième Livre de Pièces de Viole” where one finds, just as in Corelli’s Op. 5, several variations on the famous theme of “La Follia” or “Folies d’Espagne.” In addition to these famous “Folies,” this recording enables us to discover two suites in A major and E major, an unusual key for the viol.

Sophie Gent: violin Giovanna Pessi: triple harp Eduardo Egüez: theorbo Philippe Pierlot: viol

LAWES: The Passion of Musicke

On the death of William Lawes, King James I — who called him “The Father of Music” — observed several weeks of mourning. Lawes is set out from among the composers of the golden age of English music for the modernity, audacity, and depth of his writing. The works collected here use a very unique combination of two bowed string instruments, violin and bass viol, and two plucked instruments, the harp and the theorbo, for which Lawes wrote concertante parts. The result is music of extreme sophistication and contrapuntal complexity.

William LAWESThe passion of Musicke

Marin MARAISfolies

Cat # FLO 1206 Price Code: R (SRP $17.99) Number of Discs: 1 Digipak, Box Lot 33

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37

release date: January 8, 2013 globe records

Brisk Recorder Quartet Amsterdam Camerata Trajectina

SWEELINCK: Est-ce Mars / Had ick duysend ysere tongen • Engelsche fortuin / Lieffd’ int secreet • Silvia mijn Lief (melody: Malle Sijmen) • Malle Sijmen (variation) • Onder een linde groen (song) • Onder een linde groen (variations) • Onse Vader in hemelrijck (song) • Onse Vader in hemelrijck (variations) • Susanne un jour • Vanitas vanitatum • Mein junges Leben hat ein End • Ballo del granduca / O che nuovo miracolo • MANNEKE: Épitaphe-Double (2012) • DE VRIES: Le tombeau de Sweelinck (2011)

This album celebrates Sweelinck’s 450th birthday. All over the world Sweelinck is seen as one of the most important masters of polyphony and counterpoint. His mastery was not only academic, but first and foremost the result of a relentless joy in music!

Gordan Nikolic: violin Netherlands Chamber Choir Netherlands Chamber Orchestra Risto Joost: conductor

PÄRT: Wallfahrtslied • Orient & Occident • Nunc dimittis • Fratres • Te Deum

A new release from the revered Netherlands Chamber Choir, featuring works by Arvo Pärt. This time the choir teams up with the Netherlands Chamber Orchestra in a mixed program of chamber orchestra, choral, and choral a cappella works. The main course on this CD is the rarely recorded and monumental “Te Deum.” Young Estonian conductor Risto Joost delivers a reading that is rich and inspired.

Arvo pÄRtTe deum

Jan pieterszoon SWEELINCKsweelinck and the Art of variation

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38

Musiepoca

phaedra

paratyFrédéric CHOPINPiano Pleyel 1843 & Pianino Pleyel 1834

Knut Jacques: piano

CHOPIN: Ballade No. 1 in G minor, Op. 23 • Nocturne in B flat minor, Op. 9, No. 1 • Sonata No. 2 in B flat minor, Op. 35 • Ballade No. 4 in F minor, Op. 52 • Nocturne in C sharp minor

In 1830 Ignace Pleyel, music publisher and royal instrument maker, established his factory at the Hôtel Cromot du Bourg in the heart of Paris. This was one year after he founded the “Ignace Pleyel and Co. Society” with composer-pianist Frederic Kalkbrenner. In this 18th-century mansion, the Pleyel family set up a concert hall in the salons of the first floor, where they hosted elite musicians and amateurs, and introduced them to new pianos from the factory floor. Chopin was genuinely partial towards Pleyel pianos, and owned two Pleyel instruments: a grand piano and a pianino, on which he gave lessons.

Lodewijk DE VOCHTMemorare: Sacred Music

Cappella Concinite/Luk Bastiaens: organ/Ludo Claesen: conductor

DE VOCHT: XIV Cantica • Duo Cantus Mariani • Larghetto for organ • Missa in honorem Angelorum

Lodewijk de Vocht is one of the most unforgettable personalities of the Antwerp Music scene in the first half of the 20th century. He was a composer, as well as a conductor and a teacher. At the age of ten he became a chorister in the Antwerp Cathedral Choir, where he received a general music education from Emile Wambach and Karel Weymans. In 1899 he joined the orchestra class of the Antwerp Royal Flemish Conservatory. After his studies he returned to the conservatory as a teacher and, later, as its headmaster. In 1903 De Vocht was the youngest violinist of the orchestra of the New Concerts Society and had the opportunity to play under the greatest conductors of his time, including Gustav Mahler, Richard Strauss, Hans Richter, Bruno Walter, and Felix Weingartner.

Tomàs MILANSChurch Music

La Xantria: vocal ensemble/Pere Lluís Biosca: director

MILANS I GODAYOL: Magnificat • Salve Regina • Litaniae Lauretanae • Reges Tharsis • Charitas Dei • Hala, zagalas • Suspende infelice

The height of the Baroque period, at the beginning of 18th century, was a time for wars and upheavals in Catalonia, but also for the establishment of a royal court in Barcelona after three centuries without one. Tomàs Milans (1672–1742) is one of the main composers of this period — a contemporary of Fux, Delalande, Caldara, Scarlatti, and Albinoni — although he composed only religious music for his work as a chapel master in Barcelona and Girona. This recording contains a varied selection, from the “Magnificat” for eight voices over an ostinato to the Spanish cantata “Suspende infelice” for soprano and continuo.

Cat # PTY 112110 Price Code: R (SRP $17.99) Number of Discs: 1 Digipak, Box Lot 30

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Cat # PHA 92076 Price Code: R (SRP $17.99) Number of Discs: 1 Digipak, Box Lot 30

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Cat # MUP 5 Price Code: R (SRP $17.99) Number of Discs: 1 Digipak, Box Lot 33

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39

release date: January 8, 2013 la Bottega discantica

Bnl

G.F. TELEMANNConcertos for Various Instruments Accademia Hermans/Fabio Ciofini: harpsichord, conductor

TELEMANN: Concerto in F for two hunting horns, and strings • Concerto in D minor for two chalumeaux, and strings • Concerto in G for violin and two violins • Concerto in F for recorder, bassoon, and strings • Concerto in E minor for flute, recorder and strings

Telemann’s concertos were characterized by the variety of instruments chosen for solos and combinations; in this recording, instruments range from the traditional violin to the “twin” pairs of corni da caccia and chalumeaux.

Alexis de CASTILLON & Camille SAINT-SAËNSString Quartets Quatuor de Chartres/Robert Arribaud: violin/Marc Antoine Chomet: viola/Philippe Pennanguer: cello

CASTILLON: Quartet, Op. 3, No. 1 • SAINT-SAËNS: Quartet, Op. 112

Composed in 1867, this first attempt for strings shows Alexis de Castillon’s gift for inventiveness. The work is juxtaposed with Saint-Saëns’ expressive Quartet, Op. 112, whose passionate gravity reminds one of Beethoven.

W.A. MOZARTConcertos for Piano and Orchestra 20 & 21 Bart van Oort: piano/Accademia Hermans/Fabio Ciofini: conductor

MOZART: Concerto for Piano and Orchestra No. 20 in D minor, K.466 • Concerto for Piano and Orchestra No. 21 in C major, K.467

After completing his modern piano degree at the Royal Conservatory at The Hague in 1983, Bart van Oort studied fortepiano with Stanley Hoogland, also at the Royal Conservatory. In 1986 he won the First Prize and the Special Audience Prize at the Mozart Fortepiano Competition in Belgium.

Ekki MELARTINPiano Music Jean Dubé: piano

MELARTIN: Danse des Gnomes • Prélude • Idyl • Der traurige Garten Elegie • Marcia Funebre • Pastorale • Piccola • Marcia • Salaperaïnen • Metsà Noïta • Danse du feu • Fantasia apocaliptica

Finnish composer Ekki Melartin (1875–1937) was an exact contemporary of Maurice Ravel: they have the same dates of birth and death. He was also one of the most prolific Finnish composers: 199 opus numbers as well as many other works. He wrote about 250 pieces for the piano, usually with more or less evocative titles, most of them in post-romantic style that was current at his time.

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Allegro Classical January 2013 New Release Book