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oma casa de musica
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KOOLHAASREM
Carol Tu Obi Vattanawong + Dedy Wong Jaan Jing Liew Kelvn Wong
OMA*AMORem Koolhaas’ projects are completed by the Office for Metropolitan Architecture (OMA), !which is a leading international partnership practicing contemporary architecture, urbanism, and cultural analysis. It is led by Rem Koolhaas and his five partners, and maintains offices in four countries.
OMA has a design and research studio named AMO in its Rotterdam office. AMO works for the same clients and pursues architecture beyond its traditional boundaries.
THE INTERLACE, SINGAPORE, 2009
CAMOUFLAGE
The theory of Camouflage is not a form of disguise. It constitutes the symbolization of an individual within its cultural setting and can be described as an interface with the world that mediates between self and the environment through the careful control of aesthetic production.
The aesthetic design of Koolhaas�’ architecture demonstrates Camouflage.
Their visual significance represents their cultures without being
aesthetically distracting from their surroundings. They merge contrasting
features of a city or location through connectivity.
MAHANAKHON, THAILAND, BANGKOK, 2009
The aesthetic design of Koolhaas�’ architecture demonstrates Camouflage.
Their visual significance represents their cultures without being
aesthetically distracting from their surroundings. They merge contrasting
features of a city or location through connectivity.
PRADA TRANSFORMER, SOUTH KOREA, SEOUL, 2008
�“Design an architectural space to accommodate
a specific program, experience, or intent.�”
- Matthew Frederick
ACCOMMODATION
IIT – MCCORMICK TRIBUNE CAMPUS CENTER, USA, CHICAGO, 2003
Koolhaas architects must research and address issues of the location because
they must find a way to work within the location�’s context to design a successful
building that achieves the purpose for which it was built.
�“Design an architectural space to accommodate
- Rem Koolhaas
�“How to make a serious building in an age of icons?�”
CASA DA MÚSICA
The Casa Da Música is a music hall located in a public square in Porto, Portugal. The interior contains two main auditoriums, but other areas can be easily adapted for musical activity.
Koolhaas surrounded the music hall with white concrete walls on three sides to create a unique shape, and integrated a continuous public route that connects areas of the building.
MAISON À BORDEAUX
Koolhaas surrounded the music hall with white concrete walls on three sides to create a unique shape, and integrated a continuous public route that connects areas of the building.
The Maison à Bordeaux is a private residence Koolhaas built on a hill overlooking the city of Bordeaux in France. It is three stories high, with distinctly divided sections differentiating rooms for the mother, father, children, and guests.
�“I want a complex house, because the house will define my world.�”
The most significant feature of this residence is its 3 X 3.5m elevator platform.The father of the residing family was a handicapped clientwho had limited access to the world around him.
- Koolhaas�’ client
Koolhaas’ elevator fulfilled the father’s request. A single wall intersected each floor of the house beside the elevator. The wall held books, wine, or other belongings of the father. As the elevator leaves a floor it leaves a gaping opening, making the wall inaccessible to the rest of the family when the elevator platform was not present. The elevator also caused the space of the interior to change continuously.
KUNSTHAL
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The main anchors in the Kunsthal are the entrance facing the highway and the exit to Museum Park. As visitors traverse from highway to park, they are encouraged to enter the exhibition halls.
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The Kunsthal’s ramps are negative spaces visitors travel through, and the exhibition halls are positive spaces they stop in.
Rooftop
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The auditorium is a positive space people can sit in, but the right side of it is a ramp that to the garden ramp, which connects to the rooftop.
This mixture of positive and negative space creates a constant dynamic distribution of visitors throughout the Kunsthal.
Auditorium
The Kunsthal also takes on the challenge of connecting two levels within a square building. Naturally, a square shape does not suggest very good movement or circulation.
The Kunsthal's spiral pathway establishes circulation and facilitates movement between the two levels and its main exhibition halls. Also the placement of entrances within the spiral pathway encourages and establishes movement.
2
The roof and the restaurant act as anchors in the Kunsthal.Visitors eating in the restaurant can go see the view from the rooftop.They can traverse through the giftshop then walk through the auditorium to reach the rooftop. The anchors facilitate movement through the auditorium and the giftshop, keeping the dynamic flow of people throughout the Kunsthal.
GiftShop
2 2
Small Gallery
CONCLUSION
Rem Koolhaas designs his projects with careful attention to landscape and societal situations.
As a result his buildings are symbolic to the location’s culture and significant in appearance without being aesthetically distracting from its background.
COMPARISION
PHOTOSCOMPARISION
PHOTOSCOMPARISION
REFERENCE
IMAGES
Husanna, S. “Maison A Bordeaux”, De Rem Koolhaas. Retrieved February 24, 2010 from http://storiesofhouses.blogspot.com/#111875876221998436
Koolhaas, R. (1998). OMA Rem Koolhaas living, vivre, Leben. Bordeaux, France: Arc en reve centre d'architecture
OMA/AMO. Casa Da Musica, Portugal, Porto. Retrieved February 25, 2010 from http://www.oma.eu/index.php?option=com_projects&view=portal&id=48&Itemid=10 OMA/AMO. Maison À Bordeaux, France, Dordeaux, 1998. Retrieved February 25, 2010, from http://www.oma.eu/index.php?option=com_projects&view= project&id=19&Itemid=10
OMA/AMO. OMA. Retrieved February 25, 2010 from http://www.oma.eu/index.php?option=com_content&view=article&id=3&Itemid=1
Patteeuw, V. (Ed.). (2003). Considering Rem Koolhaas and the Office for Metropolitan Architecture. New York, NY: NAi
Tsukui, N. (Ed.) (2000). [email protected]+u .Tokyo: a+u publishing Co.
http://www.flickr.com/photos/8680656@N06/2901502662http://www.flickr.com/photos/alfonstr/3470283935/http://www.flickr.com/photos/amocontent/3067370855http://www.flickr.com/photos/esmuz/2944249199/http://www.flickr.com/photos/javier1949/3190153317/http://www.flickr.com/photos/jolyn/429331115/sizes/o/http://www.flickr.com/photos/nickvg/3589922879http://media.photobucket.com/image/rem%20koolhaas/nuisikaa/iaakuza/lecture3_14.jpg