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A Revisitation of Myth four songs for viola, piano and medium voice
Joelle Wallach (1998)
A Revisitation of Myth four songs for viola, piano and medium voice
by Joelle Wallach
I Icarus Swims 3 Think of it, love, what if the tales, the price- less paintings, all were wrong. What if they lied because the old cults thrived on sacrifice …and had to say he died. What if the sun was midwife at a birth, melting the wax, letting him plunge naked to the christening sea, with infant mirth, with joy amphibious. So much is staked on our courage to recast the myths. I love you, sear you, cut you loose to fall…. …..We must save ourselves, and him. Imagine it, imagine it, and swim. Luann Keener
III Hymn to Eros 17 O Eros, silently smiling…, hear me. Let the Shadow of thy wings brush me. Let thy presence enfold me, as if darkness were swandown. Let me see that darkness lamp in hand. this country become the other country sacred to desire. Drowsy god, slow the wheels of my thought …listen… to the snowfall hush of thy circling. Close my beloved with me in the smoke ring of thy power, that we may be, each to the other, figures of flame, figures of smoke, figures of flesh newly seen in the dusk. Denise Levertov
II Ms Lot 7 Well, if he treats me like a young girl still, That father of mine… And we’re still travelling into the hills – But everyone on the road knows he offered us To the Strangers when all they wanted was men, And the cloud of smoke still over the twin cities And mother a salt lick…. Who’s going to want me now? Mother did not even know She was not to turn around and look. God spoke to Lot, my father. She was hard of hearing. He knew that…. What kind of father is that….? He offered us to those men. They didn’t want women. Mother always used to say: Some normal man will come along and need you. Muriel Ruyeyser
IV Abraham and Orpheus 24 Abraham and Orpheus, be with me now: You saw your love’s face abstract, the weak-kneed stilts, You saw and knew, and knew how near “no more”… How poised on nothing, weighted on air, The touched, seen substance… of care: Surround me, be round me, be with me… Abraham and Orpheus, be with me now. Love, love exhausts and time goes round and round, Time circles in its idiot defeat, And that which circles falls, falls endlessly, Falls endlessly, no music shapes the air Which did, can, shall restore the end of care, For love exhausts …and time goes round and round, I shudder in traffic, buildings stand, Will fall, and night will fall, the electric light be snapped To spread its yellow genius on the floor, And you knew too who knew and knew “no more” That love exhausts …and time goes around. Abraham and Orpheus, be with me now: No longer the grandstand… Love sucked me to the moving street below, I see the price of care, turning to keep, I am a price, I turn to keep, I care, But time which circles dissipates all care, As you knew too, who lifted up the knife, And you, musician in the after-life, Drowning in the shadow all love always bears, As every solid thing must shadow into light: …Abraham and Orpheus, be near, be near. Delmore Schwartz
3
33
3
3 33
3
3 3
3
4
paint ings all were wrong. What
3
if they lied, lied be cause the
3 3
3 3
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3 3
3 3
3 3 3 33
2
Think
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of it, love, what
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if the tales, the price less
3 3
3 3
3 33 3
3
A Revisitation of Mythf o u r s o n g s f o r v i o l a , p i a n o a n d m e d i u m v o i c e
Luann Keener=69 Cantabile
Icarus SwimsI
Joelle Wallach
3
3
3
3
33
3
3
3
3
3ma ben cantabile
3
10
wax, let3ting him plunge na ked to the christ’ ning sea, with in fant
3 3
3
33
3 33
3
3 3
3
8
sun was mid wife at a birth melt 3ing the
3
3
3
ben 3poco dolce
6
old cults thrived on sa cri fice, and had to say he died.
ben
What3
poco dolce
if the
4
3
3
3lontano
poco 3 3dolce lontano
18
I love
con passione
you,sear you, cut youlooseto fall.
3
3
3
3 3
3
15
So
3
much is staked on our cou rage to re cast the myths.
33
3
33
3 3
poco e poco pensivo3
3
12
mirth, with
3
joy am phi bi ous.
5
33
33
3
26
I ma3
gine it, i ma3
gine it, and swim.
poco
3poco
m o l t o e s p r . d o l c e3
24
We
appassionato
must save our selves and him.
poco
3dolce cantab.
3 3
33 3
ma ben dolce3 3 espr.cantabile
21
6
(sotto voce)
3
Well,
3
sempre
muttering under the breath3
at the tip
muttering under the breath espr.3
=100-104 like angry muttered murmuringMuriel Rukeyser
Ms LotII
Joelle Wallach
7
(a whining adolescent tantrum)
9
in the hills. Who’s go ing to want me now?
poco jangly
(L.H.sotto voce murmur)3
3
3
7
go ing to want me now? and we’re still tra
3
vel ing
3
3
3
3
3
8
5
well, if he treats me like a young girl, still, that
3
fa ther of mine, Who’s
33
piangere 3
15
pizz. arco
13
to Stran gers when all they want ed was men...
33 3
meno
3 3 3
3
3
33
11
but ev
3
’ry one on the road knows he of ferred us
9
3
3
3
21
ov
3
er the twin cit ies, And mo ther a salt lick! Who’s
ben
19
And the cloud of smoke all
10
17
sul ponticello
jangly
ord.
27
a c c e l . a t e m p o
25 a c c e l . a t e m p o
r i t e n u t o
3
23
go ing to want me to want me now,
r i t e n u t o11
now,
ord.
33
not to turn a round and look. He knew! Oh,
arcosul ponticello
jangly
31
could n’t e ven hear, and he knew: Mo ther could n’t e ven hear, she was
pizz.
12
29
God spoke to Lot, my fa ther. She
conspiratorial
jangly
con sordino(16th figure at tip of bow)
espr. cantabile3
39
now?
37
to want me now? Who’s go ing to want me
35
who’s go ing to want me now? Who’s go ing
13
sotto voce
46
go ing to want me now? Who’s
senza sordino
poco
44
day and need you, but now who’s
3
14
42
Now, Mo ther used to say some nor
3
mal man will come some
conspiratorial
(non-tremulo)
52
Who’s go ing to
arco
50
Who’s go ing to want me now?
pizz.
48
go ing to want me now? Oh,
15
3
espr. mol to
e ben lontano
59
s o t t o v o c e
sotto voce
57
now?
pizz. con sordino al fine arco
dolce lontano
16
54
want me now, to want me now, to want me
molto lontanopoco lontano
3
3
33
6
O
dolce
E ros, si
3
lent ly smil ing, hear me: let the sha dow of thy
3
3
3
3
3
3legato, leggero e sempre gracioso
3 3espressivo cantabile 3
Denise Levertov=66 wistful and yearning, caressing throughout
H y m n t o E r o sIII
Joelle Wallach
17
poch. meno mosso ( =60)
3
3
3(solo)
espr.
3
15
coun try be come an o ther coun try, sa cred to de sire.
3
33
3
3
3
poco
12
down. Let me see that dark
poco
ness, lamp in hand, this
3
3
18
9
wings brush me let thy pre sence en fold me, as if dark ness were swan
3 33
3
3
3
3
3
3 3
3
3 3
24
cir cling.
3
3
3
33
3
poco
21
slow the wheels of my thought, lis ten to the snow
3
fall hush
poco
of thy
3
3 3 3
3
3
3 3
3
3
3
18 poco
Drow sy god,
19
3
33 3
3
3 3 3
3
3
33
(solo)
dolce espr.
33
fi
3
gures of flesh new
subito
ly seen3in the dusk.
3
3
3 3
3
3 3
33
3
3
3
30
to each o ther we may be fi
3
gures
dolce
of flame, fi
3
gures of smoke,
3 3 3
33
3
3
3
20
27
Close
poco
my be lov
3
ed with me in the smoke ring
3
of thy
poco
po wer that
3
3
3
42
dark ness lamp in hand, this coun try be come an o ther coun try,
3 3
3
espr.
39
Let
espr.
me see that
3
3
33
3
3
3 33
3
36
21
3
3
3 3
3
espr. cantab.dolce 3
51
that to each o ther we may be fi
3
gures of flame, fi
3
gures of smoke, fi
3
gures of
3 3
33
3 ma dolce espr.
48
lis ten Close
ma dolce espr.
my be lov
3
ed with me
3
3 3
22
45
drow sy god, slow the wheels of my thought,
3
3
3 3
62
ros, si
3
lent ly smil ing, smi ling, hear me!
3 3 3 33
3
3
3
(solo) 3
3 poco
58
hear me!
ma più lontano
O E
3
3 3
3 3
3 3 3
dolce cantabile
3
54
flesh
3subito
new ly seen3in the dusk.
3
Oh,
e più lontano
E ros, si
3
lent ly smil ing,
23
dolce cantabile
3 33
poco
3
p o c o a p o c o p i ù d o l c e
3 3
3
prophetic and declamatory
24
A b r a h a m a n d O r p h e u s=104 ( =52)
Delmore Schwartz
IV
Joelle Wallach
3 3
3
3
poco 3
3
11
near "no more" How poised on no thing, weight
3
3
3
3 3 3 3
9
You saw your love’s face, you saw and knew, and knew how
3
3 3 33
poco più mosso3
3
3
3
6
poco più mosso
Ab
poco
ra ham and Or pheus be with me now.
25
3 3 3
3
3
3
17
Ab
poco
ra ham and Or pheus, be with me now.
3
3
3 3 3
15
the touched, seen sub stance of care
13
26
ed on air,
3espr.
26
love ex hausts and time goes round and round. Time cir
3
cles in id
3
’ot de feat, cir cles
3
3
3
3
3 3 33
23
Love,
3
3
3
20
Ab ra ham and Or pheus, sur
3
round me, be
3
with me now.
27
espr.
e molto legato
s o t t o v o c e
36
round, I shud3
der in traf fic, build ings stand, will fall, and night will fall, e
3
3
33
did, can, shall re store the end of care, for
poco
love ex hausts and time goes round and
3
3
3
3
29
28
3
end less ly falls. No mu sic shapes the air
poco
which
45
more" that love ex hausts and time goes round and round. Ab
poco
ra ham and Or pheus, be with
42
and you knew too who knew and knew "no
39
lec tric light be snapped to spread its yel low ge nius on the floor;
p o c o a p o c o p i ù l o n t a n o
29
54
poised on no thing, weight ed on air, the touched, seen sub stance of care. Ab ra
poco dolce espr.
51
You saw and knew, and knew how near how
poco dolce espr.
48
me now.
30
espr.
l e g a t o , l o n t a n o e s o t t o v o c e
poco meno
63
price,
ben dolce
I turn to keep, I care,
3
dolce
60
sucked me to the mov
poco
ing street be low. I see the price of care, turn
3
ing to keep,
poco più
I am
dolce
a
3
3
3
57
ham and Or pheus, be with me now.
poco più agitato
No long er the grand stand, love
31
3
must sha dow in to light: Ab ra ham and Or pheus, Ab ra ham and Or
too, drown ing in the sha dow all love al ways bears, As ev ’ry so lid thing
3
but time which cir cles dis si pates all care, as you knew
70
67
73
espr.
32
(A tempo, con moto)
(A tempo, con moto)
3
3 3
82
79
e più dolce
3
3
76
pheus be3 3
3
with me now.
33
p o c o a p o c o p i ù l o n t a n o e d i m .
93
3 3 p o c o a p o c o
89
3
dolce espr. piangere
85
34