2012

.11.10.—29.10.marina tudjina badurina slikanje na lončarskom koluizložba slika

Marina Tudjina badurina: PainTinG on a PoTTEr’s WHEElPainTinGs ExHibiTion

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Predgovor– iva Körbler

U kontinuiranom i formom uspješnom reduciranju pojavnog i viđenog svijeta na primarne, čiste, organičke oblike, Marina Tudjina Badurina stvorila je neke od najljepše oblikovanih serija keramike i keramoskulpture unutar korpusa recentne hrvatske (keramo)skulpture. Uvijek duboko povezani s prirodom, njezini ciklusi Valova, Monolita, Bricola i Spirala, u svojoj su na prvi pogled jednostavnoj formi u sebi sažimali vitalizam ne samo oblikâ u usko likovnom kontekstu, nego cijele prirode, života svih oblika na planeti, dotičući se suptilno i velikih tema prolaznosti vremena, vječnosti.

Pomno oblikovani minimalistički oblici bili su u opusu Marine Tudjina Badurina delikatno varirani u tradiciji organičke apstrakcije, uvijek lagano na granici land art- a, ali nikada u svojstvu larpurlartističke i tek zanatski savršene igre oblika. U podsloju djela osjećalo se traganje za jednim dubljim, spiritualnijim sadržajem koji je lišen narativnosti simbola i amblema, i koji se prirodi želi približiti njezinim vlastitim rječnikom – tzv. jednostavnim savršenstvom. Oblik koji je lišen svih suvišnih ideoloških, religioznih, kultnih, kulturoloških ili ezoterijskih značenja upravo je spirala, i nije slučajno da se upravo taj motiv javlja u zadnjim serijama keramoskulpture ove istaknute umjetnice. Spirala je osnovno kretanje i osnovno vitalističko počelo prirodnog ustrojstva svih živih bića, u čemu su prirodne i astrofizičke znanosti jednoglasne. Ona je simbol vječnog kretanja, rasta, obnavljanja i rađanja; upisana je u sve vidljive oblike i našem oku nevidljive procese na Zemlji i u Svemiru.

Stoga poznavatelje opusa Marine Tudjina Badurina neće iznenaditi njezin likovni iskorak u dvodimenzionalno područje slikocrteža, u kojemu na još radikalniji način umjetnica svodi svoj likovni i poetski izričaj na još elementarnije i čišće oblike. Motiv spirale ili zavojnice bit će variran na podlozi od papira u tehnici tuša, akrilne boje i gline, kao da prostornost i kinetička energija kretanja mogu biti dovoljno obuhvaćeni na dvodimenzionalnoj podlozi! Kao i kod oblikovanja predmeta i oblika na keramičkom/glinenom kolu, gdje kreacija mora biti iznimno brza i spretna, tako i nova serija slikocrteža govori o brzom, spontanom i vremenski kratkom djelovanju kistom po papiru. Greške nisu dopuštene, jednako kao što ih ne bi smjelo biti niti u kreacijama Prirode.

Variranje zavojite linije u kontinuitetu stvara optički efektne slike, čije snažno centripetalno kretanje automatski vodi naše oko do središta polja kadra, ili, do počela stvari, do svojevrsnog pupka života ili Izvora svega vidljivog i nevidljivog. U svakoj spirali postoji hipnotička kvaliteta koja dužim promatranjem spontano vodi svijest promatrača do ulaska u meditativno stanje i u smirivanje neuronskih impulsa, previše podraženih od iskustava vanjskog svijeta. Jer, kod Marine Tudjina Badurina spirala nije pretvorena u komplicirani hermetični labirint; ona je maksimalno približena kreativnom, ženskom počelu stvaranja - tajni koja je u svoj svojoj složenosti vrlo jednostavna.

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Foreword– iva Körbler

In her continuously reduced primary, pure and organic forms representing the sensed and perceived world, Marina Tudjina Badurina has created some of the most beautifully fashioned series of ceramics and ceramic-sculptures to appear within the corpus of recent Croatian (ceramic) sculptures. Her cycles: Waves, Monoliths, Bricolas and Spirals, which are always deeply linked with nature, are, at first glance, simple forms which encompass the vitalism of not only form within a strict artistic context, but also nature as a whole, life in all its forms on the planet, thereby subtly touching upon major themes, like the passage of time, eternity.

The skilfully fashioned minimalistic forms within Marina Tudjina Badurina’s opus are delicately varied in the tradition of organic abstraction, and always border slightly on land-art, but not in an l’art pour l’art fashion, and are a crafted perfected play of form. Within a substratum of the work there are intimations of a search for a deeper, more spiritual content which is void of the narrativeness of symbol or emblem, and which is close to nature in its vocabulary – so-called simple perfection. The spiral as a form is devoid of surplus ideological, religious, cult, cultural or esoteric meanings, and it is not by chance that this motif appears in the most recent series of ceramic-sculptures by this renowned artist. The spiral is the basic axis and the basic vital and natural articulation of all living beings, to which natural and astrophysical sciences agree. It is a symbol of perpetual motion, growth, renewal and birth; it is inscribed in all the visible shapes as well as processes that cannot be seen by the eye on Earth and in the Universe.

Therefore, it comes as no surprise to those who are acquainted with Marina Tudjina Badurina’s opus that she should artistically turn to the two-dimensional sphere of paintings-drawings, in which she reduces her artistic and poetic expression in an even more radical manner and into even more elementary and pure forms. The motive of the spiral or coil is presented in a varied array on a backcloth of paper in Indian ink, acrylic colours and clay, as if it were possible to adequately portray the spatiality and kinetic energy of motion on a two-dimensional surface! Just as the shaping of objects and forms on a potter’s wheel is an act of creation that needs to be swiftly and dexterously executed, the same holds true in her new series of paintings-drawings which need to be completed deftly and quickly with the aid of a paintbrush on paper. There is no margin for error, just as there should be no margin in the creations of Nature.

The undulating continuous curved lines creates the optic illusion of a impressive drawing, whose bold centripetal motion automatically leads the viewing eye to the centre of the cadre, or the beginnings, the navel of life or the Source of all that is visible and invisible. Each spiral has a hypnotic quality to it, and on longer viewing it leads the viewer spontaneously into a meditative state and the quietening of neuron impulses, which are overexcited by the world experienced around us. Marina Tudjina Badurina’s spirals are not transformed into a complex hermetical labyrinth; it is maximally adjusted to the creative, feminine principle of creation – a secret which is very simple despite its complexity.

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— akrilna boja na karTonu

acrylic PainT on cardboard

2012. 100 x 70 cM

— crna TinTa na karTonu

ink on cardboard 2011. 100 x 70 cM

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— Tuš i akrilna boja na karTonu indian ink and acrylic PainT on cardboard 2012. 100 x 70 cM

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— Tuš i akrilna boja na karTonu indian ink and acrylic PainT on cardboard 2012. 10 x 10 cM

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— Glina na karTonu clay on cardboard 2012. 100 x 70 cM

— akrilna boja na karTonu acrylic PainT on cardboard 2011. 100 x 70 cM

— Tuš i akrilna boja na karTonu indian ink and acrylic PainT on cardboard 2012. 100 x 70 cM

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ŽivotopisMarina Tudjina Badurina

Rođena je u Zagrebu, 21. prosinca 1952. godine.Godine 1972. završila je Školu primijenjene umjetnosti u Zagrebu, odjel za keramiku. Godine 1976. diplomirala je na Bath Academy of Art, Velika Britanija.Od 1977. godine član je Hrvatske udruge likovnih umjetnika primijenjenih umjetnosti (ULUPUH) i Hrvatske zajednice samostalnih umjetnika (HZSU).Od 1977. godine živi i radi u Milanu, a od 2004. u Zagrebu.

saMosTalnE izložbE1985. Galerija Schira, Zagreb 1987. Citifin-D’Ars, Milano1988. Kula Lotrščak, Zagreb1992. Studio Darsena, Milano1993. Galerija Mala, Zagreb1994. Gallery Forty Seven, London (sa Duškom Šiblom)1999. Gliptoteka HAZU, Zagreb

Collegium Artisticum, Sarajevo2000.Vismara Arte, Milano2002. Barchessa di Villa Morosini, Comune di Mirano – Venezia (sa Eliom Santarellom)2005. Galerija Sebastian, Dubrovnik2008. Gliptoteka HAZU, Zagreb2009. Muzej grada Pregrade “dr. Zlatko Dragutin Tudjina”, Pregrada2010. Galerija Meduza 2, Obalne galerije Piran2011. Galerija grada Krapine, Krapina (sa Bojanom Švertasek i Ivančicom Cvitić Znidarčić)

Od 1977. godine sudjeluje na brojnim skupnim izložbama i natječajima u Hrvatskoj i inozemstvu.

naGradENagrada na V. jugoslavenskom triennalu keramike, Beograd (1983.)Počasna diploma na Prvom svjetskom triennalu male keramike, Zagreb (1984.)Priznanje na VII. Jugoslavenskom triennalu, Beograd (1989.)Počasna diploma na Četvrtom svjetskom triennalu male keramike, Zagreb (1993.)Medalja na izložbi Keramika Sisak 1700, Sisak (2003.)Nagrada na X trijenalu zagorskog suvenira, Gornja Stubica (2005.)Nagrada Croatia na Svjetskoj izložbi male i minijaturne keramike Lilliput Ceramics, Zagreb (2007.)Nagrada na IX međunarodnom ex-tempore keramike, Piran (2008.)

1984. Sudjeluje u radu umjetničke kolonije ‘’Hinko Juhn’’, Našice2001. Lobol, Bol, otok Brač

djEla sE nalazE u fundusuMuzeja za umjetnost i obrt, Zagreb; Galerije umjetnina grada Slavonskog Broda; Galerije grada Krapine; privatnim kolekcijama.

konTakTatelier: Zagreb, A. Hebranga 4gSm: ++385 (0)98 9333 651e-mail: marina.t.badurina@gmail.com

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Born in Zagreb; 21 December 1952.In 1972 she completed the School of Applied Arts, Department of Ceramics, in Zagreb. In 1976 she graduated at the Bath Academy of Art, UK.As of 1977 she is a member of ULUPUH (the Croatian Association of Artists of Applied Art and HZSU (Croatian Freelance Artists’ Association). Since 1977 she lived and worked in Milan; as of 2004 she lives and works in Zagreb.

solo ExHibiTions1985 Galerija Schira, Zagreb 1987 Citifin-D’Ars, Milan1988 Kula Lotrščak, Zagreb1992 Studio Darsena, Milan1993 Galerija Mala, Zagreb1994 Gallery Forty Seven, London (with Duško Šibl)1999 Gliptoteka HAZU, Zagreb

Collegium Artisticum, Sarajevo2000 Vismara Arte, Milan2002 Barchessa di Villa Morosini, Comune di Mirano – Venezia (with Elio Santarello)2005 Galerija Sebastian, Dubrovnik2008 Gliptoteka HAZU, Zagreb2009 Muzej grada Pregrade “dr. Zlatko Dragutin Tudjina”, Pregrada2010 Galerija Meduza 2, Obalne galerije Piran2011. Galerija grada Krapine, Krapina (with Bojan Švertasek and Ivančica Cvitić Znidarčić)

As of 1977 she has taken part at numerous group exhibitions and competition both in Croatia and abroad.

aWardsAward at the 5th Yugoslav Triennial of Ceramics, Beograd (1983)Honorary diploma at the 1st World Triennial of Small Ceramics, Zagreb (1984)Acknowledgement at the 7th Yugoslav Triennial, Beograd (1989)Honorary diploma at the 4th World Triennial of Small Ceramics, Zagreb (1993)Medal at the Sisak 1700 Ceramics Exhibition, Sisak (2003)Award at the 10th Triennial Zagorje Souvenir, Gornja Stubica (2005)The Croatia Award at the World Exhibition of Small and Miniature Ceramics - Lilliput Ceramics, Zagreb (2007)Award at the 9th International Ex-tempore Ceramics Exhibition, Piran (2008)

1984 She took part at the art colony ‘’Hinko Juhn’’, Našice2001 Lobol, Bol, Island of Brač

HEr Works arE HousEd aTThe Museum of Arts and Crafts, Zagreb; The Art Gallery of the City of Slavonski Brod; The Gallery of the Town of Krapina; in private collections.

conTacTatelier: Zagreb, A. Hebranga 4gSm: ++385 (0)98 9333 651e-mail: marina.t.badurina@gmail.com

BiographyMarina Tudjina Badurina

uluPuHHrvatska udruga likovnih umjetnika primijenjenih umjetnosti, Preradovićeva 44/1, Zagreb, Hrvatska — Croatian Association of Artists of Applied Arts, Address: Preradovićeva 44/1, Zagreb, CroatiaIvana Bakal, predsjednica UlUpUH-a — UlUpUH presidentMaša ŠtrbacIva KörblerTamara BudimirInes Novkovićkuna zlaticaPrintera grupa, Zagreb, 2012.300 primjeraka — 300 copies

Iva Körbler

Gradski ured za obrazovanje, kulturu i šport Grada Zagreba — Zagreb City Council for Culture

CIP zapis dostupan u računalnom katalogu Nacionalne i sveučilišne knjižnice u Zagrebu. — A CIP catalogue record for this book is available from the National and University Library in Zagreb.978-953-327-036-4

a _ Preradovićeva 44/1, Zagreb, Croatiap/F _ ++385(0)1 4813 746e _ galerija-ulupuh@zg.t-com.hrw _ www.ulupuh.hr

GalErija PErManEnTa

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nakladnik — PublisHEr

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2012.

11.10.—29.10.marina tudjina badurina slikanje na lončarskom koluizložba slika

Marina Tudjina badurina: PainTinG on a PoTTEr’s WHEElPainTinGs ExHibiTion

2012

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