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, , , , , . - .

-, , -. , - , , -. , -, .

, -, , desiderata .

1 1908, 1914, : . -

, 1914. , . , , 1969.

2 Bibliografija rasprava i lanaka, knj. 13: Muzika, Struka VI, A R, Jugoslavenskileksikografski zavod Miroslav Krlea, Zagreb 1984; Isto, knj. 14: Muzika, StrukaVI, S , Indeksi, Zagreb 1986.

3 XIII : Knjige XIII i XIV retrospektivne bibliografijeJugoslavenskoga leksikografskog zavoda sadre bibliografiju lanaka i rasprava omuzikim zbivanjima u nas i u svijetu, objavljenih u naoj periodici od njenih prvihpoetaka do 1945. godine. , , , . ,

.4 . manual , 19411944, (: , 12), 2001. - ().

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5

, 70 75%. , .

6 : , 19191925: , () (: , 2), 1989; -, 19041907: , (, 5), 1992; , 19081911: , ( , 13), 2002; , . . 4. , - 2002. - XX.

7 : , 18251950, I:

, 1968; , : , 1972; -, : , 1976; , 18251950, II: , 1976; , 19511960, 1977; , : - , 1982; , : , 1984; , 19611970, 1984; , 18711875, - , 1985; , : , 1987; , : , I, 1987; -, : , I, 1989; -, : , II, 1989; , -: , II, 1991. .

XIX XX . -. , . [=] (1993), (1995) - (1996). (, .) .

8 . , 19011914, , 1982; , - 19201941: , (- ) (:, 15), 2005.

9

. - - , - XVIII , 1995. , ; . -, 17681995: -, ( Press , 1), 1996. -; . .

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, 18241918, (), 1977.10 1948.

(- ). -. , 1922. 1939. . , , -. , , , , -, .

. , - , , ; . ,: , , , , 1989, . 5354, . 14 (19871988), . 230234; , - , -, 1990, . 67, . 325348.: , , 1963, . 95, 266. 838.

11 . Stana uri-Klajn, Razvoj muzike umetnosti u Srbiji, [:] Josip Andreis Dragotin Cvetko Stana uri-Klajn, Historijski razvoj muzike kulture u Jugo-slaviji, kolska knjiga, Zagreb 1962, str. 529709. () ; . ,

, Pro musica ( Pro musica, 1), 1971;Ista, A Survey of Serbian Music through the Ages (translated by Nada urija-Pro-danovi), Association of Composers of Serbia, Belgrade 1972.

12 : -, -, [] 1959; Isto, drugo, dopunjeno izdanje, Umetnika akademija,Beograd 1963. : ,(), , 2000. , 19. : , , 2001. , - XIX , .

13 -, -: , - , [

: ] (, . DCXXVII, -, . 9) -, 1994, . 173201. , () , . . VIIVIII.

14 . Stana Ribnikar [-],Dr. Vojislav Vukovi: Materialistika fi-lozofija umetnosti (Izdanje knjiare Napredak, Beograd 1935), Zvuk, Beograd, jun1935, god. III, br. 6, str. 243244. (: , -: , , , - 1968, . 255256).

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15

Ista,Deset godina Muzikog Glasnika: Muziki Glasnik i jugoslovenski muzikiasopisi,, , 1940, . X, . 1, . 717; , , , , , 1956, . 7993.

16 , [:] ,, ( -), , 1947, . 312. ( Akordi prolosti, Prosveta, Beograd1981, str. 157164.) Petar Konjovi Povodom osamdesetogodinjice roenja, Po-zorini ivot, Beograd, septembar 1963, god. VII, br. 22, str. 2526. ( Akordi prolosti, str. 261266.) , Pro musica, 1968, . 37, . 1213. (-Akordi prolosti, str. 266270.)Petar Konjovi osnivaMuzikolokoginstituta i muziki pisac, Zvuk, Sarajevo 1970, br. 108, str. 341343. (

: , /, . CDXLVII, , . 53/, 1971, .3739; S. uri-Klajn,Akordi prolosti , str. 270273.) , [:] , , (, . CCXXXIII, , . 7) - , 1955, . 110. ( , : , , , 1968, . 371379. Akordi prolosti, str. 169179.), , 1986, . 11,. 2335; , -- (), 1986, . 7793.

17 ,, (-

-), , 1947; , , -, (, . CCXXXIII, , . 7) , 1955.

18 S. . K. [-], Dragutinovi, Branko, Muzika enciklopedija, knj.1, Leksikografski zavod FNRJ, Zagreb MCMLVIII, str. 383; Vinaver, Stanislav,Isto, knj. 2, Jugoslavenski leksikografski zavod, Zagreb MCMLXIII, str. 766; Ko-njovi, Petar,Isto, str. 47; Muzika kritika u Jugoslaviji. Srbija,Isto, str. 245246;Muziki glasnik, Isto, str. 274; Muziki asopisi u Jugoslaviji. Srbija, Isto, str.255. ( , Muzikeenciklopedije, Zagreb 19711977.) S. . K. [-], Konjovi Petar,Enciklopedija Jugoslavije, knj. 5, Leksikografski zavod FNRJ, Zagreb MCMLXII, str.305; Milojevi Miloje, Enciklopedija Jugoslavije, knj. 6, Jugoslavenski leksiko-grafski zavod, Zagreb MCMLXV, str. 115.

19

, : ( -), - () (), ( , . 91), 1966, . 175327. - , . 175201, - Akordi prolosti, str. 189209. , (19691972), .

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20

: -, ,[:].... . 199; :Akordi prolosti... str. 208.21 . [], , -

: , - ,, (, . XI) , 1990, . 484.

22 . Stana uri-Klajn, Razvoj muzike umetnosti u Srbiji, [:] Josip Andreis Dragotin Cvetko S. uri-Klajn,Historijski razvoj muzike kulture u Jugoslaviji,kolska knjiga, Zagreb 1962, str. 661; Ista, Petar Konjovi povodom osamde-setogodinjice roenja, Akordi prolosti, Prosveta, Beograd 1981, str. 264; Ista,Post mortem,Isto, str. 273.

23 . Stana uri-Klajn, Glasbena esejistika in muzikologija pri Srbih, Muzikolokizbornik, Ljubljana 1966, zvezek II, str. 96. - . , , : sensu stricto? , , -; . Sv. Petrovi, Priroda kritike, Samizdat B92 (Edicija Re), Beograd2003.[2]

24 . -, , [:] , , (,. CCXXXIII, , . 7), 1955, . 9. , , ; . S. uri-Klajn,Akordi pro-losti...str. 179. -, , , 1993, . 2, . 2629; . a : S. Marin-kovi, Vojislav Vukovi and new realism, New Sound, Belgrade 1993, No. 2, pp.2332.

25 : : (19452003), , 2005, . 298303. . ,. , . 8494.

26 . -, 1965. -, .

27 Muzikoloka delatnost Stane uri-Klajn (Povodom 60-godinjice roenja), Zvuk,Sarajevo 1968, br. 8586, str. 188193; -: , Pro musica, 1968, .

31, . 42; In memoriam Stanauri-Klajn, Zvuk, Sarajevo 1986, br. 1, str. 78;Miloje Milojevi kao muziki pisac i kritiar, Zvuk, Sarajevo 1972, br. 124125, str.142145; Tradicije 19. veka u napisima Miloja Milojevia, Miloje Milojevi kompozitor i muzikolog, radovi s naunog skupa odranog povodom stogodinjiceumetnikovog rodjenja, Udruenje kompozitora Srbije, Beograd 1986, str. 271286;Seanje na Branka Dragutinovia (19031971), Zvuk, Sarajevo 1972, br. 124125,str. 142145; Prve muzike kritike Stanislava Vinavera, Zvuk, Sarajevo, zima 1973, br. 4, str. 436440; Antun Dobroni i njegovi napisi publikovani u Beogradu,Meimurje, akovec, studeni 1988, br. 13/14, str. 165171; Kosta Manojlovi kao

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esejista i kritiar, U spomen Koste P. Manojlovia, kompozitora i etnomuzikologa,zbornik radova, Fakultet muzike umetnosti, Beograd 1990, str. 101142; : ,, 19. 20. 1985, 100-, (, . LV, , . 3), 1991, . 109118; - , , 1992, .XXXII, . 34 (188189), . 3135.

28 . , -: , ... (. . 13.)

29 , Pro musica, Pro musica, 1979, . 100, . 5; , Pro musica, , 1984,. 124, . 2930; Savremeni akordi, Zvuk, Sarajevo 1985, br. 1, str. 107108; , , 1993, . 1, . 2953. (

: Four editions of the Yugoslav magazine Zvuk /Sound/, New Sound,Belgrade 1993, No. 1, pp. 2952)., - , . . -.

30 Ideologija nacionalnog stila u procesu profesionalizacije napisa o muzici srpskog19. veka, Folklor i njegova umetnika transpozicija, referati s naunog skupaodranog 2931. X 1987, Fakultet muzike umetnosti, Beograd 1987, str. 159168;ta se u beogradskoj sredini smatralo muziki savremenim, modernim i avangardnimu periodu izmeu dva svetska rata, Meimurje, akovec, studeni 1988, br. 13/14, str.172184; XIX , -, 22. 23. IV 1988, , 1988, . 1548;

XIX , , 22. 23. 1986. 150- , (), 1989, . 209215; 19. , , 1991, . 89, . 5180; (18391914), , 2000,. 16, . 4253. (: New Sound, Belgrade 2000, No. 16, pp. 4152).

31 , ,, 1965, . 1314, . 10781085; Petar Iliajkovski injegova dela izvedena u Beogradu, Zvuk, Sarajevo 1967, br. 71, str. 2026; , , 1968, . VIII, .34, . 7477. (: 1967, , , 1969, . 4857;

, -, Pro musica, 1968, . 34, . 89); Theworks of Leo Janek in the light of Czech music performed in Belgrade betweenthe two wars, Colloquim Leo Janek et musica europea, Brno 1968. (Colloquia onthe History and Theory of Music at the International Musical Festival in Brno,Volume 3), arranged and edited by Rudolf Peman, International Musical Festival,Brno 1970, pp. 277286;Hrvatski muziki umetnici i kompozitori u Beogradu izmeudva rata, Arti musices, Zagreb 1972, br. 3, str. 119144; , , 1995, . XIX, . 92, . 88

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92; , , , 2001, . 3, . 2125; (18511931): , , 2001, . 18, . 2936. (: New Sound, Belgrade 2001, No. 18, pp. 2734); , , 2002, . 20, . 5059. (: NewSound, Belgrade 2002, No. 20, pp. 4856); , , , , 2122. 2002, , , 2002, . 1122;, , 2003, . 21,. 95109. ( : New Sound, Belgrade 2003, No. 21, pp. 95108); , 19231973,, 1977, . 2972; - (18821941), [ ], 1996; , , 1991; (19191941), , 2004. .

32 Muzikoj enciklopediji Leksikonu jugoslavenske muzike-, , (The New GroveDictionary of Music and Musicians,Die Musik in Geschichte und Gegenwart) . -. Kosta Manojlovi kao esejista i kritiar (. U spo-men Koste P. Manojlovia, kompozitora i etnomuzikologa, zbornik radova, Fakultetmuzike umetnosti, Beograd 1990, str. 101137), , . 138142, - appendix : lanci koji nedostaju Bibliografiji rasprava ilanaka, Muzika 13, Zagreb 1984. . . 103. 138. 1945. 1949. -, .

33 Kritike, lanci i posebne publikacije u srpskoj muzikoj prolosti (18251918), Fa-kultet muzike umetnosti, Beograd 1994; - (19191941), , 1999.

34 : , , , 15. 18. 1993. 125. - (, , ),, 1995, . 233234.

35 , 1941, , 1993, .XVII, . 78/79/80, . 592; 1941, -, 1994; ( 1941), -

, 1997; 1941.Quasi una fantasia, , 1998; (, 1941), ( ), 2003; - ( 1941), , 2003;, , -, 2002, . 83118. . , , 1976.. -

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. PrisustvoOskara Vajlda na srpskohrvatskom jezikom podruju. . . -. - , , : . . 19245, . 378; -, . 3742, -, . 99100. - (19011970), , 1990,. 38, . 111137. . 121122. 134.. :- ( 1941), III, : , 2005., , . , , - ; . Leksikon jugoslavenske muzike, knj. 2,Jugoslavenski leksikografski zavod Miroslav Krlea, Zagreb 1984, str. 480; Ko jeko u Srbiji '96. Intelektualna, umetnika, politika, finansijska, vojna, sportska elitaSrbije (selektori i urednici za klasinu muziku, muzikologiju i muziku kritiku: DejanDespi i Aleksandar Vasi), Bibliofon, Beograd 1996, str. 595. , -, (?), ; . , : (19452003), , 2005, . 207. : , - 1945. ().

36 , , , - (, CCXX, ,. 1), 1954.

37 , . , , : (-), , 1968, . 129161. (Napisi o muzici, Umetnika akademija, Beograd 1972, str. 115147.)

38 , , , -, , 1962; --, , , 1968, . III, . 5,. 3643; Musica humana, seji i studije, Akademijaumetnosti, Novi Sad 1990, str. 2946.

39 , . (18561981), Pro musica, 1981, . 4144; Osvrt na neke

napise o Mokranjcu u vojvoanskoj tampi krajem prolog i poetkom ovoga veka,Zvuk, Sarajevo 1981, br. 2, str. 5461; : , 1983, . XXIII, .2, . 8086. .

40 1981. . ; . 18381998, 19631998, -, 1998, . 610. : The Tradition and Avant-Garde. The Arts in Serbian Culturebetween the Two World Wars, East European Monographs, No. CLX, Boulder;Distributed by Columbia University Press, New York 1984.

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41

, ,, 22. 23. 1986. 150- , (), 1989, . 217226; , -, , 1989, . 1, . 199209.

42 Vlastimir Trajkovi, Miloje Milojevi stota godinjica od rodjenja kompozitora,Miloje Milojevi kompozitor i muzikolog, radovi s naunog skupa odranog povo-dom stogodinjice umetnikovog rodjenja, Udruenje kompozitora Srbije, Beograd1986, str. 938. . 1923. -.

43 , , , , - (:

, 8), 1996, . 479492; -, , , 2005, . 5, . 131144.

44 Sonja Marinkovi, Praka generacija u previranjima ideja socijalne umetnosti, 1983. . (:. ). , ,, 1993, . 2, . 2333. (: New Sound, Belgrade1993, No. 2, pp. 2332).

45 , - 1895. 1914. , (18951914),, () (: , 6), 1992, . 355363; ,-, , 2001, . 1, . 2547.

46 Tijana Popovi, Tekstovi o muzici Petra Bingulca kao fakt i kao umetniki doivljaj,Zvuk, Zagreb 1989, br. 1, str. 1931.

47 , -, , 1993, . 1213, . 101114.

48 , 19011941, 274 . 19. 2004. .- (: . ); ,

, 1994, . 15, . 155164; , , (, , ), , 1995, . 224238; , -. , , () (: -, 14), 2003, . 213224; -

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, [ ], 2002, . 3,. 5162. (. 5658, ); , , 2004,. 4, . 3959; , , . 167195; - XX, , 2005, . 5, . 289306; (19011941), , 2005, . 34/2,. 213224; , -, 2005, . 3233,. 101116; , 110 -, , , - 2006, . 243256.

49

, (18961901), -, 1995, . 1617, . 203212; , (19241941),, 1996, . 1819, . 207220; -, (), 19941996, , -, 1997, . 129133; 19. . (. ),, . 145150; (18951909),, 2000, . 2627, . 81103; , : , , 2001, . 18, . 3750.

50 Dragan M. Jeremi, O filozofiji kod Srba (VIII): Poeci marksistike filozofije,

Savremenik, Beograd, januar 1968, god. XIV, knj. 27, sv. 1, str. 5874. (. . 6970). : , ( , 12), 1997, . 165167; ,, , 1998. ( , .) Sreten Petrovi, Izmeu konzervativne teorije i avan- gardnog ukusa. O teorijskim stavovima Vojislava Vukovia, Trei program, Beo-grad, III (leto) 1980, br. 46, str. 229247. ( : , 1979, . XIII: , . 307310; , 1986, . XVII: , . 233236.) , XX. I: , , 1999, . 14, .8399; II: , 2000, . 15, .127142; III:, 2001, . 17, . 86107.

51 , 1979.52 , ,

, 1964, . 39, . 166170; :, , 1969, . XX, . 4, . 261267; , , - 1986, . 11, . 1218; , , XIX XX, , (

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58

,-. , Izvori estetikog gledita Pavla Stefanovia i njegova metodolo- gija analize muzikog dela. . 1993. . ,, : , 1934. 1941. , , 1948. 1985. .

59 2002. , . .. , , 2004, . 3031, . 103116. . : , , 2006, . 45 (, . 10), . 6774.

Aleksandar Vasi

SERBIAN MUSICAL CRITICISM AND ESSAY WRITINGDURING THE XIXTH AND THE FIRST HALF OF THE XXTHCENTURY AS A SUBJECT OF MUSICOLOGY RESEARCH

(Summary)

The beginning of 2006 marked two decades since the death of StanaDjuri-Klajn, the first historian of Serbian musical literature. This is the exteriormotive for presenting a summary of the state and results of up-to-date musicology

research into Serbian musical criticism and essay writings during the XIX

th

andthe first half of the XXth century, alongside the many works dedicated to thisbranch of national musical history, recently published. In this way the reader isgiven a detailed background of these studies mainly the authors' names, books,studies, articles, as well as the problems of this branch of Serbian musicology.

The first research is associated with the early years of the XXth century,that is, to the work of bibliography. The pioneer of Serbian ethnomusicology,Vladimir R. Djordjevi, composed An Essay of the Serbian Musical Bibliographyuntil 1914, noting selected XIXth century examples of Serbian literature onmusic. Bibliographic research was continued by various institutions and expertsduring the second half of the XXth century: in Zagreb (today Republic ofCroatia); the Yugoslav Institute for Lexicography, Novi Sad (Matica srpska);and Belgrade (Institute for Literature and Art, Slobodan Turlakov, Ljubica

Djordjevi, Stania Vojinovi etc). In spite of the efforts of these institutionsand individuals, a complete analytic bibliography of music in Serbian print ofthe last two centuries has unfortunately still not been made.

The most important contributions to historical research, interpretation andvalidation of Serbian musical criticism and essay writings were given by StanaDjuri-Klajn, Dr Roksanda Pejovi and Dr Slobodan Turlakov.

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Professor Stana Djuri-Klajn was the first Serbian musicologist to work inthis field of Serbian music history. She wrote a significant number of studiesand articles dedicated to Serbian musical writers and published their selectedreadings. Prof. Klajn is the author and editor of the first and only anthology ofSerbian musical essay writings. Her student Roksanda Pejovi published two

books (along with numerous other factually abundant contributions), where shesynthetically presented the history of Serbian criticism and essay writings from1825 to 1941. Slobodan Turlakov, an expert in Serbian criticism between theWorld Wars, meritorious researcher and original interpreter, especially examinedthe reception of music of great European composers (W. A. Mozart, L. v.Beethoven, F. Chopin, G. Verdi, G. Puccini etc) by Serbian musical critics.

Serbian musical criticism and essay writings were also the focus ofattention of many other writers. The work quotes comments and additions of

other musicologists, but also historians of theatre, literature and art, philosophers,aestheticians, sociologists, all members of different generations, who worked orstill work on the history of the Serbian musical criticism and essay writings.

The closing section of the text suggests directions for future research.Firstly, it is necessary to begin integral bibliographical research of texts aboutmusic published in our press during the cited period. That is a project of capitalsignificance for national science and culture; realization needs adequate funding, theinvolvement of many academic experts, and time. Work on bibliography willalso enable the collection and publication of sources: books and articles bySerbian music writers who worked before 1945. A separate problem iseducation of scholars. To study musical literature, a musicologist needs to beknowledgeable about the history of Serbian literature, aesthetic theory, and

theatre, national social, political and cultural history, and methodology of literarystudy. That is why facilities for postgraduate and doctorial studies in musicology arenecessary at the Faculties of Philology and Philosophy.

UDC 78.072(497.11)''18/19''