A Checklist of the Works of J N Hummel

A Checklist of the Works of Johann Nepomuk HummelAuthor(s): Joel SachsSource: Notes, Second Series, Vol. 30, No. 4 (Jun., 1974), pp. 732-754Published by: Music Library AssociationStable URL: http://www.jstor.org/stable/897020 .Accessed: 02/04/2011 11:31

Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unlessyou have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and youmay use content in the JSTOR archive only for your personal, non-commercial use.

Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at .http://www.jstor.org/action/showPublisher?publisherCode=mulias. .

Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printedpage of such transmission.

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes.

http://www.jstor.org

http://www.jstor.org/action/showPublisher?publisherCode=mulias

http://www.jstor.org/stable/897020?origin=JSTOR-pdf

http://www.jstor.org/page/info/about/policies/terms.jsp

http://www.jstor.org/action/showPublisher?publisherCode=mulias

A CHECKLIST OF THE WORKS OF JOHANN NEPOMUK HUMMEL

By JOEL SACHS

Few of the lesser masters of the past have received so much attention recently as Johann Nepomuk Hummel. After a lifetime of phenomenal success, Hummel passed rather quickly into oblivion, remembered as a pianist but grossly neglected as a composer. With the recent revival of interest in early-nineteenth-century music, however, Hummel's true accomplishments (as well as his failings) have been recognized, and his position as one of the key figures in the passage from classicism to romanticism acknowledged. Viewing Hummel anew has greatly illuminated our conception of the late-classic period, but it has also served to highlight the serious lack of complete and reliably-dated works-lists for the prolific composers of that period. In the case of very popular composers, the multiplicity of pirated early editions complicates the establishment of authoritative texts, and will continue to do so until better bibliographies appear. Furthermore, the lack of a coherent body of information obscures even the general patterns of an individual composer's development. In short, the early-nineteenth century will remain something of a jumble until some order can be put into the mass of surviving music.

It is hoped that this Checklist will at least clarify the compositional life of Hummel, one of history's most successful composer-virtuosos. It is meant to complement the recent Thematisches Verzeichnis der Werke von Johann Nepomuk Hummel compiled by Dr. Dieter Zimmerschied.1 While that catalog took a giant step toward setting Hummel's works in order, it has many serious defects, the most conspicuous of which is the omission of some 100 unpublished works. Other problems include the erroneous classification of some orchestral works as piano pieces because they were only published in piano reduction; the confusion of authentic English and French editions with pirated editions2; and,

Joel Sachs is Assistant Professor of music at Columbia University and co-director of The Performer's Committee for Twentieth-Century Music. -Ed.

1. Hofheim: Hofmeister, 1971. See my review in The Musical Times, September 1973, pp. 898-99, concerning other problems of this catalog. The present Checklist results from research assisted by grants from The Foreign Area Fellowship Program and The National Endowment for the Humanities.

2. On this subject, see this author's "Authentic English and French Editions of J. N. Hummel," Jourmal of the American Musicological Society, XXV No. 2 (Summer, 1972) pp. 203-29, and "Hummel

732

finally, the lack of any index, which renders the catalog impenetrable without a priori knowledge of opus numbers. This Checklist, used in conjunction with the thematic catalog, should make possible a rather comprehensive picture of Hummel's activity as a composer.

Listing and Numbering A single chronological listing of Hummel's works appears to be

impossible. While publication dates can be established with fair certainty, and dates of composition can be known or estimated more-or-less accurately from the manuscripts, far too few manuscripts of the published works survive to permit a decent determination of their time of origin. The temptation to equate date of composition and date of publication must be resisted, even though Hummel published easily, for there is evidence that at least on some occasions he delayed publication of a work for years - as many as ten in the case of the Piano Concerto, op. 110. Since no unified chronology could be arrived at, it seemed necessary to employ separate chronologies for the published and unpublished compositions. Hummel's music has therefore been divided into categories (generally by medium of performance). Each category contains published compositions in order of date of publication (with date of composition where it is known), followed by unpublished compositions, arranged according to date of composition. Incomplete works conclude each category. While numbering of published works follows Dr. Zimmerschied's catalog, all unpublished works have been assigned new supplementary (S) numbers. The "WoO" numbers of the thematic catalog, which do not reflect chronology, are given in parentheses.

SCORING

Compositions published only in piano score have been listed according to the medium for which they were intended. For most works, the source of the original version can be found in the Hummel Thematic Catalog. In many cases, however, Dr. Zimmerschied has not given the precise instrumentation. While space does not permit a full listing here, suffice it to say that Hummel's orchestra normally included 2 each of flutes, oboes, clarinets, bassoons, horns, and trumpets, as well as strings and tympani. Some minor departures from this scheme occur, particularly in codas of the dance sets. Unfortunately, Dr. Zimmerschied's catalog lacks a number of manuscripts for orchestral and other compositions, some of which are unique sources of original instrumentations. I have given those of which I am aware in Appendix II.

and the Pirates: The Struggle for Musical Copyright," Musical Quarterly, LIX No. 1 (Jan. 1973) pp. 31-60.

733

ABBREVIATIONS (following the usage of Grove 6)

Instruments: fl, flute; ob, oboe; cl, clarinet; bn, bassoon; tpt, trumpet; hn, horn; v, violin; va, viola; vc, violoncello; db, double bass; gui, guitar; pf, piano. "Basso" was normally performed by cello and bass when both were available.

Voices: S, soprano; A, alto; T, tenor; B, bass. Unless otherwise indicated, voice parts are choral.

MANUSCRIPTS

Most manuscripts are at The British Library (formerly The British Museum). Locations of others are given.

LOCATIONS OF PUBLISHERS, PERIODICALS, ETC.

Alkor: Kassel Apollo's Gift: London Artaria: Vienna "Author" or "For the author":

Op. 1, 2, 2a, 3: London Op. 5, 6, 7, 60: Vienna

Birchall: London Boosey: London Breitkopf & Hartel: London Bureau des Arts et d'Industrie: Vienna Bureau d'Industrie: Vienna and Pest, ex-

cept Op. 41 (Vienna) Chappell: London Christiani: Berlin Contor delle arti e d'industria: Vienna Cramer, Addison & Beale: London Diabelli: Vienna Erard: Paris Farrenc: Paris Goulding: London Hanry: Paris Harmonicon: London Haslinger (Tobias): Vienna Hellmuth: Halle Hladky: Vienna Hofmeister: Leipzig k.k. pr. Chemy Druckerey: Vienna Kistner: Leipzig Kunst und Industrie Comptoir: Vienna and

Pest, except Op. 24, 25 (Vienna) Laffille: Paris

Maisch: Vienna Mollo: Vienna Musica Rara: London Olivier: Paris Pacini: Paris Paine & Hopkins: London Peters: Leipzig, except S 30, S 46 (Frankfurt

and Leipzig) Pleyel: Paris Preston: London Repertoire = Repertoire de musique pour

les dames, Ouvrage periodique et pro- gressif composee par J. N. Hummel (serial publication, Vienna, ca. 1810-15, later reissued by Artaria)

Richault: Paris Riedl: Vienna Royal Harmonic Institution: London Sauer & Leidesdorf: Vienna Schlesinger: Paris, except Op. 84 (Berlin) Schonenberger: Paris Schott: Mainz and Paris Spina: Vienna Steiner: Vienna Thomson: Edinburgh Traeg: Vienna Weigl: Vienna Welsh & Hawes: London Wiener musikalisches Pfennig-Magazin: Vien-

na

I wish to thank Mr. David Brock, of the University of Birmingham (England) for very kindly reading the manuscript of this Checklist and making many valuable suggestions. I shall be grateful to hear from anyone who knows of other works by Hummel or corrections in these listings.

734

CLASSIFICATION OF ENTRIES Ia. Piano Solo lb. Piano 4-hands, 2 pianos II. Organ III. Chamber Music IV. Other Solo Instrumental Music V. Solo Instrument(s) and Orchestra VI. Orchestra VII. Ballets and Pantomimes VIII. Incidental Music IX. Opera, Singspiel, etc. X. Sacred XI. Cantatas, Oratorios XII. Songs and Other Solo Vocal Music XIII. Part-Songs and Miscellaneous Works for Chorus XIV. Miscellaneous XV. Pedagogical XVI. Doubtful or Unverifiable Works XVII. Arrangements XVIII. Sketches, Fragments, Miscellany App. I. Concordance of "WoO" and "S" numbers App. II. Manuscript sources for printed works: omissions

from Hummel Thematic Catalog

CHECKLIST

Ia. PIANO SOLO

Date of Numbers* Work, Key Composition 1st Ed. or MS. source

1 (1-3) Variations: "The Plough- For the author, 1791 boy" (C); "A German Air" (G); "LaBelle Catherine" (C)

2 (1-2) Variations: "The Lass of Preston, ca. 1791 Richmond Hill" (G); "Jem of Aberdeen" (G)

2(a) No. 3 Sonata, C For the author, April 1792 3 (1-3) Variations: "Air Ecossais" ca. 1792 For the author, ca. 1794?

(G) [=Op. 2 No. 2] "Air Anglais" (G) [=Op. 2 No. 1]; "Air Allemande" (G)

[4] Cadenzas to 7 Mozart Op. no. provided by Hum- concertos mel; never published.

Autog.: Add. 32222 ff. 89-106'.

7 3 fugues; d, EK, f# after 1793 For the author, ca. 1799 8 Variations on an "ober- Artaria, ca 1801

landische Melodie" (G)

*Regarding numbering see Introduction.

735

CHECKLIST, Ia. Piano Solo, (continued)


9 Variations (E) on march Artaria, ca. 1802 from Les deux Journies (Cherubini)

10 Variations, "God Save the Bureau des Arts et d'In- King" (D) dustrie, ca. 1804

11 Rondo, El Bureau d'Industrie, ca. 1804

13 Sonata, El Bureau des Arts et d'In- dustrie, ca. 1805

15 Variations (a) on march Artaria, ca. 1804? from Deux Savoyards (Dalayrac)

16 6 German Dances 1804 Traeg, ca. 1805 18 Fantasie, E' Bureau d'Industrie,

ca. 1805 19 Rondo quasi una Contor delle arti et

fantasia, E d'Industria, ca. 1806 20 Sonata, f Riedl, ca. 1807 21 Variations, "Chanson Bureau des arts et d'In-

Hollandaise" (Bl) dustrie, ca. 1806 23 7 Hungarian Dances Riedl, ca. 1807

(possibly originally for orch.)

34 (1-3) Variations: "La Sentinelle" Artaria, ca. 1812 (C); "Partant pour la Syrie" (D); "Vivat Bacchus" (Mozart) (C)

37 8 piano pieces (title: Choix Artaria, ca. 1812 des plus beaux morceaux de musique . . . )

38 Sonata, C Artaria, ca. 1812 40(a) Variations (C) on march Bureau des arts et d'Indus-

from Cendrillon trie, ca. 1812 (Isouard)

47 Potpourri, C (incl. motives 1st ed. unknown. Reprint- from Der Freischiitz) ed (?) Schlesinger, Welsh

& Hawkes, 1820's 49 Capriccio, F Repertoire, ca. 1811-15 52 6 pieces tres faciles 1811 Repertoire, ca. 1811-15 55 Polonaise (Bl) "La bella Repertoire, ca. 1811-15

capricciosa" 57 Variations (F) on theme Repertoire, ca. 1811-15

from Armide (Gluck) 58 Potpourri (c) from Die Repertoire, ca. 1814-15

Eselshaut (Hummel) 59 Potpourri No. 2 (C) from Repertoire, ca. 1814-15

Die Eselshaut (Hummel) [60] Selections from Die Esels-

haut: see Operas. 67 24 Preludes Repertoire, ca. 1814-15 [70] 6 Polonaises:

see Orchestral.

736

CHECKLIST, la Piano Solo, (continued)

Date of Numbers* Work, Key Composition 1st Ed. or MS. source 75 Adagio, Variations and Steiner, ca. 1817

Rondo on "The Pretty Polly"

76 Variations, original Artaria, ca. 1817 theme (A)

81 Sonata, f # Steiner, 1819 103 3 Waltz-rondos: C, A, BW Steiner, ca. 1824; possibly

also Chappell. 105 3 Amusements on form de 1823? Peters, 1824

Caprices: E, A>, D S 161 Variation on a waltz by Diabelli, 9 June 1824

Diabelli S 162 March, E' In Harmonicon, 1824 106 Sonata, D March 1824 Diabelli, ca. 1825 S 164 Variations, E In Harmonicon, 1825 107 6 Bagatelles Peters, ca. 1825 S 165 Rondoletto, C In Harmonicon, 1826 109 Rondo brillant, b Sept. 1825 Steiner; Erard; Welsh &

Hawkes; 1 Apr. 1826 109(a) 2 Rondolettos en Valse: Sauer & Leidesdorf,

F, F ca. 1824-26 111 3 Pieces faciles: E>, E, C Peters, ca. 1828 112 12 Neue favorit Landler in part from Peters; Richault;

Walzer a la Sonntag March 1817 Chappell; spring 1828 S 168 Impromptu in Canone, Facsimile in Piano Method, (WoO 7) G 1828 (See Pedagogical

Work) S 187 Variation on "Rule, Bri- ca. 1830? In Apollo's Gift for 1831 (WoO 10) tannia" (composite work (ca. Nov. 1830); Artaria,

with Cramer, Kalkbren- late 1830? ner, Moscheles)

S 188 Piano piece, Ab 1830 In Apollo's Gift for 1831 (ca. Nov 1830)

S 190 Fantasia (C) "Recollections 1831? Cramer, Addison & Beale; (WoO 8) of Paganini" Farrenc; July-Oct 1831.

[Haslinger not verifi- able.]

119 (1-3) "Les Charmes de Londres" Cramer, Addison & Beale, (Variations on same and Farrenc (both as Op. themes as Op. 1) 120); Peters. Fall-winter

1831.

120 See Op. 119 120 Rondo (E) "La Galante" Cramer, Addison & Beale,

and Farrenc (both as Op. 121); Kistner. Sept-Oct 1831.

121 See Op. 120 122 "Rondo villageois," C Hellmuth; Paine &

Hopkins; Farrenc, Aug-Sept 1831.

737

CHECKLIST, Ia. Piano Solo, (continued)


123 Fantasie (g) on themes of Haslinger; Farrenc; Neukomm and Hummel [Cramer etc. not verifi-

able]; ca. Sept 1833 124 Fantasina (C) themes from Haslinger; Farrenc; [publ.

Le Nozze de Figaro in London not verifi- able] ca. Sept. 1833

125 24 Etudes Haslinger; Farrenc; Cramer, Addison & Beale; Oct-Nov 1833

S 145 Variation on "God Save 1820's? Wiener mus. Pfennig- the King" (Composite Magazin, 1835 work with Beethoven, Kalkbrenner)

Op. post. 3 Scotch Contradance- Breitkopf & Hartel, 1839 Rondo

Op. post. 6 Capriccio, e' Breitkopf & Hartel; Olivier; 1839

Op. post. 9 2 Rondinos, 2 Caprices, No. 4: Breitkopf & Hartel; 2 Impromptus July 1835 Olivier; 1839

S 181 Piano piece D' 1830's? Spina, 1850's? (WoO 9) S 191 Etude, Bb ca. 1831? In Fetis, Methode des

Mithodes (Schlesinger, 1840)

S 1 Variations, Harpsichor,d 1789? Add. 32236 ff. 162-164' or pf (A)

S 2 Variations, "Malborouck" 1790's? Add. 32236 ff. 159-161' (C)

S 16 Variations (Bb), theme by 1791-93? Add. 32236 ff. 165-170' Count Briuhl

S 18 Variations, D ca. 1794? Add. 32236 ff. 174-175' S 19 Variations (C) theme ca. 1794? Add. 32236 ff. 171-172'

from Aline [?] S 23 Sonata, f (1st mvt.: early later 1790's? Add. 32236 ff. 137-141'

version of Op. 20; 3rd mvt.: early version of Op. 7 No. 1)

S 20 Fantasia, c (themes by Apr 1794 Add. 32236 ff. 87-93 Haydn, Mozart) [1799?]

S 27 Fantasia, AM ca. 1799 Add. 32236 ff. 79-86' S 194 Impromptu, F summer, 1831 2 Autographs: Vienna,

Ges. der Musikfreunde (date: July 1831); New York, private collection of D. Garvelmann (dated Aug 1831)

S 39 Piano piece, G ca. 1800 Add. 32236 ff. 189-189' (incomplete)

S 40 3 Pieces for Orfica ca. 1800 Add. 32236 ff. 15-16' (incomplete)

738

Ib. PIANO 4-HANDS, 2 PIANOS

Date of Numbers* Work, Key Composition 1st Ed. of MS. source

51 Sonata, E%; 4 hands Repertoire, ca. 1811-15 92 Sonata, AK; 4-hands Nov. 1820 Peters, ca. 1821 99 Nocturne, F; 4-hands 1822 Peters, ca. 1824

with 2 hn ad. lib. Op. post. 5 Introduction and Rondo, Breitkopf & Hartel,

El; 2 pf ca. 1839 S 205 Impromptu, C; 2pf 24 Dec Florence, coll. M. Hummel;

1836 also Add. 32237 f. 105

II. ORGAN

Op. post. 7 Prelude and 2 Fugues Breitkopf & Hirtel; Olivier; ca. 1839

Op. post. 8 Ricercare, G Breitkopf & Hartel; Olivier; ca. 1839 (arr. pf)

III. CHAMBER MUSIC

2(a) No. 1 Trio, BK; pf or clavecin, Author, 14 Apr 1792 fl or v, vc

2(a) No. 2 Sonata, G; pf or clavecin, Author, 14 Apr 1792 v or fl

5 3 Sonatas: Bb (pf and v); F Author, ca. 1798 (pf and v); E (pf and va)

12 Trio, Eb; p, v, vc Bureau des Arts et d'Industrie, ca. 1803

14 Variations (G) on romance Artaria, ca. 1803 by Mehul

22 Trio, F; p, v, vc 3 March Contor delle arti e d'in- 1799 dustria, ca. 1807

30 3 Quartets: C, G, EK; before 1804 Bureau des Arts et d'in- 2v, va, vc dustrie, ca. 1808

35 Trio, G; p, v, vc Bureau d'Industrie (ca. 1810-1 1)

37(a) Sonata, c; clavicembalo or Maisch, ca. 1810 pf, mandolin or v

50 Sonata, D; pf, v or fl Repertoire, ca. 1810-14 53 Potpourri, g; pf, gui Repertoire, ca. 1810-14 54 Variations, d; pf, vc Repertoire, ca. 1810-14 63 Serenade en Potpourri, G; Repertoire, ca. 1814-15

pf, v, gui, cl or fl, bn or vc; also for p, fl, vc; and for pf, v, cl, bn

64 Sonata, A; pf. fl, or v Repertoire, ca. 1814-15 65 Trio, G; pf, v, vc Repertoire, ca. 1814-15 66 Serenade No. 2, C; pf, v, gui, Repertoire, ca. 1814-15

cl or fI, bn or vc 74 Septet, d; pf, fl, ob, hn, Artaria, ca. 1816

va, vc, db; also pf, v, va, vc, db

78 Adagio, Variations and Steiner, ca. 1818 Rondo (A) on "Sch6ne Minka"; pf, fl, vc

739

CHECKLIST, III. Chamber Music (continued) Date of

Numbers* Work, Key Composition 1st Ed. or MS. source 79 Gr. potpourri national; pf, Mollo, ca. 1818

gui (comp. jointly with Mauro Giuliani)

83 Trio, E; pf, v, vc Boosey, 1819 (edition by Peters was unauthorized)

87 Quintet, E'/eb; pf, v, va, Oct 1802 Steiner, ca. 1822 vc, db

93 Trio, EK; pf, v, vc June 1821; Christiani, ca. 1822 earlier version, late 1790's

96 Trio, E%; pf, v, vc Peters, ca. 1822 S 146 Rondoletto, EK; harp, pf 1820's? Pacini, 1820's? 104 Sonata, A; pf, vc 1824 Boosey, May 1826 (editions

by Peters and Pleyel prob. unauthorized)

108 Amusement, F; pf, v 1825? Peters; Hanry; Royal Harmonic Inst., 1826

114 Septett Militaire, C; pf, fl, Oct 1829 Haslinger; Farrenc; v, cl, vc, tpt, db; also pf, Cramer, Addison & v, va, vc, db Beale, ca. Oct 1830

126 Rondo brillant, G; pf, v Sept 1834 Haslinger; Farrenc; Cramer, Addison & Beale; ca. Jan 1835

Op. post. 2 Variations, F; v, pf Breitkopf & Hartel, ca. 1839 Op. post. 4 Quartet, G; pf, v, va, vc Breitkopf & Hartel, Olivier;

(2 mvts. only) ca. 1839 S 3 Quartet, D; cembalo or 1790's Add. 32231, ff. 1-12' and

pf, v, va, vc 32229 ff. 119-139' S 30 Trio, E%; va or v, va, vc 9 Nov 1799 Peters, 1958 (WoO 3) S 46 Trio, G; va or v, va, vc 21 July 1801 Peters, 1958 (WoO 4) S 48 Parthia, EK; 2 cl, 2 ob, 27 Oct 1803 Musica Rara, 1970

2 hn, 2 bn S 78 Quartet, Er; cl, v, va, vc Sept 1808 Musica Rara, 1958 (WoO 5)

IV. OTHER SOLO INSTRUMENTAL MUSIC S 147 Piece, G; fl ("fur Wass") 1820's? Add. 32229 f. 149

V. SOLO INSTRUMENT(S) and ORCHESTRA 6 Variations (F) on theme For the Author, ca. 1798

from Castor et Pollux (Vogler); pf, small orch

17 Concerto, F; pf, v Traeg, ca. 1805 34(a) Concerto, C; pf Bureau des Arts et d'In-

dustrie, ca. 1810 36 [Op. 34(a) also appears

under this no.]

740

CHECKLIST, V. Solo Instrument(s) and Orchestra (continued) Date of

Numbers* Work, Key Composition 1st Ed. of MS. source

56 Rondo brillant, A; pf Repertoire, ca. 1814 73 Concertino, G; pf, small orch Steiner, ca. 1816

(arr. of Mandolin Conc., S 28)

85 Concerto, a; pf ca. 1816 Steiner, ca. 1821 89 Concerto, b; pf Oct 1819 Peters, ca. 1821 94 Potpourri, g; va Sept 1820 Peters, ca. 1821-22 95 Potpourri Op. 94, arr. vc Peters, ca. 1821-22 97 Variations, F; pf, small ca. 1820 Peters, ca. 1821-22

orch 98 Rondo brillant, Br; pf Peters, ca. 1824 102 Variations, F; ob (arr. of Peters, ca. 1824

Nocturne, pf 4-hands, Op. 99)

110 Concerto, E; pf Nov 1814 Peters; Farrenc; Royal Har- monic Inst.; May 1826

113 Concerto, Ar; pf 1827 Haslinger; Farrenc; Cramer, Addison & Beale; Oct 1830

115 Variations (B>) on theme Jan 1830 Haslinger; Farrenc; from Berlin Singspiel Cramer, Addison & Das Fest der Hand- Beale; Oct 1830 werker; pf

116 "Oberons Zauberhorn," Nov 1829 Haslinger; Farrenc; (e) Fantasy, pf Cramer, Addison &

Beale; Oct 1830 117 "Gesellschafts-Rondo," Sept 1829 Hasslinger; Farrenc;

D; pf Cramer, Addison & Beale; Oct 1830

127 Rondo brillant (F), "Le Re- Feb 1833 Haslinger; Farrenc; Wessel; tour a (de) Londres"; pf ca. April 1833

Op. post. 1 Concerto, F; pf Feb 1833 Breitkopf & Hartel; Schon- enberger; Olivier; 1839

S 4 Concerto, A; pf 1790's Add. 32216, ff. 148-157 (WoO 24) and 32318, ff. 1-20 S 5 Concerto, A; pf (not the 1790's? Florence; coll. of M. (WoO 24[a]) same as S 4) Hummel S 28 Concerto, G; mandolin 1799 Hladky, ca. 1960 S 49 Concerto, Er; tpt 8 Dec 1803 Hofmeister, 1957 (WoO 1) S 63 Concerto, F; bn ca. 1805 ed. R. W. Tyree (diss., Univ. (WoO 23) of Iowa, 1957)

VI. ORCHESTRA 16 6 German Dances 1804 Traeg (piano score),

ca. 1805 23 7 Hungarian Dances-

see Piano Solo 24 12 Minuets 22 Dec Kunst u. Industrie Comp-

1806 toir (piano ed.), ca. 1807 25 12 German Dances with for 1807 Kunst u. Industrie Comp-

Battle Coda toir (piano ed.), ca. 1807

741

CHECKLIST, VI. Orchestra (continued)

Date Numbers* Work, Key Composition 1st Ed. or MS. source

27 12 Minuets and Trios for 1808 Kunst u. Industrie Comp- the Apollo Saal toir (eds. for piano and

for 2 v, basso, va ad. lib.) ca. 1808

28 Dances for the Apollo Saal, 1808 Kunst u. Industrie Comp- No. 2 toir, (piano ed.) ca. 1808

29 German Dances for the 1808 Artaria (piano ed.; also 2v, Redoutensaal basso) ca. 1808

31 Dances for the Apollo Saal, 1809 Kunst u. Industrie Comp- No. 3 toir (piano ed.) ca. 1809

39 10 Dances for the Apollo 1811 Kunst u. Industrie Comp- Saal, No. 4 toir (piano ed.) ca. 1811

40 12 German Dances "vom 1811 Artaria (piano ed.; also Romischen Kaiser" 3 v, basso) ca. 1811

44 12 German Dances and 1811 Kunst u. Industrie Comp- Coda "zur St. Cath- toir (piano ed.) ca. 1812 erinen Redoute"

45 12 Dances for the Apollo 1811 Kunst u. Industrie Comp- Saal, No. 5 toir (piano ed.) ca. 1812

61 See Operas 70 6 Polonaises Artaria (piano ed.) ca. 1815 91 6 Waltzes for the Apollo Nov 1820 Steiner (piano; piano 4-

Saal hands; 2 v and basso; 2 v; 2 fl; fl and gui; 2

Zakan) ca. 1821 101 "Premiere Ouverture" (Bi) Peters (piano ed.) ca. 1826 S 26 March for "das Lobl. 1798 Vienna, publisher un-

Burgi. Artillerie Corps identifiable in Wien"

S 47 Variations, "O du lieber ca. 1803 Alkor, 1959 (WoO 2) Augustin" (C) S 80 Contredance, B5 ca. 1810? Add. 32228 ff. 50-50' S 81 5 Ecossais ca. 1810? Add. 32228 ff. 51-56' S 82 7 Landler ca. 1810? Add. 32228 ff. 57-59' S 83 3 Military Marches ca. 1810? Add. 32217 ff. 1-25'

(No. 1 = Op. 45 No. 1) S 104 12 Waltzes and Coda 1817 Four published in Op. 112

(See Piano Works) S 148 Overture, D (revision 1820's Add. 32226 ff. 1-25'

of Op. 61)

VII. BALLETS, PANTOMIMES for ORCHESTRA 26 Ballet, Helene u. Paris before May Kunst u. Industrie Comptoir

1807 ca. 1808 33 Ballet, Das belebte Gemahlde 1809 Artaria (piano ed. ca. 1810 41 "Quintuor des Negres du ca. 1809 Bureau d'Industrie, (piano

Ballet Paul et Virginie" ed.) ca. 1810 (Pantomime-ballet scene)

46 Pantomime, Der Zauberring, 10 July Weigl (piano ed.) ca. 1811? oder Harlekin als Spinne 1811

742

CHECKLIST, VII. Ballets, Pantomimes for Orchestra (continued)


68 Ballet, Sappho von Mitilene 11 Sept Repertoire (piano ed.) 1812 ca. 1814

S 84 3 Numbers for a ballet ca. 1810 Add. 32226 ff. 89-114 or pantomime

S 88 4 Numbers for Vigano's ca. 1811-14 Add. 32211 ff. 53-77 (WoO 32) ballet Das Zauberschloss S 92 Pantomime, Der Zauber- before 23 Add. 32212-3 (WoO 34) kampf oder Harlekin in May 1812

seiner Heimat S 206 Ballet, Das Zaubergl6ckchen 2 Feb 1837 Add. 32211 ff. 1-52' (WoO 31)

VIII. INCIDENTAL MUSIC

43 Overture to Fr. von Wies- ca. 1812? Bureau des Arts et d'Ind. senthurn's play Johann (pf 4-hands), ca. 1812 von Finniand (d)

S 31 Incidental music to Marpha ca. 1800-10 Add. 32216 ff. 30-100' 99 Incidental music to Der partly ca. Add. 32196 ff. 190-225 (WoO 35) Ldwe von Kurdistan 1814; re- and S 201 by von Auffenberg mainder 1832 S 100 Romanze for the play ca. 1814 Add. 32189 ff. 22-25'

Angelica S 105 Prelude and chorus for 1817 Add. 32196 ff. 1-10'

Grillparzer's Die Ahnfrau

IX. OPERA, SINGSPIEL, etc.

S 101 and Die Eselshaut, oder die Feb 1814 Selections published for Op. 60 blaue Insel, Singspiel piano as Op. 60

(Author, ca. 1814) 69 Die Riickfahrt des Kaisers 15 June 1814 Artaria (piano-vocal score)

1 -act opera ca. 1814 72 2 Numbers added to k.k. pr. chemy Druckerey,

Isouard's Jeannot et Colin ca. 1815-16 100 Opera, Mathilde von Guise 26 March Peters (piano-vocal score)

1810; ca. 1826 rev. 1821

S 29 Monodrama, Dankgefiihl 21 March Add. 32193 ff. 99-153 einer Geretteten 1799 (speakers, orch)

S 56 Opera, Le Vicende d'Amore 1804 Add. 32197 (WoO 26) S 61 Opera, Die Messenier ca. 1805-10? Add. 32203-4 (WoO 29) S 62 Pimmalione ("Azione ca. 1805-15? Add. 32205 (WoO 33) teatrale") S 71 Singspiel, Die vereitelten 1806 Add. 32207-8 (WoO 27) Rdnke (revision of S 56) S 90 Singspiel, Dies Haus ist 1812 Add. 32199 (WoO 28) zu verkaufen (revision

of S 71)

743

CHECKLIST, IX. Opera, Singspiel, etc. (continued)


S 95 Aria for Castelli's Posse before Add. 32196 ff. 115-133' Fiinf sind Zwey (soprano, 21 March 1813 orch.)

S 97 Comic opera, Der Junker Nov 1813 Add. 32200 ff. 1-93' in der Miuhle

S 103 and Quartet, duet, trio with ca. April 1814 Add. 32196 ff. 134-189'; Op. 61 chorus, and overture for the overture published

Treitschke's composite as Op. 61, Artaria, Singspiel Die gute ca. 1815 (piano ed.) Nachricht

S 198 Epilogue added to 16 Feb 1832 Add. 32196 ff. 11-28 Gluck's Armide

S 204 Finale added to Auber's ca. Feb 1836 Add. 32188 ff. 41-67' Gustave III

S 25 Opera, I viaggiator ridicolo 1797 Add. 32190 and 32197 (WoO 30) (incomplete) S 41 Comic opera, Demagorgon ca. 1800 Add. 32196 ff. 65-73'

(fragmentary; later in- corporated into Don An- chise Compione, S 42)

S 42 Comic opera, Don Anchise ca. 1800? Add. 32196 ff. 29-101' Compione (fragmentary)

S 65 "Lustspiel," Die beyden 1805 Lost Genies

S 85 Singspiel, Stadt und Land ca. 1810? Add. 32206 ff. 1-161 (incomplete)

S 163 Opera, Attila (text by ca. 1825-27 Lost Jouy; probably never completed)

S 200 Finale added to Herold's 1833 Lost Zampa

X. SACRED (for chorus, soloists, orch unless otherwise indicated)

77 Mass, BW ca. 1804-10 Steiner, ca. 1818 80 Mass, E 1804 Steiner, ca. 1819-20 88 Gradual, "Quod quod ca. 1808-11 Haslinger, ca. 1827

in orbe" 89(a) Offertory, "Alma Virgo" 1805 Haslinger, ca. 1827 111 Mass, D May 1808 Haslinger, ca. 1830 S 50 Mass movement, ca. 1804-10 (Listed in catalog of Berlin (WoO 14) "Dominus Deo" Singakademie; not

viewed) S 51 Kyrie [Litania Lauretana], ca. 1804-10 Add. 32184 ff. 15-44 (WoO 17) a S 52 Offertory, "Pro te ca. 1804-10 Add. 32184 ff. 111-131" (WoO 22) respiro," E S 53 Antiphon, "Sub tuum ca. 1804-10 Add. 32184 ff. 143-150

prassidium," Bi S 54 Offertory, "Salve ca. 1804-10 Add. 32184 ff. 132-142'

Regina," G

744

CHECKLIST, X. Sacred (continued)


S 55 Recitative, "Plus non ca. 1804-10 Add. 32184 ff. 109-1 10 timet" (Solos ST; 2v, va, basso)

S 66 Offertory, "Alma Virgo 1805 Wilhering, Austria (not (WoO 21) Mater Dei" F (identical viewed)

with Op. 89[a]?) S 67 Mass, d Aug 1805 Florence, collection of (WoO 13) M. Hummel S 68 Offertory, "O Virgo before 1806 Florence, collection of M. (WoO 19) intemerata," A (Solo Hummel (not viewed)

T, orch) S 70 Te Deum, D 1 Jan 1806 Add. 32184 ff. 165-212 (WoO 16) S 74 Missa Solemnis, C March 1806 Add. 32185 ff. 1-138 (WoO 12) S 74 "In aeternum jubilantes," before 25 Add. 32184 ff. 101-108'

F May 1806 S 75 "Tantum ergo": See 1806 (WoO 15) arrangements S 79 Offertory, "Salve 1809 Florence, collection of (WoO 18) Regina," Bb M. Hummel S 96 Offertory, F June 1813 Florence, collection of M. (WoO 20) Hummel (not viewed) S 64 Recitative, "Ja der Him- ca. 1805 Add. 32184 ff. 140-142

mel," Solo T; vc, db (fragment)

XI. CANTATAS, ORATORIO (for soloists, chorus, orch unless otherwise indicated)

S 32 Cantata, Irene ca. 1800-10? Add. 32195 ff. 31-219' S 33 Oratorio, Der Durchzug ca. 1800-10? Add. 32187 ff. 148-157

durchs rote Meer S 73 Cantata, Diana ed for 15 April Add. 32191 ff. 1-218 (WoO 25) Endimione 1806 S 76 Cantata for the Name 1807 Add. 32192 ff. 1-180

Day of Prosper von Sinzendorf

S 77 Cantata, Lob der March 1807 Add. 32191 ff. 219-243 (WoO 36) Freundschaft S 87 Cantata for the wedding before 1 Add. 32194 ff. 1-115'

of Napoleon and April 1810 Marie Louise

S 91 Cantata, Euterpens May 1812 Add. 32193 ff. 1-55' (WoO 38) Abschied S 159 Cantata for the birthday for 2 Feb Weimar, Landesbibliothek

of the Hereditary Grand 1823 Duke of Saxe-Weimar (begins: "Der Freude Gottertriebe")

745

CHECKLIST, XI. Cantatas, Oratorio (continued)


S 160 Cantata for 18 May for 18 May Add. 32238 ff. 7-9 1823 (slight revision 1823 (text only) of S 159)

S 170 Cantata, Morgenopfer ca. Feb 1826 Add. 32184 ff. 45-82 (WoO 37) S 172 Cantata for 2 Feb for 2 Feb Add. 32194 ff. 192-266

1827 (revision of 1827 S 73 and S 77)

S 179 Cantata for the engage- for 16 Feb Berlin: Staatsbibl.- Dahlem ment of Princess 1829 Augusta of Saxe- Weimar (acc. pf, harp)

S 199 Cantata, The Orphan's Ode 1833? Private publication of "Lady to the Patriots (Solo S. pf) Dunstaffnage" (Anna

H. McColl), England, ca. 1833

S 69 Cantata, Das Fest des 1806? Lost Dankes und Freude (performed Vienna, 29 June 1806)

XII. SONGS and OTHER SOLO VOCAL MUSIC (Accompanied by piano unless otherwise indicated)

48 "Le Portrait d'Amour" Maisch, ca. 1810 71 "La Sentinelle" (acc. v, gui Steiner, ca. 1815

or vc, vc, db ad. lib.) 84 5 songs: No. 1: Schlesinger, ca. 1816?

"An die Entfernte" Nos. 1, 2, 5: in Reissig "Der Schiffbruch" Bliimchen (Schlesinger, "Des Jiunglings Klage" 1820's?); No. 4: in Reissig, "Bewunderung" (Artaria, 1820's) "Meine Geliebte" 18 deutsche Gedichte.

No. 3: not traced. 118 Air At la Tirolienne avec ca. 1829 Haslinger; Farrenc;

Variations (acc. orch) Cramer, Addison & Beale; July 1830.

S 6 "Schmauchlied" 1790's Add. 32189 ff. 35-37 S 7 "Die Sehnsucht" 1790's Add. 32189 ff. 30-31; Paris,

Bibl. Nat. W 8 50 S 15 Aria, "Peuple nacqueres" early 1790's Add. 32189 ff. 5-6' S 17 "Beneath the laurel's 1791-93 Add. 32188 ff. 8-32'

friendly shade" (acc. orch)

S 21 Bravour-Arie, "Per te ca. 1795 Add. 32189 ff. 62'-73' d'eterni" (acc. orch)

S 34 Romance, "Tu me dis early 1800's Add. 32189 f. 13 refrain"

S 35 Air characteristique, early 1800's Add. 32189 ff. 9-12' "Toute la vie"

S 36 "Couplets d'accazie" early 1800's Add. 32189 ff. 7-8 S 37 "L'amore" early 1800's Add. 32189 ff. 54'-57

746

CHECKLIST, XII. Songs and Other Solo Vocal Music (continued)


S 38 2 songs early 1800's Add. 32189 ff. 38-40' "Kurze Beschreibung

der Stadt Wien" "Passion eines bayerischen

Dorf Schullehrers" S 43 "Ich ward zu Wien" ca. 1800 Add. 32189 ff. 41'-44 S 44 "Der Whist-spieler" ca. 1800 Add. 32189 ff. 32'-34 S 57 "Amis connaissez vous" 1804 Add. 32190 ff. 73-75 S 102 "Froh locket Freunde" Feb 1814 Add. 32190 ff. 120-121'

(acc. v, pf) S 149 Romanze (untexted), El' 1820's Add. 32189 ff. 18'- 1 9' S 177 Song for Goethe's 80th 1829 Add. 32189 ff. 16-17

birthday, Bb (text lacking)

S 171 "Strahlen die aus Osten for 15 Sept Add. 32190 f. 90 stammen" (incomplete) 1826

S 195 "Lieblich war der for 28 Aug Add. 32190 ff. 91-92 Traum," for Goethe's 1831 82nd birthday (lacks beginning)

S 8 "Per pieta bel idol mio" 1790's Add. 32190 ff. 7-16' (opera excerpt?)

S 22 "Figlio, le femmine 3 Dec 1795 Add. 32189 ff. 58-61 son falsissime" (opera excerpt?)

S 24 Aria aus die eingebildeten late 1790's? Add. 32196 ff. 102-14' Philosophen (incidental music or opera excerpt?)

S 45 Duetto, "Caro adora- ca. 1800? Add. 32190 ff. 1-1' bile," acc. figured bass (opera excerpt?)

S 151 2 songs by P. Hedouin early 1820's? Laffille (Jan 1824) with accompaniments by J. N. Hummel "Dors petit" "Marie, 0 ma douce

Marie" S 192 Romance, "Doubt not 1831? Lost

love" [performed London 29 June 1831]

XIII. PART-SONGS and MISC. WORKS with CHORUS

62 Patriotic Chorus and 1814 Author (piano-vocal score) Canon (chorus SATB, 1814 orch)

82 Polymelos Russischer 1818 Peters, ca. 1819-20 National Lieder (soloists, chorus SATB, orch)

747

CHECKLIST, XIII. Part-Songs and Misc. Works with Chorus (continued)


S 9 Part-song, "Placa gli 1790's Add. 32188 ff. 90-96 sdegni tuoi" (SSATB)

S 10 12 part-songs to Italian 1790's Add. 32190 ff. 17-36' texts "La pastorella" (SSATBB) "Gia nel cor" (SSATB) "lo mi voglio maritare"

(SSSATB) "Ti sento" (SSSATB) "lo mi voglio maritare"

(SSS) "A goderci chi ama"

(SSTB) "Ogn'anno passa" (SSSA) "Al lavoro" (SSATB) "Giovani liete" (SSTB) "O che incanto" (TTBB) "Se questo mio core"

(SATB) "Secondate aurette

amiche" (SSTB) S 11 Part-song, "Mentre dormi 1790's? Add. 32190 ff. 4-5'

amor" (SSTB) S 12 Part-song, "Se lontan" 1790's? Add. 32190 f. 16

(TTBB) S 13 Part-song, "Je gut 1790's? Add. 32190 ff. 37-38

gesinnter Freunde" (TTBB)

S 14 Air, "Chantons I'ami" (S 1790's? Add. 32189 f. 4 solo, chorus SATB, pf)

S 58 Part-song, "Wieder seh' 1804, Add. 32190 ff. 122-124' ich" (Solos SSTTB, rev. 1835 chorus SATB)

S 59 Music for Princess L. for 15 Nov Add. 32190 ff. 76-89 Esterhizy, "Des bergers 1804 de nos hameaux" (Solos SS, chorus SS, pf)

S 60 Music for Count Karl Dec 1804 Add. 32190 ff. 59-72 Zichy, "Le bonheur de vivre au village" (Solos SS, chorus SS)

S 86 Romance, "O ihr Gelieb- ca. 1810? Add. 32189 ff. 29-29' ten" (high voice, female chorus)

S 89 Canon a 4, "Ich gratulir' 7 Oct 1811 Weimar: Goethe-Schiller zum Namensfest" Archive

S 94 Scena, "Vernahmst du," 1813 Add. 32194 ff. 116-132 in memory of Haydn (Solos STB, orch)

S 158 "Heute lasst in edlen for 28 Aug Add. 32188 ff. 35-40 Kreis" (Solos TB, 1822 chorus SATB)

748

CHECKLIST, XIII, Part-Songs and Misc. Works with Chorus (continued)


S 166 "Einmal nur in unserm for 1825 Add. 32190 ff. 51-58' Leben" (T, unison chorus)

S 167 Part-song with chorus for 1825 Lost Goethe's Weimar jubilee, "Herauf Gesang"

S 167a Canon, "Erwerbe deinem 17 June 1825 Lost Namen Lob," for F. Hiller

S 173 Song with chorus for for 28 Aug Add. 32238 ff. 41-42' and Goethe's birthday, 1827 32194 ff. 168-191' "Kehrt der frohe Tag"

S 175 "Have" (chorus TTBB, 1828 Florence: Collection M. (WoO 39) brass) Hummel S 176 "Volkslied aller Deutschen" ca. 1829 Add. 32190 ff. 116-119'

Solos SATB, chorus SATB, orch)

S 180 Song with chorus for for 28 Aug Lost Goethe's birthday, 1829 "Wir steigen frohlich"

S 186 Canon, "Think on your ca. 1830-33 Add. 32188 f. 33 friend" (SATB)

S 193 "Klarster Stimmen" for 11 Feb Add. 32190 ff. 39-45 (Chorus SATB, pf) 1831

S 196 "Bestandiges" (Solos 1832 Weimar: Goethe-Schiller SSTB, chorus SSTB) Archive; Add. 32238

f. 77 S 202 Canon, "Muntre Gairten" ca. Jan 1834 Add. 32190 ff. 46-50

(SST) S 203 Part-song, "Landestreu" 1835 Add. 32190 ff. 125-128

(SATB)

XIV. MISCELLANEOUS

S 189 Canon a 3 for Vincent 1 July 1830 London: Collection of Novello's Autograph Novello & Co. Album

XV. PEDAGOGICAL

S 157 Ausfiuhrlich theoretisch- ca. 1822-26 Haslinger; Farrenc; Boosey; practische Anweisung zum 1828 Piano-forte Spiel

XVI. DOUBTFUL or UNVERIFIABLE WORKS

Adagio and Rondo alla Add. 32221 ff. 26'-45 Polacca (v, orch)

Autograph-album piece for Lost (mentioned in letter T. Haslinger from J. N. H. to

T. H., 2 Nov. 1825)

749

CHECKLIST, XVI. Doubtful or Unverifiable Works (continued)


Autograph-album piece 8 April 1827 Lost for Franz Kandler

Concerto, G (v, orch) Add. 32222 ff. 1-42 Concerto, (gui, orch), by Lost

Giuliani and Hummel Sonata, pf, eb Lost; see Beryovszky, p. 258 Variations G (vc, pf) Add. 32231 ff. 154-157 3 Sonatas, pf, (G, Ab, C) Listed on Litolff ed. of piano

sonatas. Rondeau (keyed tpt) Lost Variations on an English Lost; see Benyovszky, p. 258.

song. 2 fl March, Andante, and Add. 32217 ff. 25'-8' and

Allegro (orch) Add. 32217 ff. 26-41 Cantata, "Heil diesem Tag" 1820's Add. 32193 ff. 56-99 Song, "Auf rosigen Fluren" in Goldene Blumenkrone (Pest,

(textless) late 19th c.) "Lied der Mignon" Paris: Bibl. Nat. Ms. 11948 Song, "See the blushing Add. 32189 ff. 3-3'

morn" Song, "Der Tanzmeister" Add. 32189 f. 51 Song, "Ein deutsches Arie: Add. 32189 ff. 47-48

der Nachtwachter" Song, "Das Patrocinium" Add. 32189 ff. 45-46 Part-song, "Wer a Geld hat" Add. 32189 ff. 53-53'

(incomplete)

XVII. ARRANGEMENTS3

S 75 "Tantum Ergo," G 30 July 1806 Add. 32184 ff. 151-164 (WoO 15) (arrangement of Priests'

March from Aleceste), Gluck;

S 98 Echo-piece for Panhar- Nov 1813 Add. 32227 ff. 55-64' monicum by Cherubini, arr. fl, 2 ob, 2 cl, 2 bn, 2 hn;

Scottish Songs for George Nos. 1-5: Thomson, 1826; Thomson, arr. voice, fl, Others: Thomson, Pres- v, vc, pf ton, 1831 (excepting 4

unpublished: Add. 32189 ff. 115-132')

S 169 5 Songs 1825 S 178 12 Songs 1829 S 197 3 Songs 1832 S 107-130 12 Select Overtures, arr. 1820's-30's Boosey, 1821-early 1830's

pf, fl, v, vc

3. Concerning the arrangements and their publication, see this author's "Authentic English and French Editions of J. N. Hummel," op. cit., and "Hummel and George Thomson of Edinburgh," Musical Quarterly, LVI, No. 2 (April, 1970), 280-87.

750

CHECKLIST, XVII. Arrangements (continued)


[First series]: Prometheus (Beethoven) Die Zauberflote (Mozart) Lodoiska (Cherubini) Figaro (Mozart) Iphigenie en Aulide

(Gluck) Original Overture (Him-

mel) Sargino (Paer) Original Overture (A.

Romberg) Der Freischiutz (Weber) Euryanthe (Weber) Tancredi (Rossini) Anacreon (Cherubini)

[Second series]: Les deux Journees

(Cherubini) Demophon (J. C.

Vogel) I1 Matrimonio Segreto

(Cimarosa) Opferfest (Winter) Le Calif de Bagdad

(Boieldieu) Don Giovanni (Mozart) La Clemenza di Tito

(Mozart) Fanchon (Himmel) I1 Barbiere di Siviglia

(Rossini) La Gazza Ladra (Rossini) L'Italiana in Algeri

(Rossini) Fidelio (Beethoven)

S 93 Beethoven, Overture to ca. 1813? Artaria, ca. 1814 Fidelio, arr. pf 4-hands

S 150 Beethoven, Septet, arr. 1820's Birchall, for the proprietor pf, fl, v, vc (J. R. Schultz?) Aug 1827

S 131-137 Beethoven, Symphonies 1820's-30's? Chappell, 1825-35; Nos. 1-7, arr. pf, fl, v, vc 3-7, Schott, ca. 1826-35

S 183-185 Haydn, Symphonies 100, 1830's London, for the proprietor 102, 103, 44, arr. pf, (J. R. Schultz?), sold fi, v, vc by Chappell; Breitkopf

& Hartel; Nos. 1, 2: 1832; No. 4: ?

S 106 F. H. Himmel, Overture ca. 1819-20 Boosey, Aug 1820 (c), arr. pf 4-hands; also arr. pf, v, vc (See also 12 Select Overtures, above)

751

CHECKLIST, XVII. Arrangements (continued)


S 138-144 Mozart, Piano Concertos 1820's-30's Chappell; Schott; ca. K. 466, 503, 316a, 491, 1828-35 537, 482, 456, arr. pf, fl, v, vc

S 151-166 Mozart, Symphonies K. early 1820's Goulding, Chappell for the 504, 550, 543, 425, 385, proprietor (J. R. 551, arr. pf, fl, v, vc Schultz); Nos. 1, 2, 6:

Aug 1832; Nos. 3-5: Aug 1824. Edition by Schott possibly pirated.

S 174 A. Romberg, Symphony late 1820's Chappell; Schott; Feb 1829 (d), arr. pf, fl, v, vc

XVIII. SKETCHES, FRAGMENTS, MISC.

Sketches, fragments, and other miscellany are located in Add. 32189 ff. 1-2', 14-15, 108-109'; Add. 32190 ff. 6-7, 13, 23'; Add. 32211 ff. 94-97'; Add. 32229 ff. 150-151; Add. 32231 ff. 57-60', 138-148, 149-153'; Add. 32236 ff. 11-14'; and Add. 32237 (complete).

APPENDIX I

Concordance of "WoO" listings from Dr. D. Zimmerschied's Hummel Thematisches Verzeichnis and supplementary numbers from this checklist.

WoO S Work-group 1 49 V 2 47 VI 3 30 III 4 46 III 5 78 III 6 Op. post. 44 III

7 168 I 8 190 I 9 181 I

10 187 I 11 33 XI 12 74 X 13 67 X 14 50 X 15 75 X 16 70 X 17 51 X 18 79 X 19 68 X 20 96 X

4.-Dr. Zimmerschied erroneously lists WoO 6 and Op. post. 4 as separate compositions. Apparently they are identical.

752

APPENDIX I (continued)

WoO S Work-group 21 66 X 22 52 X 23 63 V 24 4 V 24a 5 V 25 73 XI 26 56 IX 27 71 IX 28 90 IX 29 61 IX 30 25 IX 31 206 VII 32 88 VII 33 62 IX 34 92 VII 35 99 VIII 36 77 XI 37 170 XI 38 91 XI 39 175 XIII

APPENDIX II

The following is a list of manuscript sources for printed compositions that are not included in Dr. D. Zimmerschied's Hummel thematic catalog.

Opus 85 Source listed is not autograph 20 Earlier version of 1st move- 91 Ms. copy: Add. 32230 ff. 95-

ment: Add. 32236 ff. 137- 134 141 93 Add. 32231 ffl 104-125'; ear-

24 Add. 32225 ff. 1-26' lier version, ff. 126-137' 26 Overture: Add. 32195 ff. 1- 100 Add.32201-32202(not32209

30' as given) 27 Add. 32225 ff. 27-75' 103 Add. 32236 ff. 108-119' 31 Add. 32225 ff. 76-109' 105 Also Add. 32236 ff. 67-78' 34 Add. 32219 ff. 59-137' 109 Add. 32229 ff. 104-145' is 45 Also Add. 32230 ff. 22-39; probably autograph

Add. 32225 ff. 173-229' 111 No. 2: Add. 32236 ff. 176- Ms. copy of the march: Wei- 178'

mar, Goethe-Schiller Ar- 1 1 l(a) Ms. copy: Dresden, Sachsische chive Landesbibliothek Mus.

47 Add. 32226 ff. 104-107' 4518/D/3a 52 No. 3: Add. 32230 ff. 22-29 114 The London source is proba- 68 Add. 32210; Add. 32209 ff. bly not autograph. Another

78-93p; Add. 32196 ff. Ms. copy: Add. 32229 ff. 191-203'; Add. 32201 ff. 88-118' 26-51' 116 Add. 32228 f. 1-49

69 Ms. of overture: Add. 32226 117 Add. 32227 ff. 22-54' ff. 26-76 118 Mss.: Berlin (Dahlem) Mus.

753

Ms. 38138 f. 14 (song only); 32238 ff. 61-91 Paris, Bibl. Nat. Ms. 7541 Op. post. 1 Autograph listed is Ms. copy; (piano 4-hands) Autograph: Add. 32220 ff.

125 Paris source contains only 103-182' Nos. 2, 8, 11-15, 17, 18, 20, Op. post. 6 Ms copy: Add. 32236 ff. 1-8 22,24 Ms. copy: Add. 47856 Op. post. 8 Autograph listed is Ms. copy

Ms. copy: Add. 47856 Op. post. 9 No. 6: another copy, Add. 126 Ms. copy: Add. 47856 32188 ff. 32'-34 127 Add. 32236 ff. 126-133; Add.

754

Documents

A Checklist of the Works of J N Hummel