1499

Photographs & Photobooks 09/16/14

Photographs & Photobooks 09/16/14

Sale 1499Tuesday, September 16, 2014 at 11am1808 Chestnut Street, Philadelphia PA 19103

Friday September 12 10am–5pmSaturday September 13 12pm–5pmSunday ClosedMonday September 1510am–5pm

$25 in the gallery

Aimee Pflieger267.414.1221 [email protected]

Shannon Jeffers267.414.1231 [email protected]

Inside Front Cover: Lot 102Inside Back Cover: Lot 35

Color images of every lot are available atwww.freemansauction.com

Auction

Exhibition

Catalogue

Inquiries

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Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $75,000 of the hammer price of each lot, 20% on theportion from $75,001 through $1,500,000, and 12% thereafter.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.

By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit.

On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Payment is due within ten (10) working days of the sale. Lots purchased willnot be released until we have received full payment. Payment may be madein cash, by check, money order, or debit card. Payments by check must clearthe bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed withinten (10) working days of the sale. Purchases not so removed may be turnedover to a licensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.

v1/2014


www.freemansauction.com 3

Cara BishoffBids [email protected]

Bethany MobbsShipping & [email protected]

Mary Maguire CarrollDirector, Client [email protected]

Shannon JeffersDepartment [email protected]

Aimee PfliegerSpecialist, Head of [email protected]

Photographs & Photobooks Department

Client Services



Photographs lots 1-115

Lot 12


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1 UNKNOWN PHOTOGRAPHERBLIND MAN1850’s. Sixth plate daguerreotype inthermoplastic case. $1,000-1,500


2 UNKNOWN PHOTOGRAPHERFAMILY IN PLAIDHalf plate daguerreotype in full leatherette case,ca. 1850.$700-1,000

4 FELIX MOISSENET(BORN CA. 1814, ACTIVE 1849-61)MOTHER AND CHILDREN, NEW ORLEANSQuarter plate daguerreotype in full leatherettecase, ca. 1851. With ‘F. MOISSENET /DAG.TYPIST / NO. 1 CAMP STREET, N.O.’ on velvet pad.$400-800

3 UNKNOWN PHOTOGRAPHERMOTHER AND CHILDREN DRESSED IN MILITARYOUTFITSHalf plate daguerreotype with handcoloring in fullleatherette case.$500-800

8 www.freemansauction.com



5 UNKNOWN PHOTOGRAPHERSEATED BOY WITH FEATHER HAT AND DOGFourth plate ambrotype in full leatherette case.$500-800

6 UNKNOWN PHOTOGRAPHERLITTLE GIRL STANDING BY A CHAIRHalf plate daguerreotype with handcoloring in fullleatherette case, ca. 1850.$1,000-1,500

7 UNKNOWN PHOTOGRAPHERSITTING DOGSixth plate ambrotype in full leatherette case.$300-600



8 UNKNOWN PHOTOGRAPHERFIVE MENSixth plate daguerreotype in half leatherette case, ca. 1850.$300-600

9 UNKNOWN PHOTOGRAPHERGENTLEMANHalf plate daguerreotype in full book-style velvet case,ca. 1850.$500-800



10 UNKNOWN PHOTOGRAPHERMR. GEORGE HOOD AND HIS CLOTHES WRINGERINVENTIONFourth plate ambrotype in full leatherette case.$1,000-1,500



11 ABRAHAM BOGARDUS(AMERICAN, 1822-1908)THREE SISTERSHalf plate daguerreotype on original mount.$700-1,000



12 THIRTY PRINTS

FREDERICK GUTEKUNST(AMERICAN, 1831-1917)VARIOUS LANDSCAPES IN ANDAROUND PHILADELPHIAUnsigned, mounted albumen prints,ca. 1888. Many with locationnotation in unknown hand.sizes of images: 6 x 8 3/8 in.(15.2 x 21.3cm) or the inverse.Unframed(30)INCLUDING:Glen Fern Mills, Wissahickon,Ormistan (sic) GlenRoad to Quakertown, Bucks CoUntitled (cows)Three Mile Run Road, Bucks Co.Log House, Delaware Co.Wheat Field (2 different scenes)Taking in the Hay, 4th of JulyWest Point, New YorkDelaware Co. MeadowOld Farm 17th & Dauphin Sts.17th & Dauphin Sts. (Winter) (4 different scenes)Log House, Delaware Co.Delaware Co.Delaware Co. DairyUntitled (tree alongside road)Untitled (Wintery Path)Old Mill, Bucks Co.Mary’s Cottage, Bucks Co.Untitled (rowboat)Untitled (goats)Untitled (Man with horse-drawncart)Untitled (House)Untitled (River- possiblyWissahickon Creek)Untitled (Two children in a garden)

NOTE:Frederick Gutekunst was born in the Germantown section of Philadelphia. Whilestudying to be a druggist, he became interested in photography and after masteringambrotypes and daguerreotypes, with the help of his brother, he opened a studio at706 Arch Street in 1856. Gutekunst photographed many notable personalities of thelate 19th century, including poets, presidents and Civil War generals such as Grant,Sherman and Longstreet, earning him the title “The Civil War Photographer.” Inaddition to his portraits, Gutekunst photographed many scenes in and around thePhiladelphia, Bucks County and Delaware areas, the battlefield of Gettysburg and theCentennial International Exhibition of 1876 (including a widely reproducedpanorama). By 1882, Gutekunst was reported to be the leading photographer inPhiladelphia. In 1893, Gutekunst opened a large portrait studio at 1700 North BroadStreet, which is a mere eight blocks from 17th & Dauphin, the area pictured in 5 ofthe photographs in this lot.$2,500-3,500



13 FRANCIS FRITH(BRITISH, 1822-1898)“THE STATUES OF THE PLAIN, THEBES”1857/8. Mammoth plate albumen printwith printed title bottom center on mount.image: 17 3/4 x 24 in. (45.1 x 61cm)mount: 21 x 27 in. (53.3 x 68.6cm)$8,000-12,000

14 TWO PRINTS

FRANCIS FRITH(BRITISH, 1822-1898)“LINCOLN CATHEDRAL CHOIR,LOOKING WEST”Ca. 1890. With photographer’s embossedstamp bottom left. Albumen print.image: 11 1/4 x 9 1/8 in. (28.6 x 23.2cm)Unframedand;“HIGH STREET, OXFORD”Ca. 1890. With photographer’s embossedstamp bottom left. Albumen print.image: 6 x 10 1/8 in. (15.2 x 25.7cm)Unframed(2)$1,000-1,500



15 EIGHT PRINTSRAIMUND VON (BARON)STILLFRIED-RATHENITZ (AUSTRIAN, 1839-1911)ASSORTED STUDIO PORTRAITSAND PHOTOGRAPHS OF LABORERSHandcolored albumen prints.images: 7 3/4 x 8 5/8 in.(19.7 x 21.9cm)mounts: 12 x 15 in. (30.5 x 38.1cm)INCLUDING:Weaving, Grinding Corn, Carpenter,A Greengrocer’s Shop, A Jinrikisha,the Carriage of Japan, A Merchant,“Betto” or a Groom, and Untitled(Geisha)and;EIGHT PRINTSKUSAKABE KIMBEI (JAPANESE, 1841-1934)JAPANESE SCENESCa. 1880. Handcolored albumenprints mounted to card.each approx.: 8 x 10 1/2 in.(20.3 x 26.7cm)INCLUDING:Miyanoshita (2), Atami (2),Tonosawa (2), Hakone (2)Each unframed(16)$3,000-5,000



16 THREE PRINTS

EADWEARD MUYBRIDGE(AMERICAN/BRITISH, 1830-1904)PLATES 349, 593 and 331FROM “ANIMAL LOCOMOTION”1887. Each with photo credit, series title, plate numbers,copyright and date. Collotypes.each image approx.: 7 x 15 in.(17.8 x 38.1cm)each sheet: 18 3/4 x 23 3/4 in.(47.6 x 60.3cm)Unframed(3)NOTE:This lot will be accompanied byan artist signed and inscribedcopy of the 1883 subscriptionprospectus for “The Attitudes ofMan, the Horse and otherAnimals in Motion.”$1,500-2,500



17 TWO CRIME PHOTOGRAPHS

UNKNOWN ARTISTS“GERALD CHAPMAN”Gelatin silver print and collage.9 x 7 1/2 in. (22.9 x 19.1)and;“DROPPED IN HIS TRACKS”Gelatin silver print with collaged photographand applied graphite crop marks, ink and paint.8 x 10 in. (20.3 x 25.4cm)(2)NOTE:Each collage was created for an issue ofAmerican Crime Magazine between 1920–1935. Both were exhibited in 1987 atPace/MacGill Gallery, New York, New York.Gerald Chapman was an early Prohibition-eragang member who was the first criminal to bedubbed “Public Enemy Number One” by thepress.$800-1,200



18 ANDREW JOSEPH RUSSELL(AMERICAN, 1830-1902)“DEVIL’S GATE, WEBERCANYON (PLATE 40)”1869/1869. Albumen print fromwet plate negative.image: 12 x 9 in. (30.5 x 22.9cm)mount: 18 1/8 x 12 3/4 in.(46 x 32.4cm)Unframed NOTE:From the exceedingly rare “GreatWest Illustrated in a Series ofPhotographic Views across theContinent; Taken along the Lineof the Union Pacific Railroad,West from Omaha, Nebraska,Vol. 1.” These prints were latercopied in a reduced size toprovide illustrations for F.V.Hayen’s “Sun Pictures of RockyMountain Scenery.”$2,000-4,000

19 EADWEARD MUYBRIDGE(AMERICAN/BRITISH, 1830-1904)“SEAL ROCKS, CALIFORNIA”Ca. 1870. Albumen print fromwet plate negative on originalmount with Italian printed title pasted under image.image: 15 x 21 in. (38.1 x 53.3cm) Unframed$2,000-4,000



20 WILLIAM HENRY JACKSON(AMERICAN, 1843-1942)“CHURCH OF SAN MIGUEL,SANTA FE, NM”1880s/1880s. Withphotographer’s name and titlein negative at bottom left andright. Albumen print from wet plate negative.image: 17 x 21 1/4 in.(43.2 x 53.4cm)mount: 21 3/4 x 27 1/4 in.(55.3 x 69.2cm)Unframed$3,000-5,000

21 WILLIAM HENRY JACKSON(AMERICAN, 1843-1942)“RAINBOW FALLS, MANITOU,CO”1880-1881. Title andphotographer’s credit in negativeat bottom of image. Albumenprint from a wet plate negative.image: 13 1/2 x 10 in.(34.3 x 25.4cm)mount: 17 x 14 in.(43.2 x 35.6cm)Unframed$1,000-2,000



22 EDWARD STEICHEN(AMERICAN, 1879-1973)“EDWARD STEICHEN: THE EARLY YEARS:1900-1927”An incomplete portfolio of 8 photogravurescontained within Indian tussah silk wrappedslip case. With essays by Beaumont Newhalland Mary Steichen Calderone. Numbered 413 (of 500). New York: Aperture, Inc. 1981.each sheet: 20 x 16 in. (50.8 x 40.6cm)(8 of 12 prints included in portfolio)INCLUDING:GRAND PRIX AT LONGCHAMP: AFTER THE RACES, 1907.SELF-PORTRAIT WITH SISTER, 1900.TORSO, PARIS, 1902.MOONRISE, MAMARONECK, NEW YORK,1904.IN MEMORIAM, 1902.STEICHEN AND WIFE CLARA ON THEIRHONEYMOON, 1903.RICHARD STRAUSS, 1905.THREE PEARS AND AN APPLE, ca. 1921.$1,000-2,000

23 THREE COPIES OF “CAMERA WORK” SPECIALSUPPLEMENTS

EDITED BY ALFRED STIEGLITZNUMBER 37 (1912)Includes two articles by Gertrude Steinand 14 reproductions of the work ofPicasso and Matisse (2 copies includedin lot)and;NUMBER 38 (1913)Contains several articles (Gertrude Stein,Mabel Dodge, Oscar Bluemner) andreproductions of paintings by Cezanne,Van Gogh, Picasso and more.(3)$500-800



24 ARTHUR WESLEY DOW(AMERICAN, 1857-1922)DANDELION LEAVES1895-1910/1895-1910. Cyanotype.7 15/16 x 5 in. (20.2 x 12.7cm)Unframed$3,000-5,000



25 OSCAR GUSTAVE REJLANDER(BRITISH, 1813-1875)“ADELINE SOMERS-COCKS AT FRESHWATER”Ca. 1863-65. Signed bottom right. Albumen print.image: 4 3/8 x 3 5/8 in. (11.1 x 9.2)sheet: 6 x 6 3/4 in. (15.2 x 17.2cm)UnframedNOTE:Adeline Somers was the niece of Julia MargaretCameron.SEE:“A Victorian Album,” Julia Margaret Cameron andHer Circle, Ovenden, 1975, p. 104 (uncroppedversion).$1,000-1,500

26 ALFRED STIEGLITZ(AMERICAN, 1864-1946)“THE SWIMMING LESSON”1906/1911. Photogravure.image: 5 7/8 x 9 in. (14.9 x 22.9cm)SEE:“Camera Work,” October 1911, vol. 36, plate 41.$400-600

27 ALFRED STIEGLITZ:(AMERICAN, 1864-1946)“MISS S. R.”1904/1905. Photogravure.image: 9 1/16 x 5 1/2 in. (23.1 x 14cm)sheet: 11 5/8 x 7 7/8 in. (29.5 x 20cm)UnframedSEE:Camera Work, October 1905, vol. 12, plate 7.$500-1,500

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29 TODD WEBB(AMERICAN, 1905-2000)“ALFRED STIEGLITZ AT ANAMERICAN PLACE”1946/ca. 1946. Signed, titled anddated verso. Gelatin silver print.image: 6 3/4 x 4 5/8 in. (17.2 x 11.8cm)sheet: 7 1/2 x 5 in. (19.1 x 12.7cm)PROVENANCE:Mitchell A. Wilder, first director of the Amon Carter Museum, Fort Worth, Texas. By descent in family.$1,000-2,000


28 ALFRED STIEGLITZ(AMERICAN, 1864-1946)GEORGIA O’KEEFFE1918/ca. 1950. Gelatin silver print.9 5/8 x 7 3/4 in. (24.4 x 19.7cm)PROVENANCE:Mitchell A. Wilder, first director of the Amon Carter Museum, Fort Worth, Texas.By descent in family.$6,000-10,000



30 SEVENTY PRINTS

EDWARD SHERIFF CURTIS(AMERICAN, 1868-1952)SELECTED IMAGES FROM “THE NORTHAMERICAN INDIAN”1924. 70 large format photogravures, printed on Holland Van Gelder with the title, plate number,copyright and printer’s credit.image: each approx. 12 x 16 in. (30.5 x 40.6cm)sheet: each approx. 17 1/2 x 21 3/4 in.(44.5 x 55.3cm)UnframedPROVENANCE:Sold to benefit the Fallbrook, CaliforniaHistorical Society.$10,000-15,000



31 EDWARD STEICHEN(AMERICAN, 1879-1973)“LOTUS, MOUNT KISCO, NEW YORK, 1915”1915, 1981/2. Signed on labelby Joanna Steichen and GeorgeTice. Gelatin silver print.13 1/4 x 10 1/2 in. (33.7 x 26.7cm)$800-1,200



32 NATHAN LERNER(AMERICAN, 1913-1997)“THE SWIMMER”1935/1980’s. Signed anddated under image inmargin and titled, datedand with artist’s addressink stamp andreproduction limitation stamp verso. Gelatin silverprint.sheet: 11 x 14 in.(27.9 x 35.6cm)UnframedPROVENANCE:The artist.Ted Hartwell, formercurator of the MinneapolisInstitute of Arts.$1,000-2,000



33 BARBARA MORGAN(AMERICAN, 1900-1992)“SPRING ON MADISONSQUARE”1938, printed later. Signed anddated bottom right corner andtitled bottom left corner. Gelatinsilver print.18 1/8 x 22 1/4 in. (46 x 56.5cm)PROVENANCE:Howard Greenberg Gallery, NewYork, New York.The Avon Collection, New York,New York.EXHIBITED:International Center ofPhotography, New York, “Eye of the Beholder: Photographs fromthe Avon Collection,” September12-November 16, 1997.$2,500-3,500

34 THEODORE J. ROSZAK(AMERICAN/POLISH, 1907-1981)UNTITLED (PHOTOGRAM)Ca. 1937. With Sara JaneRoszak’s signature verso.Gelatin silver print.8 x 4 7/8 in. (20.3 x 12.4cm)UnframedNOTE:This photograph will be soldtogether with a copy of“Theodore Roszak,” publishedby Zabriskie Gallery in 1984.$800-1,200



35 FOUR PRINTS

GYORGY KEPES(AMERICAN/HUNGARIAN, 1906-2001)UNTITLED ABSTRACTIONSEach signed on window mat and again on mount under photo. Gelatin silver prints.images: 9 3/4 x 7 3/4 in. (24.8 x 19.7cm)sheets: 10 x 8 in. (25.4 x 20.3cm)(4)$1,500-2,500



36 KATI HORNA(HUNGARIAN, 1912-2000)PUPPETGelatin silver print.sheet: 9 3/8 x 7 5/8 in.(23.8 x 19.4cm)Unframed$3,000-5,000

37 VIOLA URETZUNTITLED PHOTOGRAM1950s/1950s. Gelatin silver print.image: 4 1/2 x 6 3/4 in.(11.4 x 17.2cm)mount: 10 1/8 x 7 3/4 in.(25.7 x 19.7cm)UnframedNOTE:Uretz was an instructor at theInstitute of Design in Chicago.$500-800



38 BARBARA MORGAN(AMERICAN, 1900-1992)“CORN STALK”1945/1972. Signed, titled and dated underprint in margin and with photograher’s inkstamp verso. Gelatin silver print.image: 16 1/2 x 12 1/2 in. (41.9 x 31.8cm)sheet: 20 x 16 in. (50.8 x 40.6)Unframed$1,000-2,000

39 BARBARA MORGAN(AMERICAN, 1900-1992)‘TREES IN FOG”1941/1980. Signed, titled and dated under printin margin and signed, titled and dated versoand with photograher’s ink stamp verso. Gelatin silver print.image: 17 1/2 x 13 1/8 in. (44.5 x 33.3cm)sheet: 20 x 16 in. (50.8 x 40.6)Unframed$1,000-2,000



40 BARBARA MORGAN(AMERICAN, 1900-1992)“MARTHA GRAHAM, LAMENTATION”1935/1981. Signed, titled and dated byartist under image in margin and withphotographer’s copyright inkstamp verso. Gelatin silver print.image: 15 1/2 x 17 3/16 in. (39.4 x 43.7cm)sheet: 16 x 20 in. (40.6 x 50.8cm)Unframed$1,000-2,000

41 BARBARA MORGAN(AMERICAN, 1900-1992)“EXSTASIS”Signed, titled and with photographer’scopyright stamp verso. Gelatin silver print.image 9 1/2 x 7 1/4 in. (24.1 x 18.4cm)sheet: 9 7/8 x 7 3/4 in. (25.1 x 19.7cm)PROVENANCE:Mitchell A. Wilder, first director of theAmon Carter Museum, Fort Worth, Texas.By descent in family.$800-1,200



42 BARBARA MORGAN(AMERICAN, 1900-1992)“TOSSED CATS”1942/1972. Signed, titledand dated under image inmargin and withphotograher’s ink stampverso. Gelatin silver print.image: 11 3/4 x 15 1/8 in.(29.9 x 38.4cm)sheet: 20 x 16 in.(50.8 x 40.6)Unframed$1,000-2,000

43 INGE MORATH(AUSTRIAN, 1923-2002)“VITRINE, VALLADOLID”1960/1960s. With title in pencil(in unknown hand) and artist’sMagnum Photos stamp verso.Gelatin silver print.image: 14 x 9 1/4 in.(35.6 x 23.5cm)mount: 13 3/4 x 11 3/4 in.(34.9 x 29.9cm)Unframed$400-600



44 HERMAN LEONARD(AMERICAN, 1923-2010)“MARILYN MONROE,RINGLING BROTHERS,BARNUM & BAILEY CIRCUS,NYC, 1953”1953, printed later. Signed andtitled under print in margin.Gelatin silver print.image: 17 x 14 in.(43.2 x 35.6cm)sheet: 20 x 16 in.(50.8 x 90.4cm)UnframedPROVENANCE:The artist. Private Collection.$1,000-1,500

45 HERMAN LEONARD(AMERICAN, 1923-2010)“FRANK SINATRA-NYC-1956”1956, printed later. Signed, titledand numbered 21/50 underprint in margin. Gelatin silverprint.image: 17 1/8 x 14 3/8 in (43.5 x 36.5cm)sheet: 20 x 16 in.(50.8 x 40.6cm)UnframedPROVENANCE:The artist. Private Collection.$1,000-1,500



46 GEORGE ZIMBEL(AMERICAN, B. 1929)“AT THE BAR, BOURBONSTREET”1955/ca. 1983. Signed,titled and dated underimage in margin andsigned, titled and datedagain verso. Gelatin silver print.image: 12 1/8 x 18 1/16 in.(30.8 x 45.9cm)sheet: 20 x 16 in.(50.8 x 40.6cm)Unframed$1,500-2,500

47 CHARLES HARBUTT(AMERICAN, B. 1935)SUBWAY AT FORTHAMILTON PARKWAYSTATION, NEW YORK, NY1963/1963. With variousnotations verso byphotographer includingdate, as well as his copyright ink stamp. Gelatinsilver print.image: 9 1/8 x 13 1/2 in.(23.2 x 34.3cm)sheet: 9 1/2 x 13 1/4 in.(24.1 x 33.7cm)Unframed$1,500-3,000



48 HERMAN LEONARD(AMERICAN, 1923-2010)“BILLIE HOLIDAY, NYC 1949”1949, printed later. Signed, titled, inscribed‘Special Edition 1/1’ under image in margin,and numbered and inscribed ‘To Glenn /From ‘Lady Day’ and me / All the best,Herman’ verso. Unique gelatin silver print.image: 22 1/2 x 19 1/2 in. (57.2 x 49.5cm)PROVENANCE:The artist.Private Collection.$12,000-18,000



49 LOUIS FAURER(AMERICAN, 1916-2001)“LOOKING AT R.C.A. BUILDING AT ROCKEFELLER CENTER,NYC, 1949”1947/1990. Signed, titled, dated and inscribed ‘P.P.’ verso.Gelatin silver print.image: 12 x 8 in. (30.5 x 20.3cm)sheet: 14 x 11 in. (35.6 x 27.9cm)UnframedPROVENANCE:Acquired directly from artist.SEE:Anne Wilkes Tucker, “Louis Faurer,” Merrell Publishers Limited, London, England, in association with The Museum ofFine Arts, Houston, Texas, 2002, p.121.$1,000-2,000

50 LOUIS FAURER(AMERICAN, 1916-2001)“ORCHARD STREET, N.Y.C.”1947, printed later. Signed anddated 1947 under print inmargin. Gelatin silver print.image: 8 1/8 x 12 1/8 in.(20.6 x 30.8cm)sheet: 11 x 14 in.(27.9 x 35.6cm)PROVENANCE:Acquired directly from artist.$1,000-2,000



51 ANDRÉ KERTÉSZ(AMERICAN/HUNGARIAN, 1894-1985)“FISH SIGN, NEW YORK CITY, NY”1963/1960s. Signed, titled, datedand with Manchester Collectionnumber and artist’s ink stamp verso. Gelatin silver print.image: 9 1/4 x 7 3/4 in.(23.5 x 19.7cm)sheet: 10 x 8 in. (25.4 x 20.3cm)UnframedPROVENANCE:The Manchester Collection.$3,000-5,000

52 TODD WEBB(AMERICAN, 1905-2000)“TYPICAL STUDIO STORE,PARIS”1951/1951. With photographer’sname, title, ‘#EF.52’ and ‘PhotoResearchers, Inc., NYC’ stickerand stamps verso. Gelatin silver print.image: 9 3/8 x 7 3/8 in.(23.8 x 18.7cm)mount: 10 3/8 x 8 1/2 in.(26.4 x 21.6cm)Unframed$1,000-2,000



53 EDWARD WESTON(AMERICAN, 1886-1958)“CHURCH DOOR,HORNITOS”1940, printed later. Titled,dated and inscribed‘Negative by EdwardWeston/Print by ColeWeston’ on mount verso.Gelatin silver print.7 5/8 x 9 1/2 in.(19.4 x 24.1cm)Unframed$3,000-5,000

54 DAVID MICHAEL KENNEDY(AMERICAN, B. 1951)“CLOUDSCAPES OF NEW MEXICO”1991. 10 palladium prints containedwithin a linen covered portfolio box.Signed and numbered IV/XX on cover image. Signed on dedication page,numbered on index sheet. Each printtitled, signed and numbered undereach image in margin and withphotographer’s stamp and numbering verso.each print: 5 1/2 x 7 in. (14 x 17.8cm)$1,000-1,500



55 W. EUGENE SMITH(AMERICAN, 1918-1978)“LORENZA CURIEL IN WHITE FIRST COMMUNION DRESS WAITING FOR HER MOTHER TO LOCK DOOR”FROM “SPANISH VILLAGE”1950-51/ca. 1975. With inscription on mount verso that reads ‘The W. EugeneSmith Estate Seal is on the back of this photograph. Maggie Smith.’ Gelatinsilver print.image: 13 x 10 in. (33 x 25.4cm)mount: 20 x 16 in. (50.8 x 40.6cm)UnframedPROVENANCE:The artist. Margery Smith.SEE:“This Spanish Village,’ Life, vol. 30, no. 15, April 9, 1951, p. 120.$5,000-8,000



56 FIVE PRINTS

BARRY THUMMA(AMERICAN, 1947-2003)SCENES FROM AMISH LIFE, CENTRAL PENNSYLVANIA1970s/1970s. Each titled verso, four wtih NPPA/MUPictures of the Year labels and one with 30th AnnualPhoto Competition, School of Journalism, University ofMissouri. Gelatin silver prints on original mounts.images: (largest): 14 1/8 x 18 7/8 in. (35.9 x 47.9cm)mounts: 16 1/4 x 20 in. (41.3 x 50.8cm)Each unframed(5)INCLUDING:FILL IT UP & CHECK THE WATER & HAYAMISH WALK WITH NATURETHREE LITTLE PIGGIES WENT TO A FIREAMISH FINAL FAREWELLDEATH OF AN AMISH MANNOTE:Thumma began his career in 1967 as a part-timephotographer for the Lancaster New Era. He joined theAssociated Press in 1973 in Cincinnati, where he coveredthe Reds and the Bengals. After two years as the Ohiophoto editor, Thumma moved to Washington, D.C. tocover the White House.$1,000-2,000


57 THREE PRINTS

HENRI CARTIER-BRESSON(FRENCH, 1908-2004)PARK SCENESContact sheet and two gelatin silverprints, the two prints with the artist’sMagnum Photo stamp and variousnumerical inscriptions verso.2 prints on 5 x 7 in. (12.7 x 17.8cm)paper and the contact print on 8 1/2 x 11in. (21.6 x 27.9cm) paperUnframed(3)$3,000-5,000



58 GEORGE TICE(AMERICAN, B. 1938)“WHITE CASTLE, ROUTE NO. 1, RAHWAY, NEW JERSEY”1973/1980. Signed under image on mount, titled and datedverso. Gelatin silver print.image: 15 x 19 1/2 in. (38.1 x 49.5cm)$3,000-5,000



59 PHOTOGRAPH, BOOKS ANDLETTERS

O. WINSTON LINK(AMERICAN, 1914-2001)“MAIN LINE ON MAINSTREET, NORTHFOLK,WEST VIRGINIA”Signed and dated 4-84 inpencil, stamped 1982 andwith photographer’scopyright limitation inkstamp verso. Gelatin silver print.image: 15 1/2 x 19 1/2 in.(39.4 x 49.5cm)sheet: 16 x 20 in.(40.6 x 50.8cm)

TO BE SOLD TOGETHER WITH:Signed calendar (1990), “Railfan” magazine, 3signed copies of “NightTrick” by Link, “Steam,Steel and Stars” signed andinscribed, packet of lettersto/from Link, 2 exhibitionpamphlets from MoMA, 1pamphlet adverisingSounds of Steam recordingand a group of proof printswith annotations.PROVENANCE:The artist.Clarence “Korky” Korker(color printer for theartist).$6,000-10,000



60 TWO PRINTS

NASAAPOLLO 15 ORBITAL METRIC SURVEY MOONSHOT (HADLEY RILLE)1971/ca.1971. Gelatin silver print.image: 17 x 19 in. (43.2 x 48.3cm)and;“ORBITER IV MOON SHOT (CRUGER, DEVICO, RIMAE DARWIN, RIMAE SIRSALIS ANDSIRSALIS)”1967/ca.1967. With ‘IV-161H2’ and ‘NASA-LRC’printed under image. Gelatin silver print.image: 21 x 15 1/2 in. (53.3 x 39.4cm)Each unframed(2)NOTE:Original vintage prints from NASA orbiter moonflight with penciled Apollo number, distributedto employees. The Hadley Rille area was wherethe Apollo 15 crew landed on the moon.$1,000-3,000

61 JERRY UELSMANN(AMERICAN, B. 1934)“RITUAL GROUND”1964/ca. 1964. Signed, titled anddated under image on mount andsigned, titled, dated and with artist’saddress sticker verso. Gelatin silverprint.image: 12 3/8 x 9 3/4 in.(31.4 x 24.8cm)mount: 20 x 16 in. (50.8 x 40.6cm)Unframed$2,000-4,000



62 JERRY UELSMANN(AMERICAN, B. 1934)“FORGOTTEN HERITAGE”1969/1969-72. Initialed and datedunder image on mount and titled,signed and dated verso. With ‘Jerry N.Uelsmann Portfolio’ sticker verso,numbered 6/25, published April 1972by Witkin-Berley Ltd., Roslyn Heights,New York. Gelatin silver print.image: 13 3/4 x 10 3/4 in.(34.9 x 27.3cm)mount: 16 x 20 in. (40.6 x 50.8cm)Unframed$2,000-4,000

63 JAMES FEE(AMERICAN, 1949-2006)UNTITLED (FEMALE NUDE ANDLANDSCAPE)1970s/1970s. Signed, inscribed ‘SanFrancisco’ and dated verso. Gelatinsilver print.image: 13 1/2 x 9 4/5 in. (34.6 x 25.1cm)sheet: 13 5/8 x 9 7/8 in.(34.6 x 25.1cm)Unframed$700-1,000



64 LUCIEN CLERGUE(FRENCH, B. 1934)UNTITLED (NUDE)1966. Signed, dated,dedicated indistinctly andinscribed ‘Ep. d’artiste’ (theedition was 20) and withartist’s ink stamp verso. Gelatin silver print.17 3/4 x 24 in. (45.1 x 61cm)$1,000-1,500

65 EDWARD PFIZENMAIER(AMERICAN, B.1926)“FLEXED FIGURE”Ca. 1956, printed later.Signed, titled and inscribed‘U.S. Camera (1957) page207’ in pencil with the artist’scopyright stamp verso.Gelatin silver print.12 1/2 x 12 1/2 in.(31.8 x 31.8cm)UnframedPROVENANCE:The artist.SEE:U.S. Camera, p. 207, 1957.$1,000-1,500



66 PATRICK MORIN(1928-2002)“BRIGETTE BARDOT BETWEENSHOTS FOR ‘VIE PRIVÉE’”1961, printed later. With redGalerie Radziwill stamp and withstamp and signature from theEstate of Patrick Morin verso,22/50. Gelatin silver print.28 1/4 x 17 1/4 in. (71.8 x 43.8cm)Unframed$1,500-2,500

67 TWO PRINTS

EDWARD PFIZENMAIER(AMERICAN, B.1926)“ANTONIO LOPEZ ANDCATHEE DAHMEN”1967. Signed, dated, titledand inscribed and withartist’s stamp verso. Gelatin silver print.image: 13 3/8 x 10 1/2 in.(34 x 26.7cm)sheet: 14 x 11 in.(35.6 x 27.9cm)and;“GIORGIO SANT’ ANGELOAND ELSA PERETTI”1968. Signed, dated, titled,numbered 1/10, inscribed‘SCHEHEREZADEENSEMBLE (COTY AWARD)’ and withartist’s stamp verso. Gelatinsilver print.image: 13 3/8 x 10 1/2 in.(34 x 26.7cm)sheet: 14 x 11 in.(35.6 x 27.9cm)Unframed(2)$1,500-2,500



68 IRVING PENN(AMERICAN, 1917-2009)“SCULPTOR’S MODEL, PARIS 1950”1950/1976. Pencil signed, initialed, titled, dated andnumbered 29/35 verso, with Penn and Condé Nast copyrightcredit reproduction limitation and edition stamps. Platinumpalladium print.image: 16 1/4 x 11 3/4 in. (41.3 x 29.9cm)sheet: 22 1/4 x 22 1/2 in. (56.5 x 57.2cm)Unframed$20,000-25,000



69 IRVING PENN(AMERICAN, 1917-2009)“CAMEL PACK”1975. Pencil signed, initialed, titled, dated and numbered32/68 verso, with Penn and Condé Nast copyright creditreproduction limitation and edition stamps. Platinumpalladium print.sheet: 29 3/4 x 22 1/4 in. (75.6 x 56.5cm)$18,000-25,000



70 AARON SISKIND(AMERICAN, 1903-1991)“CHICAGO, 1957”1957, printed later. Signed onmount and signed, dated andtitled verso. Gelatin silver print.image: 13 3/8 x 10 1/2 in.(34 x 26.7cm)mount: 18 3/4 x 15 1/8 in.(47.6 x 38.4cm)Unframed$1,000-1,500

71 AARON SISKIND(AMERICAN, 1903-1991)“JEROME, ARIZONA, 1949”1949. Titled and dated inunknown hand verso and withphotographer’s stamp. Gelatinsilver print.image: 13 1/2 x 8 3/4 in.(34.3 x 22.2cm)sheet: 13 7/8 x 9 1/2 in.(35.2 x 24.1cm)Unframed$1,500-2,500



72 AARON SISKIND(AMERICAN, 1903-1991)“CHICAGO”1948. Titled, dated and withphotographer’s name in unknownhand verso. Gelatin silver print.image: 12 1/2 x 16 3/4 in. (31. 8 x42.6cm)mount: 14 x 17 in. (35.6 x 43.2cm)Unframed$2,000-3,000



73 AARON SISKIND(AMERICAN, 1903-1991)“F102”1957, printed later. Titled, dated and signed inmargin and titled and dated again verso.Gelatin silver print.image: 10 7/8 x 8 7/8 in. (27.6 x 22.5cm)sheet: 13 15/16 x 10 15/16 in. (35.4 x 27.8cm) Unframed$1,000-1,500



74 AARON SISKIND(AMERICAN, 1903-1991)“ROME 1, 1963”1963. Signed, titled and dated verso onmount. Gelatin silver print.image: 19 3/8 x 15 1/16 in. (49.2 x 38.3cm)mount: 27 x 22 in. (68.6 x 55.9cm)Unframed$2,000-3,000


75 WYNN BULLOCK(AMERICAN, 1902-1975)“POINT LOBOS”1970. Signed and dated under print onmount and titled and dated in unknownhand verso. Gelatin silver print.6 1/2 x 9 1/2 in. (16.5 x 24.1cm)Unframed$1,000-2,000




76 MINOR WHITE(AMERICAN, 1908-1976)“IT’S ALL IN THE MIND, #10”Signed at bottom right under image onmount, titled verso on mount. Gelatinsilver print.image: 8 3/8 x 12 3/4 in. (21.3 x 32.4cm)mount: 15 x 20 in. (38.1 x 50.8cm)Unframed$3,000-5,000



77 ANSEL ADAMS(AMERICAN 1902-1984)“HALF DOME AND MOON, YOSEMITENATIONAL PARK, CALIFORNIA”1960. Pencil initialed bottom right on mountand with ink stamp verso that reads ‘Special Edition / Photographs of Yosemiteby Ansel Adams’ and bears title verso.Gelatin silver print.9 3/4 x 7 1/2 in. (24.8 x 19.1cm)$1,000-2,000

78 ADAM JAHIEL(AMERICAN, B. 1956)“REMUDA #1, STATELINECAMP, YP RANCH”Signed and numbered73/500. Gelatin silverprint.image: 9 1/4 x 9 1/8 in.(24.1 x 23.2cm)sheet: 13 3/4 x 10 7/8 in.(34.9 x 27.6cm)$400-600



79 HENRY GILPIN(AMERICAN, 1922-2011)“US HIGHWAY ROUTE 1”1965/1988. Signed underprint on mount and withartist’s copyright inkstamp verso. Gelatinsilver print.image: 10 1/2 x 13 1/2 in.(26.7 x 34.3cm)$800-1,200

80 TWO PRINTS

RYUIJIE(JAPANESE, B. 1950)“GARAPATA BEACH”1999. Signed bottom right underimage on mount, and titled, dated,numbered 7/25 and with artist’s stamp verso. Gelatin silver print.image: 10 1/2 x 13 3/8 in.(26.7 x 33.9cm)and;ARTHUR POPOV(20TH CENTURY)“MONTEREY”1997. Signed, titled and datedunder image on mount. Gelatinsilver print.image: 11 x 14 in. (27.9 x 35.6cm)(2)$500-800



81 TWO PRINTS

PAUL CAPONIGRO(AMERICAN, B.1932)“IRELAND #1”Signed bottom right underimage on mount. Gelatin silver print.image: 8 7/8 x 12 1/8 in.(22.5 x 30.8cm)mount: 16 x 20 in.(40.6 x 50.8cm)Unframedand;“REDDING WOODS(MOVING RIVER)”1968. Signed and dated underimage on mount, titled versoon mount. Gelatin silver print.image: 6 3/4 in. x 10 1/2 in.(17.2 x 26.7cm)mount: 14 x 17 in.(35.6 x 43.2cm)Unframed(2)$2,000-3,000

82 PAUL CAPONIGRO(AMERICAN, B.1932)“KNOCKNAREA, SLIGO,IRELAND”1969. Signed, titled anddated verso on mount.Gelatin silver print.image: 7 7/8 x 13 1/2 in.(20 x 34.3cm)mount: 14 7/8 x 20 in.(37.8 x 50.8cm)Unframed$1,000-1,500



83 PAUL CAPONIGRO(AMERICAN, B.1932)MEGALITHSSigned bottom right underimage on mount. Gelatinsilver print.image: 9 1/2 x 13 3/8 in.(24.1 x 34cm)mount: 16 1/2 x 20 5/8 in.(41.9 x 52.4cm)Unframed$1,500-2,500

84 PAUL CAPONIGRO(AMERICAN, B.1932)“STONEHENGE”1967. Signed on mountunder image and signed,titled and dated verso.Gelatin silver print.image: 8 x 13 3/8 in.(20.3 x 34cm)mount: 15 1/4 x 20 3/8 in.(38.7 x 51.8cm)Unframed$1,500-2,500



85 THREE PRINTS

YASUHIRO ISHIMOTO(AMERICAN/JAPANESE, B. 1921)UNTITLED (CAN)Ca. 1989. Signed bottom right underimage in margin and with artist’sembossed stamp bottom left margin.Gelatin silver print.image: 7 7/8 x 11 1/8 in. (20 x 28.3cm)sheet: 11 x 14 in. (27.9 x 35.6cm)and;UNTITLED (LEAF)Ca. 1989. Signed bottom right underimage in margin and with artist’s embossed stamp bottom left margin.Gelatin silver print.image: 8 x 11 in. (20.3 x 27.9cm)sheet: 11 x 14 in. (27.9 x 35.6cm)and;UNTITLED (DECAYING PAPER)Ca. 1989. Signed bottom right underimage in margin and with artist’sembossed stamp bottom left margin.Gelatin silver print.image: 8 3/8 x 11 1/8 in. (21.3 x 28.3cm)sheet: 11 x 14 in. (27.9 x 35.6cm)Unframed(3)$1,000-1,500



86 KENNETH JOSEPHSON(AMERICAN, B. 1932)“WISCONSIN”1980/1980. Signed, titled, dated, numbered 1/50 andinscribed ‘80-35-26-23’ verso. Gelatin silver print.image: 8 x 12 in. (20.3 x 30.5cm)sheet: 11 x 14 in. (27.9 x 35.6cm)Unframed$1,500-3,000



87 DIANE ARBUS(AMERICAN, 1923-1971)“UNTITLED (8)”1970-71/1980. Signed by Neil Selkirk andnumbered 54/75 verso. Gelatin silver print.image: 14 1/2 x 14 1/4 in. (36.8 x 36.2cm)sheet: 20 x 16 in. (50.8 x 40.6cm)$10,000-15,000



88 DIANE ARBUS(AMERICAN, 1923-1971)“MASKED WOMAN IN WHEELCHAIR, PA”1970/1972. Signed by Doon Arbus verso,35/75. Gelatin silver print.image: 15 1/2 x 14 1/2 in. (38.1 x 36.8cm)sheet: 20 x 16 in. (50.8 x 40.6cm)$10,000-15,000



89 LARRY FINK(AMERICAN, B. 1941)“SANTE AND KARA’S WEDDING, NYC,”1991/1991. Signed, titled and dated verso.Gelatin silver print.image: 15 x 14 5/8 in. (38.1 x 37.1cm)sheet: 20 x 16 in. (50.8 x 40.6cm)$800-1,200

90 LARRY FINK(AMERICAN, B. 1941)“NEW YEAR’S EVE PARTY, AMERICANLEGION, BANGOR, DECEMBER 1979”1979/ca. 1979. Signed, titled and datedverso in blue pencil. Gelatin silver print.image: 8 1/2 x 8 1/2 in. (21.6 x 21.6cm)$800-1,200



91 LARRY FINK(AMERICAN, B. 1941)“STUDIO 54”1977/ca. 1977. Signed, titled and dated verso.Gelatin silver print.image: 9 3/4 x 10 in. (24.8 x 25.4cm)$800-1,200

92 LARRY FINK(AMERICAN, B. 1941)“RUSSIAN BALL”1977/1977. Signed and dated under image inmargin and titled, signed, dated and inscribed‘Unlimited edition PTD 1/2 PTG 1/97’ verso. Gelatin silver print.image: 14 1/2 x 15 in. (36.8 x 38.1cm)$800-1,200



93 MARK COHEN(AMERICAN, B. 1943)“GIRL COMING OUT OF OCEAN, SEASIDE, NJ”1980/1980. Signed, titled and dated in pencil verso.Gelatin silver print.image: 10 5/16 x 15 1/2 in. (26.2 x 39.4cm)Unframed$1,500-2,000



94 GARRY WINOGRAND(AMERICAN, 1928-1984)“WOMEN, BEVERLYHILLS, CALIFORNIA”Ca. 1980/ca. 1980.Signed verso. Gelatinsilver print.image: 8 15/16 x 135/16 In. (22.7 x 33.8cm)sheet: 11 x 14 in.(27.9 x 35.6cm) Unframed$2,000-4,000

95 NAN GOLDIN(AMERICAN, 1953)“LYNETTE & DONNAAT MARION’SRESTAURANT. NYC.1991.”1991. Signed, titled,dated and numbered26/100 and withinkstamp that reads‘SPECIAL EDITIONPRINTED FOR MOTHER JONES.’C-print.image: 9 x 13 1/2 in.(22.9 x 34.3cm)sheet: 11 x 14 in.(27.9 x 35.6cm)$1,000-1,500



96 SEBASTIÃO SALGADO(BRAZILIAN, B. 1944)“CAST OF THOUSANDS, SERRA PELADA,IN THE GOLD MINE OF PARÁ, BRASIL”1986/printed later. With photographer’sembossed stamp in margin at bottom right and signed and dated verso. Gelatinsilver print.image: 9 1/2 x 14 1/4 in. (24.1 x 36.2cm)sheet: 11 7/8 x 15 3/4 in. (30.2 x 40cm)$3,000-5,000



97 SALLY MANN(AMERICAN, B. 1951)UNTITLED2001/2003. Edition 1/5.Gelatin silverenlargement print fromthe original wet platecollodion negative.48 x 38 in. (121.9 x96.5cm)PROVENANCE:The artist.Edwynn Houk Gallery,New York, New York.Private Collection.$15,000-25,000



98 NORINNE BETJEMANN“OUR LADY”Ca. 1991. Signed and titled recto. Gelatinsilver print with handcoloring.sheet: 50 x 41 in. (127 x 104.1cm)$1,500-2,500



99 NORINNE BETJEMANN“HEGIRA”1991. Signed, titled and dated recto. Gelatinsilver print with handcoloring.sheet: 41 x 45 in. (104.1 x 114.3cm)$1,500-2,500



100 JOEL-PETER WITKIN(AMERICAN, B. 1939)“UN SANTO OSCURO”1987. Signed, titled, dated and numbered14/15 verso. Gelatin silver print.image: 14 1/2 x 15 in. (36.8 x 38.1cm)sheet: 19 3/4 x 15 7/8 in. (50.2 x 40.3cm)SEE:“Gods of Earth and Heaven,” TwelvetreesPress, 1989.“Joel-Peter Witkin” (Exhibition catalogue,Centro de Arte Reina Sofía), CentroNacional de Exposiciones D.L., 1988, p. 59.(A copy of both catalogues will be sold inthis auction as lot 127)$2,500-3,500



101 JOEL-PETER WITKIN(AMERICAN, B. 1939)“ART DECO LAMP”1986/1986. Numbered 8/15. Hand-coloredgelatin silver print.image: 14 3/4 x 14 5/8 in. (37.5 x 37.1cm)sheet: 20 x 16 in. (50.8 x 40.6cm)SEE:“Gods of Earth and Heaven,” TwelvetreesPress, 1989.“Joel-Peter Witkin” (Exhibition catalogue,Centro de Arte Reina Sofía), CentroNacional de Exposiciones D.L., 1988, p. 100.(A copy of both catalogues will be sold in this auction as lot 127)$2,500-3,500



102 TWO PRINTS

JUDITH HAROLD-STEINHAUSER(AMERICAN, 20TH CENTURY)“EDGE WOMAN” AND “TRIANGLEMAN”1990 and 1992. Each signed andtitled recto. Gelatin silver prints.sheet: 14 x 11 in. (35.6 x 27.9cm)(2)$600-1,000



103 ROGER BALLEN(AMERICAN, B. 1950)UNTITLED2000/2001. Signed,titled, dated andnumbered 6/35 verso.Selenium tonedgelatin silver print.image: 14 1/4 x 14 1/4in. (36.2 x 36.2cm)sheet: 15 1/2 x 15 1/8in. (39.4 x 38.4cm)Unframed$2,000-3,000

104 RUTH THORNE-THOMSEN(AMERICAN, B. 1943)“ZEBRA MAN”FROM “‘PRIMA MATERIA’, N.M. 1987”1987. Signed, titled, dated andnumbered 4/25 verso. Gelatinsilver print.sheet: 4 3/8 x 5 3/8 in.(11.1 x 13.7cm)Unframed$600-800



105 EILEEN NEFF(AMERICAN, B.1945)“LIKE/REPEL”1984. Photograph printed onortho film in plexi box.overall: 18 3/4 x 23 3/4 in.(47.6 x 60.3cm)PROVENANCE:The artist.Private Collection.NOTE:This maquette was producedas a commission; the original,larger work was exhibited inthe exhibition “Made inPhiladelphia” in 1984 at the Insitute of ContemporaryArt.$1,500-2,500

106 EILEEN NEFF(AMERICAN, B. 1945)“THE RIVER & ITS CURVE”1981. Each image signed anddated verso. Nine gelatinsilver prints withhandcoloring framedtogether. Images mounted to board,approx. 5 1/2 x 5 1/2 in.(14 x 14cm) each$1,000-1,500



107 EILEEN NEFF(AMERICAN, B. 1945)“SUMMER (THE COUPLE)”2007. Signed and numbered1/7 verso. C-print mountedto aluminum.40 x 64 1/4 in.(101.6 x 163.2cm)Unframed$2,500-3,500

108 EILEEN NEFF(AMERICAN, B. 1945)“WINTER (THE COUPLE)”2007. Signed and numbered1/7 verso. C-print mountedto aluminum.40 x 65 in. (101.6 x 165cm)Unframed$2,500-3,500



109 KATE MORAN(AMERICAN, 20TH CENTURY)UNTITLEDGelatin silver print.sheet: 46 x 23 1/4 in.(116.8 x 59.1cm)$1,000-2,000

110 ROSAMOND PURCELL(AMERICAN, B. 1942)“VOLUTES ON A BOOK”1996. Signed and dated verso. Silver dye bleach print.sight: 14 1/2 x 16 3/4 in. (36.8 x 42.5cm)PROVENANCE:The Avon Collection, New York, New York.EXHIBITED:International Center of Photography, New York, “Eye ofthe Beholder: Photographs from the Avon Collection,”September 12-November 16, 1997.$500-800



111 LORNA SIMPSON(AMERICAN, B. 1960)“DETAILS”1996. 21 photogravureson Somerset with text,14/40 (there were 9artist’s proofs);published by Sean Kelly,New York, New York andKaren McCready FineArt, New York, NewYork. Title page signedby artist.each sheet: 10 x 8 in.(25.4 x 20.3cm)PROVENANCE:The Avon Collection,New York, New York.EXHIBITED:International Center of Photography, NewYork, “Eye of theBeholder: Photographsfrom the AvonCollection,” September12-November 16, 1997.$4,000-6,000



112 RIMMA GERLOVINA ANDVALERIY GERLOVIN(AMERICAN, B. 1951 AND 1945)UNTITLED (FACE)FROM “PHOTOGLYPHS”1990. Signed by both artists,dated and numbered 3/15 under image in margin. C-print.image: 26 1/2 x 26 in.(67.3 x 66cm)sheet: 30 x 29 3/4 in.(76.2 x 75.6cm)Unframed$1,500-2,500

113 RIMMA GERLOVINA ANDVALERIY GERLOVIN(AMERICAN, B. 1951 AND 1945)UNTITLED(EYES/HOURGLASS)FROM “PHOTOGLYPHS”1990. Signed by both artists,dated and numbered 1/10under image in margin. C-print.image: 26 x 14 1/2 in.(66 x 36.8cm)sheet: 30 x 20 in.(76.2 x 50.8cm)Unframed$1,500-2,500



114 DOUG AND MIKE STARN(AMERICAN, B. 1961)UNTITLED1989-1990. Plywood,toned silverprint on paperand ortho film, and glue.overall: 67 x 48 in.(170.2 x 121.9cm)UnframedPROVENANCE:Leo Castelli Gallery, New York, New York.$4,000-6,000

115 MARK KLETT(AMERICAN B. 1952)“STEPH BENEATH THE GREATSANDSTONE ARCH”1982/1983. Titled and datedrecto and again verso. Dyetransfer print.15 1/4 x 19 5/8 in.(38.7 x 49.8cm)Unframed$400-600



Photobookslots 116-130

Lot 125



116 “MASTERPIECES OF MEDICALPHOTOGRAPHY: SELECTIONSFROM THE BURNS ARCHIVE”First edition. Red cloth coveredwith dust jacket. From the editionof 3000. Pasadena, TwelvetreesPress, 1987.$100-200

117 JOSEF SUDEK(CZECH, 1896-1976)“THE PHOTOGRAPHS OFJOSEF SUDEK- APORTFOLIO OF 13 PRINTS”1977. First edition. 12 printsplus text pamphlet in silverprinted paper portfolio, one of 3000 copies.$400-600



118 9 CZECH PHOTOBOOKS“JAROMÍR FUNKE, PRAZSKE KOSTELY,” Prague: MiroslavStejska. 1946.“JAN LUKAS, ZEME A LIDÉ: KNIHA FOTOGRAFII,” Prague:Melantrich. 1946.“JOSEF SUDEK: PRAG PANORAMATISCH,” Prague: Odeon. 1992.“JAROMÍR FUNKE: FOTOGRAFIE,” Prague: Odeon. 1970.“CESKOSLOVENSKÁ FOTOGRAFIE,” Prague: Odeon. 1967.“ZDENKO FEYFAR,” Prague: Odeon. 1980.VÁCLAV JÍRU,” Prague: Odeon. 1971.FOTOGRAF JOSEF SUDEK,” Prague: Vytiskla Polygrafia. 1976.“JOSEF SUDEK: MOSTECKO / HUMBOLDTKA,” Portfolio of 11postcard photographs.(9)$300-500

119 JAROMÍR FUNKE &LADISLAV SUTNAR“FOTOGRAFIE VIDÍ POVRCH:LA PHOTOGRAPHIE REFLÈTEL’ASPECT DES CHOSES”First edition, softbound quarto.Prague: Vydala Státni grafickáškola v Praze, 1935.$300-500



120 FIVE BOOKS

“CITY STILLS”First edition. Maroon cloth cover with dust jacket. Munich:Prestel Verlag. 1999.and;“RAY K. METZKER: SAND CREATURES”Softcover. New York: Aperture Foundation. 1979.and;“RAY K. METZKER: COMPOSITES”Softcover. New York: Laurence Miller Gallery. 1990.and;“RAY K. METZKER: EARTHLY DELIGHTS”Softcover. New York: Laurence Miller Gallery. 1988.and;“SPACES”Softcover exhibition catalogue. Signed by Aaron Siskind, Joseph Jachna, Kenneth Josephson, William Larson and RayMetzger. From the edition of 1500 copies. Providence, RI:Museum of Art, Rhode Island School of Design. 1978.(5)$80-120

121 RICHARD AVEDON“IN THE AMERICAN WEST”First edition softcover. New York:Harry N. Abrams, Inc. 1985.Sold together with exhibitionpamphlet from the WhitneyMuseum of American Artexhibition of 1994.$60-100



122 SIGNED LETTER AND THREE BOOKS

ROBERT FRANKSigned 1971 letter on SweeneyFilms stationery to Gerald Lang,who was an instructor at the timein the Department of Art at ThePennsylvania State University,University Park, PA. He laterfounded the Digital PhotographyStudio at Penn State.and;“ROBERT FRANK: COME AGAIN”First edition, softcover with paperslipcase. Göttingen: Steidl. 2006.and;“ROBERT FRANK ANDAMERICAN POLITICS”Softcover exhibition catalogue.Akron, OH: Akron Art Museum.1985.and;“ROBERT FRANK: NEW YORKTO NOVA SCOTIA”First edition. Published on theoccasion of exhibition with thesame title. Dark blue cloth cover.Houston, TX: Museum of FineArts, Houston. 1986.(4)$80-120

123 NANCY HELLEBRAND“WRITING”Softcover with plastic binding. With essayon Nancy Hellebrand by Charles Hagen.Published on occasion of exhibition atPace/MacGill Gallery. New York: Pace/MacGill Gallery. 1989.$100-200



124 FIVE BOOKS

SALLY MANN“IMMEDIATE FAMILY”First edition, signed and dedicatedon title page. Gray cloth cover withdust jacket. New York: ApertureFoundation. 1992.and;“MOTHER LAND”Signed on title page. Softcover. NewYork: Edwynn Houk Gallery. 1997.and;“SALLY MANN: STILL TIME” Softcover. Clifton Forge, VA:Alleghany Highlands Arts and Crafts Center, Inc. 1988.and;“SALLY MANN: SWEET SILENTTHOUGHT”Softcover. Durham, NC: NorthCarolina Center for CreativePhotography. 1987.and;“AT TWELVE: PORTRAITS OFYOUNG WOMEN”Softcover. New York: ApertureFoundation. 1988.(5)$200-300

125 EMMET GOWIN“MARIPOSAS NOCTURNAS:EDITH IN PANAMA”Signed and inscribed ‘For JudithTaylor in friendship/2.XI’ ondedication page. Softcover withprinted cover. 63 pages. NewYork: Pace/MacGill Gallery. 2006.$100-200



126 JOEL PETER WITKIN“JOEL-PETER WITKIN: PHOTOGRAPHS”First edition, dedicated and signed on titlepage. Large square black cloth, case-bound quarto, with dust jacket. From theedition of 4000. Pasadena: TwelvetreesPress, 1985.$200-300

127 TWO BOOKS

JOEL-PETER WITKIN“GODS OF EARTH AND HEAVEN”First edition, signed on title page. Largecasebound quarto with black cloth cover,gilt lettering and dust jacket, from the edition of 5000. Altadena:Twelvetrees Press. 1989.and;“JOEL-PETER WITKIN” (EXHIBITIONCATALOGUE, CENTRO DE ARTE REINASOFÍA)First edition, dedicated and signed on titlepage. Black embossed cloth cover.Madrid: Centro Nacional de ExposicionesD.L. 1988.(2)$400-600

128 ADAM FUSS“MY GHOST”Casebound with dark blue cloth embossedcover with dust jacket. From the edition of3000. Santa Fe, NM: Twin Palms Publishers.2002.$60-80



129 MASAO YAMAMOTO“É”Hardbound with maroon cloth covered and cream dust jacket,with a double 2-page gatefold and 49 reproductions. From theedition of 2500. Tucson, AZ: Nazraeli Press. 2005.$150-250



130 FOUR BOOKS

MIKE & DOUG STARN“TO FIND GOD NOT THEDEVIL’S INSIDES”Signed by both artists. Publishedto accompany an exhibition atThe Print Center, Philadelphia.Four color, 51 page accordionbound book, hand bound withclear tape and with 7 pagepamphlet with essay. On eachpage is a reproduction of asegment of ‘Black Pulse 3,’ anartwork 12’ in height. The artists/The Print Center, Philadelphia,PA, co-publishers. 2007.and;“MIKE & DOUG STARN:ATTRACTED TO LIGHT”First edition. Oversized hardbackwith illustrated board cover,issued without dust jacket. Oneof 3000 copies. New York, NY:Powerhouse Books. 2004.and;“ALLEVERYTHINGTHATISYOU”Portfolio printed in associationwith the 2007 Wetterling Galleryexhibition. Unbound sheets withwhite embossed cover sheet,inkjet reproductions of 19 imagesfrom the snowflake series andfold out, oversized sheet withillustrations of each imagecompiled into a poster (30 x 24in.), with white rubber band.From the edition of 2500.Aperture Foundation, NewYork/Wetterling Gallery,Stockholm. 2007.and;“EXPOSURES” MAGAZINE,SPRING 2008Containing lengthy article withMike & Doug Starn.(4)$150-250


92 INDEX OF ARTISTS

Adams, A., 77Arbus, D., 87-88Avedon, R., 121

Ballen, R., 103Betjemann, N., 98-99Bogardus, A., 11Bullock, W., 75Burns, S., 116

Caponigro, P., 81-84Cartier-Bresson, H., 57Ceskoslovenska Fotografie, 118Clergue, L., 64Cohen, M., 93Curtis, E.S., 30

Dow, A.W., 24

Faurer, L., 49-50Fee, J., 63Feyfar, Z., 118Fink, L., 89-92Frank, R., 122Frith, F., 13-14Funke, J., 118, 119Fuss, A., 128

Gerlovina/Gerlovin, R. & V., 112-113Gilpin, H., 79Goldin, N., 95Gowin, E., 125Gutekunst, F., 12

Harbutt, C., 47Harold-Steinhauser, J., 102Hellebrand, N., 123Horna, K., 36

Ishimoto, Y., 85

Jackson, W.H., 20-21Jahiel, A., 78Jiru, V., 118Josephson, K., 86

Kennedy, D., 54Kepes, G., 35Kertész, A., 51Klett, M., 115

Leonard, H., 44-45, 48Lerner, N., 32Link, W., 59Lukas, J., 118

Mann, S., 97, 124Metzger, R., 120Moissenet, F., 4Moran, K., 109Morath, I., 43Morgan B., 33, 38-42Morin, P., 66Muybridge, E., 16, 19

Nasa, 60Neff, E., 105-108

Penn, I., 68-69Pfizenmaier, E., 65, 67Purcell, R., 110

Rejlander, O.G., 25Roszak, T., 34Russell, A.J., 18Ryuijie, 80

Salgado, S., 96Simpson, L., 111Siskind, A., 70-74Smith, W.E., 55Starn, M. & D., 114, 130Steichen, E., 22, 31Stieglitz, A., 23, 26-28Stillfried-Rathenitz, R., 15Sudek, J., 117, 118Sutnar, L., 119

Thorne-Thomsen, R., 104Thumma, B., 56Tice, G., 58

Uelsmann, J., 61-62Uretz, V., 37

Webb, T., 29, 52Weston, E., 53White, M., 76Winogrand, G., 94Witkin, J., 100-101, 126-127

Yamamoto, M., 129

Zimbel, G., 46



Purchase removal, shipping and offsite storage information

To ensure the safety of your property Freeman’s requests removal within 10 business days of thesale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please [email protected] to schedule a loading dock appointment. For purchase release topersons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax,215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third partycollecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’sclients in the past and will be happy to provide you with quotes for the packing and shipping ofyour property.

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629Fax: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA [email protected]

Mr. C’sCharles [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104718.706.7999Fax: [email protected]

A. Mastrocco Jr. Moving & StorageRoseanne Gebler1060 Louis DriveWarminster, PA 18991215.491.0346Fax: [email protected]

The Packaging StoreDuane Freed2333 West Main StreetLansdale, PA 19446215.361.6940Fax: [email protected]

UPS StoreJohn Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990Fax: [email protected]

VG Packaging LLCGordon G Murray II12 Salem RoadSchwenksville, PA 19473484.552.8741Fax: [email protected]

Furniture & Larger ItemsFor larger pieces where deliverytime is not the primary concern, wesuggest getting your itemsfreighted.

www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com


All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditionsset forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at theauction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these termsand conditions.

11No “buy” bids shall be accepted at any time forany purpose.

12Any pre-sale bids must be submitted in writing toFreeman’s prior to commencement of the offer ofthe first lot of any sale. Freeman’s copy of anysuch bid shall conclusively be deemed to be thesole evidence of same, and while Freeman’saccepts these bids for the convenience of biddersnot present at the auction, Freeman’s shall not beresponsible for the failure to execute, or, toexecute properly, any pre-sale bid.

13A Buyer’s Premium will be added to the successfulbid price and is payable by the buyer as part ofthe total purchase price. The Buyer’s Premiumshall be: 25% on the first $75,000 of the hammerprice of each lot, 20% on the portion from$75,001 through $1,500,000, and 12% thereafter.

14Unless exempted by law from the payment thereof,the buyer will be required to pay any and all federalexcise tax and any state and/or local sales taxes,including where deliveries are to be made outside thestate where a sale is conducted, which may besubject to a corresponding or compensating tax inanother state.

15Freeman’s may, as a service to buyer arrange tohave purchased property posted and shipped atthe buyer’s expense. Freeman’s is not responsiblefor any acts or omissions in packing or shipping ofpurchased lots whether or not such carrierrecommended by Freeman’s. Packing and handlingof purchased lots is at the responsibility of thebuyer and is at the entire risk of the buyer.

16In no event shall any liability of Freeman’s to thebuyer exceed the purchase price actually paid.

17 No claimed modification or amendment of thisAgreement on the part of any party shall bedeemed extant, enforceable or provable unless itis in writing that has been signed by the parties tothis Agreement. No course of dealing and nodelay or omission on the part of Freeman’s inexercising any right under this Agreement shalloperate as a waiver of such right or any otherright and waiver on any one or more occasionsshall not be construed as a bar to or waiver of anyright or remedy of Freeman’s on any futureoccasion.

18These Conditions of Sale and the buyer’s, theConsignor’s and Freeman’s rights under theseConditions of Sale shall be governed by, construedand enforced in accordance with the laws of theCommonwealth of Pennsylvania and Consignorand Buyer agree to the exclusive jurisdiction of thePhiladelphia, Pennsylvania Court of CommonPleas and the United States District Court for theEastern District of Pennsylvania.

all Property shall be paid for and removed by thebuyer at his/her expense within ten (10) days ofsale and, if not so removed, may be sold byFreeman’s, or sent by Freeman’s to a publicwarehouse, at the sole risk and charge of thebuyer(s), and Freeman’s may prohibit the buyerfrom participating, directly or indirectly, as abidder or buyer in any future sale or sales. Inaddition to other remedies available to Freeman’sby law, Freeman’s reserves the right to impose alate charge of 1.5% per month of the totalpurchase price on any balance remaining ten (10)days after the day of sale. If Property is notremoved by the buyer within ten (10) days, ahandling charge of 1% of the total purchase priceper month from the tenth day after the sale untilremoval by the buyer shall be payable toFreeman’s by the buyer; Freeman’s shall charge1.5% of the total purchase price per month for anyproperty not so removed within 60 days after thesale. Freeman’s will not be responsible for anyloss, damage, theft, or otherwise responsible forany goods left in Freeman’s possession after ten(10) days. If the foregoing conditions or anyapplicable provisions of law are not compliedwith, in addition to other remedies available toFreeman’s and the Consignor (including withoutlimitation the right to hold the buyer(s) liable forthe bid price) Freeman’s, at its option, may eithercancel the sale, retaining as liquidated damagesall payments made by the buyer(s), or resell theproperty. In such event, the buyer(s) shall remainliable for any deficiency in the original purchaseprice and will also be responsible for all costs,including warehousing, the expense of theultimate sale, and Freeman’s commission at itsregular rates together with all related andincidental charges, including legal fees. Payment isa precondition to removal. Payment shall be bycash, certified check or similar bank draft, or anyother method approved by Freeman’s. Checks willnot be deemed to constitute payment untilcleared. Any exceptions must be made uponFreeman’s written approval of credit prior to sale.In addition, a defaulting buyer will be deemed tohave granted and assigned to Freeman’s, acontinuing security interest of first priority in anyproperty or money of, or owing to such buyer inFreeman’s possession, and Freeman’s may retainand apply such property or money as collateralsecurity for the obligations due to due toFreeman’s. Freeman’s shall have all of the rightsaccorded a secured party under the PennsylvaniaUniform Commercial Code.

10Unless the sale is advertised and announced as“without reserve”, each lot is offered subject to areserve and Freeman’s may implement such reservesby bidding through its representatives on behalf ofthe Consignors. In certain instances, the Consignormay pay less than the standard commission ratewhere Freeman’s or its representative is a successfulbidder on behalf of the Consignor. Where theConsignor is indebted to Freeman’s, Freeman’s mayhave an interest in the offered lots and the proceedstherefrom, other than the broker’s Commissions, andall sales are subject to any such interest.

1Unless otherwise indicated, all Property will beoffered by Freeman’s as agent for the Consignor.

2Freeman’s reserves the right to vary the terms ofsale and any such variance shall become part ofthese Conditions of Sale.

3Buyer acknowledges that it had the right to makea full inspection of all Property prior to sale todetermine the condition, size, repair or restorationof any Property. Therefore, all property is sold“AS-IS”. Freeman’s is acting solely as an auctionbroker, and unless otherwise stated, does not ownthe Property offered for sale and has made noindependent investigation of the Property.Freeman’s makes no warranty of title,merchantability or fitness for a particular purpose,or any other warranty or representation regardingthe description, genuineness, attribution,provenance or condition to the Property of anykind or nature with respect to the Property.

4Freeman’s in its sole and exclusive discretion,reserves the right to withdraw any property, atany time, before the fall of the hammer.

5Unless otherwise announced by the auctioneer atthe time of sale, all bids are per lot as numberedin the printed catalogue. Freeman’s reserves theright to determine any and all matters regardingthe order, precedence or appropriate increment ofbids or the constitution of lots.

6The highest bidder acknowledged by the auctioneershall be the buyer. The auctioneer has the right toreject any bid, to advance the bidding at his absolutediscretion and in the event of any dispute betweenbidders, the auctioneer shall have the sole and finaldiscretion either to determine the successful bidderor to re- offer and resell the article in dispute. If anydispute arises after sale, the Freeman’s sale recordshall be conclusive in all respects.

7If the auctioneer determines that any opening or laterbid or any advance bid is not commensurate with thevalue of the Property offered, he may reject the sameand withdraw the Property from sale.

8Upon the fall of the hammer, title to any offeredlot or article will immediately pass to the highestbidder as determined in the exclusive discretion ofthe auctioneer, subject to compliance by the buyerwith these Conditions of Sale. Buyer thereuponassumes full risk and responsibility of the propertysold, agrees to sign any requested confirmation ofpurchase, and agrees to pay the full price, plusBuyer’s Premium, therefore or such part, uponsuch terms as Freeman’s may require.

9No lot may be removed from Freeman’s premisesuntil the buyer has paid in full the purchase pricetherefor including Buyer’s Premium or hassatisfied such terms that Freeman’s, in its solediscretion, shall require. Subject to the foregoing,

Terms & Conditions

v1.2014


SALE NO BIDDER NO CLIENT NO

NAME BUSINESS NAME

ADDRESS

CITY STATE COUNTRY

ZIP CODE E-MAIL

FAX

RESALE / TAX IDENTIFICATION STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $ ,000 of the hammer price of eachlot, 20% on the portion from $ ,001 through $1, 00,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO DESCRIPTION MAXIMUM BID

bank reference

BANK NAME ACCOUNT NO

CONTACT NAME TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute yourbid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

q PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN’S CATALOGS

bidding & registration form

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected] www.freemansauction.com

please adhereto the bidding increments

$10UNTIL $200 IS REACHED

$25UNTIL $500 IS REACHED

$50UNTIL $1,000 IS REACHED




$1,000UNTIL $30,000 IS REACHED



OVER $100,000AUCTIONEER’S DISCRETION

(Primary) (Secondary)PHONE PHONE

q ID CONFIRMED

v1.2014


Rare Books, Manuscripts & MapsAuction 10/16/14

www.freemansauction.com

(UNITED STATES CONTINENTALCONGRESS.) JOURNALS OFCONGRESS. Philadelphia & New York,1777-1779; 1781; 1783-84; 1786-87;1800. 11 volumes, uncut and in originalbindings. Including the Declaration ofIndependence and the Constitution.$5,000-8,000(detail)

Exhibition opensWednesday, October 14 at 10am

David Bloom [email protected]

Christiana Scavuzzo [email protected]


Modern & Contemporary ArtAuction 11/02/14


JEAN DUBUFFET"SITE DE MEMOIRE II"Edition 9/10. Screenprint on canvas.Executed in 1979.84 x 58 in. (213.4 x 147.3cm)$30,000-50,000(detail)

Exhibition opensWednesday, October 30 at 10am

Anne Henry [email protected]

Aimee Pflieger [email protected]


American Art & Pennsylvania ImpressionistsAuction 12/07/14


DANIEL GARBER(AMERICAN 1880–1958)“UP JERICHO”Signed ‘Daniel Garber’ lowerright, oil on canvas22 x 18 in. (55.9 x 45.7cm)$150,000–250,000 (detail)

Now Accepting Consignments

Alasdair Nichol [email protected]

David Weiss [email protected]


Notes


Directory

Officers

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

Departments

AppraisalsAmy [email protected]

Business DevelopmentThomas B McCabe [email protected]

Client ServicesMary Maguire [email protected]

FinanceMark [email protected]

Marketing & CommunicationTara Theune [email protected]

Museum ServicesThomas B McCabe [email protected]

PhotographyElizabeth [email protected]

Press & MediaMelissa [email protected]

Shipping & ReceivingBethany [email protected]

Trust & EstatesSamuel T. Freeman [email protected]

Representatives

Southeastern Colin [email protected]

New EnglandKelly [email protected]

Mid-WestWilliam [email protected]

Mid-AtlanticMatthew [email protected]

West CoastMichael [email protected]

Main LineGabrielle [email protected]

Specialist Departments

American Art & PennsylvaniaImpressionistsAlasdair [email protected]

American Furniture, Folk & Decorative ArtsLynda [email protected]

American SilverSamuel M. Freeman [email protected]

Asian ArtsRichard A [email protected]

Books, Manuscripts, Maps & EphemeraDavid [email protected]

English & Continental Furniture & Decorative ArtsDavid [email protected]

European Art & Old MastersDavid M [email protected]

Jewelry & WatchesMichael [email protected] B. [email protected]

Modern & Contemporary ArtAnne [email protected]

Oriental Rugs & TapestriesRichard [email protected]

Photographs & PhotobooksAimee [email protected]

PrintsAnne [email protected]

Silver & Objets de VertuDavid [email protected]


www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

Documents

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