A Literary Magazine from CnÓj$qj ¥qWc GSÄjÀ Mc¿telugujyothi.com/year11/TJ_Y11M01.pdf · CnÓj$qj ¥qWc GSÄjÀ Mc¿ A Literary Magazine from The Telugu Fine Arts Society

CnÓj$qj ¥qWc GSÄjÀ Mc¿ A Literary Magazine from

TdOqGSøCL GHöÀ¥q The Telugu Fine Arts Society

http://www.tfas.net http://www.TeluguJyothi.com January – February 2011

Please mark the next three TFAS programs on your calendar! March 12 - Trimurthy Day Celebration - Bridgewater Temple

(See the flyer on page 32 or on TFAS website)

April 16 - Ugadi function - East Brunswick Middle School

August 7 - Annual picnic - Johnson Park on River Road in Piscataway

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The Telugu Fine Arts Society, Inc (A tax exempt and not for profit corporation)

16 St. James Street, Monroe Twp, NJ 08831

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Board of Trustees April 2010 – March 2012 President Anand Paluri 16 St. James Street Monroe Twp, NJ 08831 (732) 656-1913 [email protected] Vice-President Girija Kolluri 4 Stonemeadow Ct Plainsboro, NJ 08536 (609) 799-6303 [email protected] Secretary Manju Bhargava 54 Erie Ave Rockaway, NJ 07866 (973) 983-0596 [email protected] Treasurer Suresh Makam 13 Alexis Lane Edison, NJ 08820 (732) 494-1370 [email protected] Annual Events Usha Akella (908) 203-1060 [email protected] Youth Services Bindu Madiraju (732) 609-1836 [email protected] Membership Services Vasant Naidu Tanna (732) 319-8155 [email protected] IT Services Anantha Sudhaker Uppala (908) 251-5330 [email protected] Community Affairs Jayanarayana Kureti (919) 667-8040 [email protected] Advisors Dr. Satyaveni Rao Mr. Damodar Gedala Dr. Murty Bhavaraju Founder Editor: Late Kidambi Raghunath

Editor: Murty P. Bhavaraju, Phone (908) 252-9434 Mail articles to: 231 Marcia Way, Bridgewater, NJ 08807 or [email protected] Associate Editors: Anantha Sudhaker Uppala; Diwakar Peri - Production Support; Radha Kasinadhuni - Essays & Community News; Syamaladevi Dasika - Stories; Dr. Vaidehi Sasidhar – Poems. Members of the Editorial Committee: Jayanarayana Kureti

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From TFAS – President Anand Paluri 5

Sankranthi Samabaralu - Maju Bhargava 6

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Cover:

Muggulu by children that won prizes at

TFAS Sankranthi function on January 22

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FROM THE PRESIDENT��

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��. I am writing this President’s

message on Valentine’s Day; so I wish you and your significant other a Happy

Valentine’s Day. I am sure by now you had enough cold and snow for the season and ready for some warm sunshine. In my 25-years in USA, this is the most snow I have seen in NJ; so enough of white stuff.

As the New Year began, TFAS Executive Committee is busy planning events for the New Year. The first task of the year was conducting Sankranthi Sambaralu on January 22nd. It is lot of work and coordination to plan and execute a program from 8 AM to 6 PM. Extremely time consuming and tedious process. However, when you witness over 200 children participate with enthusiasm and drive, it all seems worthwhile. The local talent has blossomed over the recent past and the quality of performances have significantly improved; almost to a professional level. I want to commend the children for this eagerness to learn and display their talent and the parents for supporting it. TFAS is glad to provide this stage to showcase their talent and encourage them. Our Secretary, Manju Bhargava drafted the summary of the Sankranthi event in this issue for those who might have missed the program. Photos of the event are posted on our website at www.tfas.net. I want to thank everyone who supported this event and special thanks to Dr. Satyaveni Rao garu and Prabha Ragunath garu for their generous support and for Radha Kasinadhuni for sponsoring the prizes.

Plans are already underway for the next three programs that TFAS will conduct including the Trimurthy Day on March 12th at the Bridgewater Temple. For details of this program see the flyer on page 33 and the TFAS website. In addition, TFAS will conduct 2011 Ugadi function on April 16th at the East Brunswick Middle School. We are finalizing the program and details will be forthcoming. Our annual picnic will be conducted on August 7th at the Johnson Park on River Road in Piscataway, same location as last year. I strongly encourage all enthusiastic members to come up with new ideas to enhance our programs and make them more enjoyable for the attendees.

Membership at TFAS has been steadily growing over the years and it has seen a significant growth under the able leadership of Vasanth Naidu. Many software professionals are unsure of their stay and hence were reluctant to take life memberships. To address this issue and to increase membership we have instituted 5-year membership for $75. Annual memberships can be converted by paying the difference in amount. We are working on programs that would benefit TFAS life members and details of this program will be announced shortly. Membership cards will be distributed to all life members. Please encourage your friends and family to join this organization that has rich history and strong tradition.

One of the most encouraging aspects of the 2011 Sankranthi Celebrations was the involvement of youth. Fifteen youth members oversaw the overall program with

guidance from the Executive Committee. Each youth member was given community service hours. We hope to continue their participation and increase the number of youth volunteers in the future. Our new Youth Committee Chair Bindu Madiraju, IT Chair Sudhaker Uppala and Events Chair Usha Akella deserve accolades for organizing the program in a short time. If you or someone you know would like to get involved, please contact her at [email protected].

Our EC would like to pay special focus on Telugu Jytohi to make it self-supporting from a financial perspective. It is costing approximately $2,000 for each issue with an annual cost of approximately $12,000. Some of the advertisements and support we used to get have dried up and I request those who have supported TJ in the past to continue their support. Our circulation has been increasing and we will offer more exposure of these vendors to our membership. I strongly urge these supporters to pay their dues in a timely manner and assist EC and the TJ Editorial Committee. Our Vice President Girija Kolluri and Treasurer Suresh Makam will be contacting you shortly and we would appreciate your prompt response. With your support, it is our desire to overhaul the magazine with a new look. I also request passionate writers to provide articles; after all this is your journal and you deserve to be featured.

I am looking forward to seeing you at our next program. Until next time……………………….

Your President Anand Paluri

Back row (standing): Anantha Sudhaker, Manju Bhargava, Usha

Akella, Girija Kolluri, Bindu Madiraju, Youth Volunteers: Lalit Akella, Suma Akella, Anvesh Annadanam, Prashant Bhargava,

Karthik Rayavarapu,Vivek Mallempalli. Front row (sitting): Udgeetha Mallempalli, Anuja Gedala, Mahathi

Chavali, Prerana Madiraju, Pratyusha Rayavarapu. (Vamsi Suryadevara is not present in picture)

SANKRANTHI SAMBARALU

TFAS Sankranthi Samabaralu program were

conducted in very festive atmosphere on January 22, 2011 at Hindu Temple Community Center. The all day program was run very successfully by our Youth Committee under able guidance of our Youth Chair Bindu Madiraju and our Vice President Girija Kolluri. There were

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approximately 160 participants ranging form age groups of 6 to 50 that participated in all day event Our Annual Events Chair Usha Akella did a splendid job of putting together an excellent On Stage Program. The children entertained every one with songs, dances, instrumental musical performances.

In true and exclusive TFAS tradition competitions were held all day. All the TFAS trustees ran each of these competitions under their able guidance, Rangoli competition by Girija Kolluri, Poster/Collage by Suresh Makam, Bommala Koluvu by Manju Bhargava, Telugu Text Reading and Telugu Poem Recitation by Anantha Sudhaker, and Fancy dress by Usha Akella and Bindu Madiraju. For the first time cooking competition was held surrounding the Sankranthi Theme. The cooking competition was conducted by Vasant Naidu.

All the attendees were served a sumptuous Vindu Bhojanam prepared mostly by our EC members and food donations from our local area restaurants Coriander Indian Cuisine, Edison and Cake Walk, Dayton. The food co-ordination was managed by Anand Paluri and Vasant Naidu.

Suresh Makam managed the online and onsite registration without any hitch. He was ably supported by Anantha Sudhaker and Vasant Naidu Garu.

Prize distributions for the competitions were held at the conclusion of all the cultural programs. Mrs. Bharati Bhavaraju, Mrs. Prabha Raghunath and Mrs. Chalikonda were invited on the stage for this. All the participants were given medals which they were proudly displayed throughout the day.

All the youth volunteers were awarded community hours for their service. There were 15 youth volunteers for the first time In TFAS history. See their names and the photo above. See the names of the prize winners included elsewhere in the magazine.

The evening concluded with vote of thanks by Manju Bhargava. She thanked Kasinadhuni Family, Kidambi Family, Rama Eleswarapu, and Dr. Satyaveni Rao for

their valuable support towards TFAS's quest to conduct youth programs. She also expressed gratitude to local restaurants for food donations, our volunteers, Judges.

Overall this was a very successful program despite of freezing temperatures. Please visit TFAS webpage and enjoy beautiful photo albums made by our volunteers covering Sankranti Sambaralu of 2011. We look forward to your participation in upcoming years.

- Maju Bhargava

TFAS Sankranthi Event January 22, 2011 Collections: Donations/Participants Fee/Snack Sales $3,328.00 Expenses: Temple rent $1,100.00 Audio 250.00 Medals to participants 337.50 Prizes to winners 614.70 Supplies 191.98

Total expenses: $2,494.18 Net income: $833.82

TFAS Deepavali Program November 20, 2010

Collections: Competition registrations $1,750.00 Donations/Door Collection 16,860.82 Vendor charges 650.00

Total Income: 19,260.82 Expenses: School rent+Tips 6,335.00 Air fare+Hotel for artists 6,379.75 Food (Dakshin) 4,200.00 Temple rent for competitions 1,100.00 Trophies 1,060.00 Photos & Decorations 350.00 Supplies (water, plates, cups) 547.66 Tickets & Wristbands 276.19

Total Expenses: 20,248.60 Net Income: (987.78)

- Suresh Makam, Treasurer

2011 Sankranthi Event Prize Winners

Competition Category First Prize Second Prize Rangoli Adults Swathi Manchikanti Rama Chatrathi Junior Nikhila Manchikanti Varalakshmi Muvvadalu SubJunior Kruthika Chintamani Sruthi Jayanti Bommala Koluvu Prasad, Sriya, & Sruti Bapatla Vantalu Pongali Jhansi Yalamanchili Nagamani Dharba Vadalu Padmavathi Bapatla Vasumathi Kalyam Poster Pranav Dharba Abhi Tadakamalla Theme dance Aasha Eluri, Ananya, Samhitha, Sharanya, Meghna,

Varsha, Anagha, Tushira, Kruthika, Arohi Sahya Nara, Thanmayee Maddipati, Lasye Udaygiri, Anvitha Billeru

Fancy dress Sub-Junior

Aditya Gunturi Gayatri Sruthi Manikonda

Telugu text reading

Junior Sruthi Jayanti Akhila Annadanam

Sub-Junior

Lalasa Rachapudi Sraya Jayanti

Telugu poem recitation

Junior Hrishi Shaurish Batta Sruthi Jayanti

SubJunior Laasya Kandakurti Aditya Gunturi

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¥x¸CL¥cÓMnjÎFc öGHQL¸fSGSkë °¸@o ¬ÍßGRæ¸ °¸^j¸Á. ¬ÁPoÂ

Mc<j À¿»Noj OqkGH¸Py $cÂ KxMLjô$c ‚< ¥qÂfH¸ÔLÂ

¬ÍßQLõ$qÀ Jv¸ÍjCc<j. KxMLjôÓ ¥xÓjMLlFLj ×cö$qCLë$c ¬Oqíî¸

ÔofS¥x¸=o ¯ GHOqMLj GSCLõ¸ MLjFL MLjFLGSjŠ CL^æ¥qJwÍj.

¥x¸ÍYŠ CLMLj ½¡ÄCL¥cÓ¸Py CL»FL $qj¿ë¸GHl, ¥i¿ë

O~¥q JwMLÔLjáFLj, ¥cÂ Mc¿ ¬<j$qjÓ ¼FnïÓ Nnjj¥qÚ

$xGHðCLFL¸ ö¥qMLjö¥qMLj¸$c $qj¿ë¸GH_<MLÔLjáFLj. ¬Pe¸=h

GH¿fSìCLjÓPy Mc¿KxMLjôÓj - ½¡ÄCL¥cÓ¸Py ¥qFLï - ¥x¸CL

ML¸ÍÂ¢Nqj¸$c, GSôOqBiNqj¸$c GH¿*Äj¸ÔL^¸ CL^fSìGSjë¸Á.

KxMLjôÓ ¥xÓjMLlFLj ×cö$qCLë$c GH¿Ç¤Æ¸¼FL Mc¿¥h µ¥q

ÄGRNqj¸ CL^æ¥q JwÍj. ¬Ä MLjk<j Py¥cÓŠ Ôn¸ÁMLÄ:

(FLÄjôFL Mc¿¥h) GSøOqÜ¸Py¥q¸, AKLkPy¥q¸, (ö¥h¸ÍFLjFLï

ÍFLj¥xFLï) JdCc+¸. ²ŠÚML GS¸[õPy °FLï KxMLjôÓj

TdbEcOq*¸$c AKL$qML¸CLjÂ GSjñOq*Š Í$qÜY$c °¸=ctj. GSøOqÜ

MLõŠëÓ OqkGHlOo[Ój ²Pe °FLïMy ²MLOnY¦j$qjÍjOqj?

ÔLkfSML¼áFLMcOnMLOqj. KxMLjôÓj ÔoNqj=cÂ¥h? MLjFL ±ÿÓFLj

_=hæ Mc=h OqkGH¸ ÂOqêNqjMLjMLlCLj¸Á. MLjFL GHlO~CLFL

TdOqGSøCL¸ - MLjj[õ¸$c GS¸GSÚßCL ö$q¸bEcMLÈ - Mc¿

GSøOqkJdÓFLj ML¿ê¸¼FL ¿¢À FLFLjGS¿¸¼ Mc¿ KxMLjôÓj

ÔoNqj_<jCLk °¸=ctj. ®Pe¸=h ±V GSøOqkJdPo

FLOq¥cÂ¥h Ôn¸ÁFL MLõŠëÓ KxMLjôÓj ‚< - °. O~ML*jÂ

GHÁCLÓÓ GSøOqkGH¸. MLjFL GHmOqøö$q¸bEcÓj ÔLÁMoMc¿¥h GSøOy÷¥q,

JdCc+Py¥q JdöCLÓ KxMLjôÓj GSjÓAKL¸$c MLõ¥që MLjMLlCctj:

ö_ÿôML¸=h Äö$qVÂ¥h FcÓj$qj CLÓÓj, ÇMLlÂ¥h MLjk<j

¥qFLjïÓj, ÄbsHjïQLøOqjÂ¥h

10

11

³FLj$qj Cx¸<¸, MnjjÍÓtjFL JzO~Bh¥q - ±V¼öCcÓj. ®Ä

²¸CLMLYŠ McGSëMLMLjjPy ²MLOnY¦j$qjÍjOqj? ¥cÂ TdbEcOq*

öGH×cÍß¥qðbÍ¸Py ®Pe¸=h MLkFLMoCLOq MLjkOqjëÓ ¼öCcÓj

GSðGRæ¸$c ÂÆ¼ °Fcïtj. ¬Ä ¬Pe ÂÆ¼ NqjjFLï¸CL ¥cÓ¸

KxMLjôÓ GH¸<j$qPyÂ Äö$qÿOqkGHOo[ÓŠ ÄÓjML °¸^j¸Á.

¬Ó¸¥q¿¸ÔL_¨FL KxMLjôÓFLj ÔLkfSFL ¥xÓÁ ³¥x¸Ôn¸

−PyÔLFc QL¥hë °FLï MLkFLMLlÂ¥nÎFc GSßfRæPyÂ ¬ÂOqøÔLÂ¢NqjMnjÎFL

MnÎÄbÍõ¸, Kcÿj+õ¸ MLjFLGSjŠ CL^æ¥qJwÍj. Í$qÜYh

ÔLkGHlFLŠ Äj¸¼FL - Po¥q ¬ÓÄ ¥cÂ - ÄÄbÍ ÍßQcõÓFLj

¬tjEcOqj ¬YÓ MojOqPy µ¥q CcMLlFL ÔLk¼FL^j÷ CLßfHë

¥qÆ»¸Ôo ÄÇGRæ¥qÓðFL tk KxMLjôÓ¥xÓjMLl.

KxMLjôÓ¥xÓjMLl MLÓÂ öGHNnk×.FcÓPy Mn¸^Fo ö$cÿõ¸

¥cÂ Ex¥q=h NqjjFLïÁ. − ¬Ó¸¥qOq*Py GH¸¥hë Tz¸ÍOqõMoj

¥c¥q, MoYoøY¦j KxMLjôÓ JdOqGSðOqõ¸ ¬OqíîML¸CL¸$c

³OqðOqÔLMLÓfSFL ¬MLGSOq¸ °¸Á. °EcÿOq*Š, O~¾Ó GH¸¥hëPy

³ EoMLlÂ KxMLjôNnk, EoMLl+" GH¸¥hëPy ³ ×.¸CLjMLlFy, öGHfSÍíî

AKLMLFcÓ GH¸¥hëPy ³GHXhFy ®Yh¥h¸ÔL^¸ GSMLj¸×.GS¸$c °¸<Íj.

¯ ¥cOq*¸$c GH¸¥hë Tz¸ÍOqõMoj ¥c¥q, TdÿÔLOqõ GS¸öGHEcNqj¸

‚< GH¿$qBh¸ÔLMLÓfSFL ÍßfRæ KxMLjôÓj rH=oæ Mc¿Py,

¬FLj¥xFLŠ¸@~Fo, ¥qÓj$qjCLj¸Á. ¬FL$c ¥éMLÓ¸

¥qWcTz¸ÍOqõ¸ $qMLjÂ¸ÔL^Moj ¥c¥q, GSßfRæPyÂ ÄÄbÍöJd*jÓŠ,

MLGSjëMLlÓŠ $qÓ JdOqGSðOqõ¸ PyÂ Ö¼CLõÓXL*¸

$qMLjÂ¸ÔLMLÓfSFL ¬MLGSOq¸ °¸^j¸Á. ®Á ¥qGRæTdbÍõMnjÎFL

$qMLjÂ¥q ¬Â ÔcÓ MLj¸Á¥h CyÔLMLÔLjáFLj. MLj¿ ¥qWcTzGRæML¸Py

GSMLjö$qCL ¬¸CL CoÆ¥q$c ÓAKLõMLjMLlCLj¸Ec? ®Pe¸=h

ÄQoadÓFLj ÍßfRæ Py rH^jæ¥xÂ KxMLjôÓ¥xÓjMLl

³OqðOq¼FL^÷tjCo EcÂ Py Tz¸ÍOqõMoj ¥c¥q, Ä×cåFçQcÓj

‚< MnÆ÷Ä¿fSFL^j÷¸=ctj. ®Ä ö$qfU¸ÔL=cÂ¥h ¬FLj¥xFLÂ

¬ML¥cQL¸ ¯ ¥xÓjMLlPy °¸Á.

MLj. ÔLÆNqjjF| MLj¸ÔLj öGHÔL¸<MLÙ ÄbÍMLjjFLF| GS¸ö¥çÀ

NojCn¸ÔLj^F|

CnÓj$qjP| ÔoOqjÍj OnGHð=h¸ _PnF| NqjjÁ¤íJdëFL FcFL¸Í GS¸

¥qÆCLjP| GH¸<j$q Mo<j¥qP| GSÓjGHl GS¸¥qÓðMLjjCy, °CLûMy

×.ãøÆCLjP| fHÓ÷Ój ö¥xCLëÍjGSjëÓ GHGSF| GS¸CLßfHëFLjJvð¸$q$qF|.

°. KxMLjôÓj rH=hæFcOqj MLjFL GHmOqøGHlMo<j¥q CLGHðFL^j÷, Tv¸

fHMLjô$qj GH¸¥hë TwNqj$qMLjj sH¿áFL ¥qFLjïÓ GH¸<jMpFL^jP|;

¥qMLjôÂ fH¸¨ML¸^¥qMLjj $c^jŠ Ox^æÓj MoNqjjÔLjFLï ÔLj

^æMLjjôÓ$qj¸GHlCy $qßÿMLjj >Oq¸$qjFL öMnk$qjÔLj FLjFLïÁCLë¿F|.

ÔL. ®Ój Ä¨Motj Nnk×.FLMLjjÆ£MLÓ ‚OqjŠJwtj

Nqjj¸¨FLF|

CxÆ MLj¨PyÂ ÄCLëFLMLjj CLj¸GHOq PnÔLá^KyMLl? Â¸=hPy

$qÓ$qPe<j _¸Íj$qjÓ ¥qFLjïÓ JdGH¥qÍÓjðÓ¸Íj Mn

FnïÓ CL¨ Nqj¸=h FL^jæÓ ×.FLMLjjôÓ ‚¿Äj Jv¸$qjÔLjFLïEo!

°. _j^æÓPy, MnjY¦j¸$qj¨» JwFL^j gHÆ¥qÓ¸Íj ÔLj^jæÔLjF|

rH=næÓPyFL, Jw¨ÄjÂ rH=hæFL KxMLjôÓFLÂï MnjÓ÷$c

¥q^jæÓj ÄGHlðÔLjF| MnÓj$qj ö¥qMLjjôÔLj ö¥xCLëÓ KyÓj FL¸ÍMLjjP|

GHl=næ<j MLk¨Ú sHOqjÔLjÔLj KxMLjôÓ GH¸<j$qsSCLjÄjCLë¿F|.

°. KxMLjôÓ ¥xÓjøPy $qÓ ÍMLjkÓõCLMLjMLjô$qj Â¢À Nnjj¸<j;

GS¸

IGHjMLjjôFL Fn¸CL Nqj_jòOqMLjj ¥qÓÜ$q ×ofSFL MoCLëNnjÎFL, Â

¥qÚMLjjô$q bEcCL ÔoÀ CLMLj¥qMLjjôFL KxMLjôNnj, ²¸CL$c MLjÿ

CLøMLjjôFLj Jv¸ÁFLF| ö_ÍjŠ Kc^Ó, ½¡MLlÓj KxMLjôPo CLjÁF|

------------------------------------------

(1) °Á¤íGHë = MnÆ»¸GH_¨FL; GS¸¥qÆCLjP| = ‚Oqá_¨FLMcOqj;

°×.ãøÆCLjP| = MnÓj$q¸ÁFLMcOqj; (2) ®MLjjô = Ä¿Ä; (3) MLj¨

= JvÓMLjj; (4) °¨» = ¥qßÇ¸¼; Jw¨Äj = µGHlð; (5)

MoCLë = CnÆfSFLMc<j; CLMLj¥qMLjjô = CLøOq; ¬FLFLõ =

®CLOqjÓŠ PoÂ; ¬MLjkÓõ = MnÓPoÂ; ŠÁ¸ÔLÂ = CL$qÜÂ.

12

13

¥çÀ¥hOq*¸ - ¥hOqB| Ko©

- ÔLPe÷ GSCLõMLÀ, Matawan, NJ ''°Ccûÿ¸, TdÿGS¸, bEnÎOqõ¸

_jÁíî¹ QL¥hë¹ GHO~ö¥qMLj¸

GR@oCo NqjöCL MLOqë¸Co

CLöCL EnÎML_Ó¸ ÓAKoC|'' ¬Â ¬Oyõ¥hë.

rHÎ ‚Oqj GSÍjÜBcÓj ²¥qÚ@nÎCo MLl¸=cNnk, ¬¥qÚ< EnÎML_Ó¸

‚@~ fSÁíîGSjë¸Á ¬Â ¥qEc ¬Oqíî¸.

‚ GSj$qjBcÓÂ¢ï GHlGRÚÓ¸$cMLlFLï, ¥hOqB| Ko© ²Fyï Ä×.NqkÓFLj,

öGHQL¸QLÓFLj Jv¸Á, öGHGH¸ÔL#eõÀÂ Jv¸Í^¸Py ‚QLáOqõ¸PoÍj

¬ÂfHGSjë¸Á. ¯MnjFLj GHlöÀ¥q$c Jv¸ÁFL CLÆ÷CL¸ö<jÓj

¬ÍßGRæML¸CLjÓj. CLFL $q<èrHÎ ×.FLôÂ¼áFL AKLOqCLMLkCL bÍFLjõO~Ój.

CLMLjÃ<èÓj ¯Mnj ‚ÍO~ùÓFLj Jd=h¸¼, °FLïÀÂ, öGH#eõÀÂ

Jv¸EcÓÂ GSÿ×.¸$c CLÆ÷CL¸ö<jÓ¸Cc ¥yOqjŠ¸=cOqj.

¥hOqB| CcCLMLjjCcëCLÓj GH¸×c_j O~öadæÂ¥h Ôn¸ÁFL $pOqML

Š^j¸Ã¢ŠÓj, GS¸TdÚOqML¸CLjÓj. bEnÎOqõTdÿTdÓFLj, EoQLAKL¥hëÂ¢ Oq¥që¸Py

½¡¿ê¸ÔLjŠFLï GH>OcFLj×cÀ¥h Ôn¸ÁFLMcOqj. CL¸ö¨ öGH¥c}R rHadML¿Nqk

ÄEcõML¸CLjPo$c¥q, =nÂ¢ïGSj ‚^Py ¥x¸CL ‚ GS¥hë, öJdÄ¤*õCL $qÓMcOqj.

CLÆ÷ `ösHMLjÓCL` fU¸Á¤Py ¬CLjõCLëMLj ¨ö»¤ Jv¸ÁFL ÄÍjgRMLjBh,

ösHMLjMLjk¿ë. ¯ Í¸GHCLjÓj TdMLkFLõfSìÀGHOqjPnÎFc CLMLj FLÓj$qjOqj

ŠMLkOnëÓFLj °CLëMLj ÄEcõÓNqkPy÷ ÔLÁÄ¸ÔL<Moj $c¥q ®CLOq

¥q+ÓPyFLk, ö¥i<ÓPyFLk ‚@~ öJwCcûÿÄjÔcáOqj. TdbEcOq*

CLÆCL¸ö<jÓMLPn CLMLjÃ<íÓFLj ¥q^jæÁ=cæÓPy _¸bÁ¸ÔL¥q GHm¿ë

sSøÔLáFL¸Á¸ÔL<¸MLÓFL, McOqj GSÿ×.GH¿MLjWcÓCy Ä¥qfS¸¼,

MLßÁíîJv¸EcOqj.

¯ Í¸GHCLjÓ On¸<ML ŠMLkOnë MLjFL ¥hOqB| 1949 GS¸. Py

¬MLjßCLGSO| Py ×.Âô¸ÔcOqj. CLÆ÷¥h$qÓ ÄEcõbÃPeGR, CL¸ö¨¥hMLÓFo

=nÂ¢ïGSj ‚^rHÎ ¬GS¥hë ÓbÃ¸Ôctj. CLFL 22ML ³^Fo "Asian Lawn

Tennis" Py Ä×.Nqj¸ Jv¸EcOqj. CcFLj MLjFLGSkñ¿ë$c FLÄjôFL

‚ÍO~ùÓFLj bEnÎOqõ¸$c Jd=h¸ÔL<¸ ‚MnjŠ GSÿ×.$qj*¸.

²¸Cy ösHMLjCy rH¸¼FL CLÆ÷CL¸ö<jÓFLj ÄMcfUCLjÓML$cFo

‚<fHÓ÷Ój CLGHðÂGS¿$c Ä¨¼ ÍkOq¸$c MnÈ"JwML<MLjFo ‚ÔcOq¸

‚MnjŠ tjGRæ¸PoÍj. ¬¸Íj¥qFo MLj¸¼ ¬ML¥cQcÓj ML¼áFc ÄEoQcÓŠ

Mn+"¥q, MLßEcíîGHõ¸Py CLÆ÷CL¸ö<jÓFLj ösHMLj$c KcbÍõCL$c

ÔLkGSjŠFoMcOqj. ¥hOqB|Š EnÎMLAKL¥hë, EoQLAKL¥hë ‚@~ MLlFcï, CLFL MLjCLMoj

ÄÇGRæMnjÎFLÍFo ¬bÃöJdNqjGH<¥q, ¬Âï MLjCcÓj MLkFLMLlÓ ¬bÃMLßÁíîFo

KybÁTdëtj ¬Â FLMojôMcOqj. $qjOqjEcøO~ÓŠ, ÔL¿áÓŠ, EoMcÓNqkÓŠ

‚@~ MnWo"McOqj. ‚MnjŠ ŠÓMLjCcÓÄ£jÍ MLjkb<ÄQcøGS¸PoÍj.

ÔLÍjMLlŠFo Oy¾ÓPy `MLjCL¸` ¬FoÔy^ `MLkFLMLCL` ¬Â

öMcsSMcOq^. CLFL ÔLÍjML¸Cc ‚¿íî¥q¸$c CLÆCL¸ö<jÓrHÎ AKcOq¸ MoNqj¥q,

TdÚÓO| fRGHlðÓCyFo ¥xFLTd»¸ÔcOqj. ¥hOqB| MLöGSëbEcOq* ÄGRNqj¸Py

ÔcPe ÂO~<¸_Oq¸$c MLl¸@oMcOqj. _¸bÍjÄjöCLjÓ $qßVÓPy

QLjAKL¥cO~õÓŠ GSfUCL¸, ³MLköCL¸ ¬Ó¸¥qOq*Š öJdbEcFLõCL ¯Nqj¥q,

TdMLkFLõ¸$cFo MnWo"McOqj. ‚Mnj rUÎGSkÚÓj ÔLÍjML¸Cc CLMLj

GSø¸CLMLmOqj ¬MLjßCLGSO| PyFo ×.¿»¸Á. CLO~øCL Panjab Univesity Py Political Sciences Py M.S. CLO~øCL Ph.D. ÔoQcOqj. On¸<j

GS¸MLCLûO~Ój College Lecturer $c ¬FLjAKLML¸‚@~ Jv¸EcOqj.

MLjFL EoQL¸Py ögSëÓj AKLOqëÓMLÓFL, ®CLOqjÓMLÓFL‚@~ ¬Fo¥q

¥qGRæFLadæÓFLjAKLÄ¸ÔL<¸ ÔLkfS, Äj¥hÚÆ$c GSð¸Á¸¼ Mc=hÂ

¬¿¥q=cæÓÂ ¼FLïCLFL¸PyFo öÍjb<¸$c ÂQLátj¸ÔLjŠÂ ÔcPe

¥qßfRÔoQcOqj. ögSëÓj, fU¸GS, ¬CcõÔcO~Ój ¬Fo GSKnãŠæPy Ph.D. ÔoQcOqj. ¬¸Co$c¥q CLFL½¡ÄCLMLj¸Cc ögSë×.FcbÃMLßÁíî¥yGS¸ öQLÄj¸ÔcOqj.

GSMLk×.¸PyÂ ¬FcõNqkÓFLj CLFLQL¥hëMojOqŠ ¬¸CL¸ ÔoNqkÓFoÁ

¥hOqB| MLjj#eõQLNqj¸. ‚Mnj ¥y¿¥qÓŠ ¬bÃöJdNqkÓŠ ¬FLj$qj*¸$c

GH^jæÍÓCy ÔLÁÄ IPS (Indian Police Service) GH¿¢XLPy Fn»Ü

‚IgHGSO|$c rSPnŠæ ¬NqkõOqj. JwÆ£GSj Qc[Py ¬CLjõFLïCL GHÍÄÂ

¬Ó¸¥q¿¸¼FL MnjjÍ=h MLÂCL ¯Mnj. µ¥q ®¸Ôqkøõ Py ''Ä£jOqj ¯

Qc[Fo ²¸ÍjŠ öGHCoõ¥q¸$c ²FLjïŠFcïOqj?'' ¬FLï öGHQLïŠ ‚Mnj ''µ¥q

°FLïCL ¬bÁ¥c¿$c öGH×.ÓŠ ¬ÂïÄbEcÓj$c FcõNqj¸ Ôo‚Oqá$qÓFLFo

bEnÎOqõ¸ öJwCcûÿÄj¼á¸Á''¬Â ÔnJdðOqj. 1972Py ¬MLjßCLGSO| =nÂï}S

¥yOqjæPy öÃ×| Ko© Cy GH¿ÔLNqj¸ ¬tj¸Á. Mc¿Íí¿ ¬bÃöJdNqkÓj,

‚QLNqkÓj ¥qÆNqj<¸Cy ÄMcÿ¸ µ¥q EoMcÓNqj¸Py ÔcPe

ÂO~<¸_Oq¸$c ÔoGSjŠFcïOqj. Mc¿ ŠMLkOnë `TdtjFc` ‚@~

AKLOqëCy ¥qÆfS GSMLk×cÂ¥h ²¸Cy sSML ÔoQcOqj.

¬Eo GS¸MLCLûOq¸Py ‚ IgHGSO|$c Ôo¿ 2007 (¿=nÎOqjMnj¸^j) MLOqŠ

¬Fo¥q Qc[ÓPy _ÿj¥h÷GRæMnjÎFL AKcÍõCLÓFLj ÂOqøfU¸ÔcOqj. ²Âï

¥qGRæÂGRkæO~ÓFnÎFc ²ÍjOxÚÂ öGH×.ÓŠ FcõNqj¸ Ôo‚O~áOqj.

Mnjj^æMnjjÍ^ b¨Æ£÷Py ÔL^æÄOqjÍíî¸$c TdO~tj McõJdO~Ój ×.¿$o

öJd¸CL¸Py ‚MnjFLj JwGSjæ ÔoQcOqj. ‚ öJd¸CL¸Py

Cc$qjKyCLjPnŠÚML$c MLl¸<^¸, $x<MLÓj ÄjÀÄ£j¿ ×.Oq$q<¸ MLÓFL

14

15

wet district ¬¸=cOqj^. ‚Mnj Ôc¥qÔL¥qõ¸$c CLFLŠFLï ¥xÁí

fS_ò¸ÁCy ÿ>OcCLjë$c Ec¨ ×.¿fH¸¼ Ex¸$qMcõJdOqjÓFLj ¬OnGSjæ

Ôotj¸ÔcOqj. ¬Pe¸=h Ec<jÓj CLOqÔLj$c ×.OqGH<¸ MLÓFL FoO~Ój

CL$qÜ<Moj$c¥q, Ex¸$qCLFcÓj, ögSëÓrHÎ ¬CcõÔcO~Ój ‚@~ CL$cÜtj.

¬¸Co$c¥q, öGH×.ÓŠ Mc¿ öJd¸CcÓFLj OqXh¸ÔLjŠFo ÇXL*

tjfHð¸ÔcOqj. ×nÎÓjFLj¸¨ Ä<jÍPnÎFLMc¿¥h MLlEyõ$cML¥cQcÓj ‚@~

¥qÆð¸¼FL MLkFLMLCcMcÁ ¥hOqB| Ko©.

1975Py ÔL^æMLõÀOo¥q¸$c ×.¿sH GSAKLÓj, GSMLkMoQcÓj ÂÓjGHl

ÔosS <kõ=i MoQcOqj. O~×.¥iNqj GSMLkMoQcÓj ×.Oqj$qjCLjFLïGHlð<j

öGH×.ÓŠ °öÁ¥qëCL rHOq$q<¸Cy Pe>Oi ÕÔc¿¢ãÓj ‚@~ ×.¿fH¸Ôo ¬MLGSOq¸

¥qÆ$oÁ. ¬Pe¸=h GH¿fSìCLjÓPy FcNqjŠÓMLÓFL ²Fyï MLCLjë<jÓj,

ÄMLjOqùÓj ²ÍjOyÚMLÓfSML¼áFc, ‚Mnj bEnÎOqõ¸$c CLFL bÍOqô¸

ÂOqø¿ë¸ÔcOqj. CLO~øCL ‚Mnj Traffic Control Qc[Py MLlFLïGHlð<j

¥cOqj÷, GSkÚÔqj÷ Nqk¥hû@n¸^÷MLÓFL ¥cÂ, Ôn¨JwML^¸MLÓFL$cÂ Oy<÷rHÎ

ÂÆfHMoNqj<¸MLÓFL Äj$qCc öGH×.ÓŠ ²¸Cy ®_ò¸Á ¥qÆ$oÁ. Mc=hÂ

CxÓ»¸ÔL@~Â¥h JwÆ£GSj Qc[Mc¿¥h CL»FLÂï ö¥éFLjû PoMLl. ‚Mnj

CnÆÄ$c ö¥éFLjû ¥q¸rHÂ¢ ¬bÁ¥cOqjÓFLj GSMLkMoQLGH¿¼ ‚ GHÂ Mc¿¥h

¬GHð»¸¼ McÿFL Nqj×.MLkFLjÓÔo bÍFL¸ ÔnÆ÷¸Ôo^^j÷ ³O~ð^j

ÔoQcOqj. ‚ GSMLjGSõ GH¿adÚOq¸ ¬ML<¸ MLÓFL öGH×.Ój ®_ò¸ÍjÓj

CL$cÜtj. FcõNqjGH¿OqXL* ÄGRNqj¸Py ‚Mnj rHEcí, ¼Fcï CcOqCLMLkõÓj

³MLköCL¸ Jd=h¸ÔL¥q CL»FL ÇXLÓFLj ÄbÁ¸ÔoMcOqÂ öGHÀ£À. µ¥q

°EcÿOq*: µ¥qTd¿ ®¸ÁO~$çbÁ¢ ¥cOqj ÔL^æÄOqjÍíîMnjÎFL Ôy^ JdOqjÚ

ÔoNqj<¸MLÓFL, CLFL GHÍíîÀ öGH¥cOq¸ ö¥éFLjÂ fHÆfH¸¼

CxÓ»¸GH×oQcOqj^! ¬GHð=hFLj¸¨ öGH×.Ój ‚MnjŠ ''ö¥éF| Ko©'' ¬Â

ÃOqjÁÔcáOqj^!

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General $c ¥hOqB| ÂNqjÄj¸GH_@~èOqj. ‚ Qc[ ¬À

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ÂQLátj¸ÔLjŠFcïOqj. CLFL TdMLjO~íîõÂï öGHGH¸ÔcÂ¥h MnÓ÷¨¸ÔcOqj.

Tihar jail ÄgSëOqêCLPyFLj, Td¸öÍCLPyFLk ‚@~ ¬À rHÍíÁ.

GSjMLkOqj 800 GHlOqjGRjÓj, 300 ögSëÓj, Mc¿rHÎ ‚bEcOqGH¨FL fHÓ÷Ój

MLl¸@oMcOq^. [âÎÁ¤Ój ¬À Â¥qßGRæGH¿fSìCLjÓPy MLl¸@oMcOqj.

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Mc¿GH^÷ ö‚O~Àö‚Oq¸$cFLj, ¬MLkFLjGR¸$cFLk MLl¸@oÁ. [âÎÁ¤Ój

Mc¿ $y<jFLj ÔnGHlðŠFo ¬ML¥cQcÓj ¬GSÓj PoMLl.

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‚Mnj Mc¿Cy sSïÿAKcML¸ rH¸ÔLj¥xÂ, Mc¿ ¥qadæÓFLj CnÓjGSjŠFoMcOqj.

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ÔoQcOqj.

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ÔoNqj<¸PyÂ ‚FL¸EcÂï CnÆNqjÔnJdðOqj. ¬Âï MLjCcÓGH^÷ $pOqML¸,

GH¸<j$qÓj ×.¿fH¸ÔL<¸ GSÄjfRæ öJdOqíîFLÓj Fo¿ð¸ÔcOqj.

O~º¢GH¸<j$qFc<j OqXc_¸bÍFL¸ EcøO~ [âÎÁ¤Ó¸ÍOqk TwÍOq,

TwÍ¿¢AKcMcÓFLj ¬FLjAKLÄ¸ÔcOqj. ö¥qMLjö¥qMLj¸$c ¼öCLPo[FL¸,

_j^æÓÓ÷<¸, ÀFLj_¸@~O~ÓFLj CLNqkOqjÔofS ¬MLjô<¸

MnjjÍÓNqkõtj. Nnk$cAKcõGS¸, ÄJdGSFL öGHö¥hNqjÓj ‚@~

¬AKLõfS¸¼ ‚FL¸EcÂï, MLjFLQcù¸ÀÂ Jv¸Í$qÓjÜCLjFcïOqj.

¥hOqB|Ko© öJdOq¸bÃ¸¼FL ÄEcõöGHBcÈ¥qÓŠ Indira Gandhi

Open University ²¸Cy öJwCcûÿ¸, ‚¿íî¥qGSVNqj¸‚@~ ÔoGSjëFLïÁ.

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MLj¸¼ PnÎö_¿¢ ‚@~ MnÆfS¸Á. ¬¸Co$c¥q Mc¿ Ä<jÍPeFL¸CLOq¸ ÄÍõ

¥xFLTd»¸Ôo GSÍjJdNqj¸‚@~ MLl¸Í^! ®¥qÚ< ×.¿»FL GS¸GSÚOqBc

IGHÆCcÓj EoQLMLj¸CL=c ÄQLÍMLjNqkõtj. ÄEcõbÁŠÓ öGHQL¸GSÓj

ÓbÃ¸Ôctj. ÔcPe ×nÎ+"Py ¯ FLkCLFL GHÍíîCLjÓj öGHMoQLrH^æ_<^¸

MLjjEcMLÿ¸.

''FoOqGSjìÓFLj GS¿ÁÍí^Moj¥cÂ, Í¸¨¸ÔL<¸ Fc ‚QLNqj¸ ¥cÍj''

¬FLïMLk^FLj ¥hOqB|Ko© öÀ¥qOq*QLjÁíî$c ‚ÔL¿¸¼ÔLkfH¸¼, ‚Mnj

AKcOqCLEoQcÂ¥é$c¥q NqkMLC| öGHGH¸ÔcÂ¥h Ôn¸ÁFLMLõ¥hë$c $qj¿ë¸GH_@~èOqj.

United Nations Organization peace making operations Py advisor $c ¥xFcï+j" GHÂÔoQcOqj. 2007Py ¯Mnj police

department Py ¿=nÎOqj ¬Nqkõ¥q‚@~ ²Fyï öGH×cfUCL

16

¥cOqõö¥qMLkÓj öJdOq¸bÃ¸¼, ÂOqøfUGSjëFcïOqj. ''FLML×yõÀ''. . . . .

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¥qßfR, McOqj Fo¿ð¸¼FL ÄÓjMLPo CLFL Ä×.NqkÓŠ ¥cOq*MLj¸=cOqj.

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¬¸<$cMLl¸¨ öJwCcû ÿÄjTdëOqj'' ¬Â GS¸CyGR¸$c ¬¸=cOqj.

¯ MLjfUWcMLjBh ÄÇGRæCLFLj GSMLk×.sSMLÓFLj $qj¿ë¸¼FL ×cÀ£Nqj,

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GSCLÚ¿¸ÔcOqj. FcŠ CnÆfSFLÄ ¥xÂï °Íÿ¿GSjëFcïFLj: President's

Gallantry award (1979), Woman of the year (1980), Megasaysay

award (Asian Noble prize) (1994), Mahila siromani (1995), Lion of the

year (1995), Mother Teresa Memorial award (2005). ¯ McõGS¸

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17

ÅÇ¢ MLjöEcMLkNqj*¸Py ögSë JdöCLÓj - MLj DÍOq, ¬ÿÓõ, gSCL

- O~bÁ¥c QcöfSë

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¬¸=c<j. O~MLkNqj*¸ Â×cÂ¥h gSCL ÔL¿öCL.

MLj¸DÍOq JdöCL ¼FLïEo O~MLkNqj*¸Py. ¥nÎ¥q GHl=hæ¸=hFLj¸¨

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O~*jÓŠ −¸CLOq¸»¥q MLõMLVO~ÓPy ÔnÆ¥qCnëÓj$c, ÄjöCLjÓj$c

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GHÍÄ (GH^æ MLjfUfR $pOqML¸ Í¥qÚPoÍj $qEc) ÍQLOqbÍjÂ On¸<ML

AKcOqõ$c ¥c¥q ÔLö¥qML¿ë¥h CLÆ÷$c $qj¿ë¸GHl MLGSjë¸ÍFo ¬bÃöJdNqj¸Cy

¥nÎ¥qŠ °fS ¥xÓjðCLj¸Á. ¬¸CLMLOq‚ MLj¸DÍOq JdöCL JwGR*

GSMLjj¼CLMoj ¬Â GSMLj¿ì¸ÔLjŠFcï, On¸<ML ¥y¿¥qCy O~MLjjÂ 14

GS¸MLCLûO~Ój ¬Oq*õMcTdÂ¥h GH¸GH<¸ ¬FLj¼CLMLjÂfHGSjë¸Á. EcÂÂ

MLj¸DÍOq ¯ÄbÍ¸$c GSMLj¿ìGSjë¸Á ''O~MLjj<j ¬NnkbÍõPyFo °¸=o,

O~MLjjÂrHÎ ösHMLjCy ÀOqj$qjKc^j ÔofS, AKLOqCLjÂ O~×.õ öbKqGRjæÂ ÔosS

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O~MLkNqj*¸ −Á ¥cMLõ¸. ¥cMLõ¸Py CLÁCLOq ¥cMLõ ÓXLBcÓCy Jd^j

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O~MLkNqj*¸Py. MLj¸DÍOq Po¥q O~MLkNqj* $cDÍ PoÍFL<¸Py -

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MLjOx¥q ¬À ¼FLï JdöCL ¬ÿÓõ. − JdöCLFLÓj÷ŠÂ µ¥q

TdMLkFLõ ¥qDÍFL¸. ÄQcøÄjöCLj<j O~MLj ÓXLô*jÓFLj Mn¸^Kn^jæŠÂ

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ÂO~ôFLjGRõMnjÎFL −QLöMLkÂï ÔLkfSFL O~MLjj<j EcÂ MLßCcë¸CL¸ $qj¿¸¼

MLjjÂFL<j$qjCc<j. ÄQcøÄjöCLj<j ¬Á $pCLMLjMLjjÂÍÂ Mc¿ $qj¿¸¼

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MLjÀ¸ ÔL¥cOq ÍjOoô>bEc EoMLO~×. ŠCLkÿPeC|.

(KcÓ ¥ç<, GSOqÜ 48, Qy÷¥q¸ 19)

MLjjÂMoGRbEc¿Â EoMo¸öÍjÂ$c $qj¿ë¸¼, ¬CLÂNqj¸Íj ¬bÃPeGR

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QcGHMLk? Po¥q MLOqMLk? ÅÇ¢O~MLj ÍOqùFL¸ MLOqMoj $qEc.

18

19

O~MLkNqj*¸Py öGHbEcFL JdöCL gSCL. KcÓ ¥ç< FLj¸¨ ¼MLOq

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MLOq¸Py ÇML bÍFLjGSjûFLj GS¸bÁ¸ÔL$qÓ GHO~ö¥qMLjML¸CLjÂ ¥yGS¸ ²ÍjOqj

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Bhratanatyam: An Inspirational Outlet to My Life

The human mind is capable of processing many

different emotions at once. To understand and successfully interpret these emotions is what makes the study of human nature such a fascinating subject. People make an attempt to display and express their feelings in various ways, and once the correct outlet is found, masterpieces are inevitably created. Artists display their emotions in art, writers in literature, and singers in musical compositions. As for dancers, well they express themselves through the rhythmic form of nonverbal communication: more formerly known as dance. My form of expression? I can only describe it as an invigorating spiritual experience that envelops both the body and mind into an unworldly and celestial abode that not only calms the soul, but ascends the individual into a state of pure nirvana. To me Bharatamatyam is not just a form of dance; but a chance to express myself in ways I never thought possible.

Bhratanatyam is defined as one of the oldest dance forms of India. It was originally performed as a religious dance in temples and olden day courts. What makes this art form so impressive is its ability to survive from generation to generation with little to no alteration. Thus giving it the title of one of the purest forms of art in the world today; it is a direct connection to God and the spiritual world. An audience witnessing a Bhratanatyam dancer might be at awe once viewing the performance. However, what isn’t perceived is the string of emotional attachment the performer develops as well. A true classical performer enters a whole new world while dancing, forgetting about the audience and concentrating on the raw aspect of the dance. If this feat is achieved a sense of tranquility is reached, as both the dancer and the spectators can be touched by a single performance. The ability to do so is what separates a standard student from an advanced pupil.

Being a young girl in an ever-changing modern world, I am always influenced by the environment around me. I love wearing the latest trends, sporting fashionable hairstyles, and listening to the most recent music. I am susceptible to change, and it seems that my interests are continually fluctuating. I can truly say that the one thing that remains stable is the simple routine of practicing Bharathanatyam at least once a week. My biggest hurdle

throughout my years of dance was the ability to truly appreciate the world of classical arts. I once was an outsider looking in, and had involuntarily developed opinions of my own. I thought of Bharatanatyam as a mere collection of meaningless steps. At the beginning of my dance career, that was all it really was. I didn’t realize that these simple steps could be so brilliantly laced together to tell a multitude of stories to truly captivate an entire audience. Hopefully, as the years progress and my basin of knowledge continues to expand, I will be able to master this complex art form. One day I too wish to entertain an audience with my own perception and style of dance.

As I have learned, the first step in pursuing any type of art form is to have the necessary education and the utmost determination. Once these two goals are reached, the sky is the limit. It is important to know that no matter how much is learned, there is always more that can be taken in. Knowledge and art has no limit, no age, and no race. No matter what the circumstances might be, art is the one facet that survives a lifetime. The pursuit of it, whether it be in dance, literature, or music, can spark a whole new level of inspiration. I am thankful to my family for helping me find my one inspiration, and my one passion. Bharthanatyam is a gift that will continue to give throughout high school, college, and my future career. It is my outlet, my form of expression. I am and always will be a Bharatanatyam dancer!

- Monisha Sarathi

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tasking”

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34

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Scrabble gк��# ш�: +,: Elizabeth Taylor

�F ¿�x R�: Great chance to dressup several times a day

HC ¿�x EFÆ«�"+,к�: Union worth waiting for

34� �D�� 867к�� M�Iк��/ �J��: worst mistake of my life

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A Literary Magazine from CnÓj$qj ¥qWc GSÄjÀ Mc¿telugujyothi.com/year11/TJ_Y11M01.pdf · CnÓj$qj ¥qWc GSÄjÀ Mc¿ A Literary Magazine from The Telugu Fine Arts Society