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AKG.MICROMIC W I R E L E S S . P H A N T O M - P O W E R E D . B A T T E R Y - P O W E R E D .
G.SOUNDS.BETTER
M i c r o M i c The Original
?\ug in "ft] 8
I R E L E S S We perfect match for the
MicroMic Ill-Series.
MicroMic III Navigator
C4111" A c o u s t i c S t r i n g e d I n s t r u m e n t s
C416'" A c c o r d i o n , P i a n o , G u i t a r A m p , H a r p , D u l c i m e r
C417"< V o c a l s & S p e e c h
C 418'" D r u m s & P e r c u s s i o n s
D409
W i n d I n s t r u m e n t s , D r u m s & P e r c u s s i o n s
C 419'" W i n d I n s t r u m e n t s , D r u m s & P e r c u s s i o n s
C 420'" V o c a l s & F l u t e ( H e a d s e t )
C444L S p e e c h , A e r o b i c s T r a i n i n g , P A , e t c . ( H e a d s e t )
C430 C y m b a l s , D r u m s & P e r c u s s i o n s ( O v e r h e a d M i k i n g )
5
6
7
8
9
1 0
1 1
1 2
DB 1 D o u b l e B a s s B r i d g e P i c k u p 1 3
MicroMic III Series Accessories 1 4
AKG.WIRELESS 1 5
Application Examples 1 6
If you need to be fully mobile on stage, wireless systems from AKG provide the perfect, professional
solution for any miking situation. (See page 15 for details)
D 409 and C 419"'.
Dynamic or Condenser Make Your Choice. T h e n e w , e x p a n d e d M i c r o M i c I I I S e r i e s g i v e s y o u a c h o i c e o f d y n a m i c o r c o n d e n s e r m i n i a t u r e m i c r o p h o n e s .
T h e h i g h q u a l i t y D 4 0 9 c l i p - o n m i c r o p h o n e i s a c o s t e f f i c i e n t d y n a m i c a l t e r n a t i v e t o t h e C 4 1 9 ' " c o n d e n s e r f o r m i k i n g u p w i n d i n s t r u m e n t s , d r u m s , a n d p e r c u s s i o n s . (See pages 8 and 9 for details)
C 430:
Overhead Miking. T h e n e w , e x p a n d e d M i c r o M i c I I I S e r i e s i n c l u d e s a d e d i c a t e d m i n i a t u r e o v e r h e a d m i c r o p h o n e .
T h e C 4 3 0 h a s b e e n s p e c i f i c a l l y d e s i g n e d f o r o v e r h e a d m i k i n g i n a p r o f e s s i o n a l e n v i r o n m e n t . (See page 12 for details)
www.akg-acoustics.com
B29LandB 15:
Power to Your Mie. Anytime. T h e n e w M i c r o M i c I I I S e r i e s c o m p r i s e s a n e x p a n d e d l i n e o f a c c e s s o r i e s .
B2
T h e B 2 9 L m i n i m i x e r w i l l p o w e r t w o M i c r o M i c s i f y o u r m i x i n g c o n s o l e p r o v i d e s n o p h a n t o m p o w e r . T h e B 2 9 L f e a t u r e s a m i c / l i n e o u t p u t l e v e l s e l e c t o r , m i n i X L R i n p u t s , a s t a n d a r d X L R o u t p u t , a n d a n o n / o f f s w i t c h .
T h e n e w B 1 5 b a t t e r y s u p p l y c o n n e c t s t o t h e C 4 3 0 o v e r h e a d m i e a n d a l l o t h e r M i c r o M i c v e r s i o n s w i t h a n X L R c o n n e c t o r w i t h i n t e g r a t e d p h a n t o m p o w e r a d a p t e r . (See page 14 for details)
Standard XLR vs. Mini XLR: I ^ ^ ^ ^ ^ ^ ^ H M ^ ^ H ?
Reliable Connections. T w o v e r s i o n s a v a i l a b l e ( e x c e p t C 4 3 0 , C 4 4 4 L, D 4 0 9 ) : C 4 . . L w i t h m i n i X L R c o n n e c t o r , C 4 . . P P w i t h s t a n d a r d X L R c o n n e c t o r
A l l M i c r o M i c s e x c e p t f o r t h e C 4 3 0 , C 4 4 4 L, a n d D 4 0 9 a r e a v a i l a b l e i n t w o v e r s i o n s : C 4 . . P P w i t h s t a n d a r d X L R c o n n e c t o r f o r h a r d w i r e c o n n e c t i o n t o m i x e r i n p u t s w i t h p h a n t o m p o w e r o r t o t h e B 1 5 b a t t e r y s u p p l y . ( N o t e t h a t t h e D 4 0 9 n e e d s n o p h a n t o m p o w e r . ) C 4 . . P P w i t h m i n i X L R c o n n e c t o r f o r u s e w i t h t h e B 2 9 L b a t t e r y s u p p l y , M P A I I I L e x t e r n a l p h a n t o m p o w e r a d a p t e r , o r A K G . W I R E L E S S b o d y p a c k t r a n s m i t t e r s .
I n o r d e r t o m a t c h t h e h i g h s t a n d a r d o f t o d a y ' s d i g i t a l l i v e s o u n d a n d r e c o r d i n g e q u i p m e n t , w e i m p r o v e d t h e m i c r o p h o n e p r e - a m p f o r t h e M i c r o M i c I I I S e r i e s a g a i n . A s a r e s u l t , i t s s i g n a l / n o i s e r a t i o i s 6 d B b e t t e r t h a n t h a t o f t h e p r e v i o u s d e s i g n .
Improved Signal/Noise:
Hush.
C 420"' and C 444 L
Fit Every Head. M i c r o M i c I I I S e r i e s h e a d - w o r n m i c r o p h o n e s h a v e b e e n o p t i m i z e d i n t e r m s o f f r e q u e n c y r e s p o n s e a n d c o m f o r t .
T h e C 4 2 0 I I I h a s b e e n d e s i g n e d f o r p r o f e s s i o n a l v o c a l m i k i n g o n s t a g e a n d i s c o n t i n u o u s l y a d j u s t a b l e t o c o n f o r m t o e v e r y s h a p e o f h e a d .
T h e n e w C 4 4 4 L h a s b e e n o p t i m i z e d a c o u s t i c a l l y f o r s p e e c h u s e by l e c t u r e r s , a e r o b i c s t r a i n e r s , a n n o u n c e r s , e t c . a n d f e a t u r e s a n e r g o n o m i c a l l y s h a p e d b e h i n d - t h e - n e c k h e a d b a n d . (See pages 10 and 11 for details)
C 420"
www.akg-acoustics.com
Acoustic Pickup MicroMic
"On the
Deep Purple World Tour 2000,
we used an
80-piece symphony orchestra
and miked up
part of the strings
with C 411 pickups.
Without the AKG MicroMics,
it would have been impossible
to get a clean mix
with a rock band
like Deep Purple
and a symphony orchestra
playing together. "
Lars Brogaard Production Manager
Deep Purple
T h e C 4 1 1 ' " i s s u i t a b l e f o r a l l t y p e s
o f s t r i n g i n s t r u m e n t s ; a c o u s t i c g u i t a r ,
b a n j o , m a n d o l i n , v i o l i n , e t c . I t c o m e s
w i t h a r e u s a b l e a d h e s i v e c o m p o u n d
w h i c h c a n b e r e m o v e d w i t h o u t m a r r i n g
t h e f i n i s h .
A d h e r i n g t h e C 4 1 1 ' " o n o r n e a r
t h e b r i d g e o f t h e i n s t r u m e n t s m o o t h l y
r e p r o d u c e s a c l e a r a n d u n c o l o r e d s o u n d .
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
Features Benefits
Full range condenser mie in a sealed enclosure • reproduces only the vibrations of the
instrument body
• T h e r i s k o f f e e d b a c k i s a l m o s t e l i m i n a t e d
Ultralightweight • only 18g/0,7oz.
• D o e s n ' t i n f l u e n c e t h e b a l a n c e o f t h e i n s t r u m e n t
C 4111 1 1 PP - for phantom powering • cable terminated in a preamp/XLR connector
• F o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r
G 411'" L • cable terminated in a 1/8" gold-plated,
lockable mini-jack
• F o r u s e w i t h A K G B 2 9 L b a t t e r y p o w e r e d p h a n t o m s u p p l y , M P A I I L p h a n t o m a d a p t e r , o r w i t h A K G . W I R E L E S S b o d y p a c k s t r a n s m i t t e r s
Specifications:
1 1 } — {
F r e q u e n c y r e s p o n s e P o l a r P a t t e r n - . S e n s i t i v i t y : I m p e d a n c e : M a x i m u m S P L f o r 1 % / -S i z e :
N e t W e i g h t : S h i p p i n g W e i g h t : S t a n d a r d a c c e s s o r y :
i T H D :
1 0 - 1 8 , 0 0 0 Hz v i b r a t i o n p i c k u p 1 m V / m s ' ' 2 0 0 Q
9 6 d B / 1 0 3 d B 2 7 x 1 4 x 9 . 5 m m / 1 " x 0 . 5 " x 0 . 3 " C 4 1 1 ' " P P : 9 8 g ( 3 . 6 o z . ) / C 4 1 1 " ' L 1 8 g ( 0 . 7 o z . ) C 4 1 1 ' " P P : 2 2 5 g ( 8 . 2 o z . V C 4 1 1 ' " L 1 5 0 g ( 5 . 5 o z . ) a d h e s i v e c o m p o u n d
"Performing
folk-rock on stage -
theAKGC416
is the
perfect assistant. "
Hubert von Goisern Alpine Rock Artist,
Osterreich
T h e C 4 1 6 ' " c a n be u s e d f o r a l l t y p e s o f
l o w p r o f i l e m i c i n g , i n c l u d i n g a c c o r d i o n ,
p i a n o , g u i t a r c a b i n e t s , a u t o - h a r p ,
h a m m e r e d d u l c i m e r a n d m o r e .
I t i n c o r p o r a t e s t h e f l a t r e s p o n s e ,
h y p e r c a r d i o i d c a p s u l e o f t h e C 4 1 9
i n a f o r m a t w i t h a l o n g e r g o o s e n e c k ,
a m o u n t i n g b r a c k e t a n d a f u l l
c o m p l e m e n t o f m o u n t i n g a c c e s s o r i e s .
m
New MicroMic transducer element Flat response with a slight high frequency peak
• N a t u r a l r e p r o d u c t i o n o f y o u r i n s t r u m e n t ' s o r c a b i n e t ' s s o u n d w i t h e x c e l l e n t i n t e l l i g i b i l i t y
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
External shock mount system • I s o l a t i o n f r o m v i b r a t i o n a l n o i s e • Elastomer suspension tube
Miniature gooseneck • A l l o w s p r e c i s e p o s i t i o n i n g o f t h e m i c r o p h o n e • 100 mm/4" long
C 416'" PP- for phantom powering • f o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r • cable terminated in a preamp/XLR connector
C4161" L • F o r u s e w i t h A K G B 2 9 L b a t t e r y p o w e r e d • cable terminated in a 1/8" goldplated, p h a n t o m s u p p l y , M P A I I L p h a n t o m a d a p t e r , lockable minijack o r w i t h AKG.WIRELESS p o c k e t t r a n s m i t t e r s
Specifications:
F r e q u e n c y r e s p o n s e : P o l a r P a t t e r n : S e n s i t i v i t y : I m p e d a n c e : M a x i m u m S P L f o r l % / 3 % T H D : S i z e :
N e t W e i g h t : S h i p p i n g W e i g h t : S t a n d a r d a c c e s s o r y :
2 0 - 2 0 , 0 0 0 Hz h y p e r c a r d i o i d 7 m V / P a 2 0 0 £2
1 2 1 d B / 1 3 1 d B 2 3 5 x 3 0 m m / 9 . 3 " x 1 . 2 " C 4 1 6 ' " P P : 1 2 0 g ( 4 . 2 o z . ) / C 4 1 6 " ' L 5 5 g ( 1 . 9 o z . ) C 4 1 6 1 1 1 : 4 5 5 g ( 1 5 . 9 o z . ) / C 4 1 6 ' " L 3 9 0 g ( 1 3 . 6 oz . ) W 4 4 w i n d s c r e e n , m o u n t i n g a c c e s s o r i e s
"Almost invisible
but remarkably audible.
The C 417111
is one of the
smallest professional
la va Her microphones in the world.'
Lapel MicroMic
A t t a c h e d t o c l o t h e s o r h i d d e n i n t h e
m a k e u p , i t p r o v i d e s o p t i m u m m o b i l i
t y f o r s p e a k e r s o r s i n g e r s .
W i t h i t s o m n i d i r e c t i o n a l p o l a r
p a t t e r n , t h e m i c r o p h o n e p r o v i d e s a
n a t u r a l s o u n d a n d i s e a s y t o
p o s i t i o n .
Features Benefits
Excellent audio quality across the full bandwith • Smooth bass and midrange, gentle 4 dB rise at 8 kHz
• P r o v i d e s v o i c e s w i t h f u l l , c r i s p s o u n d q u a l i t y
Small & Light • 1.50x. 15mm/0.3" x 0.6" with only a few grams
• P r o v i d e s v o don't notice it
i c e s w i t h f u l l , c r i s p s o u n d q u a l i t y
Beige and black versions • Microphone head and cable
• F o r i n v i s i b l e ( m u s i c a l s )
u s e o n t h e a r t i s t ' s s k i n
C 417'" PP - for phantom powering • cable terminated in a preamp/XLR connector
• f o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r
C417"'L • cable terminated in a 1/8" gold-plated, lockable mini-jack
• F o r u s e w i t h A K G B 2 9 L b a t t e r y p o w e r e d p h a n t o m s u p p l y , M P A II L p h a n t o m a d a p t e r , o r w i t h AKG.WIRELESS b o d y p a c k t r a n s m i t t e r s
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
Specifications:
F r e q u e n c y r e s p o n s e : P o l a r P a t t e r n : S e n s i t i v i t y : I m p e d a n c e : M a x i m u m S P L f o r 1 % / 3 % T H D : S i z e : N e t W e i g h t : S h i p p i n g W e i g h t : S t a n d a r d a c c e s s o r y :
2 0 - 2 0 , 0 0 0 Hz o m n i d i r e c t i o n a l 1 0 m V / P a 2 0 0 fl 1 1 8 d B / 1 2 6 d B 7 . 5 0 x 1 5 m m / O . 3 " 0 x 0 . 6 " C 4 1 7 1 1 1 P P : 8 g ( 0 . 3 o z . ) / C 4 1 7 ' " L 8 g ( 0 . 3 o z . ) C 4 1 7 ' " P P : 2 2 0 g ( 8 . 1 o z . ) / C 4 1 7 ' " L: 1 6 0 g ( 5 . 9 oz W 4 0 7 w i n d s c r e e n , m o u n t i n g a c c e s s o r i e s
"The AKG Drum
MicroMics are m y
partners on stage
and for
recording sessions. '
Terry Bozzio
T h e f r e q u e n c y r e s p o n s e o f t h e t h e
C 4 1 8 ' " h a s b e e n s p e c i f i c a l l y t a i l o r e d
f o r d r u m a n d p e r c u s s i o n m i k i n g .
C o m p e n s a t i n g f o r t h e b a s s b o o s t
w h i c h i s i n h e r e n t w h e n p u t t i n g t h e
m i c r o p h o n e s o c l o s e t o t h e d r u m ,
t h e m i c r o p h o n e r e p r o d u c e s a p u n c h y
s o u n d t h a t s u p p r e s s e s r u m b l e a n d
u n w a n t e d u p p e r h e a d r i n g i n g .
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
Features Benefits
Shock mounted capsule • Elastomer suspension tube
• P r o t e c t i o n f r o m s t i c k b l o w s a n d r e j e c t i o n o f v i b r a t i o n a l n o i s e
Boom-arm with additional angle joint • F o r p r e c i s e a d j u s t m e n t o f t h e b o o m a r m • Allows the mie arm to be swiveled into position a c c o r d i n g t o t h e s i z e o f t h e d r u m ' s d i a m e t e r
Clamp with rubberized finish • Clamps on the top rim of the drum
• F o r s e c u r e f i t ; w i l l n o t l e a v e a m a r k o n t h e i n s t r u m e n t
C 418"' PP - for phantom powering • cable terminated in a preamp/XLR connector
f o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r
C 418'" L • cable terminated in a 1/8" goldplated,
lockable minijack
• F o r u s e w i t h A K G B 2 9 L b a t t e r y p o w e r e d p h a n t o m s u p p l y , M P A I I L p h a n t o m a d a p t e r , o r w i t h AKG.WIRELESS p o c k e t t r a n s m i t t e r s
Specifications:
F r e q u e n c y r e s p o n s e : P o l a r P a t t e r n : S e n s i t i v i t y : I m p e d a n c e : M a x i m u m S P L f o r l % / 3 % T H D S i z e :
N e t W e i g h t : S h i p p i n g W e i g h t : S t a n d a r d a c c e s s o r y
5 0 - 2 0 , 0 0 0 Hz h y p e r c a r d i o i d 4 m V / P a 2 0 0 Q
1 3 1 d B / 1 4 0 d B 7 5 x 3 5 m m / 3 " x 1 . 4 " i n c l u d i n g c l a m p C 4 1 8 ' " P P : 1 2 6 g ( 4 . 6 o z . ) / C 4 1 8 ' " L: 6 2 g C 4 1 8 " ' P P : 4 4 8 g ( 1 6 . 3 o z . ) / C 4 1 8 ' " L: 3 8 1 W 4 4 w i n d s c r e e n
( 2 . 3 o z . ) g ( 1 3 . 9 oz . )
"The dynamic MicroMic
for woodwinds and brass
as well as
drums and percussions. "
Jimmy Roberts/Saxophon
Dynamic MicroMic for Wind Instruments, Drums & Percussions.
T h e D 4 0 9 M i c r o M i c i s a
c o s t e f f i c i e n t a l t e r n a t i v e
t o t h e C 4 1 9 c o n d e n s e r v e r s i o n .
I t p r o v i d e s a p o w e r f u l s o u n d
a n d r e q u i r e s n o p h a n t o m p o w e r .
T h e s m o o t h f r e q u e n c y r e s p o n s e
o f t h e D 4 0 9 e n s u r e s u n c o l o r e d a u d i o .
A n e u t r a l s o u n d w i t h l i t t l e p r o x i m i t y
e f f e c t a n d a s l i g h t p r e s e n c e r i s e
b e t w e e n 3 a n d 7 k H z w i l l m a k e
y o u r i n s t r u m e n t c u t t h r o u g h
t h e l o u d e s t m i x o n s t a g e .
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
Features Benefits
Dynamic transducer • No p h a n t o m o r b a t t e r y p o w e r i n g r e q u i r e d
D 409 with standard XLR connector • F o r h a r d w i r e o p e r a t i o n
D 409 L with mini XLR connector • F o r u s e w i t h AKG.WIRELESS b o d y p a c k t r a n s m i t t e r s
Complete with external windscreen • F o r s u p p r e s s i o n o f w i n d i o i s e
Specifications:
F r e q u e n c y r a n g e : P o l a r p a t t e r n : S e n s i t i v i t y a t 1 k H z I m p e d a n c e :
M a x . S P L f o r l % / 3 % T H O S i z e : N e t / s h i p p i n g w e i g h t :
S t a n d a r d a c c e s s o r i e s :
1 0 0 Hz t o 1 7 , 0 0 0 H z ; a t 1 c m ( 0 . 4 i n . ) : 5 0 Hz t o 1 7 , 0 0 0 Hz
h y p e r c a r d i o i d 1 m V / P a
600 n 1 2 4 / 1 2 8 d B 1 6 0 x 3 5 m m ( 6 . 3 x 1.4 i n . ) i n c . o f c l a m p D 4 0 9 : 1 3 0 g ( 4 . 6 o z . ) / 4 5 1 g ( 1 l b . ) D 4 0 9 L 7 2 g ( 2 . 5 o z . ) / 3 9 3 g ( 1 3 . 9 o z . ) w i n d s c r e e n
"The AKG MicroMics
together with
AKG. WIRELESS -
the ultimate freedom
on stage. "
Jimmy Roberts/Saxophon Nick Lane/Posaune
Rick Braun/Trompete Brass section -
Rod Stewart World Tour
T h e C 4 1 9 " ' c l i p s o n t o
t h e b e l l o f t h e t r u m p e t ,
s a x o p h o n e , t r o m b o n e , t u b a , e t c .
T h e m i e t o g i v e f r e e d o m t o
h o r n p l a y e r s .
I t s t i g h t h y p e r c a r d i o i d p a t t e r n m a k e s
i t p r o b l e m f r e e f o r s t a g e w o r k n e a r
f l o o r m o n i t o r s . T h e n a t u r a l s o u n d o f
t h e h o r n i s r e t a i n e d v i a t h e f l a t
r e s p o n s e w i t h a g e n t l e h i g h f r e q u e n c e
p e a k o f t h e t r a n s d u c e r e l e m e n t .
I t p e r m i t s t h e p e r f o r m i n g h o r n p l a y e r
t o r e a c h h i s a u d i e n c e w i t h p o w e r a n d
c l a r i t y .
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
m
Features Benefits
External shock mount system • Elastomer suspension tube
• I s o l a t i o n f r o m v i b r a t i o n a l n o i s e
Miniature gooseneck • 110 mm/4.4" long
• A l l o w s p r e c i s e p o s i t i o n i n g o f t h e m i c r o p h o n e d e s M i k r o f o n s
Clamp with rubberized finish • Clamps on the bell of the instrument
• F o r s e c u r e f i t ; w i l l n o t l e a v e a m a r k o n
t h e i n s t r u m e n t
C 419"' PP - for phantom powering • cable terminated in a preamp/XLR connector
• f o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r
C419'"L • cable terminated in a 1/8" goldplated.
lockable minijack
• F o r u s e with A K G B 2 9 L b a t t e r y p o w e r e d p h a n t o m supply, M P A I I L p h a n t o m a d a p t e r , o r with AKG.WIRELESS p o c k e t t r a n s m i t t e r s
Specifications:
F r e q u e n c y r e s p o n s e : P o l a r P a t t e r n : S e n s i t i v i t y : I m p e d a n c e :
M a x i m u m S P L f o r l % / 3 % T H D S i z e :
N e t W e i g h t : S h i p p i n g W e i g h t : S t a n d a r d a c c e s s o r y :
2 0 - 2 0 , 0 0 0 Hz h y p e r c a r d i o i d 7 m V / P a
2 0 0 n 1 2 6 d B / 1 3 0 d B
1 8 0 x 3 5 m m / 7 " x 1 . 4 " i n c l u d i n g c l a m p C 4 1 9 ' " P P : 1 4 1 g ( 5 . 1 o z . ) / C 4 1 9 ' " L: 7 7 g ( 3 . 1 o z . ) C 4 1 9 ' " P P : 4 6 2 g ( 1 6 . 8 o z . ) / C 4 1 9 ' " L 3 9 8 g ( 1 4 . 5 oz . ) W 4 4 w i n d s c r e e n
10
10
Headset MicroMic for Vocals & Flute
i g n w i t h
a f u l l b a n d w i d t h 2 0 - 2 0 k H z f r e q u e n c y
r e s p o n s e . I t c a p t u r e s t h e v o i c e w i t h
a d e t a i l e d , b r i l l i a n t s o u n d q u a l i t y .
T h e m i e p r o v i d e s t h e p e r f o r m e r w i t h
a p u r e , p o w e r f u l s o u n d t h a t c a r r i e s
t h e p u n c h a n d p r e s e n c e t o c u t t h r o u g h
t o t h e a u d i e n c e .
T h e i d e a l M i c r o M i c f o r s i n g i n g k e y
b o a r d p l a y e r s , d r u m m e r s , g u i t a r i s t s ,
d a n c e r s a n d a n y o n e w h o n e e d s h i g h -
a l i t y v o c a l s i n a h a n d s - f r e e a p p l i -
New behind-the-neck headband • infinitely variable spring steel headband
1 C o m f o r t a b l e a n d s e c u r e f i t o n a n y h e a d s h a p e
Miniature gooseneck • 60mm/2.4" long
A l l o w s p r e c i s e p l a c e m e n t n e a r t h e m o u t h
External shock mount system • Elastomer suspension tube
I s o l a t i o n f r o m v i b r a t i o n a l n o i s e
C 420'" PP - for phantom powering • cable terminated in a preamp/XLR connector
f o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r
C 420'" L • cable terminated in a 1/8" goldplated,
lockable minijack
• Fo r u s e w i t h A K G B 2 9 L b a t t e r y p o w e r e d p h a n t o m s u p p l y , M P A I I L p h a n t o m a d a p t e r , o r w i t h AKG.WIRELESS p o c k e t t r a n s m i t t e r s
r a m
Specifications:
F r e q u e n c y r e s p o n s e : P o l a r P a t t e r n : S e n s i t i v i t y : I m p e d a n c e :
M a x i m u m S P L f o r l % / 3 % T H D : S i z e : N e t W e i g h t : S h i p p i n g W e i g h t : S t a n d a r d a c c e s s o r y :
2 0 - 2 0 . 0 0 0 Hz c a r d i o i d 7 m V / P a 2 0 0 Q
1 2 6 d B / 1 3 0 d B a p p r o x i m a t e l y 1 3 0 m m 0 / 5 . 1 " 0 C 4 2 0 " ' P P : 3 0 g ( 1 . 1 o z . ) / C 4 2 0 1 1 1 L 3 0 g ( 1 . 1 o z . ) C 4 2 0 ' " P P : 5 4 0 g ( 1 9 . 6 o z . ) / C 4 2 0 1 1 1 L 4 7 1 g ( 1 7 . 1 o z . ) W 4 4 w i n d s c r e e n , c a b l e c l i p
irò I
Easy to use
and ideal
for PA systems
from airports
to gyms.
T h e C 4 4 4 L i s e x t r e m e l y e a s y t o u s e ,
r e s t s s e c u r e l y a n d c o m t o r t a b l y o n t h e
h e a d , a n d i s p e r s p i r a t i o n - p r o o f .
A d e d i c a t e d m o i s t u r e s h i e l d p r e v e n t s
p e r s p i r a t i o n a n d w a t e r f r o m p e n e t r a t i n g
i n t o t h e t r a n s d u c e r c a p s u l e .
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
Features Benefits
Economically optimized behind-the-neck headband • F i t s o n a n y h e a d s h a p e
Moisture shield • P r o t e c t s c a p s u l e f r o m p e r s p i r a t i o n
C 444 L • Fixed cable with mini XLR connector
• C a n b e u s e d w i t h AKG.WIRELESS b o d y p a c k t r a n s m i t t e r s o r B 2 9 L b a t t e r y s u p p l y
Complete with W 444 windscreen • S u p p l i e d w i n d s c r e e n s u p p r e s s e s w i n d n o i s e
Specifications:
> ; 2000*" : , wa rn > , ««ire I : 16000 Ht
F r e q u e n c y r a n g e : P o l a r p a t t e r n : S e n s i t i v i t y a t 1 0 0 0 Hz: I m p e d a n c e :
M a x . S P L f o r l % / 3 % T H D : S i z e ( L W H ) : N e t / s h i p p i n g w e i g h t : S t a n d a r d a c c e s s o r y :
2 0 Hz t o 2 0 , 0 0 0 Hz c a r d i o i d 4 0 m V / P a 2 0 0 Q
1 2 6 / 1 3 0 d B
1 3 0 m m ( 5 . 1 i n . ) i n d i a m e t e r
3 0 g ( 1 . 1 o z . ) e x c . o f c o n n e c t o r / 2 0 0 g ( 7 o z . ) w i n d s c r e e n
Cymbals, Drums & Percussions Overhead MicroMic
S p e c i f i c a l l y d e s i g n e d f o r c y m b a
a n d o v e r h e a d m i k i n g , t h e f r e q u e n c y
r e s p o n s e o f t h e C 4 3 0 e n s u r e s a
u n i q u e l y c r i s p s o u n d .
W i t h i s e x t r e m e l y c o m p a c t e x t e r n a l
d i m e n s i o n s , t h i s m i c r o p h o n e w i l l k e e p
a l o w p r o f i l e o n t h e d r u m k i t w i t h o u t
c o m p r o m i s i n g a u d i o q u a l i t y .
F r e q u e n c y R e s p o n s e a n d P o l a r D i a g r a m
Frequency response designed specifically for cymbal and overhead miking
• E a s y t o u s e w i t h a n y m i x e r , w i t h n o n e e d t o u s e t h e E Q
Choice of external phantom powering or battery powering using the B 15
• O p e r a t e s w i t h m i x e r s w i t h o r w i t h o u t p h a n t o m p o w e r
Complete with W 32 windscreen • F o r t r o u b l e - f r e e u s e o n o p e n - a i r s t a g e s
SA 40 stand adapter included • F o r s e c u r e m o u n t i n g o n a l l c o m m e r c i a l m i c r o p h o n e s t a n d s .
Specifications:
F r e q u e n c y r a n g e : P o l a r p a t t e r n : S e n s i t i v i t y a t 1 k H z : I m p e d a n c e :
M a x . S P L f o r 1 % / 3 % T H D : S i z e :
N e t / s h i p p i n g w e i g h t : S t a n d a r d a c c e s s o r i e s :
2 0 Hz t o 2 0 , 0 0 0 Hz c a r d i o i d 7 m V / P a
2 0 0 n 1 2 6 / 1 3 0 d B l e n g t h : 7 9 m m ( 3 . 1 i n . ) ; d i a . : 1 9 m m ( 0 . 7 i n . ) 3 2 g ( 1 . 1 o z . ) / 1 9 2 g ( 6 . 8 o z . ) W 3 2 w i n d s c r e e n S A 4 0 s t a n d a d a p t e r
"Miking a double bass
never was so easy. "
Peter Herbert Performances in Jazz- and
Jazz-related music.
Concerts around the world
with the Art Farmer Quintet,
John Clark Octet,
Vienna Art Orchestra,
Aydin Esen Group
Rick Margitza a.m.o.
T h e p i e z o e l e c t r i c t r a n s d u c e r e l e m e n t
i s i n c o r p o r a t e d i n t o a c o n v e n t i o n a l ,
w o o d e n d o u b l e b a s s b r i d g e . I t t h e r e
f o r e p e r m i t s a n o n c o m p r o m i s i n g ,
n a t u r a l a u d i o q u a l i t y . T h e D B 1
i s i n s t a l l e d o n t h e d o u b l e b a s s l i k e a
s t a n d a r d b r i d g e i s m o u n t e d o n t h e
i n s t r u m e n t .
F r e q u e n c y R e s p o n s e
Features Benefits
Full range piezoelectric transducer element • Designed to reproduce the distinctive
sound of a double bass
C l e a r a n d n a t u r a l s o u n d q u a l i t y
Can be fixed on every conventional double bass • Your violin maker adapts the bridge
to your instrument
O n e s t a n d a r d s i z e f o r i n d i v i d u a l a d j u s t m e n t
DB 1 - for phantom powering • cable terminated in a preamp/XLR connector
1 f o r u s e w i t h 9 t o 5 2 V p h a n t o m p o w e r
Specifications:
F r e q u e n c y r e s p o n s e : P o l a r P a t t e r n : S e n s i t i v i t y : I m p e d a n c e :
M a x i m u m S P L f o r l % / 3 % T H D S i z e : N e t W e i g h t : S h i p p i n g W e i g h t :
5 - 5 , 0 0 0 Hz v i b r a t i o n p i c k u p 2 . 5 m V / m s 2
2 0 0 Q
1 3 0 d B / 1 3 8 d B 2 0 0 x 1 4 5 m m / 8 " x 5 . 8 " 2 7 2 g ( 9 . 9 o z . ) 7 0 0 g ( 2 5 . 5 o z . ) 13
T H E 0 * , B I N * L ACCESSORIES
Power Supply and Mini-Mixer
T h e B 2 9 L p o w e r s o n e o r t w o C 4 . . L v e r s i o n M i c r o M i c I I I S e r i e s m i c r o p h o n e s ( e x c e p t f o r t h e D 4 0 9 L w h i c h r e q u i r e s n o p h a n t o m p o w e r ) .
T h e B 2 9 L f e a t u r e s a n o n / o f f s w i t c h a n d s t a t u s L E D a s w e l l a s a m i c / l i n e s e l e c t o r f o r m a t c h i n g t h e o u t p u t l e v e l t o t h e i n p u t o f t h e c o n n e c t e d m i x e r o r r e c o r d e r , e t c .
T h e B 2 9 L o p e r a t e s o n o n e s t a n d a r d 9 - V b a t t e r y . A v e r a g e b a t t e r y l i f e i s 5 0 h o u r s .
T w o v o l u m e c o n t r o l s a l l o w y o u t o b a l a n c e t h e l e v e l s o f t h e t w o m i c r o p h o n e s .
A s u p p l i e d c l i p m a k e s i t e a s y t o a t t a c h t h e B 2 9 L t o a b e l t o r g u i t a r s t r a p , e t c .
r
m MicroMic-
Phantomspeiseadapter MicroMic-in-Hne
battery supply
T h e B 1 5 i s a n i n - l i n e b a t t e r y s u p p l y f o r C 4 . . P P v e r s i o n s o f M i c r o M i c I I I S m i c r o p h o n e s t h a t a l s o c o n n e c t s d i r e i t o t h e C 4 3 0 o v e r h e a d M i c r o M i c . A n i n t e g r a t e d o n / o f f s w i t c h h e l p s p r o l o n g b a t t e r y l i f e .
T h e B 1 5 u s e s a s i n g l e A A A s i z e 1 . 5 - V b a t t e r y , A v e r a g e b a t t e r y l i f e i s 3 0 h o u r s . T h e B 1 5 c a n a l s o b e u s e d f o r a l l c o m m e r c i a l c o n d e n s e r m i c r o p h o n e s o p e r a t i n g o f f 1 2 - V p h a n t o m p o w e r .
A d a p t e r c a b l e w i t h 3 . 5 m m ( 1 / 8 " ) l o c k a b l e j a c k s o c k e t a n d m a l e 3 - p i n X L R c o n n e c t o r .
T h e M P A I I I L r e d u c e s t h e u s u a l p h a n t o m p o w e r i n g v o l t a g e ( 9 t o 5 2 - V ) s u p p l i e d b y m i x i n g c o n s o l e s t o t h e o p e r a t i n g v o l t a g e ( 9 - V m a x . ) o f A K G M i c r o M i c s .
T h e M i c r o M i c v e r s i o n s w i t h a s c r e w - o n B - L o c k c o n n e c t o r f o r u s e w i t h W M S 3 0 0 s y s t e m s a n d t h e
B 2 9 B - L o c k t y p e b a t t e r y s u p p l y a r e s t i l l a v a i l a b l e .
P l e a s e c o n t a c t y o u r d e a l e r
WIRELESS
The perfect match for the MicroMic Ill-Series.
WMS40 AKG.WIRELESS - for unlimited mobility
on stage
For details about contact your local
AKG-dealer or visit www.akg-wireless.com
instruments
GUITAR: C 4111
F i n d o p t i m u m p o s i t i o n f o r C 4 1 1 " by t r i a l a n d e r r o r - i n m o s t c a s e s t h i s w i l l
b e o n o r n e a r t h e b r i d g e .
VIOLIN, VIOLA: C 4111 1 1
F i x C 4 1 1 ' " n e a r o r o n t h e b r i d g e -e x p e r i m e n t .
BANJO: C 411111
S i m i l a r t o g u i t a r .
ZITHER, DULCIMER: C 411 1 , 1
C 4 1 1 1 1 1 o n t h e b o d y ( n e a r b r i d g e ) .
Piano
PIANO: 2 x C 419"'/D 409
or C 416'"
C l a m p o n e o n c a s t i r o n f r a m e n e a r G 2 f o r b a s s a n d o n e w i t h i n 2 n d o c t a v e
a b o v e M i d d l e C f o r t r e b l e .
implifiers
GUITAR AND BASS AMPS: C 416"'
F i x C 4 1 6 1 " s o i t w i l l s i t a b o u t 4 i n c h e s i n f r o n t o f s p e a k e r . E x p e r i m e n t t o f i n d
b e s t p o s i t i o n - a i m i n g a t d i a p h r a g m c e n t r e o f t e n c r e a t e s h a r s h s o u n d .
DOUBLE BASS: DB 1
D B 1 s h o u l d b e i n s t a l l e d l i k e a r e g u l a r b r i d g e .
F i x C 4 1 7 " ' , e . g . , o n l a p e l , h i d e c a b l e b e n e a t h j a c k e t o r c o s t u m e f o r i n c o n s p i c u o u s m i k i n g o f l e c t u r e r s , M C s , s i n g e r s , e t c .
ACCORDION: 2 x C 416
U s e o n e C 4 1 6 1 " f o r b a s s r a n g e ( n e a r a n y o n e o f t h e s o u n d h o l e s ) a n d o n e a i m e d a t m i d d l e o f t r e b l e s i d e . W h e n u s i n g s t a n d m o u n t e d m i e f o r t r e b l e s i d e , f i x a C 4 1 6 ' " o n b a s s s i d e n e a r a s o u n d h o l e .
To install C 416
f i x i n t e g r a t e d b r a c k e t o r H 4 1 6 i n s t a l l a t i o n p l a t e o n a m p o r i n s t r u m e n t . B r a c k e t s n a p s i n t o H 4 1 6 . U s e H 4 1 6 i f i n s t r u m e n t o r a m p f l i g h t c a s e i s t o o s m a l l a c c o m o d a t e C 4 1 6 1 1 1
D o u b l e - s i d e d a d h e s i v e r u b b e r p l a t e a n d a d h e s i v e p u t t y f o r f i x i n g b r a c k e t o r H 4 1 6 s u p p l i e d .
Drum/Percussion
DRUMS, SNARE: C 418111
C l a m p C 4 1 8 ' " o n t o p h o o p . A i m a t r i m f o r c l i c k , o r a t c e n t r e
o f h e a d f o r f u l l t o n e .
TOMS: C 418"'/C 419'"/D 409 OTO-TOMS: C418'"/C419" l/D 409
S e e S N A R E . F o r s m a l l a n d m i d d l e s i z e s 1 0 " - 1 4 " ) C 4 1 8 " 1 , f o r l a r g e r s i z e s
( f r o m 1 4 " ) u s e C 4 1 9 1 1 1 o r D 4 0 9 .
Cymbal/Hi-Hat/ Overhead
C430
C y m b a l : P l a c e C 4 3 0 i n a d i s t a n c e e q u a l t o t h e c y m b a l ' s d i a m e t e r .
H i - H a t : P l a c e C 4 3 0 a p p r o x . 2 - 3 c m f r o m t h e H i - H a t t o p .
O v e r h e a d M i k i n g : P l a c e C 4 3 0 c o r r e s p o n d i n g t o t h e e x t e r n a l
c i r c u m s t a n c e s .
oice
SINGING: C 420
P l a c e C 4 2 0 ' " m i n i a t u r e c a p s u l e n e a r c o r n e r o f m o u t h ;
p l a c i n g i t f u r t h e r a w a y r e d u c e s p o p n o i s e b u t g i v e s
l e s s p o w e r f u l s o u n d .
SPEECH, AEROBI ANNOUNCEMENTS: C 444 L
P l a c e m i c r o p h o n e i n f r o n t o f c o r n e r
o f m o u t h . T o p r e v e n t p o p n o i s e , m o v e
m i c r o p h o n e a l i t t l e f u r t h e r a w a y o r u s e
s u p p l i e d w i n d s c r e e n
Wind in istruì ULHllS
SAXOPHONE: C 419m or D 409
C l a m p C 4 1 9 ' " o r D 4 0 9 o n b e l l , a i m a t r i m ( e x p e r i m e n t a n d l i s t e n ) . F o r s u b t o n e p l a y i n g , p o i n t m i e a t c e n t r e o f b e l l ( l o t s o f b r e a t h n o i s e ) .
CLARINET: C 419'" or D 409
C l a r i n e t s s h o u l d a l w a y s b e p i c k e d u p w i t h 2 m i c r o p h o n e s . P o i n t o n e ( e g a C 5 3 5 o r C 5 9 0 0 ) a t t h e k e y s , t h e o t h e r a t t h e b e l l : t h e C 4 1 9 ' " o r D 4 0 9 i s i d e a l f o r t h i s p u r p o s e .
TUBA, TENOR AND BARITONE HORNS: C 4191" or D 409
C l a m p C 4 1 9 ' " o r D 4 0 9 o n b e l l . T r y d i f f e r e n t p o s i t i o n s -a i m a t r i m o r u s e w i n d s c r e e n t o r e d u c e b r e a t h n o i s e .
TROMBONE: C 419'" or 0 409
C l a m p C 4 1 9 " ' o r D 4 0 9 o n b e l l , a i m a t r i m ( e x p e r i m e n t ) . W h e n u s i n g m u t e , b e n d g o o s e n e c k o u t o f i t s w a y .
TRUMPET: C4191" or D 409
C l a m p C 4 1 9 ' " o r D 4 0 9 o n b e l l , b e n d g o o s e n e c k t o p o s i t i o n m i e a s f a r a w a y f r o m i n s t r u m e n t a s p o s s i b l e , b u t p o i n t i n g a t b e l l . D i f f e r e n t p o s i t i o n s g i v e d i f f e r e n t s o u n d s , s o e x p e r i m e n t !
FLUTE: C 420'
D i r e c t C 4 2 0 ' " t o w a r d e m b o u c h u r e . T u r n i t a w a y a l i t t l e t o c o m p e n s a t e f o r e x c e s s i v e b r e a t h n o i s e .
W I R E L E S S . P H A N T O M - P O W E R E D .
B A T T E R Y - P O W E R E D . AKG.MICROMIC
M i c r o p h o n e s • H e a d p h o n e s • W i r e l e s s M i c r o p h o n e s • W i r e l e s s H e a d p h o n e s • H e a d s e t s • E l e c t r o a c o u s t i c a l C o m p o n e n t s
AKG Acoustics GmbH Lembockgasse 21-25, RO.B. 158, A-1230 Vienna/AUSTRIA, Tel: (43 1| 86 654-0", Fax: (43 1) 86 654-516, http://www.akg-acoustics.com, e-mail: sieseakg-acoustics.com AKG Acoustics, Harman Pro GmbH Bodenseestralie 228, D-81243 Munchen/GERMANY, Tel: (089) 87 16-0, Fax: (089) 87 16-200. http://www.akg-acoustics.de. e-mail: mfo®akg-acoustics.de AKG ACOUSTICS, U.S.
1 4 4 9 Donelson Pike, Nashville, TN 37217, U.S.A., Tel: (615)360-0499, Fax: (615)360-0275, http://www.akgusa.com, e-mail: akgusa8harman.com
For other products and distributors worldwide see our website: http://www.akg-acoustics.com Specifications subject to change without notice. Printed in Austria. 02/01/PROA 1381
