1496

European Art & Old Masters06/17/14

06/17/14

European Art & Old Masters

Sale 1496Tuesday June 17, 2014 at 10am1808 Chestnut Street, Philadelphia PA 19103

Thursday June 12 and Friday June 13 10am-5pm

Saturday June 14 12pm-5pm

Sunday June 17 Closed

Monday June 16 10am-5pm

Viewing on day of sale by appointment only

$37 in the gallery$42 domestic mail$47 international mail

Inside Front Cover: Lot 72 (detail)Inside Back Cover: Lot 126(detail)

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Auction

Exhibitions

Catalogue

G14-17628_EuropeanTXT1-32_Layout 1 5/15/14 4:58 PM Page 1

Important Informationfor Buyers

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Catalogue Descriptions

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A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $50,000 of the hammer price of each lot, 20% on theportion from $50,001 through $1,000,000, and 12% thereafter.

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Cara BishoffBids [email protected]

Bethany MobbsShipping & [email protected]

Mary Maguire CarrollDirector, Client [email protected]

Alasdair NicholVice Chairman, [email protected]

Andrew HuberAssociate [email protected]

David WeissVice Pesident, [email protected]

European Art & Old Masters Department

Client Services



European Art & Old Masters lots 1-190

Lot 36


1 11427/1REMBRANDT VAN RIJN(dutch 1606-166”JAN LUTMA, GOLDSMITH”1656. (19th century impression). Etching and drypoint7 3/4 x 5 3/4 in. (19.7 x 14.6cm)[Bartsch 276]provenance:Galerie Michael, Beverly Hills, California.Private Collection, New Jersey.$1,000-1,500

2 141013/1REMBRANDT VAN RIJN(dutch 1606-1669)“ADORATION OF THE SHEPHERDS: ANIGHT PIECE”c. 1652. Etching and drypoint5 7/8 x 7 3/4 in. (14.9 x 19.7cm)[Bartsch 46]together with:“NUDE MAN SEATED ON THEGROUND WITH ONE LEG EXTENDED”1646. Etching and drypoint3 15/16 x 6 5/8 in. (10 x 16.8cm)[Bartsch 196]together with:“THE TRIUMPH OF MORDECAI”1641. Etching and drypoint6 13/16 x 8 3/8 in. (17.3 x 21.3cm)[Bartsch 40]Later Impressions.(3)provenance:Private Collection, Philadelphia,Pennsylvania.$1,200-1,800

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3 132430/14MANNER OF ABRAHAMBLOEMAERT(dutch c. 1564-1651)LANDSCAPERed chalk on paper9 3/8 x 12 1/2 in. (23.9 x 31.7cm)provenance:Private Collection, Princeton, NewJersey.$800-1,200

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4 141353/11CORNELIS VISSCHER(dutch 1629-1658)THREE QUARTER LENGTHPORTRAIT OF A GENTLEMANSigned ‘C. de Visscher fecit’ bottomleft; also inscribed ‘Visscher’ onmount, black chalk, heightened withwhite on paper laid down on card,unframed13 3/16 x 10 1/8 in. (33.4 x 25.7cm)provenance:William H. Schaub, New York, NewYork.Private Collection, Oklahoma.$5,000-8,000

5 141194/7NORTHERN EUROPEAN SCHOOL(18th century)SHEET OF STUDIESPen and gray ink and gray washes,with pen and brown ink overcharcoal on paper8 1/8 x 13 3/16 in. (20.5 x 33.5cm)provenance:Private Collection, Princeton, NewJersey.$1,500-2,500

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6 141194/12ATTRIBUTED TO JAN FRANS VANBLOEMEN(flemish 1662-1749)ITALIANATE LANDSCAPE WITHBRIDGEBearing inscription ‘J. van Blomen’bottom left; with Wolfhart Bürgi [Lugt3400] collector’s mark bottom right,brush and gray ink with gray washes onpaper laid down to old mount10 3/8 x 15 15/16 in. (26.7 x 40.5cm)provenance:Wolfhart Bürgi [Lugt 3400].Private Collection, Princeton, New Jersey.$800-1,200

7 141353/20CIRCLE OF SIR PETER PAUL RUBENS(flemish 1577-1640)STUDY FOR ‘THE DEATH OF ACTAEON’Pen and brown ink, brown washes on paper, unframed7 3/4 x 11 1/2 in. (19.5 x 29.3cm)provenance:Private Collection, Oklahoma.note:The present composition follows the right side of ‘The Death ofActaeon’ given variously to Rubens, Frans Snynders and FransWouters. Burchard lists nine variations of this work, eight of whichare paintings (see Arnout Balis, Corpus Rubenianum LudwigBurchard, Part XVIII, vol II, Hunting Scenes, New York, 1986, no. 23;with copies number 1, 2 and 23a illustrated, relating directly to thepresent work). The story of Actaeon is from Ovid Metamorphoses3.13 in which Diana turns Actaeon into a stag who is attacked byhis own hounds as a punishment for the latter’s glimpsing Dianaand her companions bathing in a grotto.$3,000-5,000


8 141353/33GIOVANNI BATTISTA SPINELLI(italian 1585-1647)ST. JOHN PREACHING IN THE WILDERNESSPen and brown ink, framing lines with brown washon paper, unframed10 x 14 1/16 in. (25.4 x 35.7cm)provenance:Private Collection, Oklahoma.note:See the etching and aquatint by Stefano Mulinari(Italian c.1741-c.1791) after the original drawing bySpinelli. One of three drawings on plate XXXVI (of50) part of “Disegni originali d’eccellenti pittoriesistenti nella Real Galleria di Firenze incisi edintagliati nella loro grandezza e colori” publishedin 1774, dedicated to Pietro Leopoldo Grand Dukeof Tuscany.$1,200-1,800


9 141353/6GERMAN SCHOOL(19th century)ECCE HOMOGraphite squared on paper laiddown to card, unframed12 1/2 x 9 1/4 in. (31.7 x 23.4cm)provenance:Private Collection, Oklahoma.note:The drawing comes with an oldattribution to Moritz von Schwind(Austrian 1804-1871).$1,000-1,500

10 141353/28CIRCLE OF SIMON VOUET(french 1590-1649)NATIVITYBearing inscription ‘Vouet fecit’ lower centerright; also bearing inscription ‘Simon Vouetfecit/geborooren de Parys 1582/gastorum1641/Discipilum Zyn Vader’ and ‘H.18d/B13d’ verso, black chalk, brown wash,and framing lines on paper laid down to card18 3/8 x 13 in. (46.7 x 32.8cm)provenance:Private Collection, Oklahoma.exhibited:“Oklahoma Treasures: Paintings, Drawingsand Watercolors.” Oklahoma Art Center,Oklahoma City, Oklahoma, April 18 - May30, 1986; The Thomas Gilcrease Museum,Tulsa, Oklahoma, June 7 - July 6, 1986.note:This finished drawing was executed after anow lost painting by Vouet, an altarpiece ofthe Nativity painted for the church of theCarmelites on rue Chapon, Paris. Thepainting was destroyed in 1944. It is onlyrecorded in an engraving by Pierre Daret,1639.$2,500-4,000


11 141194/9FRENCH SCHOOL(late 17th century)SAINT CECILIA WITH PUTTOPen and brown ink with brown washover black chalk on paper laid downto card6 5/8 x 5 1/4 in. (16.7 x 12.9cm)provenance:Private Collection, Princeton, NewJersey.$1,000-1,500

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12 141373/8FRENCH SCHOOL(19th century)MALE NUDEBlack chalk heightened with whitechalk on paper11 x 15 9/16 in. (27.7 x 39.6cm)provenance:Private Collection, Washington DC.$1,000-1,500

13 141373/5FRENCH SCHOOL(late 17th century)CLASSICAL SCENE FROM ASARCOPHAGUSBrush and brown ink, brown washon paper8 x 10 1/4 in. (22.3 x 25.6cm)provenance:Private Collection, Washington DC.note:The verso bears an old attribution toJan de Bisschop.$1,000-1,500


14 141194/3FRENCH SCHOOL(18th century)TWO PUTTIRed chalk on paperwith:TWO PUTTIverso, red chalk3 7/8 x 5 3/8 in. (9.2 x 13.6cm)provenance:Private Collection, Princeton, NewJersey.$800-1,200


15 141194/8FRENCH SCHOOL(late 16th early 17th century)TRIBUTE TO APOLLOBearing inscription ‘G. Romano’lower left; with Nicolas Lanier [Lugt2885] collector’s mark lower right,black chalk on paper laid to card6 6/8 x 9 3/4 in. (17.1 x 24.8cm)provenance:Nicolas Lanier [Lugt 2885].John Hampden Collection, possiblyhis sale, London, June 27, 1827.Dr. Cranian (?), possibly his sale,Oxford, 1847, lot 55.Private Collection, Princeton, NewJersey.note:This drawing is based, withvariations, on the left side of GiulioRomano’s fresco Tribute to Apollo,Sala di Psiche, Palazzo del Tè (1526-28), Mantua.$2,000-3,000

16 141353/12FRENCH SCHOOL(17th century)CLASSICAL SCENESPair of pen and black ink and graywashes, heightened with white onpaper in the oval, unframedEach: 3 3/4 x 3 in. (9.6 x 7.5cm)(2)provenance:Spencer Samuels & Co., New York,New York (as Charles JosephNatoire).Private Collection, Oklahoma.$1,000-1,500



17 141353/9GEORGE JULES VICTOR CLARIN(french 1843-1919)SARAH BERNHARDT BEINGCOIFFEDPencil on paper, unframed9 1/4 x 7 3/8 in. (23.5 x 18.6cm)provenance:Cass Canfield.Private Collection, Oklahoma.$1,000-1,500

18 141192/77CONSTANTIN GUYS(french 1802-1892)“ELEGANTE”Watercolor and ink on paper laid tocardSight size: 11 1/4 x 7 1/4 in.(28.6 x 18.4cm)provenance:Hotel Drouot, November 10, 1954,lot 25.Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$800-1,200


19 132580/16GUSTAVE DORÉ(french 1832-1883)PORTRAIT OF AN ELEGANT LADY HOLD FANSigned ‘G. Doré lower right, ink heightened withwash over traces of pencil on thin card14 3/8 x 10 7/8 in. (36.5 x 27.6cm)provenance:Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.University of Michigan, William Clements Library,Ann Arbor, Michigan.$1,000-1,500


20 141407/2EUGENE DELACROIX(french 1798-1863)EUGENE DELACROIX. 33 DESSINS(CHEVAUX)A cloth covered folio of 33 pencildrawings on paper/tissue paper,each of horses (one of dogs), somewith horsemen, mounted on sheets.Some sheets inscribed, including: ‘etgravure de Puritains (?)’ ‘chevaux audetresse sur un champ de bataille’and ‘cheval de labour’Various sizes, largest: 6 3/4 x 103/8 in. (17.1 x 26.4cm)provenance:Private Collection, Washington DC.$10,000-15,000


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21 141353/8SIR JAMES THORNHILL(british 1675-1734)APOLLO AND DAPHNEPen and brown ink, brown wash over charcoal onpaper laid down to card, unframed6 1/2 x 4 1/2 in. (16.4 x 11.5cm)together with:CLASSICAL SCENEPen and brown ink, brown wash over black chalk onpaper laid down to card, unframed6 9/16 x 4 1/2 in. (16.4 x 11.5cm)(2)provenance:Private Collection, Oklahoma$1,000-1,500

22 141373/4BRITISH SCHOOL(early 19th century)BATTLE SCENEPen and brown ink on paper5 1/4 x 11 1/2 in. (12.9 x 29cm)together with:ATTRIBUTED TO LUCA GIORDANO(italian 1634-1705) PRESENTATION IN THE TEMPLEPen and brown ink with brown wash overblack chalk on paper laid down to card13 1/2 x 10 5/8 in. (34.5 x 27cm)(2)provenance:Private Collection, Washington DC.$1,200-1,800


23 132580/28BRITISH SCHOOL(early 19th century)ITALIAN LANDSCAPEWith Anton Raugh [Lugt 2182a & 3834]collectors marks bottom left and unidentifiedcollector’s mark bottom right, pen and ink onpaper laid down to card6 x 11 3/4 in. (15.3 x 29.8cm)provenance:Anton Raugh [Lugt 2182a & 3834].Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.University of Michigan, William Clements Library,Ann Arbor, Michigan.$1,000-1,500


24 141353/15FOLLOWER OF JACOPO ROBUSTITINTORETTO(italian 1519-1594)THE RAISING OF LAZARUSBearing inscription ‘No 95 EcoleItalie’ verso, pen and brown ink,brown and gray washes, heightenedwith white on paper laid down tocard, unframed10 1/8 x 12 3/8 in. (25.6 x 31.3cm)provenance:Private Collection, Oklahoma.note:This drawing is after Tintoretto’scomposition of 1573, residing in theKimbell Art Museum, Fort Worth,Texas.$2,000-3,000

25 141373/1ATTRIBUTED TO VINCENZO DI BENEDETTOTAMAGNI(italian 1492-c.1530)RETURN OF THE PRODIGAL SONInscribed ‘Ventura Salimbeni’ on mount; with JoshuaReynolds [Lugt 2364] collector’s mark bottom right, penand brown ink on paper laid down to 18th century mount5 x 7 in. (12.7 x 17.7cm)provenance:Joshua Reynolds [Lugt 2364].Private Collection, Washington DC.note:This drawing is connected with Raphael’s project in theLoggia at the Vatican, where Tamagni worked after histime in Sodoma’s studio.$1,200-1,800


26 141353/13ROMAN/TUSCAN SCHOOL(late 16th century)VIRGIN AND CHILD WITH SAINTSPen and brown ink, red and sepia washes,heightened with white on paper laid down tocard, unframed8 x 11 3/4 in. (20.4 x 29.8cm)provenance:Private Collection, Oklahoma.$1,200-1,800


27 141353/10ITALIAN SCHOOL(late 18th early 19th century)BUST OF A ROMAN SOLDIER INPROFILEPen and brown ink, brown washesover charcoal on paper, unframedwith:GERMAN SCHOOL(19th century)BUST OF A ROMAN SOLDIER INPROFILEverso, inscribed ‘Aus dem zeiss(?)alter des Theseus’ pen and brownink over charcoal5 3/4 x 6 3/8 in. (14.5 x 16.2cm)together with:ATTRIBUTED TO SIR EDWINHENRY LANDSEER(british 1802-1873)NEPTUNEPen and brown ink with brown washon paper laid down to card,unframed5 1/2 x 3 5/8 in. (13.9 x 9.2cm)(2)provenance:Private Collection, Oklahoma.$1,200-1,800

28 141353/1ITALIAN SCHOOL(16th century)MALE SAINTBearing inscription ‘32 H’ bottomright, pen and brown ink, rubbedwith red chalk on paper laid downon old blue mount, unframed6 1/4 x 5 1/8 in. (15.9 x 13cm)provenance:Private Collection, Oklahoma.note:The mount is from an 18th centuryFrench collector, inscribed with anattribution to Correggio.$800-1,200

29 141353/3ITALIAN SCHOOL(17th century)CLERICAL FIGUREBearing inscription verso, red chalkon paper, unframed7 13/16 x 5 5/8 in. (19.8 x 14.3cm)provenance:Private Collection, Oklahoma.$800-1,200


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30 132580/11GIOVANNI BENEDETTOCASTIGLIONE(italian 1609-1664)FIGURES, HORSE, SHEEP ANDDOGInk and wash on paper laid to card,unframed15 1/4 x 12 1/2 in. (38.7 x 31.8cm)provenance:Ben Wolf, Philadelphia,Pennsylvania.By descent in the family.University of Michigan, WilliamClements Library, Ann Arbor,Michigan.$5,000-8,000

31 141194/13ROMAN SCHOOL(late 17th century)THE EXPULSION OF HAGARPen and brown ink with brownwashes and gray wash, squared ingraphite on paper10 3/16 x 11 7/8 in. (25.9 x 30cm)provenance:Private Collection, Princeton, NewJersey.$2,000-3,000


32 141194/10GIROLAMO DA CARPI(italian 1501-1556)SHEET OF STUDIES: DRUNKENSILENUS, WOMAN WITH VASE,URNPen and brown ink with framinglines on paper laid down to card7 5/8 x 9 9/16 in. (19.3 x 24.2cm)provenance:Private Collection, Princeton, NewJersey.$2,000-3,000


33 141353/5GIOVANNI BATTISTA CIPRIANI(italian 1727-1785)MARY MAGDALENEPen and brown ink with brown washon paper laid to mount, unframed4 3/4 x 7 1/2 in. (11.9 x 19cm)provenance:Private Collection, Oklahoma.$800-1,200

34 141194/11VENETIAN SCHOOL(early 16th century)THE ANNUNCIATIONPen and brown ink with brownwashes on paper laid down to card,lunette6 9/16 x 12 13/16 in.(16.5 x 32.5cm)provenance:Skippe Collection (per annotation onsheet).Private Collection, Princeton, NewJersey.$1,200-1,800


35 141194/6ATTRIBUTED TO JACOPO PALMAIL GIOVANE(italian c.1548-1628)MOSES AND THE BRAZENSERPENTPen and brown ink with brown washover black chalk on paper10 x 17 in. (25.4 x 43.1cm)provenance:A recordo (or perhaps finishedmodello) for Palma Giovane’spainting, executed 1592-1593,commissioned for the Chiesa diSanta Maria Assunta, now in SantaMaria dei Crociferi. A compositionaldrawing by Palma is in the RoyalCollection, Windsor Castle.$2,500-4,000


36 141194/4GIULIO ROMANO(italian c.1499-1546)VENUS BEFORE JUPITERWith Prosper Henry Lankrink [Lugt 2090] and Richard Cosway [Lugt 628]collector’s marks bottom right, pen and brown ink with brown washes onpaper laid down to old mount6 3/8 x 8 15/16 in. (16.2 x 22.6cm)provenance:Prosper Henry Lankrink, his sale, London, 1693 or 1694.Richard Cosway, his sale February 14-22, 1822.Samuel Woodburn.Private Collection, Princeton, New Jersey.note:This drawing is preparatory for Giulio’s fresco, Venus Before Jupiter in the Saladi Psiche, Palazzo del Tè, Mantua (1526-28).$6,000-10,000



37 141353/4ATTRIBUTED TO GIOVANNI DOMENICO TIEPOLO(italian 1727-1804)DEATH OF A SAINTPen and brown ink with gray wash on paper, unframed11 1/4 x 7 5/16 in. (28.9 x 18.5cm)provenance:Private Collection, Oklahoma.note:For a similar example, see ‘Catalogue of Drawings by GiovanniDomenico Tiepolo, The Property of the Earl Beauchamp.’Christie’s, London, June 15, 1965, no 6,$1,000-1,500

38 141373/3CIRCLE OF BACCIO BANDINELLI(italian 1493-1560)STUDIES OF A MALE NUDE WITH PUTTIInscribed ‘Baccio Bandinelli’ lower right, pen and brown ink overcharcoal on paper laid down on an 18th century mount12 1/4 x 8 1/4 in. (31.1 x 21cm)provenance:Private Collection, Washington DC.$1,500-2,500


39 132580/42ITALIAN SCHOOL(18th century)SEATED SAINT WITH ANGELBlack chalk on paper laid down to card8 15/16 x 6 1/8 in. (23.6 x 15.5cm)together with:NORTHERN EUROPEAN SCHOOL(17th century)CARTOUCHE WITH PUTTIBlack chalk with touches of white chalk on paper5 x 6 1/8 in. (12.7 x 15.5cm)(2)provenance:Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.University of Michigan, William Clements Library,Ann Arbor, Michigan.$1,000-1,500


40 132580/9ATTRIBUTED TO GIOVANNI BATTISTATIEPOLO(italian 1696-1770)TWO FIGURES SEEN DA SOTTO IN SUPen and brown ink with brown wash on paperlaid down to card8 1/2 x 6 1/4 in. (21.5 x 15.5cm)provenance:Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.University of Michigan, William ClementsLibrary, Ann Arbor, Michigan.note:This drawing was probably part of an album ofdrawings such as the album entitled Sole Figureper Soffitti (now dismantled). In that albumeach sheet typically had a seated figure, legsdangling, his face half hidden and was oftenpreparatory for a ceiling composition, used inboth paintings and frescoes.$2,500-4,000

41 132430/20NORTHERN ITALIAN SCHOOL(18th century)LA CRESIMAInscribed ‘Cresima’ in ink at bottomcenter, brown and black ink withgray washes over pencil on paper12 7/8 x 17 7/16 in. (32.7 x 44.3cm)provenance:Private Collection, Princeton, NewJersey.$800-1,200


42 141194/5ATTRIBUTED TO PIETRO ANTONIO DE PIETRI(italian 1663-1716)RIVER SCENE WITH PRELATES FISHINGPen and brown ink with gray washes on paper8 1/4 x 12 3/16 in. (21 x 25.9cm)provenance:Private Collection, Princeton, New Jersey.note:The subject of this drawing appears to be acommentary on the hypocrisy of the election tothe papacy.$800-1,200


43 141353/16GENOESE SCHOOL(17th century)SEATED FIGURE WITH PUTTICharcoal and brown washes onpaper, unframed14 3/4 x 9 1/4 in. (37.9 x 23.5cm)provenance:Private Collection, Oklahoma.$1,000-1,500

44 141353/17CIRCLE OF MARCANTONIO FRANCESCHINI(italian 1648-1729)BACCHANTEPen and red ink with red wash over red chalk on paper, oval,unframed8 5/8 x 6 1/4 in. (21.2 x 15.7cm)together with:GERMAN SCHOOL(17th century)TEMPTATION OF ADAMCharcoal on paper, unframed8 1/4 x 15 13/16 in. (21 x 14.8cm)(2)provenance:Private Collection, Oklahoma.$2,000-3,000


45 141353/18ATTRIBUTED TO GIACOMOFARELLI(italian 1624-1706)HEAD OF THE MADONNAGraphite, touch of black and redchalk on paper, unframed15 1/2 x 11 1/16 in. (39.3 x 28cm)provenance:Private Collection, Oklahoma.$1,000-1,500


46 132430/10ROMAN SCHOOL(17th century)MINERVAInscribed ‘Carro de Minerva p. a oPainel (?) lateral (?) top right, Penand gray ink with gray washes onpaper8 3/4 x 6 in. (22.2 x 15.2cm)provenance:Private Collection, Princeton, NewJersey.$800-1,200

47 141353/14ATTRIBUTED TO JACOPO PALMAIL GIOVANE(italian c.1548-1628)MARTYRDOM OF SAINTLAWRENCEWith Joshua Reynolds [Lugt 2364]collector’s mark, lower left andWilliam Bates [Lugt 2604]collector’s mark lower right andbearing inscription ‘Palme’ on oldmount, pen and brown ink withtouches of white heightening onpaper laid down to old mount,unframed11 1/8 x 10 1/16 in. (28.1 x 25.4cm)provenance:Joshua Reynolds [Lugt 2364].William Bates [Lugt 2604].With William S. Schaub Gallery,New York New York (as PalmaGiovanni)Private Collection, Oklahoma.$1,500-2,500


48 141353/22NEAPOLITAN SCHOOL(late 17th century)STUDY FOR A CEILINGDECORATIONBearing inscription ‘Scuolo Tiepolo’lower left, pen and gray ink, graywashes heightened with white onpaper, unframed22 3/4 x 17 in. (55.6 x 43cm)provenance:Private Collection, Oklahoma.$1,200-1,800


49 141478/1GEORGE GROSZ(german 1893-1959)“WEIBLACHER AKT”Dated ‘14’ bottom right, withstamped signature; also with estatestamp and number ‘2-28-7’ verso,ink on paper11 7/8 x 7 15/16 in. (30.2 x 20.2cm)provenance:Atelier des Künstlers, Berlin, 1914.Galleria Giulla, Rome, 1959.Galleria Marescalchi, Bologna, Italy.Private Collection, Europe.note:This drawing will be included inRalph Jentsch’s forthcomingcatalogue raisonné on the artist.$3,000-5,000

50 132580/19WALTER RICHARD SICKERT(british 1860-1942)“MORNINGTON CRESCENT”Inscribed ‘45’ in red ink upper right,conte crayon heightened with whitechalk and ink on paper10 1/4 x 14 7/8 in. (26 x 37.8cm)1907.[Baron 335.4]provenance:M. Knoedler & Co. New York, NewYork.Ben Wolf, Philadelphia,Pennsylvania.By descent in the family.University of Michigan, WilliamClements Library, Ann Arbor,Michigan.literature:Lillian Browse. Sickert, Faber & Faber,London. 1943, plate 29a (aswhereabouts unknown).Wendy Baron. Sickert: Paintings &Drawings. Yale University Press, NewHaven, 2006. pg 360, cat #335.4(as whereabouts unknown).$2,500-4,000



51 141415/3PAUL GAUGUIN(french 1848-1903)“GODDESS”Pencil on paper laid to paper, oval2 3/16 x 2 1/15 in. (5.6 x 5.2cm)provenance:Private Collection, Europe.‘Valuable Printed Books AutographLetters and Historical Documents.’Sotheby’s, London, November 8th,1966, lot 541.L.C. Afron.Private Collection, New Jersey.Acquired from the above.Private Collection, New Jersey.exhibited:“Paul Gauguin: Documents Tahiti1891, 1892, 1893.” Galerie MarcelGuiot, May 15 - June 13, 1942, no.73.note:This lot will be accompanied by theSotheby’s London, 1966 auctioncatalogue and the 1942 GalerieMarcel Guiot exhibition catalogue.$5,000-8,000



52 141353/23GEORGES ROUAULT(french 1871-1958)12 ETCHINGS AND AQUATINTSFrom “MISERE” Editions de l’EtoileFilante, Paris, watermark ‘AmbroiseVollard’, all unframed, each with titlepage“Toujours Flagellé...” plate 3“Qui Ne Se Grime Pas” plate 8“Au Vieux Faubourg de LongusPeines” plate 10“Le Dur Métier de Vivre...” plate 12“Sous un Jésus Encroix Oublié La”plate 20“Chantez Matines, le Jour Renaît”plate 29“Seigneur, C’est Vous, Je VousReconnais” plate 32“Ce Sera La Derniere, Petit Père!”plate 36“Mon Doux Pays, Ou Êtes-Vous?”plate 44“Au Pressoir, Le Raisin Fut Foulé”plate 48together with:GIRL MARGO AND CLOWNPIERREPair color aquatintsVarious Sizes(12)provenance:Private Collection, Oklahoma.$3,000-5,000

53 141353/27KÄTHE KOLLWITZ(german 1867-1945)NINE UNFRAMED PRINTS(Later Impressions)“ZERTRETENE - LEICHNAM UNFRAUENAKT AM PFAL” 3/8 x 24 5/8 in. (23.8 x 62.5cm). [Klipstein 48]“TOD UND FRAU”Etching, drypoint and soft-groundetching, O. Felsing printer.17 3/4 x 17 7/16 in. (45.1 x 44.3cm)[Klipstein 103]ENDE from Ein Weberaufstand”Etching and aquatint, Von Der Beckepublisher. 9 5/8 x 12 1/8 in. (24.4 x 30.8cm)[Klipstein 37]


“AUS VIELEN WUNDEN BLUTESTDU, O VOLK from EinWeberaufstand”Drypoint and etching, Von DerBecke, publisher.5 1/8 x 13 3/16 in. (13 x 33.5cm)[Klipstein 29]“AN DER KIRCHENMAUER”Etching and drypoint, Von Der Beckepublisher.10 x 5 3/16 in. (25.4 x 13.2cm)[Klipstein 19]“SELBSTBILDNIS AM TISCH”Etching and aquatint, Von Der Beckepublisher.7 x 5 1/8 in. (17.8 x 13cm)[Klipstein 14]“FRAUENKOPF”Softground etching, Von Der Beckepublisher.9 1/4 x 5 1/2 in. (23.5 x 14cm)[Klipstein 76]“TOD UND FRAU UM DA KINDRINGEND”Etching, drypoint and softgroundetching, Von Der Becke publisher.8 15/16 x 11 1/4 in. (22.7 x 28.6cm)[Klipstein 118]“WEBERZUG”Etching, Von Der Becke publisher.8 1/4 x 11 5/8 in. (21 x 29.5cm)[Klipstein 32](9)provenance:Private Collection, Oklahoma.$1,500-2,500

54 132580/25ANTOINE-LOUIS BARYE(french 1796-1875)“LOUP QUI MARCHE”Signed ‘Barye’ bronze, brown patinaLength: 13 in. (33cm)provenance:Ben Wolf, Philadelphia,Pennsylvania.By descent in the family.University of Michigan, WilliamClements Library, Ann Arbor,Michigan.literature:M. Poletti and A. Richarme, BaryeCatalogue Raisonne des Sculptures,Paris, pg 159, no. A39 (another castillustrated).$1,000-1,500

52 - one of 12

53 - one of 9

54


55 141076/6ANGLO-FLEMISH SCHOOL(16th century)PORTRAIT OF A LADY, HALF LENGTHIN A BLACK DRESS WITH A LACE-TRIMMED RUFFOil on cradled panel34 3/4 x 26 3/4 in. (88.3 x 67.9cm)provenance:The Architect, Clarence Mack, PalmBeach, Florida.Given as a gift to the present owners.Private Collection, Florida.note:The painting carries an old attributionto Nicholas Hillard, as a portrait of theDuchess of Pembroke.$2,500-4,000

56 131555/8ATTRIBUTED TO SALOMONKONINCK(dutch 1609-1656)JEREMIAH LAMENTING THEDESTRUCTION OF JERUSALEMOil on canvas46 x 37 in. (116.8 x 94cm)provenance:Private Collection, Miami, Florida.Private Collection, Atlanta, Georgia.Acquired from the above to thepresent owner.$2,000-3,000


57 141484/1AFTER ADRIAEN VAN DER WERFF(dutch 1659-1722)“EXPELLED FROM THE HOUSE OF ABRAHAM”Oil on cradled panel19 1/4 x 14 7/8 in. (48.9 x 37.8cm)provenance:Private Collection, Philadelphia, Pennsylvania.note:After the original in the Gemaldegalerie Alte Meister, Dresden.$1,500-2,500


58 148051/1CIRCLE OF ANDREA LOCATELLI(italian 1693-c.1741)EXTENSIVE LANDSCAPE WITHFIGURESOil on canvas41 1/2 x 51 in. (105.4 x 129.5cm)provenance:Collection of Christopher Soames,son-in-law of Winston Churchill(according to typed stretcher label).Private Collection, Virginia.$2,500-4,000

59 OWNED/697AFTER SIR PETER PAUL RUBENS(flemish 1577-1640)“THE JUDGMENT OF SOLOMON”Inscribed ‘ZAMPIERI dDOMINICHI,’ verso, oil on copper11 1/4 x 14 3/8 in. (28.6 x 36.5cm)provenance:Private Collection, New York.$1,000-1,500


60 141165/8S. EIKELENBERG(dutch 18th century)CAPRICCIO WITH MAIDENSSigned ‘S. Eikelenberg’ bottom lefton rock, oil on panel13 7/16 x 16 5/16 in.(34.1 x 41.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,200-1,800


61 148022/1FOLLOWER OF ANDRIESVERMEULEN(dutch 1763-1814)WINTER SKATING SCENEOil on panel11 1/4 x 14 1/4 in. (28.6 x 36.2cm)provenance:Private Collection, Virginia.$1,000-1,500

62 141438/2DUTCH SCHOOL(18th century)WINTER LANDSCAPESigned with indistinct initials bottomleft, oil on copper8 1/8 x 9 1/8 in. (20.6 x 23.2cm)provenance:An Estate, Boston, Massachusetts.$1,500-2,500


63 141408/1DUTCH SCHOOL(17th century)THE CAVALIER’S ENTRANCEOil on panel, unframed17 3/4 x 24 3/8 in. (45.1 x 61.9cm)provenance:Private Collection, Maryland.$1,000-1,500


64 141050/131MANNER OF PHILIPSWOUWERMAN(dutch 1619-1668)LANDSCAPE WITH FALCONERSAND TOWNSPEOPLEWith initials ‘P.W.’ bottom left, oil oncanvas19 1/4 x 25 3/4 in. (48.9 x 65.4cm)provenance:The collection of Dr. Alex Titomirov,Great Falls, Virginia.$1,000-1,500

65 141050/160MANNER OF BAREND GAEL(dutch 1620-c.1687)ELEGENT COMPANY ON AHILLSIDEOil on canvas24 1/2 x 35 7/8 in. (62.2 x 86cm)provenance:The collection of Dr. Alex Titomirov,Great Falls, Virginia.$1,000-1,500


66 141050/134MANNER OF JAN VAN KESSELTHE YOUNGER(flemish 1626-1679)MIXED FLOWERS IN AN URNWITH BUTTERFLY ON A STONELEDGEOil on canvas30 x 24 1/8 in. (76.2 x 61.3cm)provenance:The collection of Dr. Alex Titomirov,Great Falls, Virginia.$1,000-1,500


67 131555/3DAVID TENIERS THE YOUNGER(flemish 1610-1690)PEASANTS OUTSIDE AN INNSigned with monogram ‘DT.F.”bottom right, oil on panel6 3/4 x 9 5/8 in. (17.1 x 24.4cm)provenance:Sotheby’s, New York (n.d.)Private Collection, Norfolk, Virginia.Acquired from the above by presentowner.$6,000-10,000


68 141408/2CONTINENTAL SCHOOL(18th - 19th century)STILL LIFESigned with monogram ‘F.C.’ uppercenter left on container, and bottomright on bookmark, oil on panel,unframed7 1/16 x 9 5/8 in. (17.9 x 24.4cm)provenance:Private Collection, Maryland.$1,000-1,500


69 141076/2JOHANNES HUIBERT (HENDRIC) PRINS(dutch 1757-1806)TOWN SCENE WITH FIGURESOil on canvas24 3/8 x 30 in. (61.9 x 76.2cm)provenance:The Architect, Clarence Mack, Palm Beach, Florida.Given as a gift to the present owners.Private Collection, Florida.note:We would like to thank the Rijksbureau voor KunsthistorischeDocumentatie for lending their opinion to the attribution of thispainting on the basis of an electronically transmitted image.$10,000-15,000



70 141050/162SCHOOL OF PROVENCE(15th century)ST. LOUIS D’ANJOUOil on cradled panel48 5/8 x 24 in. (123.5 x 61cm)provenance:The collection of Dr. Alex Titomirov,Great Falls, Virginia.$12,000-18,000

71 141353/30HISPANO-FLEMISH SCHOOL(17th century)SALVATOR MUNDI; AND THE VIRGINPair oils on copperEach: 8 7/8 x 6 13/16 in.(22.5 x 17.3cm)provenance:Private Collection, Oklahoma.$1,200-1,800



72 141466/1SPANISH SCHOOL(probably 16th century)ST. GEORGE AND THE DRAGONOil on panel33 7/8 x 28 in. (86 x 71.1cm)provenance:Collection of George Kaftal (byrepute).‘Stoball, The Property of ViscountStrathallan’ Bonhams, Edinburgh,May 2, 2012, lot 239.Private Collection, Oregon.$10,000-15,000



73 141473/7SPANISH SCHOOL(17th century)STANDOFFOil on canvas32 1/2 x 41 3/8 in. (82.6 x 105cm)provenance:Private Collection, New York, NewYork.$4,000-6,000

74 141192/65MANNER OF GIOVANNI PAOLOPANINI(italian c.1692-1765)CAPRICCIOOil on canvas36 1/2 x 59 in. (92.7 x 149.9cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$2,500-4,000



75 141174/1AFTER CARLO DOLCI(italian 1616-1686)THE MARTYRDOM OF ST.ANDREWOil on canvas49 1/2 x 40 in. (125.7 x 101.6cm)provenance:Private Collection, Pennsylvania.note:After the original painted by Dolci in1646 at the Palazzo Pitti, Florence,Italy.$1,000-1,500

76 141283/9AFTER ANDREA DEL SARTO(italian 1486-1530)MADONNA AND CHILD WITH ST.ELIZABETH AND ST. JOHN THEBAPTISTOil on canvas50 x 40 in. (127 x 101.6cm)provenance:Private Collection, New Jersey.note:After the original painting fromc.1529 in the Palazzo Pitti, Florence,Italy.$1,000-1,500


77 141343/2AFTER DOMENICO ZAMPIERI (IL DOMENICHINO)(italian 1581-1641)THE RAPTURE OF SAINT PAULOil on copper19 11/16 x 14 15/16 in. (49.7 x 37.9cm)provenance:Collection of Cardinal Lambruschini.Collection of M. Forbin-Janson, Directorof the Louvre.Acquired from the above by Thomas J.Bryan, London his inventory 'B-57';(verso of copper with painted inventorynumber '1867.57').New York Historical Society, collectionof Thomas J. Bryan Sale, Parke Bernet,New York, December 2, 1971.

(with) Selected Artists Galleries, Inc,New York.(Property of Henry I. Levine,Hewlett, Long Island, New York).William Doyle Galleries, New York.Private Collection, Philadelphia,Pennsylvania.literature:Henry Abbott, Catalogue of theMuseum and Gallery of Art of the NewYork Historical Society., 1881, pg 27,#232..note:After the original by Domenichino, 1607,in The Louvre, Paris.$1,500-2,500


78 148052/1AFTER SANDRO BOTTICELLI(italian 1444-1510)“MADONNA OF THE MAGNIFICAT”Oil on octagonal-shaped canvas, framed as a tondo45 x 45 3/8 in. (114.3 x 115.3cm)provenance:Private Collection, Virginia.note:After the original painted by Botticelli, 1480-81 in theUffizi Gallery, Florence.$10,000-15,000



79 141473/5FOLLOWER OF MARCELLOVENUSTI(italian 1512-1579)FLAGELLATION OF CHRISTOil on copper16 x 12 7/8 in. (40.6 x 32.7cm)provenance:Private Collection, New York, NewYork.$3,000-5,000

80 141477/1ATTRIBUTED TO GIOVANNIBATTISTA CRESPI (IL CERANO)(italian c. 1575-1633)SAINT JEROMEOil on canvas23 3/4 x 19 3/4 in. (60.3 x 50.2cm)provenance:The Talenti Family, Rome.By descent in the family.Private Collection, North Carolina.literature:Marco Rosci, Il Cerano. Electa, Milan,2000. pp 137-138, nos 76 & 77(related examples).$4,000-6,000


81 148022/2ROMAN SCHOOL(17th - 18th century)THE HOLY FAMILY WITH AYOUNG JOHN THE BAPTISTOil on canvas laid to panel11 x 8 1/2 in. (27.9 x 21.6cm)provenance:Private Collection, Virginia.$1,000-1,500


82 141476/2FOLLOWER OF CARLOINNOCENZO CARLONE(italian 1686-1775)BOZZETTO FOR A CEILINGFRESCOStamped ‘12’ in red at center right,oil on board (?)25 1/2 x 22 1/2 in. (64.8 x 57.2cm)provenance:Private Collection, Georgia.$2,000-3,000

83 148022/3AFTER IGNAZ STERN(italian 1680-1748)MADONNA AND CHILDOil on canvas16 1/4 x 14 1/2 in. (41.3 x 36.8cm)provenance:Private Collection, Virginia.$1,200-1,800


84 148052/2EMILIAN SCHOOL(17th century)CLERIC IN ADORATIONOil on canvas21 x 15 3/8 in. (53.3 x 39.1cm)provenance:Private Collection, Virginia.$2,000-3,000


85 141092/1AFTER LUCA GIORDANO(italian 1634-1705)THE JUDGEMENT OF PARISOil on canvas, unframed14 1/4 x 20 in. (36.8 x 50.8cm)provenance:Private Collection, Ohio.note:This painting is after the original inthe Hermitage Museum, St.Petersburg, Russia.$1,000-1,500

86 141473/6CIRCLE OF FRANCESCO SIMONINI(italian 1686-1753)GATHERING OF THE CAVALRYOil on canvas, unframed34 1/8 x 44 1/2 in. (86.7 x 113cm)provenance:Private Collection, New York, NewYork.$3,000-5,000


87 141408/3ITALIAN SCHOOL(18th century)FIGURES IN AN EXTENSIVELANDSCAPEOil on canvas21 1/16 x 25 7/8 in. (53.5 x 65.7cm)provenance:Private Collection, Maryland.$1,000-1,500


88 141343/1AFTER JACOPO PALMA ILVECCHIO(italian c.1479-1528)ST. BARBARAOil on canvas, in an arch-formarchitectural frame29 1/4 x 12 3/8 in. (74.3 x 31.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.note:After the original part of thepolyptych of St. Barbara in SantaMaria Formosa, Venice.$1,000-1,500

89 131555/2BOLOGNESE SCHOOL(early 17th century)PORTRAIT OF A GENTLEMANOil on canvas23 1/2 x 19 3/4 in. (59.7 x 50.2cm)provenance:Osuna Gallery, Washington DC.Private Collection, Washington DC.exhibited:‘Wealth of Cities: Italian Painting in the 17 and 18thcenturies.’ Osuna Gallery, Washington, DC. February -March 1987, no 10. as ‘Agostino Carracci.’$1,000-1,500


90 141473/2CIRCLE OF PIETER SNAYERS(flemish 1592-1667)THE SACKING OF A VILLAGE INWINTEROil on canvas, unframed27 3/8 x 21 7/8 in. (69.5 x 55.5cm)provenance:Private Collection, New York, NewYork.$2,500-4,000


91 141383/10ATTRIBUTED TO OCTAVIANUS MONFORT(italian 1646-1696)STILL LIFES WITH MIXED FRUITThree temperas on vellumEach: 11 x 15 in. (27.9 x 38.1cm)(3)provenance:Chenue, Paris.Private Collection, Philadelphia, Pennsylvania.$5,000-8,000

92 141383/12ATTRIBUTED TO GIOVANNAGARZONI(italian 1600-1670)STILL LIFE WITH MIXED FRUITS INA RETICULATED BASKETTempera on paper14 x 19 3/8 in. (35.6 x 49.2cm)provenance:Private Collection, Philadelphia,Pennsylvania.$6,000-10,000



93 141473/4ITALIAN SCHOOL(18th century)PIGEONSOil on canvas19 7/8 x 23 7/8 in. (50.5 x 60.6cm)provenance:Private Collection, New York, NewYork.$1,500-2,500

94 131555/5NEAPOLITAN SCHOOL(late 17th century)STILL LIFE WITH FLOWERS ANDURNOil on canvas laid on tin18 x 13 1/4 in. (45.7 x 33.7cm)provenance:Private Collection, Miami, Florida.Acquired from the above by presentowner.$1,000-1,500


95 132497/2CIRCLE OF NICOLAS LANCRET(french 1690-1743)STUDY OF “WINTER, FROM THECHATEAU OF LA MUETTE”Pair oils on canvas laid to boardEach: 12 3/4 x 8 in.(30.5 x 20.3cm)(2)provenance:Private Collection, Massachusetts.note:The present oil sketches are relatedto the finished work Winter, From theChateau of la Muette by NicolasLancret, found in the Louvre, Paris.$1,000-1,500


96 141214/4ATTRIBUTED TO CARLE VAN LOO(french 1705-1765)PORTRAIT OF A GENTLEMAN IN ARMOR; BELIEVED TOBE LOUIS XVOil on canvas, framed in the oval32 3/8 x 25 1/2 in. (82.2 x 64.8cm)provenance:Private Collection, Rhode Island.$2,000-3,000

97 132539/13MANNER OF ROSALBA CARRIERA(italian 1675-1757)PORTRAIT OF A LADY; SAID TO BE CATHERINE THE GREATPastel on linen34 3/4 x 27 1/4 in. (88.3 x 69.2cm)provenance:Duck & Dolphin Antiques, Florida.Private Collection, The Main Line, Pennsylvania.$1,000-1,500


98 131555/7FRENCH SCHOOL(18th century)THE SIEGE OF LILLEOil on canvas42 x 52 1/2 in. (106.7 x 133.3cm)provenance:Private Collection, New England.Acquired from the above by presentowner.$3,000-5,000


99 141161/6SIR MARTIN ARCHER SHEE(irish 1769-1850)PORTRAIT OF LIEUTENANTGENERAL DANIEL BURROil on canvas55 3/4 x 44 1/2 in. (141.6 x 113cm)provenance:Sotheby’s, London, sale of July 9,1980, lot 119.Private Collection.‘Interior Sale’ Christie’s, New York,December 11-12, 2012, lot 111.Private Collection, New York.$4,000-6,000

100 148060/1BRITISH SCHOOL(18th century)PORTRAIT OF A GENTLEMANInscribed ‘93’ in oil verso, oil oncanvas25 1/2 x 21 in. (64.8 x 53.3cm)provenance:Private Collection, Virginia.$1,000-1,500


101 141459/4BRITISH SCHOOL(late 18th early 19th century)PORTRAIT OF AN OFFICEROil on canvas, oval30 3/8 x 24 3/8 in.(77.2 x 61.9cm)provenance:Private Collection, Washington DC.$1,000-1,500


102 141165/11E. BRADLEY(british 19th century)ALONG THE RIVERBANK,POSSIBLY TWICKENHAMSigned and dated ‘E. Bradley 18*9’bottom left, oil on panel9 3/8 x 13 15/16 in.(23.8 x 35.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500

103 141123/5ROBERT B. JOHNSTON(british 1840-1914)“URCHINS”Signed ‘R.B. Johnston’ bottom left;also inscribed ‘Urchins/R.Johnston/Jane Lodge/NewbattleTerrace/Edinburgh’ on stretcherlabel verso, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, New York, NewYork.$2,500-4,000


104 141283/12NORTHERN EUROPEAN SCHOOL(19th century)YOUNG LADY AND GENTLEMANAT REST IN AN EXTENSIVEMOUNTAIN LANDSCAPESigned indistinctly bottom right, oilon canvas45 x 70 in. (114.3 x 177.8cm)provenance:Private Collection, New Jersey.$5,000-8,000


105 141414/4FREDERICK WILLIAM HULME(british 1816-1884)“WAYSIDE GOSSIP, SURREY”Signed and dated ‘F.W. Hulme 1862’bottom left, oil on canvas27 3/4 x 40 in. (70.5 x 101.6)provenance:Private Collection, New Jersey.$2,000-3,000

106 141349/6BRITISH SCHOOL(19th century)“THE YOUNG FISHERMAN”Oil on canvas14 1/4 x 21 1/8 in. (36.2 x 53.7cm)provenance:Private Collection, Montreal,Canada.Private Collection, Connecticut.$1,000-1,500


107 141349/7BRITISH SCHOOL(19th century)“THE MILL STREAM”Oil on canvas14 x 21 in. (35.6 x 53.3cm)provenance:Private Collection, Montreal,Canada.Private Collection, Connecticut.$1,000-1,500

108 141287/22JOHN HORACE HOOPER(british c.1850-c.1899)HARVEST TIMESigned ‘Horace Hooper’ bottom right,oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


109 141412/1ATTRIBUTED TO MCNEIL ROBERTMCLEAY(british 1802-1878)BALMORAL CASTLEAlso with ‘Robert R. Nelson, Edinr’preparer’s stencil verso, oil oncanvas27 7/8 x 35 7/8 in. (70.8 x 91.1cm)provenance:Private Collection, New Jersey.$2,000-3,000

110 148016/2BRITISH SCHOOL(19th century)“KENILWORTH CASTLE,WARWICKSHIRE, ENGLAND”Located verso, oil on canvas laid topanel22 x 34 in. (55.9 x 86.4cm)provenance:Private Collection, Virginia.$1,000-1,500


111 141123/1ALFRED POLLENTINE(british 1836-1890)DOGE’S PALACE, VENICESigned in ligature ‘A Pollentine’bottom right; also inscribed ‘TheDog***/A Pollentine’ verso, oil oncanvas13 7/8 x 24 in. (35.2 x 61cm)provenance:Private Collection, New York, NewYork.$1,500-2,500


112 141459/1JAMES BARNES(british died c.1923)“A ROUGH ROAD THROUGH THEWOOD”Signed ‘Jas Barnes’ bottom left, oilon canvas30 x 20 in. (76.2 x 50.8cm)provenance:Private Collection, Washington DC.exhibited:Royal Academy, London, 1878 (peraffixed plaque).$3,000-5,000

113 141252/1JAMES DROMGOLE LINTON(british 1840-1916)“THE LORD CHAMBERLAIN”Signed with initials ‘JDL’ bottom left;also inscribed on label verso, oil oncanvas laid to board18 x 12 in. (45.7 x 30.5cm)provenance:Private Collection, New Jersey.$1,000-1,500


114 141192/21FOLLOWER OF SIR GODFREY KNELLER(british 1646-1723)PORTRAIT OF A GENTLEMAN; SAID TO BEJAMES SCOTT, THE DUKE OF MONMOUTHAND BUCCLEUCHOil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:Property of a Delancey Place, Philadelphia,Pennsylvania Estate.$1,000-1,500


115 141459/8JOHN ANKCORN(british fl. 1864-1868)“CHIEFFENCH NEST;” AND A COMPANIONEach signed ‘J. Ankcorn’ and inscribed on stretcherEach: 6 x 8 in. (15.2 x 20.3cm)provenance:Private Collection, Washington DC.$1,500-2,500


116 141459/6ARTHUR HENRY JENKINS(british 1871-1940)SWIMMING HOLESigned ‘A.H. Jenkins’ twice, bottomleft, oil on canvas23 7/8 x 19 3/8 in. (60.6 x 49.2cm)provenance:Private Collection, Washington DC.$2,500-4,000


117 141459/10PERCY HARLAND FISHER(british 1867-1944)YOUNG SHEPHERDSigned ‘Harland Fisher’ bottom left,oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Washington DC.$3,000-5,000

118 141459/7DAVID LONGSDON(british 1863-1937)“WHITMAN’S OR NORTH MILLMIDHURST SUSSEX”Signed ‘D. Longsdon’ bottom left;also titled on stretcher verso, oil oncanvas28 x 36 in. (71.1 x 91.4cm)provenance:Private Collection, Washington DC.$2,000-3,000


119 141343/3HENRY STANIER(british c.1830-1892)INSIDE THE ALHAMBRAPair watercolors, each signed,located and dated ‘H. StanierGranada 1890’ bottom centerEach: 20 x 13 3/8 in.(50.8 x 34cm)(2)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000


120 148022/5FOLLOWER OF SIR GEORGECHAMBERS(british 1803-1840)NAVAL ENGAGEMENTOil on canvas13 7/8 x 17 7/8 in. (35.2 x 45.4cm)provenance:Private Collection, Virginia.$1,200-1,800

121 148022/4FOLLOWER OF THOMAS LUNY(british 1759-1837)SHIPS OFF BERRY HEAD,APPROACHING STORMInscribed ‘Berry Head’ verso, oil onpanel7 5/8 x 10 1/8 in. (19.4 x 25.7cm)provenance:Private Collection, Virginia.$1,000-1,500


122 148022/8JOHN BENTHAM DINSDALE(british 1927-2008)“ACTION BETWEEN THEAMERICAN BRIG YANKEE HEROAND THE BRITISH FRIGATEMILFORD OFF CAPE ANN, 7thJUNE 1776”Signed ‘John Bentham Dinsdale’bottom left,; also inscribed onattached sheet verso, oil on panel12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Virginia.$1,000-1,500


123 141067/1CIRCLE OF THOMAS WHITCOMBE(british 1763-1824)NAVAL ENGAGEMENT BETWEENHMS WOLVERINE AND THEFRENCH LUGGERS FURET ANDRUSEPair oils on canvasEach 19 1/2 x 28 in. (49.5 x 71.1cm)(2)provenance:Private Collection, Massachusetts.$4,000-6,000

124 141122/1ATTRIBUTED TO THOMASBUTTERSWORTH(british 1768-1842)THE ARRIVAL OF GEORGE IV INTHE ROYAL GEORGE OFF LEITHHARBOR, SCOTLANDOil on canvas23 x 35 1/4 in. (58.4 x 89.5cm)provenance:‘Nineteenth Century EuropeanPaintings, Drawings andWatercolors.’ Christie’s East, NewYork, May 22, 1989, lot 33 (asEnglish School, 19th Century)$2,500-4,000



125 141474/1MONTAGUE DAWSON(british 1890-1973)“THE SIR LANCELOT”Signed ‘Montague Dawson’ bottomleft, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Pennsylvania.$40,000-60,000



126 148023/1MONTAGUE DAWSON(british 1890-1973)“WHITE SQUALL - CLIPPER SHIPANN MCKIM”Signed ‘Montague Dawson’ bottomleft; titled verso, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Virginia.$40,000-60,000



127 141474/2MONTAGUE DAWSON(british 1890-1973)“THE SOUTHERN CROSS”Signed ‘Montague Dawson’ bottomleft; also inscribed in pencil onstretcher ‘The winner in sunlitseas/the ‘Southern Cross/950 tonsbuilt at Boston in 1851’ and inscribed‘15316’ verso, oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$15,000-25,000



128 141293/3WILLIAM T. COOPER(australian b. 1934)“MANED DUCKS OR AUSTRALIANWOOD DUCKS”Signed and dated ‘© William T.Cooper 91’ bottom left; also withartist’s label verso, oil on board35 1/4 x 28 1/4 in. (89.5 x 71.6cm)provenance:The Artist.Acquired from the above by thepresent owner, 1993.Private Collection, Pennsylvania.$3,000-5,000

129 141389/1EDWIN ROPER STOCQUELER(australian 19th century)RIVER WITH RUINS IN DISTANCESigned ‘Stocqueler’ bottom left, oilon board11 3/4 x 8 5/8 in. (29.8 x 21.9cm)provenance:Private Collection, New Jersey.$1,500-2,500



130 122213/2FREDERIK HENDRIK KAEMMERER(dutch 1839-1902)ELEGANT WOMAN WITH BONNET IN A LANDSCAPESigned ‘FH KAEMMERER’ bottom right, oil on canvas22 x 15 in. (55.9 x 38.1cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

131 122213/1FREDERIK HENDRIK KAEMMERER(dutch 1839-1902)THE GIFTSigned ‘FH KAEMMERER’ bottom left, oil on canvas12 x 9 5/8 in. (30.5 x 24.4)provenance:Private Collection, Pennsylvania.$1,200-1,800


132 141076/3PIETER CORNELIS DOMMERSEN(dutch 1834-1908)TOWNSCAPE WITH FIGURES; AND ACOMPANIONEach signed and dated ‘PC Dommersen187*’ pair oils on canvasEach: 16 x 13 in. (40.6 x 33cm)provenance:The Architect, Clarence Mack, PalmBeach, Florida.Given as a gift to the present owners.Private Collection, Florida.note:We would like to thank the Rijksbureauvoor Kunsthistorische Documentatie forconfirming the authenticity of thispainting on the basis of an electronicallytransmitted image.$4,000-6,000


133 141309/1EUGÈNE VERBOECKHOVEN(belgian 1799-1881)HORSE AND CHICKENSSigned ‘E. Verboeckhoven’ on loglower right; also with unidentifiedlabel verso, oil on panel23 3/16 x 18 1/2 in. (58.9 x 47cm)provenance:Private Collection, Kansas.note:We would like to thank theRijksbureau voor KunsthistorischeDocumentatie for confirming theauthenticity of this painting on thebasis of an electronicallytransmitted image.$12,000-18,000



134 141288/3JOHAN PONSIOEN(dutch 1900-1969)“STILLEVEN MET DE SPANEN”Signed ‘Joh. Ponsioen’ bottom left,oil on board11 1/4 x 15 1/4 in. (28.6 x 38.7cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

135 141379/3RODOLPHE PAUL WYTSMAN(belgian 1860-1927)DOCK VIEWSigned ‘R. Wytsman’ bottom right,oil on panel10 1/2 x 14 in. (26.7 x 35.6cm)provenance:Private Collection, New Jersey.$1,000-1,500


136 141482/1MAURITZ FREDERICK HENDRICKDE HAAS(american/dutch 1832-1895)SHIP AT DUSKSigned ‘MFH de Haas’ bottom right,oil on canvas laid to board24 x 22 in. (61 x 55.9cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


137 141402/1CHARLES HENRI JOSEPHLEICKERT(belgian 1818-1907)FIGURES IN A WINTERLANDSCAPE AT TWILIGHTSigned ‘Ch Leickert fe’ bottom right,oil on canvas25 3/16 x 17 3/8 in. (64 x 44.1cm)provenance:A Private Southern Collection.note:We would like to thank theRijksbureau voor KunsthistorischeDocumentatie for confirming theauthenticity of this painting on thebasis of an electronicallytransmitted image.$5,000-8,000

138 141379/1ARY PLEYSSIER(dutch 1809-1879)SHIPPING IN A CALMSigned ‘A. Pleijsier ft.’ bottom right,oil on canvas22 3/4 x 31 7/8 in. (57.8 x 81cm)provenance:Private Collection, New Jersey.$5,000-8,000



139 132101/1FRIEDRICH HIDDEMAN(german 1829-1892)“THE SCHOOL EXAMINATION”Inscribed ‘ ‘The School Examination’ byT.H. Hildeman Purchased by W.J.Hoestman from the Penna. Academyof Fine Arts Sept. 1863,’ verso, oil oncanvas21 1/2 x 24 in. (54.6 x 61cm)provenance:W.J. Horstman.Private Collection, Massachusetts.exhibited:“Annual Exhibition.” PennsylvaniaAcademy of the Fine Arts, Philadelphia,Pennsylvania, 1863.$2,000-3,000

140 141283/10FRANZ KNEBEL(swiss 1809-1877)TEMPLE OF VESTA, ROMESIgned, located and dated ‘F. Knebelfecit’ bottom left and ‘Roma 1872’bottom right; with ‘Old Fountain andTemple of Vesta Rome/F Knebelfere (?) 1872’ on label verso, oil oncanvas28 x 41 1/2 in. (71.1 x 105.4cm)provenance:Private Collection, New Jersey.$2,000-3,000


141 141458/2NEL (NELIUS) GRÖNLAND(german 1859-1918)AFTER THE HUNTSigned and dated ‘Nel Grönland1899’ bottom left, oil on canvas26 x 46 in. (66 x 116.8cm)provenance:Private European Collection.Acquired from the above, c.1920s.By descent in the family.Private Collection, Virginia.$2,000-3,000


142 141287/14WILHELM FRIEDENBERG(german 1845-1911)HUNTER WITH FOXSigned and dated ‘W. Friedenberg75’ bottom left, oil on canvas29 5/8 x 24 in. (75.2 x 61cm)provenance:Pook & Pook, Downingtown,Pennsylvania, sale of October 27,2006, lot 78.Private Collection, Pennsylvania.$1,000-1,500

143 141379/2LEOPOLD SCHMUTZLER(german 1864-1941)COURTING SCENESigned and located ‘Leo Schmutzler/ Paris’ bottom left, oil on canvas30 x 20 1/8 in. (76.2 x 51.1cm)provenance:Private Collection, New Jersey.$2,500-4,000


144 141192/23DIETZ EDZARD(german 1893-1963)‘FEMME AUX FLEURS’Signed ‘D. Edzard’ bottom right andinscribed verso, oil on canvas24 x 19 3/4 in. (61 x 50.2cm)provenance:E.J. Van Wisselingh & Co.,Amsterdam.Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$1,500-2,500


145 141458/1DIMITRI EMIL’EVICH MARTEN(russian 1860-1918)BLACK FORESTSigned in Cyrillic and dated ‘1901’bottom left, oil on canvas36 x 61 in. (91.4 x 154.9cm)provenance:Private European Collection.Acquired from the above, c.1920s.By descent in the family.Private Collection, Virginia.$30,000-50,000



146 141284/2ATTRIBUTED TO JOHANNWILHELM JANKOWSKI(czech c.1825-1870)SALZBURGOil on canvas20 1/2 x 37 1/8 in. (52 x 94.3cm)provenance:Private Collection, California.$2,000-3,000

147 141430/1W. POLONSKY(russian 19th century)TROIKASigned ‘W. Polonsky’ bottom left, oilon canvas11 3/4 x 18 1/4 in. (29.8 x 46.4cm)provenance:Private Collection, Maryland.$1,000-1,500


148 141283/11AFTER CARL GEORG ADOLPHHASENPFLUG(german 1802-1858)ENTRANCE TO TOWN IN SNOWSigned and inscribed ‘afterHassenpflug by Lewis E Wells’bottom right, oil on canvas36 x 31 in. (91.4 x 87.7cm)provenance:Private Collection, New Jersey.$1,000-1,500


149 141192/3ALEXIS PAUL ARAPOV(russian 1904-1948)FIGURES ALONG THEPROMENADESigned, dated and located, ‘Arapoff28 Paris’ upper left, oil on canvas25 1/2 x 31 7/8 in. (64.8 x 81cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$5,000-8,000

150 141034/5ALEXIS PAUL ARAPOV(russian 1904-1948)VILLAGESigned ‘Arapoff’ bottom right, oil oncanvas23 3/8 x 28 3/8 in. (59.3 x 72.1cm)provenance:Private Collection, Pennsylvania.$4,000-6,000



151 141459/5H.A. PERVOVSKAYA(russian 20th century)STILL LIFE WITH FLOWERSSigned in Cyrillic bottom left; alsosigned, titled and located ‘Kostroma’in Cyrillic verso, oil on canvas27 1/2 x 24 in. (69.8 x 61cm)provenance:Private Collection, Washington DC.$2,000-3,000

152 141192/18SIGMUND JOSEPH MENKES(ukranian 1896-1986)VASE OF FLOWERSSigned ‘Menkes’ bottom right, oil oncanvas24 x 15 in. (61 x 38.1cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$3,000-5,000


153 141192/11CONSTANTIN TERECHKOVITCH(russian 1902-1978)WOMAN WITH FLOWERSSigned and dated ‘C. Terechkovitch37’ center right, oil on canvas24 x 20 in. (61 x 50.8cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$1,000-1,500


154 148046/1LUIGI NONO(italian 1850-1918)TRAMP AT RESTSigned with initials ‘L.N.’ bottom left,oil on panel9 1/2 x 11 3/8 in. (24.1 x 28.9cm)provenance:Florence Art Gallery, Florence, Italy.Private Collection, Virginia.$20,000-30,000



155 141237/6MARIA MARTINETTI(italian 1864-1921)MOSQUE INTERIORSigned, located and dated ‘MariaMartinetti Roma 1899’ bottom right,watercolor on paper29 1/2 x 21 in. (74.9 x 53.3cm)provenance:Private Collection, Florida.$5,000-8,000

156 141237/5FRANCESCO BERGAMINI(italian 1815-1883)THE PROCESSIONSigned in ligature and located ‘FBergamini Roma’ lower left, oil oncanvas26 1/2 x 17 1/8 in. (67.3 x 43.5cm)provenance:Private Collection, Florida.$5,000-8,000



157 141465/1SCIPIONE SIMONI(italian 1853-1918)IN ST. MARK’S BASILICASigned and located ‘Scipioni SimoniVenezia’ bottom right, watercolorSight size:29 1/2 x 21 1/2 in.(74.9 x 54.1cm)provenance:Private Collection, Delaware.$1,000-1,500

158 141165/12CARLO GILIO(italian d.1841)CATHEDRAL INTERIORSThree watercolors, two signed ‘C.Gilio’ bottom rightLargest sight size: 9 3/4 x 7 3/4 in.(24.8 x 19.7cm)together with:R. MULLER(german 19th century)FIGURES OUTSIDE AN ITALIANTOWNSigned ‘R. Muller’ and datedindistinctly bottom rightSight Size: 6 1/4 x 8 5/8 in.(14.5 x 16.2cm)(4)provenance:Christie’s, New York, sale of May 21,1986, lots 151 & 156.$1,000-1,500


159 132581/19GUIDO VANNI(italian 19th century)INTERIOR OF ST. PETERSBASILICA, ROMESigned ‘Guido Vanni’ and datedindistinctly bottom right, oil onpanel10 x 7 7/8 in. (25.4 x 20cm)provenance:Private Collection, Philadelphia,Pennsylvania$1,000-1,500


160 141091/1GIUSEPPE MAGNI(italian 1869-1956)THE HAPPY FAMILYSigned and located ‘G. MagniFirenze’ bottom left, oil on canvas28 x 41 1/2 in. (71.1 x 105.4cm)provenance:Private Collection, Ohio.$10,000-15,000


161 141470/1PIETRO GABRINI(italian 1856-1926)IN PRAYERSigned ‘P. Gabrini’ bottom right,watercolorSight Size: 24 5/8 x 38 1/4 in.(62.5 x 97.2cm)In fine carved and gilded Florentinestyle frame.provenance:Private Collection, Pennsylvania.$1,000-1,500


162 141405/1ERNESTO SERRA(italian 1860-1915)EXOTIC YOUTHSigned ‘E. Serra’ bottom right, oil oncanvas28 x 16 1/2 in. (71.1 x 41.9cm)provenance:Private Collection, New Jersey.$1,200-1,800

163 148027/1KARL THEODOR VON PILOTY(german 1826-1886)PORTRAIT OF A BOYSigned and located ‘C. PilotyRom(e)’ bottom right, oil on canvas18 1/2 x 15 in. (47 x 38.1cm)provenance:Private Collection, Virginia.$1,000-1,500


165 141283/13AFTER CONSTANT JOSEPH BROCHART(french 1816-1899)PORTRAIT OF A YOUNG LADYInscribed ‘Berthe Fobre d’apres (?) Brochart (?) 1859’ along left, pastel, oval29 1/2 x 23 1/2 in. (74.9 x 59.7cm)provenance:Private Collection, New Jersey.$1,000-1,500

164 132594/2FEDERICO FERNANDEZ Y GIMENEZ(spanish 1846-1873)SPANISH BEAUTYSigned ‘F Fernandez Gimenez’ bottom right, oil on canvas23 1/4 x 17 in. (59.1 x 43.2cm)provenance:Private Collection, New York, New York.$2,000-3,000


166 141373/6CONTINENTAL SCHOOL(19th century)LOVERS AT THE WELLSigned ‘Le Gous (?)’ bottom right,oil on canvas31 x 22 3/4 in. (78.7 x 57.8cm)provenance:Private Collection, Washington DC.$1,000-1,500

167 141050/161NORTHERN EUROPEAN SCHOOL(19th century)THE BLUE SASHOil on canvas28 3/4 x 23 1/2 in. (73 x 59.7cm)provenance:The collection of Dr. Alex Titomirov,Great Falls, Virginia.$1,200-1,800


168 132580/1FOLLOWER OF JEAN LOUIS PRÉVOST(french c.1760-after 1810)STILL LIFE WITH GRAPESOil on canvas33 1/8 x 27 1/8 in. (84.1 x 68.9cm)provenance:Newman Galleries, Philadelphia, Pennsylvania.Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.University of Michigan, William Clements Library, Ann Arbor, Michigan.$1,000-1,500

169 141459/2FRANCIS MOLTINO(british 1818-1874)VENICESIgned ‘F (?) Moltino’ bottom right, oil on canvas24 x 36 1/4 in. (61 x 92.1cm)provenance:Private Collection, Washington DC.$3,000-5,000

166

167


170 132598/1ENRIQUE SERRA Y AUQUE(spanish 1859-1918)NUDESigned ‘Enrique Serra’ bottom right,oil on canvas30 x 21 in. (76.2 x 53.3cm)provenance:Private Collection, Florida.$3,000-5,000

171 141439/1MANUEL JIMENEZ PRIETO(spanish 1848-1904)THE MORNING NEWSSigned and located ‘Manuel JimPrieto/Paris’ bottom right, oil onpanel16 x 10 3/8 in. (40.6 x 26.4cm)provenance:Private Collection, Pennsylvania.$1,200-1,800


172 141383/11MARCELLIN JEAN LAPORTE(french 1839-1891)THE PAINTING CONNOISSEURSigned ‘M Laporte’ bottom right, oilon canvas18 x 15 in. (45.7 x 38.1cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500


173 141473/1CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)“LE BORDS DE L’OISE”Signed and indistinctly dated ‘Daubi...’ bottom left; also with old printedcatalogue label verso, inscribed inink (signé) ‘Daubigny 1874’ verso, oilon panel8 7/8 x 14 3/8 in. (22.5 x 36.5cm)provenance:Private Collection, Long Island.$4,000-6,000

174 132580/20ADOLPHE JOSEPH THOMASMONTICELLI(french 1824-1886)FÊTE CHAMPÊTRESigned ‘Monticelli’ bottom left, oilon canvas32 1/8 x 25 3/4 in. (81.6 x 65.4cm)provenance:Ben Wolf, Philadelphia,Pennsylvania.By descent in the family.University of Michigan, WilliamClements Library, Ann Arbor,Michigan.‘Fine 19th Century European Art,’Christie’s, New York. April 23, 2002,lot 86.$4,000-6,000



175 141226/1JULES FREDERIC BALLAVOINE(french c. 1855-1901)YOUNG WOMAN HOLDINGMASKSigned ‘J. Ballavoine’ bottom right,oil on cradled panel13 3/4 x 10 1/2 in. (34.9 x 26.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500

176 141050/143CHARLES ANTOINE JOSEPHLOYEUX(french 1823-1898)AN OFFICER ENJOYING HIS PIPESigned & dated ‘C Loyeux 1878’center right; inscribed ‘I GentilBernard/Loyeux Chartes’ verso, oilon panel15 7/8 x 12 5/16 in. (40.3 x 31.3cm)provenance:The collection of Dr. Alex Titomirov,Great Falls, Virginia.$1,000-1,500


177 141192/44MAURICE LOBRE(french 1862-1951)FRENCH INTERIOR, SAID TO BEMARIE ANTOINETTE’S STUDYSigned and dated ‘M. Lobre 1895’bottom right, oil on canvas35 1/8 x 23 5/8 in. (89.2 x 60cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$1,200-1,800


178 141409/6HENRY LEROLLE(french 1848-1929)“THE GLEANERS”Signed ‘H Lerolle’ bottom left, oil oncanvas32 x 26 in. (81.3 x 66cm)provenance:Bullocks Antiques, St. Louis,Missouri.Acquired from the above, 1985.Private Collection, The Main Line,Pennsylvania.$4,000-6,000

179 141298/1ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)AN IDLE MOMENTSigned ‘E Berne Bellecour’ bottomright, oil on panel14 x 10 in. (35.6 x 25.4cm)provenance:Private Collection, New Jersey.$1,500-2,500



180 141476/1HENRY LEROLLE(french 1848-1929)HARVESTINGSigned ‘H. Lerolle’ bottom right, oilon canvas31 1/2 x 25 3/4 in. (80 x 65.4cm)provenance:Private Collection, Georgia.$3,000-5,000

181 141459/3EMILE GODCHAUX(french 1860-1938)WOMAN WITH PARASOL ALONGWALKWAYSigned ‘Godchaux’ bottom left, oilon canvas16 7/8 x 27 1/2 in. (42.9 x 69.9cm)provenance:Private Collection, Washington DC.$1,000-1,500


182 141407/1JULES COIGNET(french 1798-1860)LANDSCAPE WITH FIGURES BY ACATHEDRALSigned ‘J. Coignet’ bottom left, oil oncanvas9 1/2 x 16 in. (24.1 x 40.6cm)provenance:Private Collection, Washington DC.$1,000-1,500


183 141349/9PAUL DELTOMBE(french 1878-1971)NATURE MORTE A L’AIGUIERESigned ‘Deltombe’ bottom left, oil oncanvas28 3/4 x 39 3/8 in. (73 x 100cm)provenance:Waterhouse & Dodd, London.Private Collection, Connecticut.$2,000-3,000

184 141192/2LUCIEN ADRION(french 1889-1953)“LA MAIRIE DE BIEVRES SUD”Signed and dated ‘Adrion 40’bottom right; also titled andinscribed ‘23’ verso, oil on canvas26 3/4 x 46 in. (67.9 x 116.8cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$2,000-3,000


185 141192/20LUCIEN ADRION(french 1889-1953)PARISSigned ‘Adrion’ bottom left, oil oncanvas23 5/8 x 36 in. (60 x 91.4cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$2,000-3,000


186 141192/41SUZANNE EISENDIECK(french 1908-1998)WOMAN IN A LANDSCAPESigned ‘Suzanne Eisendieck’ bottomright; also inscribed ‘No 479’ verso,oil on canvas22 1/4 x 20 in. (56.5 x 50.8cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$1,200-1,800

187 141192/10JEAN SOUVERBIE(french 1891-1981)TWO FIGURES IN LANDSCAPEWITH RUINSSigned ‘Souverbie’ bottom left, oil oncanvas18 x 24 in. (45.7 x 61cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$5,000-8,000



188 141123/4LOUIS VALTAT(french 1869-1952)HARBOR SCENESigned ‘L. Valtat’ bottom right, oil oncanvas10 5/8 x 13 3/4 in. (27 x 34.9cm)provenance:Private Collection, New York, NewYork.$6,000-10,000

189 141412/2ELISÉE MACLET(french 1881-1962)“TOUR DE L’HORLAGE A BAR LEDUC”Signed ‘Maclet’ bottom center right;also titled verso, oil on board25 3/4 x 18 3/4 in. (65.4 x 47.6cm)provenance:Private Collection, New Jersey.$2,000-3,000



190 141300/1EDOUARD LÉON CORTÈS(french 1882-1969)“PLACE ST. MICHEL”Signed ‘Edouard Cortes’ bottomright; titled verso, oil on canvas18 x 21 1/2 in. (45.7 x 54.6cm)provenance:R.S. Johnson Fine Art, Chicago,Illinois.Acquired from the above, 1961.By descent in the family.Private Collection, Vermont.$20,000-30,000

END OF SALE




Adrion, L., 184,185 Anglo-Flemish School, 55 Ankcorn, J., 115 Arapov, A.P., 149, 150

Ballavoine, J.F., 175 Bandinelli, B., 38 Barnes, J., 112 Barye, A.L., 54 Bergamini, F., 156Berne-Bellecour, E.P., 179 Bloemaert, A., 3 Bolognese School, 89 Botticelli, S., 78 Bradley, E., 102 British School, 22, 23, 100, 101, 106,

107, 110 Brochart, C.J., 165 Buttersworth, T., 124

Carlone, C.O., 82 Carriera, R., 97 Castiglione, G.B., 30 Chambers, G., 120 Cipriani, G.B., 33 Clarin, G.J.V., 17 Coignet, J., 182 Continental School, 68, 166Cooper, W.T., 128 Cortès, E.L., 190 Crespi (Il Cerano), G.P., 80

da Carpi, G., 32 Daubigny, C.F., 173 Dawson, M., 125, 126, 127 de Haas, M.F.H., 136 de Pietri, P.A., 42 del Sarto, A., 76 Delacroix, E., 20 Deltombe, P., 183 Dinsdale, J.B., 122 Dolci, C., 75 Dommersen, P.C., 132 Doré, G., 19 Dutch School, 62, 63

Edzard, D., 144 Eikelenberg, S., 60

Eisendieck, S., 186Emilian School 84

Farelli, G., 45 Fernandez Y Gimenez, F.,, 164Fisher, P.H., 117 Franceschini, M., 44 French School, 11, 12, 13, 14, 15, 16,

98 Friedenberg, W., 142

Gabrini, P., 161 Gael, B., 65 Garzoni, G., 92 Gauguin, P., 51 Genoese School 43 German School 9, 27 Gilio, C., 158 Giordano, L., 22, 85 Godchaux, E., 181Grönland, N.,, 141 Grosz,G., 49 Guys,C., 18

Hasenpflug, C.G.A., 148 Hiddeman, F., 139 Hispano-Flemish School, 71Hooper, J.H., 108 Hulme, F.W., 105

Il Giovane, J.P., 35, 47 Il Vecchio, J.P., 88 Italian School, 27, 28, 29, 39, 87, 93

Jankowski, J.W., 146Jenkins, A.H., 116 Johnston, R.B., 103

Kaemmerer, F.H., 130, 131 Knebel, F., 140 Kneller, G., 114 Kollwitz, K., 53 Koninck,S., 56

Lancret, N., 95 Laporte, M.J., 172 Leickert, C.H.J., 137 Lerolle, H., 178, 180

Linton, J.D., 113 Lobre, M., 177 Locatelli, A., 58 Longsdon, D.,, 118 Loyeux, C.A.J., 176 Luny, T., 121

Maclet, E., 189 Magni, G., 160 Marten, D.E., 145 Martinetti, M., 155 Mcleay, M.R., 109 Menkes, S.J., 152 Moltino, F., 169 Monfort, O., 91 Monticelli, A.J.T., 174 Neapolitan School, 48, 94Nono, L., 154 Northern European School, 5, 104,

167Northern Italian School 41

Panini, G.P., 74 Pervovskaya, H.A., 151 Piloty, K.T.V., 163Pleyssier, A., 138 Pollentine, A., 111 Polonsky, W., 147Ponsioen, J., 134 Prévost, J.L., 168 Prieto, M.J., 171 Prins, J.H.H., 69

Roman School, 31, 46, 81Roman/Tuscan School, 26 Romano, G., 36 Rouault, G., 52 Rubens, P.P., 7, 59

Schmutzler, L., 143 School Of Provence 70Serra Y Auque, E., 170 Serra, E., 162 Shee, M.A., 99 Sickert, W.R., 50 Simoni, S., 157 Simonini, F., 86 Snayers, P., 90

Index

Souverbie, J., 187 Spanish School 72, 73 Spinelli,G.B., 8 Stanier, H., 119 Stern, I., 83 Stocqueler, E.R., 129

Tamagni, V.D.B., 25 Teniers The Younger, D., 67 Terechkovitch, C., 153 Thornhill, J., 21 Tiepolo,G.B., 40 Tiepolo,G.D., 37 Tintoretto, J.R., 24

Valtat, L., 188 van Bloemen, J.F., 6 van Der Werff, A., 57 van Kessel The Younger, J., 66 van Loo, C., 96 van Rijn, R., 1,2 Vanni, G., 159 Venetian School 34Venusti, M., 79 Verboeckhoven, E., 133 Vermeulen, A., 61 Visscher, C.,, 4 Vouet, S., 10

Whitcombe, T., 123 Wouwerman, P., 64 Wytsman, R.P., 135

Zampieri (Il Domenichino), D., 77



names

attributed to

studio of

circle of

follower of

manner of

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after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary



To ensure the safety of your property Freeman’s requestsremoval within 10 business days of the sale date.Collection hours are Monday–Friday, 9:30am–4:30pm. Forlarger items, please email [email protected] schedule a loading dock appointment. For purchaserelease to persons not listed on your contract or invoice,3rd party authorization is required. Please mail or fax,215.599.2240, a signed letter stating receipt/item(s) orsale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. Theshippers listed have worked with Freeman’s clients in thepast and will be happy to provide you with quotes for thepacking and shipping of your property.

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629Fax: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA [email protected]

Mr. C’sCharles [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104718.706.7999Fax: [email protected]

A. Mastrocco Jr. Moving & StorageRoseanne Gebler1060 Louis DriveWarminster, PA 18991215.491.0346Fax: [email protected]

The Packaging StoreDuane Freed2333 West Main StreetLansdale, PA 19446215.361.6940Fax: [email protected]

UPS StoreJohn Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990Fax: [email protected]

VG Packaging LLCGordon G Murray II12 Salem RoadSchwenksville, PA 19473484.552.8741Fax: [email protected]

Furniture & Larger ItemsFor larger pieces where deliverytime is not the primary concern, wesuggest getting your items freighted.

www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com

Purchase removal, shipping and offsite storage information

v1.2014


All property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on theterms and conditions set forth below which constitutes the complete statement of the terms and conditions on which allproperty is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone,internet or other means, the buyer agrees to be bound by these terms and conditions.

total purchase price. The Buyer’sPremium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% thereafter.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outside thestate where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts or omissionsin packing or shipping of purchasedlots whether or not such carrierrecommended by Freeman’s. Packingand handling of purchased lots is atthe responsibility of the buyer and isat the entire risk of the buyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must be submittedin writing to Freeman’s prior tocommencement of the offer of thefirst lot of any sale. Freeman’s copyof any such bid shall conclusively bedeemed to be the sole evidence ofsame, and while Freeman’s acceptsthese bids for the convenience ofbidders not present at the auction,Freeman’s shall not be responsiblefor the failure to execute, or, toexecute properly, any pre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of the

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in the exclusivediscretion of the auctioneer, subjectto compliance by the buyer withthese Conditions of Sale. Buyerthereupon assumes full risk andresponsibility of the property sold,agrees to sign any requestedconfirmation of purchase, and agreesto pay the full price, plus Buyer’sPremium, therefore or such part,upon such terms as Freeman’s mayrequire.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

1Unless otherwise indicated, allProperty will be offered by Freeman’sas agent for the Consignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty or representationregarding the description,genuineness, attribution, provenanceor condition to the Property of anykind or nature with respect to theProperty.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriate incrementof bids or the constitution of lots.

6The highest bidder acknowledged bythe auctioneer shall be the buyer.The auctioneer has the right to rejectany bid, to advance the bidding at hisabsolute discretion and in the eventof any dispute between bidders, theauctioneer shall have the sole andfinal discretion either to determinethe successful bidder or to re- offerand resell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines that anyopening or later bid or any advancebid is not commensurate with thevalue of the Property offered, he mayreject the same and withdraw theProperty from sale.

Terms & Conditions


SALE NO BIDDER NO CLIENT NO

NAME BUSINESS NAME

ADDRESS

CITY STATE COUNTRY

ZIP CODE E-MAIL

FAX

RESALE / TAX IDENTIFICATION STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of eachlot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO DESCRIPTION MAXIMUM BID

bank reference

BANK NAME ACCOUNT NO

CONTACT NAME TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute yourbid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

q PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN’S CATALOGS

bidding & registration form

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected] www.freemansauction.com

please adhereto the bidding increments

$10UNTIL $200 IS REACHED

$25UNTIL $500 IS REACHED

$50UNTIL $1,000 IS REACHED




$1,000UNTIL $30,000 IS REACHED



OVER $100,000AUCTIONEER’S DISCRETION

(Primary) (Secondary)PHONE PHONE

q ID CONFIRMED


Directory

v3.2014

Officers

Departments

Representatives

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

AppraisalsAmy [email protected]

Business DevelopmentThomas B McCabe [email protected]

Client ServicesMary Maguire [email protected]

FinanceMark [email protected]

Marketing & CommunicationTara Theune [email protected]

Museum ServicesThomas B McCabe [email protected]

PhotographyElizabeth [email protected]

Press & MediaMelissa [email protected]

Shipping & ReceivingBethany [email protected]

Trust & EstatesSamuel T. Freeman [email protected]

Southeastern Colin [email protected]

New EnglandKelly [email protected]

Mid-WestWilliam [email protected]

Mid-AtlanticMatthew [email protected]

West CoastMichael [email protected]

Main LineMaya O’[email protected]

Specialist Departments American Art & PennsylvaniaImpressionistsAlasdair [email protected]

American Furniture, Folk & Decorative ArtsLynda [email protected]

American SilverSamuel M. Freeman [email protected]

Asian ArtsRichard [email protected]

Books, Manuscripts, Maps & EphemeraDavid [email protected]

English & Continental Furniture & Decorative ArtsDavid [email protected]

European Art & Old MastersDavid M [email protected]

Jewelry & WatchesMichael [email protected]

Modern & Contemporary ArtAnne [email protected]

Oriental Rugs & TapestriesRichard [email protected]

Photographs & PhotobooksAimee [email protected]

PrintsAnne [email protected]

Silver & Objets de VertuDavid [email protected]


www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236