2 Faced Music

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    TWO-FACED

    MUSIC

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    And when we refer to music, we

    are referring to the score or

    composition! And notthe lyrics.

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    MUSIC EFFECTS T"E "UMA# $OD% I# SU$T&E, $UT 'OWE(FU& WA%S!

      A well established fact is the human body

    and mind can be controlled and altered

    with music. Many scientific and medical

    studies have proved conclusively the

    tremendous effects of music upon the

    human physiology and anatomy. Music is

    used to lower blood pressure, treatmental illness, depression, mental

    retardation, insomnia and many others.

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      Musicologist Julius Portnoy found that not

    only can music, "change metabolism, affect

    muscular energy, raise or lower blood

    pressure, and influence digestion," but "Itmay be able to do all these things more

    successfully ... than an) other stimu*ants

    that +roduce those changes in our odies!"

    (ame, !avid, The Secret Power of Music, p.#$%&.

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      'linical researchers at the .'.).A. *chool of

    +ursing in )os Angeles, and at eorgia

    -aptist Medical 'enter in Atlanta, found that

    premature babies gained weight faster andwere able to use oygen more efficiently

    when they listened to soothing music.

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      At -altimore/s *t. Agnes 0ospital, classical

    music was provided in the critical1care units.

    "0alf an hour of music produced the same

    effect as ten milligrams of 2alium," says !r.3aymond -ahr, head of the coronary1care

    unit.

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      he great pianist and composer of the #%44/s,

    5rederic 'hopin, at the age of ten, was often

    summoned to play for the rand !u6e

    'onstantine, governor of Poland. he !u6ehad recurring sei7ures of madness which

    could seemingly be controlled only by

    'hopin/s music. 8hen the little boy played,

    the sei7ures abated and the governor could

    resume his normal activities, only to send for

    'hopin again when the musical medicine

    wore off.

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      "o the 9uestion, /!oes music affect man/s physical

    body:/ modern research applies in the clear

    affirmative. There is scarce*) a sing*e function

    of the od) which cannot e affected )

    musica* tones! he roots of the auditory nerves

    are more widely distributed and possess more

    etensive connections than those of any othernerves in the body. Investigation has shown that

    music affects digestion, internal secretions,

    circulation, nutrition and respiration. ;ven neural

    networ6s of the brain have been found to besensitive to harmonic principles" (ame,

    !avid, The Secret Power of Music, p. #$

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    MUSIC CA# A&SO $E DA#E(OUS TO T"E $OD%!

    !r. Adam =nieste, a musicologist who studies

    the effects of music upon people noted>

     

    .It/s rea**) a +owerfu* drug! Music can'OISO# )ou, *ift )our s+irits, or MA0E %OU

    SIC0 without 1nowing wh)!. (5amily 8ee6ly

    Maga7ine, January $4, #?%$, p. #@, article by

    !avid 'hagall&

      (oc1 music can *itera**) 1i**!

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    ROCK MUSIC CAN LITERALLY COOK AN EGG!  !rs. ;arl 8. 5losdorf and )eslie A. 'hambers

    found in a series of eperiments that shrill

    sounds proected into a li9uid media

    coagulated proteins. A recent teenage fadwas that of ta6ing soft eggs to roc6 concerts

    and placing them at the foot of the

    stage. Midwa) through the concert the eggs

    cou*d e eaten hard-oi*ed as a resu*t of

    the music! Ama7ingly few roc6 fans

    wondered what that same music might do to

    their bodies. ()arson, -ob The Day Music

    Died , p.##

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    MUSIC "AS A '(OFOU#D

    EFFECT U'O# T"E MI#D! ! !  Bne of the most frightening display of the

    awesome power of music upon the human

    brain occurred in the conversion of Patty

    0earst. In 5ebruary, #?CD, Patty 0earst was6idnapped by the *ymbionese )iberation

    Army. -ut shortly after the 6idnapping, Patty

    is helping the *)A rob ban6s. Eou wonder how

    they converted her: !r. 8illiam *argant,

    -ritain/s foremost epert on brainwashing

    eamined Patty 0earst. 0ere/s his alarming

    conclusion from Newsweek maga7ine,

    5ebruary #

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      ". . .she was an unwilling victim of a

    "FO(CED CO#2E(SIO#" or

    rainwashing! According to *argant, aperson whose nervous system is under

    constant pressure can "inhibit" and "ehibit

    paradoical brain activity 1 bad becomes

    good and vice versa." And that, *argantargues, is precisely what happened to

    Patty. . . .0er nervous system was 6ept at

    maimum stress by the continual playing of

    loud (OC0 MUSIC."(Newsweek, 5ebruary #

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      )owell 0art in his boo6, Satan's Music

    Exposed , writes of the following eperiment>

      "he unsuspecting "guinea1 pigs" were ateenage boy and girl. hey had never met

    previously and were completely unaware of

    any strange happenings. nfortunately for

    them, as they sat getting ac9uainted in aco7y "private" room with soft music playing in

    the bac6ground, their reactions were being

    observed and recorded. 8hen classical music

    and soft ballads were piped into the roomthey tal6ed and were friendly, but somewhat

    aloof.

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      When +o+ music and 3a44 were +*a)ed the)

    5uic1*) de6e*o+ed a much .friend*ier.

    attitude and egan to ho*d hands and +ut

    their arms around each other! When themusic changed ac1 to c*assica* and a**ads

    the) wou*d again ecome more forma* and

    reser6ed! If the music wou*d swing ac1 to

    the 3a44 and +o+ music .their forma*it)

    wou*d gi6e wa) to fami*iarit)!.(0art,

    )owell Satan' s Music Exposed , p.

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    ROCK MUSIC HAS EEN RO"EN TOOSTRUCT THE RAIN#S AILITY TO THINK!

      In #?C%, a 'alifornia music therapist,

    investigating the effects of roc6 music on

    teenagers, administered to @D4 school

    children aged #41#% an emotional stability

    test during which roc6 . was being played.

    he results were then eamined by a

    psychologist who was unaware of the

    eperiment. "e conc*uded that the test had

    een gi6en in a menta* institution!(0art,

    )owell Satan's Music Exposed, p.#4#&

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      Is this one of the reasons, since the #?

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      .'arado7ica* as it ma) seem, music/s effect

    u+on the more +rimiti6e 6egeta*e 1ingdom is

    one of the most con6incing methods of a** for

    +ro6ing that music does affect *ife, inc*udinghuman *ife! 5or eperiments conducted with

    humans, and even, to some etent, with

    animals, have the etra factor of the mind to

    contend with. his means that while men oranimals may be demonstrated to have been

    affected by tones, the effect may not have

    been a direct or obective one. 3ather, the

    effect upon the body may have been caused by

    the mind/s subective reaction to the music

    heard. In the case of plant1music research,

    however, psychological factors cannot really be

    said to be present. !. 

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      "An intensive series of studies carried out by

    !orothy 3etallac6 of !enver, 'olorado,

    demonstrated the effects of different 6inds of

    music on a variety of household plants. he

    eperiments were controlled under strict

    scientific conditions, and the plants were 6ept

    within large closed cabinets on wheels in which

    light, temperature and air were automaticallyregulated. hree hours a day of acid roc6,

    played through a loudspea6er at the side of the

    cabinet. Mrs 3etallac6 played the music of the

    two different !enver radio stations to twogroups of petunias. he radio stations were

    =IM+ (a roc6 station& and =)I3 (a semiclassical

    station&. he !enver Post reported>

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      he petunias listening to =IM+ refused to

    bloom. hose on =)I3 developed si beautiful

    blooms. -y the end of the second wee6, the

    =IM+ petunias were &EA#I# AWA%from the

    radio and showing very erratic growth.

      he petunia blooms hearing =)I3 were all

    leaning TOWA(D T"E SOU#D. Within amonth a** +*ants e7+osed to roc1 music

    DIED!

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      In another eperiment, conducted over three

    wee6s, !orothy 3etallac6 played the music of

    )ed Geppelin and 2anilla 5udge to one group

    of beans, s9uash (marrow&, corn, morning

    glory and coleusH she also played

    contemporary avant1garde atonal music to a

    second groupH and, as a control, played

    nothing to a third group.

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      8ithin ten days, the plants eposed

    to )ed Geppelin and 2anilla 5udge

    were all &EA#I# AWA% F(OM T"E

    S'EA0E( . After three wee6s theywere stunted and D%I#.

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      he beans eposed to the new

    music leaned #K degrees from the

    spea6er and were found to have

    middle1si7ed roots.

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      he plants left in silence had

    the longest roots and grew

    the highest.

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      Further, it was disco6ered that +*ants to

    which +*acid, de6otiona* music was +*a)ed

    not on*) grew two inches ta**er than +*ants

    *eft in si*ence, ut a*so *eaned TOWA(DS

    T"E S'EA0E(! (ame, !avid The Secret

    Power of Music, p. #D@ 1 #DD&

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      All the plants that were net to the roc6

    music 1 );A+;! A8AE 53BM 0; *P;A=;3* 1

    trying to get away from the musicF And to

    show that it was not ust the noise itself 1

    the plants net to the classical music 1

    );A+;! B8A3! 0; *P;A=;3* 1 actually

    trying to get closer to the music.

      In the end - A&& the +*ants ne7t to the roc1

    music - DIED8

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      If music can e shown to affect

    +*ants, then such effects ha6e to

    e due to the o3ecti6e inf*uence

    of the tones direct*) u+on the ce**sand +rocesses of the *ife-form

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      'hristian roc6 band Petra has the gall to sing

    "od ave 3oc6 and 3oll to Eou".

      If you love the sound

    And don/t forget the source...

    you can love the roc6

    and let it free your soul

    od gave 3oc6 and roll to youa6e (oc1 and (o** to )ou

    'ut it in the sou* of e6er)one

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      And some 'hristians actually believe that the

    giver of &IFE 1 the )ord Jesus 'hrist is the

    author and god of "roc6 and roll"F he Bne

    that made the plants and )I5; itself, is the

    author of a 6iller 1 3oc6 musicF $%&t co'l()e more ri(ic'lo's!

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    Jesus 'hrist said in John #4>#4, ". . . The thief

    cometh not, ut for to stea!, and to #$$,

    and to destroy% I &m come t%&t t%ey mi*%t%&+e LI,E , and that they miht ha(e it moreaundant!y." 

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    he melody of praise is the

    atmosphere of heavenH and when

    heaven comes in touch with the

    earth there is music andsong,11"than6sgiving, and the voice

    of melody." LMEP @?#.#