20 th CENTUR Y & CONTEMPORAR Y

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU

01392 413100 I [email protected] I www.BHandL.co.uk Tuesday 13th September 2022

20th CENTU

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CC07 20

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IMPORTANT: Please note this list is printed only as a guide and clients are requested to contact Bearnes, Hampton & Littlewood for confirmation of sale dates and special advisory days.

Catalogue production by Acanthus Press Ltdwww.acanthuspress.ltd.uk01823 663339

© Bearnes Hampton & Littlewood 2022 Ref CC07

SALEROOMSt Edmund’s Court, Okehampton Street, Exeter EX4 1DUTelephone 01392 [email protected] | www.bhandl.co.uk

CHAIRMAND J K Goddard BA (Hons), ASFAV.

MANAGING DIRECTORR E Littlewood BA (Hons)

DIRECTORSN J Saintey ASFAV, C Beadman MA MRICS, B Goodison-Blanks BA (Hons)

VALUATIONSInheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Department offer a complete and comprehensive service to Executors, Solicitors and Bank Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps.

Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience in preparing insurance valuations and inventories for the purpose of substantiating claims in the event of losses resulting from accident, fire or theft.Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes.For further information please contact: Cristian Beadman

ADMINISTRATIONCompany Secretary Susan TharbyHead of Client Accounts Laura Hayward

SPECIALIST DEPARTMENTSBooks, Manuscripts and Photographs Rachel Littlewood,

Roger Collicott (Consultant)Ceramics and Glass Nicholas Saintey, Andrew ThomasClocks Leigh ExtenceFurniture Cristian BeadmanJewellery Joan Lowther MA, DGA, FGAMaritime, Sporting and Collectors Items Brian Goodison-BlanksPictures Daniel Goddard

Martin Scadgell (Consultant)Silver Martin McIlroyWorks of Art, Collectors’ Items Martin McIlroyValuations for Probate and Insurance Cristian Beadman

SALE ADVICEBearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to their offices which are open:Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without charge or obligation.

Dorset Ambassador: Sally Bartlett - 01308 456208Cornwall Representative: Richard Hamm - 01208 813593Isle of Wight Representative: Tim Smith - 07966 989356

Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887Registered Office: St. Edmund’s Court, Okehampton Street, Exeter

FORTHCOMING SALE DATES 2022

11th, 12th & 13th OctoberQuarterly Fine Sale FS55

8th NovemberSporting & Collectors Sale SC38

6th DecemberBook Sale BK27

St Edmund’s Court, Okehampton Street, Exeter EX4 1DUTelephone 01392 [email protected] | www.bhandl.co.uk

Illustrated Catalogue £8 (£10 by post)

Members of the Society of Fine Art Auctioneers

Front cover lot 104 and back cover lot 3.

When leaving commission bids this sale may be

referred to as CC07

20th Century & Contemporary

Tuesday 13th September 2022Auction commences at 10.00am

ON VIEW:Friday 9th September 9.00am to 5.15pm

Saturday 10th September 9.00am to 12.00 noon

Monday 12th September 9.00am to 5.15pm

Tuesday 13th September from 9.00am

SALE ENQUIRIES:Dan Goddard: [email protected]

Nic Saintey: [email protected]

Live

2• denotes lots affected by Artist’s resale rights - refer to conditions of sale.

1• William Lyons-Wilson [1892-1981] Still Life with White Gourd and Blue Stocking,signed bottom right, inscribed as titled on the reverseoil on board, 38 x 35cm. *£150 - 250

Born in Leeds, William Lyons-Wilson’s earliest work of note is a 1914 portrait of his mother which is in the family collection. At the start of the War he joined the First Riding Field Ambulance and served in France until his discharge in 1917 when he returned to Leeds. In 1918 he exhibited at Leeds Art Club and in 1926 at The Royal Academy.

In the same year his painting Ice Bardale was reproduced in The Studio magazine. He began a teaching career at Sedbergh School and in 1938 became Art Master at Blundell’s School in Tiverton, with a similar appointment at King’s College, Taunton. Through the 1950s and 60s exhibitions were held at The Redfern Gallery, The Penwith Society of Arts, Cartwright Memorial Hall, Bradford and The Rimmell Gallery in St John’s Wood. He retired from Blundell’s School in 1968. William Lyons-Wilson died in Tiverton in 1981.For a biography of the artist, please see the catalogue for the exhibition of the artists’s work held at Blundell’s School, Tiverton in 2004.

2• William Lyons-Wilson [1892-1981] Abstract,signed bottom leftoil on board, 41 x 34cm. *£150 - 250

3* All lots subject to a buyers premium of 25% plus vat @ 20%

3• William Lyons-Wilson [1892-1981] Amelia is Enciente,inscribed as titled on the reverseoil on board, 39 x 29cm. *£150 - 250

4• William Lyons-Wilson [1892-1981] Abstract,watercolour, 48 x 60cm. *£100 - 200

5• William Lyons-Wilson [1892-1981] Road through the village,signed bottom leftoil on board, 32 x 38cm *£100 - 200

6 No Lot


7• John D Edmonds [Contemporary]Gazing at The Blue Sea; The Singing Bee; Tick itthree, colour etchingseach numbered 1/1, signed, inscribed and dated ‘99largest 69 x 76cm. [3]

*£60 - 90Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

8• Franco [Contemporary]Storks,a pair,signed FRANCOoils on canvas, each 110 x 90cm. [2] *£60 - 90

9• Beatrice Forshall [b.1992]Bird,Artist’s Proof etching and mixed mediasigned in pencil, sheet size 86 x 76cm. *£80 - 120


10• Jean Jacques Sempe [b.1932]Le Mousqetaire,signed and dated 1980 bottom rightwatercolour, pen, ink and pencil drawing47.5 x 34cm.

*£4000 - 6000

Provenance Exhibited Langton Gallery, London, SW10, 1985.

11• Vincent Sheridan [b.1945]Rooks on Wire,signed dated dated ‘84 bottom leftoil on board, 60 x 60cm. *£120 - 180

Provenance. With Kilock Art Gallery, Kildaire.

12• Roger Westwood [b.1936]View across a room to a window,artists proof blindstamp, signed with initials and dated ‘74 bottom left120 x 120cm. *£60 - 90

13 No Lot


14• Peter Barrett [b.1935]Bird studies; Jay, Magpie, Rook,a set of three watercoloureach signed and dated 2018each 28 x 35cm, mounted, unframed. [3] *£120 - 180

Peter Barrett was born in India in 1935 and educated at Dulwich College and the St Martins, Chelsea and Camberwell Art Schools. He worked in design groups and advertising in London, Canada and Athens and held four exhibitions of abstract paintings at the Drian Galleries in London, having two large works accepted for Royal Academy Summer Shows. From 1970 he focussed on illustrating wildlife for clients including the Sunday Times, The Observer, Reader’s Digest and Mitchell Beazley. He also illustrated books by David Attenborough, Desmond Morris, Gerald Durrell and James Herriot. Since 1979 he has had regular exhibitions at London galleries and in Greece. For the last ten years he has been painting his own subjects and exhibiting locally. Peter lives on the Devon-Somerset border overlooking the Culm Valley with his wife Susan, a writer of fiction and nonfiction. Their most recent collaboration is a book titled‘So Far, So Good. Sixty years together in words and pictures’.


15• Peter Barrett [b.1935]Gentlemen in discussion, Clifton Kiosk, Weston Super Mare;Coffee in The Sun, Lyme Regis,two, both signed, oils on canvas, each 40 x 50cm, unframed. [2]

*£150 - 200

16• Peter Barrett [b.1935]Summer Time, Beer Beach,signed, oil on canvas 40 x 50cm, unframed. *£80 - 100

17• Peter Barrett [b.1935]Beach Kiosk, Weston Super Mare,signed, oil on canvas,40 x 50cm, unframed. *£80 - 100

18 No Lot

19• Peter Barrett [b.1935]Walking The Dog,signed, oil on canvas40 x 50cm, unframed. *£80 - 100

19

17

16

15


20• Peter Barrett [b.1935]On The Cobb, Lyme Regis,signed, oil on canvas50 x 70cm, unframed. *£80 - 100

21• Peter Barrett [b.1935]Sea lions, New Zealand,signed twice, oil on canvas, 66 x 96cm *£200 - 300

22• Phil Greenwood [b.1943]Lleyn Sunset,etching in colours, signed and dated ‘80inscribed and numbered 233/350, sheet size 52 x 64cm. *£60 - 80The Property of the late Ann Meyrick.

23• Francia Turner [Contemporary]A Devon landscape,signed and dated ‘88, pastel drawing, 40 x 54cm,together with one other view of the Devon Coast and a charcoal drawing titled ‘Basingstoke’ by the same hand. [3] *£60 - 90Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

24• Peter Godfrey Coker [1926-2004]Study of boats and tractors, Quiberville III,signed with initials bottom leftsanguine on tinted paper, 18 x 12cm. *£80 - 120Provenance With Chris Beetles, October 2002.


25• Henderson Cisz [b.1960]Blue lagoon,signed, oil on canvas, 87 x 152cm, unframed. *£150 - 250

26• Henderson Cisz [b.1960]Boats and figures on a beach,signed, oil on canvas, 77 x 77cm, unframed. *£150 - 250

27• Henderson Cisz [b.1960]Calm beach,signed, oil on canvas, 101 x 101cm, unframed. *£150 - 250

28• Henderson Cisz [b.1960]Palm beach,signed, oil on canvas, 120 x 120cm, unframed. *£150 - 250

29• Alan Cracknell [Contemporary]Fire Breathing Buck; Mohican and Things; 3 Heads with Big Noses,a group of three screenprintsartist’s proofs, each signed, inscribed and dated 1988sheet sizes 56 x 76cm & 76 x 56cm. [3]


29

28

27

26

25


30• Brenda Meredith Seymour [1932-2021]Herbstgefuhl,signed and dated 1960, inscribed on the reverse,oil on board, 34 x 52cm, together with an abstract gouache titled ‘Chacony’ and an oil on board Moonlit Scene by the same hand. [3] *£80 - 120Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

31• Brenda Meredith Seymour [1932-2021]L’Ile du Pecheur signed and dated 1961 bottom right oil on board, 59 x 84cm. *£80 - 12032• Bernard Myers [1925-2007]Hammersmith Reach,signed with initials bottom rightfurther signed and inscribed on the reverseoil on board, 24.5 x 35cm. *£200 - 300

33• Bernard Myers [1925-2007]Dinghys Sailing,signed with initials bottom rightfurther signed and inscribed on the reverseoil on board, 37.5 x 47cm. *£300 - 500

34 No Lot33

32

31

30


35• Padraig MacMiadhachain [1929-2017]Cornish Landscape,signed bottom rightmixed media, 20 x 25cm.

*£400 - 600The Property of the late Ann Meyrick

36• Padraig MacMiadhachain [1929-2017]Village By The Sea,signed bottom rightfurther signed and inscribed on the reversemixed media, 23 x 28cm.

*£500 - 700The Property of the late Ann Meyrick

37• George Allen [Contemporary]St Paul’s,signed bottom rightoil on board, 49 x 59cm. *£200 - 300

Exhibited. The Royal Academy Summer Exhibition 1994.


38Henning Koppel (1918-1981) for Georg Jensen, Denmark, two silver brooches, model nrs 339 and 368, with maker’s marks for after 1945 and Danish control stamps; model nr 339 with additional import marks for London, 1972, lengths ca. 4.5-6cm, total weight ca. 35.7gms accompanied by an original box. *£80 - 120

39Niels Erik From (1908-1982), Denmark, two silver brooches, both with Danish control stamps, one an openwork, oval brooch set with a cabochon-cut amethyst, stamped ‘NE FROM’, length ca. 6.5cm; the other of abstract atomic motif, stamped ‘FROM’, length ca. 5.8cm, total weight ca. 18.2gms (2). *£80 - 12040Three silver rings by Georg Jensen including a ring by Jacqueline Rabun, model number 450, with post 1945 Georg Jensen marks and Danish control marks, diameter ca. 3cm, ring size O; a ring by Agnete Dinesen, signed ‘DINESEN’, with import marks for London, 1978, adjustable ring size; together with a third ring with post 1945 Georg Jensen marks, length of ring head ca. 5cm, ring size O, total weight ca. 44.6gm (3). *£100 - 200The property of the late Ann Meyrick

41Nanna Ditzel for Georg Jensen, two silver rings, including model number 91, designed 1955, with import marks for London, 1973, length of ring head ca. 2.8cm, ring size Q; together with model number 93, height of ring head ca. 1.9cm, ring size adjustable; both with post 1945 Georg Jensen maker’s marks and Danish control marks, total weight ca. 37.1gms (2). *£100 - 200The property of the late Ann Meyrick

42Hannu Ikonen for Valo Koru, two silver rings, one, 1972; the other 1973; both with hallmarks for Turku, Finland and London import marks, 1973, adjustable ring sizes, diameter of ring heads ca. 2-2.2cm, total weight ca. 20.7gms (2). *£100 - 200The property of the late Ann Meyrick

43Jacob Hull for Buch & Deichmann, bracelet, silver plated metal, Copenhagen, 1970s, with rectangular links, length ca. 20.5cm. *£80 - 12044-6 No Lots

43

42

41

40

39

38


47Henning Koppel for Georg Jensen, two silver rings, including model number 140, length of ring head ca. 2.4cm; and model number 194, length of ring head ca. 3.8cm, adjustable ring size; both with post 1945 Georg Jensen maker’s marks and Danish control marks, total weight ca. 33.2gms (2). *£100 - 200The property of the late Ann Meyrick

48Nanna Ditzel for Georg Jensen, ‘Lilypad’, a silver ring in the shape of a lilypad, set with a hematite bead, model number 351, initialled ‘ND’, with post 1945 Georg Jensen maker’s mark and Danish control marks, length of ring head ca. 2.5cm, ring size Q, total weight ca. 15.5gms.

*£100 - 200The property of the late Ann Meyrick

49Vivianna Torun Bülow-Hübe for Georg Jensen, ‘Dew drop’, a silver, oval, cabochon-cut, moonstone ring, model number 152, signed ‘TORUN’, with post 1945 Georg Jensen maker’s mark and Danish control marks, length of ring head ca. 1.3cms, adjustable ring size, total weight ca. 8.7gms. *£150 - 250The property of the late Ann Meyrick

50Harald Nielsen for Georg Jensen, a silver ring, model number 46E, designed 1935, with post 1945 Georg Jensen maker’s mark and Danish control marks, length of ring head ca. 3.3cm, ring size N, total weight ca. 16.8gms.



51Two silver rings including a ring by Allan Scharff for Hans Hansen produced by Georg Jensen, stamped ‘HaH’, with post 1945 marks for Georg Jensen and hallmarks for London, 2000; a ring by Bent Knudsen, signed Bent K, with European Convention marks and control marks for Copenhagen; adjustable ring sizes, length of ring heads ca. 2.8-4.2cm, total weight ca. 39.8gm (2). *£100 - 200The property of the late Ann Meyrick

52Emily Thatcher Contemporary Jewellery, two modernist silver rings, one set with a cabochon-cut iolite, both stamped with maker’s mark ‘ET’, hallmarks for Sheffield, 2014, length of ring head ca. 1.7cm, ring sizes N & L, total weight ca. 16.5gms (2). *£150 - 250The property of the late Ann Meyrick

53Two textured rings, of undulating form, length of ring head ca. 3cm, ring size O, total weight ca. 21.6gms (2). *£80 - 120The property of the late Ann Meyrick

54Emily Thatcher Contemporary Jewellery, two modernist silver rings, one set with a cabochon-cut blue agate, both stamped with maker’s mark ‘ET’, hallmarks for Sheffield, 2014, length of ring head ca. 1.8cm, ring sizes N & L, total weight ca. 15.7gms (2).


55A silver spectrolite pendant and ring, with partial Finnish control marks, length of pendant ca. 2.8cm, length of ring head ca. 1.8cm, ring size L, total weight ca. 18.9gms (2). *£80 - 120The property of the late Ann Meyrick

56Two silver rings with applied, abstract patterns, stamped with maker’s mark ‘OCS’, hallmarks for London, 2011, ring sizes N & P, total weight ca. 10.8gms.

*£40 - 60


57Charmian Harris, a moonstone pendant, estimated weight of moonstone ca. 7.5cts, length ca. 3.3cm, total weight ca. 9.4gms, accompanied by box.


58A pair of malachite drop earrings, stamped with maker’s mark ‘CCA’, hook fittings, length ca. 8.2cm, total weight ca. 15.2gms. *£40 - 60The property of the late Ann Meyrick

59Three modernist brooches, Jacob Hill for Buch & Deichman, Denmark, a silver cabochon-cut amethyst crystal brooch of stylised flowerhead design, signed Jacob Hill, with Danish control marks, diameter ca. 6cm; Anton Michelsen, Denmark, a silver brooch of stylised floral design, with Danish control marks, diameter ca. 4.8cm; a third brooch set with a cabochon-cut amethyst, stamped ‘STERLING SILVER’, length ca. 3.7cm, total weight ca. 66.3gms.

*£80 - 120

60Vivianna Torun Bülow-Hübe, an oval, mother-of pearl and labradorite reversible ring, signed ‘TORUN’ and stamped ‘STERLING’, length of ring head ca. 2.2cm, ring size N, total weight ca. 7.3gms. *£100 - 200The property of the late Ann Meyrick

61 No Lot

62John Sinclair Perkins, a silver malachite ring, with hallmarks for London, 1996, ring size P 1/2, total weight ca. 16.3gms. *£40 - 60


63K A Rasmussen, Oslo, Norway, a silver and blue enamel bracelet, plaques with applied beaded abstract pattern to textured blue enamel ground, length ca. 20cm, total weight ca. 37.2gms.

*£50 - 7064 No Lot

65A graduated lapis lazuli pebble mounted necklace with spectacle frame settings, length ca. 43cm, weight ca. 62.3gms. *£60 - 80

66Charmian Harris, two pairs of drop earrings, one with ammonite pendants, the other with possibly turquoise pendants, both stamped with maker’s mark ‘CH’, hook fittings, length ca. 4.7-6cm, total weight ca. 26gms (2).


67Charmian Harris, a pair of cabochon-cut amethyst earrings, stamped with maker’s mark ‘CH’, post fittings, length ca. 4.3cm, total weight ca. 10.7gms.


68 No Lot


69Andrzej Pacak two rings, set with multi-coloured gemstones including quartz with tourmaline inclusions, mother-of-pearl and an opal doublet; both stamped ‘A Pacak’ and ‘SILVER’, length of ring heads ca. 4.5cm, ring size L and P, total weight ca. 43.5gms (2).


70Charmian Harris, two pairs of silver, sardonyx drop earrings, with maker’s mark ‘CH’, hallmarks for London, 1998, post fittings, length ca. 4.5cm, total weight c.a 18.2gms (2). *£200 - 300The property of the late Ann Meyrick

71Charmian Harris, a pair of silver, chrysophrase drop earrings, stamped with maker’s mark ‘CH’, hallmarks for London, 2001, post fittings, length ca. 3.3cm, total weight ca. 5.6gms. *£80 - 120The property of the late Ann Meyrick

72 No Lot

73Charmian Harris, a pair of sardonyx drop earrings, stamped with maker’s mark ‘CH’; together with another pair of labradorite drop earrings, unstamped, possibly by Charmian Harris, both with post fittings, length ca. 6.3-6.8cm, total weight ca. 27.3gms (2).



74Charmian Harris, two pairs of drop earrings, one with lapis lazuli beads, the other with green chalcedony beads, both stamped with maker’s mark ‘CH’, hook fittings, length ca. 5.7-6cm, total weight ca. 11.5gms (2). *£200 - 300The property of the late Ann Meyrick

75 No Lot

76Charmian Harris, two pairs of drop earrings, one with green chalcedony beads, the other with green hardstone beads, both stamped with maker’s mark ‘CH’, hook fittings, length ca. 5.9-6.2cm, total weight ca. 16.6gms (2). *£200 - 300The property of the late Ann Meyrick

77Charmian Harris, two pairs of drop earrings, one with malachite beads, the other with lapis lazuli beads, both stamped with maker’s mark ‘CH’, hook fittings, length ca. 6.2-4cm, total weight ca. 15.8gms (2). *£200 - 300The property of the late Ann Meyrick

78Three pairs of lapis lazuli drop earrings, one stamped with maker’s mark ‘CH’ for Charmian Harris, the other two stamped with maker’s mark ‘CCA’, hook fittings, length ca. 5.3-7.2cm, total weight ca. 26.5gms (3). *£150 - 200The property of the late Ann Meyrick

79Charmian Harris, a pair of lapis lazuli earrings, stamped with maker’s mark ‘CH’, post fittings, length ca. 8.5cm, total weight ca. 18.3gms. *£100 - 150The property of the late Ann Meyrick

80 No Lot


81Andrzej Pacak, three gemset rings including, rose quartz, amethyst and labadorite; all stamped ‘A PACAK’, one stamped 925, another stamped ‘SILVER’; length of ring heads ca. 3.8-4.3cm, ring size L-R, total weight ca. 64.9gms (3). *£100 - 200The property of the late Ann Meyrick

82Three gemset rings, including one by Andrzej Pacak set with turquoise, stamped ‘AP’; one with hawk’s eye and another with labradorite both probably by Andrzej Pacak; length of ring heads ca. 2.1-2.8cm, ring size M-S, total weight ca. 40.7gms. *£100 - 200The property of the late Ann Meyrick

83Three gemset rings, including one silver malachite, Birmingham, 1978, ring size O1/2; one silver green banded agate, London, 1976; ring size R1/2 and another cream banded agate, ring size J; length of ring heads ca. 2.5-3.5cm, total weight ca. 28.9gms (3). *£100 - 150The property of the late Ann Meyrick

84Five modernist brooches, including a silver and synthetic white spinel Kultasepät Salovaara, Turku, Finland 1973; two brooches of abstract design, stamped ‘N.B.’; an openwork brooch and a pewter and purple paste brooch, stamped ‘R Tenn Sweden’, lengths ca. 3.8-5.3cm, weight of brooches (exl pewter brooch), ca. 36gms (5). *£80 - 120

85A collection of mid 20th century modern brooches, including Gordon William Stevens, a silver fish brooch, with hallmarks for Edinburgh, 1977; Shetland Silver, a cruciform brooch, with hallmarks for Edinburgh, 1967; Alastair Norman Grant, an openwork purple enamel brooch, with hallmarks for Edinburgh, 1975; Aksel Holmsen, Sandefjord, Norway, a silver and red enamel brooch, with Norwegian control stamps; Anna Greta Eker, Fredrikstad, Norway, a silver brooch with wooden beads, together with two others, lengths ca. 4.2-13cm, total weight ca. 81.4gms (7).

*£80 - 120


86Four modernist rings, including Frank Juhls, Kautokeino, Norway, and one possibly by Hannu Ikonen, Finland, ring sizes N-P, total weight ca. 66.7gms (4). *£100 - 200The property of the late Ann Meyrick87 No Lot

89Four modernist rings, including a ring by S Paliu, Spain, a ring by David Andersen, Norway, a ring with maker’s mark ‘DRC’, Birmingham hallmarks, 1970, a ring with Italian control marks for Vincenza, 1944-1968, lengths of ring heads ca. 1.8-2.8cm, total weight ca. 46gms (4). *£100 - 200The property of the late Ann Meyrick

88Five silver rings, one set with mother-of-pearl, with hammered and folded decoration, maker’s mark ‘BT’, Birmingham, 1992-5, ring sizes J-O, length of ring heads 1.5-2.5cm, total weight ca. 50.6gms (5). *£100 - 200The property of the late Ann Meyrick

90Three pairs of earstuds, including two silver pairs by Georg Jensen, one probably designed by Henry Pilstrup, model number 10, diameter ca. 1cm; the other with round, cabochon-cut moonstones, model number 8, diameter ca. 0.9cm; both with post 1945 Georg Jensen maker’s marks and Danish control marks; together with a third pair of mother-of-pearl earstuds, diameter ca. 0.9cm, total weight ca. 7.4gms (3). *£100 - 200The property of the late Ann Meyrick

91Helen Feilder, four rings with reeded bands, set with various stones including banded agate, length of ring heads ca. 2-3.3cm, ring sizes M-P, total weight ca. 56.6gms (4). *£100 - 200The property of the late Ann Meyrick

92Four silver rings with folded decoration, maker’s mark ‘BT’, Birmingham, 1994-6, length of ring heads, ca. 1.2-2.6cm, ring sizes G-M, total weight ca. 51.4gms (4). The property of the late Ann Meyrick *£100 - 20093 No Lot


94Hannu Ikonen for Valo Koru, a silver ‘Renmoosblüte’ (Reindeer moss) pendant and ring, the pendant with hallmarks for Turku, Finland, 1977, length ca. 4.2cm; a ring, silver, with hallmarks for Turku, Finland, 1973 and London import marks, 1973, adjustable ring size, total weight ca. 15.2gms (2). *£80 - 120The property of the late Ann Meyrick

95Hannu Ikonen for Valo Koru, two ‘Renmoosblüte’ (Reindeer moss) rings, one stamped ‘925’, ring size O1/2, weight ca. 8.9gms; the other bronze, adjustable ring size; length of ring heads ca. 2.4-3cm (2). *£80 - 120The property of the late Ann Meyrick

96Two modernist, circular rings, diameter of ring head ca. 2.8-3.3cm, ring size L1/2 & Q, total weight ca. 57.5gms (2). *£80 - 120The property of the late Ann Meyrick

97Helen Fieler, three silver rings, one with a banded agate bead, with Sheffield hallmarks,1998-9, length of ring heads ca. 2-2.9cm, ring size L-U, total weight ca. 59.9gms (3). *£120 - 180The property of the late Ann Meyrick

98Andrzej Pacak, three gemset rings, including, amethyst, fluorite and chrysphrase; all stamped ‘AP’, one stamped ‘925 SILVER’; length of ring heads ca. 2.8-3.8cm, ring size M-O, total weight ca. 65.3gms (3). *£100 - 200The property of the late Ann Meyrick


99An 18ct gold, pink, rectangular, step-cut, synthetic spinel ring, with maker’s mark ‘BB’ and hallmarks for London, 2003, length of ring head ca. 1cm, ring size Q, total weight ca. 25.7gms.


100 No Lot

101A pink tourmaline and brilliant-cut diamond cocktail ring, the tourmaline ca. 2.99cts, total diamond weight ca 0.20cts, stamped ‘18CT’, length of ring head ca. 2.1cm, ring size P, total weight ca 20gms.


102A brutalist pink tourmaline ring, estimated pink tourmaline weight ca. 5.50cts, length of ring head ca. 2.3cm, ring size T1/2, total weight ca. 19.6gms.


103A silver and cultured, freshwater pearl ring, diameter of cultured pearls ca. 6.4-7.9mms, stamped with maker’s mark ‘TE’, and hallmarks for London, 2004, length of ring head ca. 2.8cm, ring size O1/2, total weight ca. 24.8gms. ‘The property of the late Ann Meyrick’

*£100 - 200


104A 1960s 18ct gold, ruby and round brilliant-cut diamond, modernist brooch, estimated diamond weight ca. 0.04ct, with hallmarks for London, 1968, length ca. 4.3cm, total weight ca. 9.9gms. *£300 - 500

105A cabochon-cut boulder opal and diamond ring, estimated dimensions of boulder opal ca. 2.9x1.3cm, estimated total diamond weight ca. 0.40ct, I-J colour, SI2-P1 clarity, length of ring head ca. 3.3cms, ring size T1/2, total weight ca. 38.1gms. *£700 - 900The property of the late Ann Meyrick


106Lalique, ‘Cabochon’ ring, white opalescant glass ring, engraved ‘Lalique France’ to the exterior of the band, length of ring head ca. 2.5cm, ring size P, accompanied by original box and documents. *£40 - 60The property of the late Ann Meyrick

107 No Lot

108Bent Gabrielsen for Georg Jensen, a silver, round, cabochon-cut, spectrolite ring, model number 177, with designer’s stamp, post 1945 Georg Jensen maker’s mark and Danish control marks, length of ring head ca. 2.3cms, adjustable ring size, total weight ca. 11.4gms. *£150 - 250The property of the late Ann Meyrick

109Chris Boland Designs, a silver, watermelon tourmaline ring, stamped with maker’s mark ‘CBD’, and hallmark for Sheffield, 2017, length of ring head ca. 2.3cm, ring size K1/2, total weight ca. 15.6gms. *£100 - 200The property of the late Ann Meyrick

110Henning Koppel for Georg Jensen, a silver, oval, cabochon-cut, blue lace agate ring, model number 242, with post 1945 Georg Jensen maker’s mark, length of ring head ca. 4.7cms, adjustable ring size, total weight ca. 31.8gms. *£200 - 300The property of the late Ann Meyrick

111Tanja Ufer, a silver, boulder opal, sapphire and cabochon-cut emerald ring, stamped with maker’s mark ‘TU’, hallmarks for London, 2015, length of ring head ca. 1.8cm, ring size L, total weight ca. 18.4gms. *£100 - 200The property of the late Ann Meyrick


112Wendy Ramshaw, a pair of 18ct gold green chalcedony stacking rings, with maker’s mark ‘WR’ and London hallmarks, 1978 length of ring head ca. 2cm, ring size P1/2, total weight ca. 8.7gms, accompanied by a perspex stand, height ca. 7.2cm (2). *£800 - 1200The property of the late Ann Meyrick

113Wendy Ramshaw, a set of seven 18ct gold gem-set stacking rings, each collet-set with vari-cut cabochons including amethysts, green chalcedony and green tourmaline, with maker’s mark ‘WR’ and London hallmarks, 1979, ring size P, total weight ca. 7.5gms, accompanied by a perspex stand, height ca. 11.7cm (7). *£1000 - 1500The property of the late Ann Meyrick

114Charmian Harris, a silver labradorite and moonstone ring, stamped with maker’s mark ‘CH’, hallmarks for London, 1998, length of ring head ca. 2cm, ring size O, total weight ca. 7.3gms. *£80 - 120The property of the late Ann Meyrick

115Nils Erik From, an amber ring, stamped ‘FROM’ and ‘925S’, diameter ca. 2.2cm, ring size O, total weight ca. 10.3gms.



116• Annabel Greehalgh [Contemporary]The Coast Path,signed and dated 2003 bottom rightpastel, 50 x 64cm. *£150 - 250

117• Annabel Greehalgh [Contemporary]View from the cliff across a bay,signed and dated 2002 bottom rightpastel, 57 x 77cm. *£150 - 250

118• Annabel Greehalgh [Contemporary]Blue Flight,signed and dated 2004 bottom rightpastel, 58 x 77cm. *£250 - 350Exhibited. The Mall Galleries, London S.W.1. 2006

119• Annabel Greehalgh [Contemporary]Seascape; Rock Pool,two, both signed, dated 2000 and 2004pastel, 26 x 28.5cm. [2] *£100 - 150Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

120• Annabel Greehalgh [Contemporary]Paths from The Sand Dunes; View across a Bay,two, both signed, dated 2003 and 2004,pastel, 55 x 69cm & 29 x 78cm. [2]

*£200 - 300

120 119

118

117

116


121• Annabel Greehalgh [Contemporary]Green Energy,signed and dated 2001 bottom rightpastel, 47 x 62cm. *£150 - 250Exhibited. The Mall Galleries, London S.W.1. 2006

122• Annabel Greehalgh [Contemporary]Cloud Break over an Upland Lake,signed and dated 2002pastel, 58 x 67cm. *£150 - 250

123• Annabel Greehalgh [Contemporary]Moorland Heather; The Edge of The Moor at Night,two, both signed, dated 2002 and 2000 pastel, 49 x 63cm & 47 x 62cm. [2]

*£200 - 300124• Annabel Greehalgh [Contemporary]Scotch Mist; Cloud Break over The Hills,two, both signed and dated 2001pastel, 37 x 56cm & 44 x 61cm. [2]

*£200 - 300Exhibited. The Mall Galleries, London S.W.1. 2006

124

123

122

121


125• Wendy Yardley [Contemporary]Two Green Fields; Sheep II,two, both signed and dated ‘90 on the reverseoils on canvas, largest 71 x 90cm. [2]


126• Lola Spafford [b.1930]Poppies, Suffolk; Dog Rose,two, etchings in colours in editions of 75both signed, largest 29 x 23cm. [2] *£60 - 80Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

127• Bernard Cheese [1925-2013]Road to Orleans,lithograph, signed, inscribed, numbered 21/25 and dated ‘63 along the bottom margin53 x 73cm. *£250 - 350

128• Shirley Hitch [20/21st Century]Harbour scene, Low Tide,signed and dated 2003, oil on canvas, 28 x 42cm, together with one other smaller painting of Albufeira, Algarve, by Rita Greig. [2]

*£50 - 80

128

127

125

126


129• Gregory Davies [b.1947]‘Grass Rythms’; a Summer landscape,signed bottom leftoil on board, 60 x 105cm.

*£400 - 600130 No Lot

131• Peter Thomas [20/21st Century] Beach scene,signed and dated ‘96, pastel drawing, 50 x 64cm, together with a mixed media Still Life titled Yellow Rosesby Claerwen B. Holland [b.1942] [2] *£60 - 90Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

132Statcha Halpern [1919-1969]Moored fishing boat,colour etching, artists’s proof signed in pencil, 15 x 27cm, together with a large colour etching of La Dunes du Nord and one other modern print by different hands. [3] *£40 - 60

133• Jack Seymour 20/21st CenturyZennor; Kelidjack Valley,a pair, oils on board, each 13.5 x 35cm. [2] *£80 - 120

133

132

131

129


134• Judy Stafford [20/21st Century, d.2018]Still life of Daisies and Spring Flowers,signed bottom lefta large watercolour and collage, 106 x 174cm. *£50 - 70

135• Noni Olabisi [20/21st Century]African town scene, figures in the shade of a tree in the foreground,signed and dated 92,oil on canvas, 110 x 155cm. *£150 - 250

136• John Bowen [1914-2006]Town scene at night, indistinctly titled ‘The Sullen Square’? on the reverse,signed and dated ‘49 bottom leftsigned and inscribed on the backboardmixed media on card, 69 x 48cm.

*£100 - 150

137After L S LowryFather Going Home,colour print, 58 x 37cm.

*£60 - 100

138• Fred Yates [1922-2008]The Rag and Bone Man,original illustration from Sunday Best by Joyce Irwinpen and coloured ink drawing heightened with white on layered paper, 32 x 22.5cm.

*£80 - 120


139• Gregory Davies [b.1947]Early Morning Sunlight,signed and dated 1982oil on board, 57 x 70cm. *£150 - 250

140• James Longueville [b.1942]Winter Fields, Burham Thorpe, Norfolk,signed bottom rightoil on board, 24 x 34cm. *£200 - 300

141• Michael McCarthy [b.1940]Soft Morning Light, Alexandra,signed bottom rightfurther signed and inscribed on the reverseoil on board, 14 x 24cm. *£40 - 60

142• Trevor Chamberlain [b.1933]Shallow Stream, Hertford,signed and dated 1972 bottom leftoil on canvas, 40 x 50cm. *£200 - 300143 No Lot

144• Simon Palmer [b.1956]The Wooded Labyrinth,signed bottom leftwatercolour, ink and gouache, 74 x 68cm,together with the exhibition catalogue.

*£2000 - 3000Exhibited. JHW Fine Art. Simon Palmer, Recent Watercolours, May 2009.

144

142

141

140

139


145T. Masters in the manner of Dali [20th Century]The Third Way; a surreal figure in a bleak landscape;a companion piece,two, oils on boardeach 20 x 15cm. [2]

*£50 - 80

147• Carmen Veliz [Contemporary]Abstract, landscape,signed bottom rightoil on canvas board collage30 x 20cm.

*£50 - 80

148• Carmen Veliz [Contemporary]Abstract,signed bottom rightoil on board, 48 x 68cm. *£80 - 120

146• Carmen Veliz [Contemporary]Abstract, blue,signed bottom rightoil on canvas and mixed media, 102 x 77cm, unframed

*£80 - 120


149• William Gear [1915-1997]Untitled, May 1983,signed and dated bottom leftacrylic on board63 x 43cm. *£200 - 300

150• William Gear [1915-1997]Untitled, May 1983,signed and dated bottom rightacrylic on board65 x 46cm. *£200 - 300

151• William Gear [1915-1997]Untitled, September 1987,signed and dated bottom rightacrylic on board68 x 48cm. *£200 - 300

152• George Mayer-Marton [1897-1960] Couple In The Sun, 1959oil on canvas, 90 x 70cm. *£300 - 500With relevant page from the Artists’ Exhibition Catalogue.

153• Hans Vanhorck [b.1952]Intimacy,signed bottom right, signed, dated 1990 and inscribed on the reversemixed media on panel, 94 x 67cm. *£300 - 400 153

152

151 150 149


A single owner collection of paintings by Clifford Fishwick [1923-1997]Born in Lancashire, and after attending Liverpool School of Art and naval service in the 1940s, Fishwick relocated to Topsham, where he lived with his wife and fellow artist Patricia, to become Principal at Exeter College [1958-84]. He was member of The Newlyn Society and exhibited with The Penwith Society, at Dartington Hall, Plymouth City Art gallery, Exeter University, Essex University and Austin Desmond Fine Art, among others.

155• Clifford Fishwick [1923-1997]Abstract,signed and dated ‘91 bottom rightoil on paper, 18 x 30.5cm. *£120 - 180

156• Clifford Fishwick [1923-1997]Rocks and Sea,signed and dated ‘75 bottom rightfurther signed, inscribed and dated on the reverseoil on board, 22 x 30cm. *£150 - 250

157• Clifford Fishwick [1923-1997]Mountain Barrier,signed and dated ‘91 bottom rightfurther signed, inscribed and dated on the reverseoil on board, 23 x 17cm. *£150 - 250

154• Clifford Fishwick [1923-1997]Seated Woman,signed and dated ‘62 bottom rightmixed media, 31.5 x 22.5cm. *£150 - 250


158• Clifford Fishwick [1923-1997]Abstract with Yellow Rectangle,signed and dated ‘62 bottom rightoil on board, 37 x 27cm. *£300 - 500

159• Clifford Fishwick [1923-1997]Abstract,oil on board, 36 x 29cm. *£250 - 350

160• Clifford Fishwick [1923-1997]Promontory,signed and dated ‘60 bottom rightwatercolour, mixed media and pencil drawing36 x 53cm. *£200 - 300

161• Clifford Fishwick [1923-1997]Coastal Fields,signed and dated ‘71 bottom rightfurther signed and inscribed on the reverseoil on board, 62 x 76cm. *£250 - 350

162• Clifford Fishwick [1923-1997]Figures and fishing boats at low tide, view to a harbour and headland beyond,signed and dated ‘79 bottom rightfurther signed and dated on the reversewatercolour, 17 x 25.5cm. *£60 - 80

163 No Lot 162

161

160

159 158


164A mixed group of stoneware comprising a small John Maltby vase of flattened seed pod form, a Val Barry vessel of flattened circular form, a Robert Tinnyunt commemorative flanged bowl, a Lowerdown Pottery vase of lobed oviform and a pair of Claire Winterton wall plaques. [6] *£60 - 90

165A small group of art glass comprising a mildly opalescent Orrefors bowl, two Scandinavian style hooped candle sticks, a similar Wedgwood Sherringham cobalt blue candlestick, a slender cased bottle vase signed FJT, a turquoise carafe and two Maltese style ‘threaded’ square section vases, tallest piece 30cm high, [8]. *£50 - 80

166• Marianne de Trey [1913-2016] three porcelain bowls and a ewer two of circular form and one of polygonal form each with painted decoration on a blush ivory ground, the ewer of slender oviform with raised neck and lug handle under speckled green and blush glazes, impressed personal seals, bowls 8 - 12cm wide, ewer 17cm high. *£70 - 90

167Four pieces of art glass comprising a Vetro Eseguito Murano comport of asymmetric form, the amber and pale brown body with brown swirls, 36cm diameter, a Scottish flanged bowl, the frosted and pink body with blue wave decoration, 24cm diameter, a lustrous wrythen ribbed bowl, the amber body with combed red decoration and a cased white and purple vase. *£40 - 60Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

168An art glass bowl of biased oviform, the clear glass body containing two asymmetric sprays of green and blue banding overlaid with acid etched dots, circles and striations, 40cm long. *£50 - 70

169A Teign Valley glass lamp shade the domed frosted body with trailed green, white and blue trails, 20cm high, together with fittings. *£50 - 70

170 No Lot


171Three James Powell & Sons Whitefriars glass ‘Drunken Bricklayer’ vases after a design by Geoffrey Baxter in Kingfisher blue, Meadow Green and Tangerine, 21cm high. *£500 - 700

172A cased art glass vase of waisted triangular profile, the clear body with white and green interior, 33cm high, together with a turquoise ship’s decanter and a clear glass vase. [3]

*£50 - 70

173Four Murano coloured glass fish modelled variously and decorated with red or orange banding, tallest 28cm high. *£80 - 100

174Two James Powell & Sons Whitefriars glass vases of fluted trumpet form with fold over rim and broad foot, one clear and one amethyst, both diamond point etched Rd. No. 543290, circa 1910, 13cm high. *£60 - 80

175A Vallauris white earthenware dish engraved with an abstract fish within a similar line and circle border on a matt black ground, impressed marks verso and signed P. Allon?, Vallauris, 38cm long. *£50 - 70


176• Maggie White [Contemporary] four stoneware vessels comprising three slender vases and a small bowl each under bronze glazes, impressed personal seals, tallest vase 25cm high.

*£50 - 70

177 No Lot

178Three raku fired stoneware vessels comprising a John Bedding [b.1947] oviform bowl, the burnished body with ivory, blush and smoke staining, impressed personal seal, 14cm high, together with two Hugh West [b.1950] candlesticks of tapering ribbed form with narrow neck and detachable sconces under white or turquoise banded decoration, applied personal seals, 31 and 36cm high. *£70 - 90

179• Charlotte Jones [b.1958] five white stoneware bowls of circular or conical form each decorated with banded slips or staining, incised C.J. to bases, largest bowl 13cm high. *£100 - 200

180• Alan Wallwork [1931-2019] a stoneware vessel of slender oviform and with arbitrary rim with pierced decoration under bands of ivory, pale aubergine and russet glaze, incised AW, 36cm high. *£250 - 350


181• Alan Wallwork [1931-2019] two stoneware ‘split seed pods’ of flattened oviform with notched aperture and multiple piercings on a texture ivory and russet ground, incised AW, 22 and 20cm high. *£250 - 350

182• Alan Wallwork [1931-2019] a stoneware ‘split seed pod’ of flattened oviform with notched aperture and vertical band of piercings on a textured ivory and russet ground, incised AW, 19cm high. *£150 - 200

183• Alan Wallwork [1931-2019] two stoneware vessels comprising a ‘seed pod’ and a ‘crescent form’ the former of oviform with narrow neck with and indented band under ivory and splashed russet glaze, the latter with deep notched rim and semi-circular bands of piercing, under ivory and russet glazes, incised AW with paper labels, 15 and 14cm high. *£250 - 350

184• Goran Warff for Kosta Boda a glass bowl the clear body with linear glass bubble and arbitrary green and blue patches, diamond point etched Kosta Boda and G. Warff, with adhesive label, 35.5cm long. *£40 - 60

185• Jason Wason [b.1946] a stoneware bowl of conical form with raised rim decorated with a horizontal band of incised lines flanked by two pairs of raised studs, the textured body under matt ivory glaze, impressed personal seal to foot, 22cm diameter. *£300 - 500

185 184

183

182

181


187• Mary Rich [1940-2022] a porcelain teapot and two vases the former of slender barrel shaped form with short spout, lugs with overhead rattan handle, the cover with a raised slender knop richly painted with gold on a banded green blue ground, one vase of squat shouldered form with raised flaring neck with gold decoration on a banded blue ground, the other of tapering cylindrical form with flaring neck under ivory and pink stained glaze, impressed personal seals, 14.5, 7 and 17.5cm high respectively. *£80 - 120

188• Bernard Rooke [b.1938] three handbuilt stoneware vessels under pale green grey glazes on a russet body, impressed marks, tallest 24cm high.

*£60 - 90

189• Peter Lane [b.1932] a porcelain bowl of footed circular form under black, blue and green banded oxides, incised signature, 20cm diameter. *£50 - 80

190• Alan Wallwork [1931-2019] a stoneware ‘Nautilus’ form under patchy grey, ivory and russet glazes, incised AW, 19cm high. *£150 - 200

186• Paula Downing [Contemporary] a ‘monolithic’ slab built stoneware vase of flattened slender form with sloping shoulders and vestigial nech and flaring rim, the textured and incised surface stained with bands of black oxide, impressed personal seals, 61cm high. *£80 - 120

190

189

188

187 186


191• Shirley Foote [b.1936] a pair of stoneware figures of simple slab built abstract form under ivory and matt bronze glazes, one with impressed personal seal, both with paper labels, circa 1990, 33 and 34cm high.

*£80 - 120

193• Amanda Popham [b.1954] an articulated stoneware marionette modelled as a jester in a tabard and pink and blue harlequin costume, 66cm high. *£100-200Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

194• Christy Keeney [b.1958] a pottery female bust of slab built form with incised detailing under matt colours, signed verso and dated 04, 33cm high.

*£120 - 180

192• Peter Wright [1919-2003] two interlocking porcelain figures of abstract form under matt russet glaze, incised Wright and 28/250, 16cm high. *£50 - 80Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com


195• Colin Kellam [1942 - 2020] a stoneware stick stand of square profile with flat lip and on four feet decorated with wax resist blooms in tenmoku on a grey and blue ground, 47cm high.

*£100 - 150

196• Colin Kellam [1942 - 2020] a large stoneware lamp of square shouldered profile incised in tenmoku with blue, green and grey glazes with mallards amongst brushwork reeds, indistinct impressed personal seal and paper label, 57cm high.

*£100 - 150

197• A Paul Whalley earthenware cider set comprising a tapering cistern with handle and tap painted front and verso with a bird on a mustard ground, 45cm high, together with six beakers painted with a sun motif, painted signature to cistern, beakers incised PW.

*£40 - 60

198A Royal Cauldon pottery jug tube lined with trees and oranges on an orange ground, printed marks, 26cm high *£70 - 90

199 No Lot

200A Poole pottery vase of oviform with tapering neck painted in the LE pattern by Josephine Sydenham with songbirds amongst blooms, printed and painted marks, circa 1955-60, 29.5cm high. *£60 - 80

201 No Lot


202Morinox (Italy) A mid 20th century stainless steel and porcelain coffee service comprising six porcelain coffee cans with black geometric banding in stainless steel holder with matching saucers and spoons, in original case with certificate and labels.

*£100 - 150

203Robert Welch for Old Hall a stainless steel teapot and cover.

*£30 - 50

204A Sadler racing car teapot under mottled green glazes, impressed and printed marks, 24cm long.

*£50 - 70

205 No Lot

206A Lenci porcelain figure of the Madonna at prayer after the original by Paolo Bologna her shawl decorated with floral sprays, painted Lenci, Torino-Italy, 8-XII-??, 21cm high, circa 1930, flat chip under base.

*£80 - 120


207Terry Frost for Poole Pottery a limited edition charger ‘Trewellard Red’ of circular form decorated with a radiating band of red and black brush strokes and spots, printed and painted marks with facsimile signature and numbered 41/100, 40cm diameter. *£100 - 150

208 No Lot

209Two pieces of Poole Pottery comprising a bird dish after a design by Robert Jefferson under lemon glazes, together with an Aegean oval dish sgrafitto decorated with a coastal landscape, 39.5cm long. *£50 - 70

210• Paul Jackson [Contemporary] four pieces of earthenware comprising a deep oviform bowl incised with humming birds and blooms, incised signature and dated 99, 17cm high, two shallow dishes incised with humming birds and irises respectively, both with incised signatures and dated 1992, 27 and 28cm diameter and a cake stand incised with fruiting vine, incised signature and dated 1998, 29cm diameter. *£80 - 120

211• Jane Denis [Contemporary, French] a white earthenware vase and charger the former of baluster form and decorated with bands of stylised beasts, birds and fish in brown was on an ivory ground, the charger similarly decorated, painted JD monograms, one inscribed verso and dated Decembre 63, vase 45cm high, charger 39cm diameter, [the former with chip to foot rim]

*£80 - 120

212 No Lot


213• Philip Wood [b.1957] a terracotta teapot and cover the banded body moulded in low relief with animal and plant imagery under a white wash and with a glazed spout, 12cm high. *£150 - 200

214• Roger Michell and Danka Napiorkowska for Lustre Pottery a Tipoo’s Tiger sauce boat, cover and stand modelled as the unfortunate Lt. Munro being consumed by the tiger, brightly decorated, painted marks, circa 1976, 30cm long, together with a walking ware cup. *£300 - 500

215A late 20th century novelty resin lamp in the form of a seated turtle and frog playing chess, 27cm long. *£30 - 40Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

216A Silves [Portuguese] art pottery charger of circular form painted in blue and green on a cream ground with a dancing couple within a stylised foliate border, large painted monogram, Silves and ‘44, 41cm diameter. *£50 - 80

217A Poole Pottery Hardy’s Wessex charger decorated with a map, local views and a profile portrait, printed marks and numbered 117/250, 41cm diameter. *£100 - 150

217

216

215

214 213


218• Neil Tregear [Contemporary] a large white stoneware vase of shouldered oviform with flared neck stencilled decorated with a school of white fish reserved on a copper oxide ground, incised mark, 44cm high.

*£100 - 150

219 No Lot

220• Delan Cookson [b.1937] a pair of porcelain vases of globular form with narrow neck under powder blue glazes, impressed personal seal, 11cm high.

*£50 - 70

221A group of Ralph Lauren bar ware comprising an Aston cylindrical decanter and stopper with four matching tumblers, a Glen Plaid square decanter and matching ice bucket with three associated tumblers, a chrome tray, ice bucket and cover and two pairs of tongs, acid etched marks.

*£80 - 120

222Four Scandinavian and other glass vases comprising a Strombergshyttan example of rectangular form intaglio decorated with an owl, signed to base, 14cm high, another in the manner of Kosta Boda the clear and purple body of slender oviform, 49cm high and two further vases.

*£70 - 90

223-4 No Lot


225Three art pottery vases comprising an Amphora Campina two handled vase enamelled with a Kingfisher, impressed marks, circa 1910-20, a Poole pottery oviform vase hand painted with vertical bands in green, grey and blue on an alpine white ground, printed and painted marks circa 1940-50, 115cm high together with a porcelain oviform vase with narrow flaring neck decorated with a sepia and green crystalline glaze, incised Peter Haley?, 15.5cm high. *£60 - 90

226• David Pantling [Contemporary] a white earthenware tea set comprising a conical teapot and cover, milk jug and ‘jelly mould’ sugar box, together with two egg cups decorated with red slips incised with landscape decoration, signed to the bases, teapot 25cm high. *£100 - 150

227A late 20th century Poole Pottery Twintone part coffee service two -tone ice blue and seagull, comprising six cups and saucers, coffee pot , milk jug and sugar basin, together with a mid 20th century Susie Cooper part tea service. *£40 - 60

228Two Susie Cooper bone china part services comprising a coffee pot and cover, six saucers and six coffee cups together with six tea cups, [one cracked] six saucers, sugar bowl, milk jug, six side plates and a bread and butter plate, both services with flower decoration, printed marks circa 1950-1965. *£80 - 120

229 No Lot

230An Arabia Paratiisi pattern part dinner service after a design by Birger Kaipiainen boldly printed with flowers and fruit, comprising a serving dish, three oval vegetable dishes and covers, six oval plates and six smaller plates, printed backstamps circa 1960. *£80 - 120


231• Sue Fitzgerald [Contemporary]Hotel Window near Apt,signed bottom rightacrylic on canvas, 59 x 59cm.

*£400 - 600With The Bourne Gallery, Reigate, 2003.

232• Sue Fitzgerald [Contemporary]Girl at The Well with Tulips,signed bottom rightacrylic on canvas, 47 x 62cm.

*£400 - 600With The Bourne Gallery, Reigate, 2003.

233• Richard Snowden [1950-2014]Hat-Trick,signed bottom rightfurther signed and inscribed on the reverseoil on canvas, 61 x 45cm. *£100 - 150

234• Gregory Davies [b.1947]Nude figure, signed and dated ‘73oil on board, 77 x 61cm, unframed.

*£80 - 120

234 233

232

231


235• Bob O’Cathail [Contemporary]Tree of Life,signed and dated 1992inscribed on the reverseoil on canvas, 58 x 46.5cm. *£200 - 300

236• Derek Boshier [b.1937]The Visitor, 1987signed and inscribed on the reverse tempera on paper70 x 52cm. *£400 - 600

237• Rupert Gatfield [b.1949]Passioflora Volcanis;Astral Passion Flower,two, both signedoils on canvas, each 61 x 61cm. [2]

*£100 - 150

238• Rupert Gatfield [b.1949] in the Manner of Rousseau,‘Myself, a quite different person’,signed bottom rightoil on canvas, 36 x 36cm *£60 - 90

238

237

236 235


239• David McClure [1926-1998] Girl in a Blue Chair,signed bottom right, further signed, inscribed and dated 1987 on the reverse, oil on board, 62 x 74.5cm. *£2000 - 3000

240• Posy Simmons [b.1945]At the tennis net,signed and dated ‘76pen, ink and pastel drawing16 x 11cm. *£60 - 90

241Nuth [20/21st Century]Dream on a starry night,signed, watercolour, pen and ink drawing, 74 x 55cm. *£40 - 60

242• Jake Sutton [b.1947]Room interiors, twoboth signed and dated ‘84 also inscribed ‘To All at World of Interiors’watercolour and pencil drawings, largest 44 x 36cm. [2]

*£120 - 180242

241

240

239


243• Francis de Gaspari [20th Century]Figura Gialla,collection label on the reverseoil on canvas, 99 x 79cm.

*£200 - 300

244 No Lot

245• Beryl Cook [1926-2008]Daisy chain and couple dancing,signed B. Cookoil on canvas, 165 x 32cm. *£500 - 700

Provenance. Halcyon Gallery 1995, thence by family descent.


246• Akande [African School, Contemporary] Figures approaching the gates of a town,signed and dated ‘88 bottom rightoil on board, 85 x 120cm. *£150 - 250

247• Maurice de Vlaminck [1876-1958]La Route du Village,lithograph, numbered 29/200 in pencil36 x 50cm. *£50 - 80Provenance. The Redfern Gallery, Cork Street, London. 1959.

248• Akande [African School, Contemporary] Boats and settlement on a river bank,- signed and dated ‘86, oil on board, 35 x 110cm, together with two other paintings by the same hand. [3] *£150 - 250Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

249• Arthur Giardelli [1911-1999] & Bim Giardelli [1926-2011]A group of eight watercolour and mixed media drawings, the largest 37 x 55cm, the remainder circa 17 x 24cm. [8] *£200 - 300Property of the late Ann MeyrickPlease refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

249

248

247

246


250• Cecil Rochfort Doyly-John [1906-1993]Busy town scene,signed bottom leftoil on canvas, 34 x 70cm.

*£500 - 700

251• Basil Nubel [1923-1981]Black Road,signed bottom right,titled on a label attached to the reverseoil on canvas, 60 x 50cm. *£80 - 120

252• David Eustace [1950-2021]Ship of Fools,signed bottom rightoil on board, 21 x 28.5cm. *£100 - 150

253• Joseph Sepp-Kneer [1907-2001]View to Rome,watercolour, 36 x 63cm,together with one other Italianate landscape by the same hand, and an etching title ‘Puppe’ by Resina Kneer [b.1960]. [3] *£50 - 80Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

254 No Lot


255• Kenneth Draper [b.1944]Light,signed bottom rightinscribed and dated ‘92 bottom leftmixed media, 64 x 53cm. *£300 - 500

256• Brenda Harthill [b.1943]Variations VI - Dark Water,etching in colours on embossed papersigned and dated ‘89, inscribed and numbered 4/150 in pencil along the bottom marginsheet size 101 x 72cm. *£80 - 120

257• Valerie Thornton [1931-1991]The Guildhall, Lavenham,etching in colours, signed, inscribed and dated ‘77, numbered 140/250, 36 x 47cm,

*£40 - 60

258• Margaret Gregory [1927-2011]A Blue-Pot from Cornwall,signed bottom rightinscribed on the reverseoil on board, 29 x 41cm. *£60 - 80

259 No Lot


260• Simon Drew [b.1952]And There In A Wood A Piggywigg Stood,oil on board, with 70 reversible 7 x 7cm suspended blocks84 x 118cm overall.

*£200 - 300Exhibited. Reading Guild of Artists.

261• Susan Caines [b.1935]Table Top with Tile,signed bottom right, further signed and inscribed on the reverse, oil on board, 36 x 43cm, together with two other still life paintings by the same hand, White Rose and Shells & Still Life Nocturn. [3]

*£60 – 90Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

262• Beryl Turpin [20th Century]Pigeon in Field,enamel on coppersigned and inscribed on the reverse19 x 19cm. *£150 - 250

263 No Lot

264• Danny Markey [b.1965]Cottages at Night,oil on board, 23 x 29cm. *£100 - 150


265• Terry Whybrow [1932-2020]Still Life Painting 124,signed, inscribed and dated ‘91 on the reverseoil on board, 46 X 53cm. *£250 - 350The Property of the late Ann Meyrick.

266• Dennis Creffield [1931-2018]Orford Ness,signed and dated ‘94 bottom rightcharcoal drawing, 53 x 72cm.

*£200 - 300

267• Keiko Minami [1909-2004]Chateau and Sun,etching in colourssigned and numbered 131/45038 x 31cm. *£200 - 300

268• Joy Kirton-Smith [Contemporary]Odile; Titanium,two prints, each signed with initials, inscribed and numbered in editions of 500each 42 x 28cm. [2] *£40 - 60

268

267

266

265


269• Terry Whybrow [1932-2020]Still Life Painting 103; Still Life Painting 243,two, both signed, inscribed and dated ‘96 on the reverseoils on board, each 23 x 25.5cm. [2]

*£400 - 600The Property of the late Ann Meyrick.

270• Martin Ware [20th Century]Two Bottles; Two Bowls,a pair, etchings in colour in editions of 150both signed inscribed and dated ‘85sheet sizes, 38 x 28cm. [2]

*£40 - 60

271• Martin Ware [b.1946]Blue Blind; Yellow Carpet,two, colour printseach signed and dated ‘86inscribed and numbered 45 x 150sheet size 60 x 48cm. [2]

*£40 - 60The Property of the late Ann Meyrick.

272 No Lot


273• Fionnula Bond & Leslie Evans [20/21st Century]Six Episodes in a Landscape,etching with aquatintsigned and dated ‘71, inscribed and numbered 10/25sheet size 57 x 76cm, together with a small etching titled ‘Tori’ and dated 1974 by Lee Summer. [2] *£80 - 120Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

274• John Lawrence [b.1933]Celebration,woodcut in colours, Artists’s Proof, signed and inscribed in pencilsheet size, 40 x 33cm.

*£100 - 150

275• John Forrester [1922-2002]House and Boats, St Ives,pencil drawing over white gesso on paper25 x 20cm. *£100 - 150Exhibited. Royal Albert Memorial Museum, Exeter, Modern Art 1960

276After Robert O. Lenkiewicz [1941-2002] Four Exhibition posters,Orgasm; Jealousy; Love & Mediocrity; Death and The Maiden, largest 78 x 51cm, unframed, together with two small reproductions for Witchcraft and Torture exhibitions. [6]

*£100 - 150

Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com


277• Laurence Stephen Lowry [1887-1976]A Northern Town,lithograph,1969signed in pencil in the margin and numbered 69/75sight size 52 x 66cm.

*£1500 - 2500With William Weston Gallery Ltd, Albermarle St., London.

277AAfter L S LowryFactory Canal and Figures,colour print, 40 x 60cm. *£60 - 100

278• Trevor Grimshaw [1947-2001]Factory Chimney,signed bottom rightgraphite drawing on paper10.5 x 8cm. *£150 - 250

279• Norman Ackroyd [b.1938]Farndale from Gillamoor; Loch Broom,two, soft-ground etchingsboth signed inscribed and dated 93 in numbered editions of 60image size 16 x 21cm each. [2] *£250 - 350

280 No Lot


281British School Circa 1950-Plymouth, post-war regeneration,oil on board, 61 x 51cm, unframed. *£60 - 80

282• Kenneth Mahood [b.1930]Siding in Snow,signed bottom right, further signed and inscribed on the reversepen, ink and mixed media, 17 x 27cm, unframed. *£200 - 300

283• Adrian Berg [1929-2011]The Alhambra, Granadawatercolour, pencil and crayon drawing36 x 51cm. *£200 - 300The Property of the late Ann Meyrick.

284• Bill Reid [Canadian, 1920-1998]The Raven and The First Men;The Raven Steals The Salmon,two, embossed prints published by Canadian Art Printseach 19 x 14cm.

*£80 - 120


285• Graham Clarke [b.1941]The Sailors Return,coloured etchingsigned, blindstamped, inscribed and numbered 72/200 in the bottom margin, sheet size 66 x 91cm.

*£200 - 300

286• Graham Clarke [b.1941]Reine de la Mer; Blues St. Louis; Tournesols Vincent; Les Tres Chose,a set of four coloured etchingseach signed, blindstamped, inscribed and numbered 283/400 in the bottom margin, sheet sizes 50 x 38cm each. [4] *£300 - 500

287• Graham Clarke [b.1941]Your Expert; Old Vic,coloured etchingseach signed, inscribed and numbered 139/400 in the bottom margin, each 27 x 30cm. [2] *£200 - 300



288• Peter Campbell [1931-1989]Harlequin figure reclining,signed, watercolour, 37 x 55cm,together with Girl in Meadow, Girl with Dove & A Midsummer Night’s Dream by the same hand. [4] *£60 – 90

289Dodo Designs after Peter BlakeBabe Rainbow,colour printed onto tin66 x 43cm. *£60 - 80

290• Susan Jayne Hocking [b.1962]Dancer in My Head,mixed media, 29 x 20cm,together with two smaller figure studies by the same hand. [3] *£40 - 60

290A• Gudrun Kneer-Zeller [1902-1992]Still life; cup, jug, vase and flowers,signed with initials, watercolour and charcoal drawing, 33 x 43cm, together with two more still life watercolours on hand woven paper. [3] *£60 - 90

291• Robert O Lenkiewicz [1941-2002]Gentleman with Child, 17th Century Costume Piece,signed bottom rightpen, ink and wash drawing, 37.5 x 30cm.

*£80 - 120



292• Tadashi Nakayama [1927-2014]Horse,signed and dated 1967, numbered 55/85woodcut in colours, 26 x 13cm. *£200 - 300

293Shiro Kasamatsu [1898-1991]Three Headed Deity in Ashura Temple,woodblock print numbered 169 and dated 195939 x 25cm. *£200 - 300

294• Margaret Lovell [b.1939]Helmet II,signed in pencil bottom lefttitled and dated bottom right,coloured etching, 30 x 26cm,together with a lithograph ‘Ragazza’, 1963, signed and inscribed, 28 x 22cm. [2] *£100 - 150

295• Kenneth Edward Paine [b.1926]‘Black Water’; study of African children,signed bottom rightpastel drawing, 77 x 101cm. *£150 - 250Exhibited The Hampton Hill Gallery, Summer 1970.

296• Kenneth Edward Paine [b.1926]Study of a child,signed bottom rightsanguine pastel drawing, 60 x 49cm. *£100 - 150

296

295

294

293

292


297Two Exhibition Posters,Penck In Concert, German Art in The Twentieth Century 1905-1985 at the Royal Academy of Arts and Mimmo Paladino 1985. [2] *£30 - 40

298• Eduardo Paolozzi [1924-2005]Dynamic Fun Series, Comic Edition,photo-lithograph, signed and numbered 69/100 in the bottom marginsheet size 60 x 42cm, unframed.

*£100 - 150

299• Salvador Dali [1904-1989]Archangel Fighting The Demon (1969),lithograph, numbered 164/250 in the margin bottom leftsight size 81 x 51cm. *£200 - 300


300• Ronnie Wood [b.1947]Electric Horses,Washington Green mixed media print on canvaswith certificate of authenticity,95 x 142cm, in black high gloss frame.

*£400 - 600

301• Doug Hyde [b.1972]Sweet Nothings,colour print, signed, inscribed and numbered 42/25056 x 78cm. *£150 - 250

302After Marc ChagallAngel with Sword; Moses, Tablets of Law; Moses, Verve Bible,three lithographs, each 34 x 25cm. [3] *£300 - 500Provenance. With The Redfern Gallery, Cork St., London.


303• John Leach [1939-2021] Muchelney Pottery three stoneware dishes each of circular form and under wood ash, tenmoku or pale blue glazes, impressed marks to two and dated ‘07’ and ‘09’, 19-23cm diameter.

*£70 - 90

304 No Lot

305Janice Tchalencko for Dartington Pottery three stoneware dishes each decorated in the peacock pattern one of rounded square form, 19.5cm wide, another of square form with notched corners, 22.5cm wide and another of oval form, 23cm long, impressed pottery seals to two.

*£100 - 200

306• John Leach [1939-2021] Muchelney Pottery three stoneware dishes each of circular form and under grey wood ash over tenmoku, with wax resist decoration, impressed marks to two both dated ‘01’, 26-31cm diameter.

*£80 - 120

307• Claire Winterton [Contemporary] three slab built stoneware dishes each of arbitrary circular form the textured surfaces under matt blue, green and ivory glazes, incised CW and 95 with paper labels, 33 - 41cm wide.

*£100 - 150308-9 No Lots


310• Katrina Trinnick [b.1950] twelve raku fired stoneware fossil forms of flattened pebble form under ivory and smoke staining, some with incised decoration, most with inscribed personal seal, largest 16cm wide.

*£60 - 90

311• Jeremy Leach [b.1941] two stoneware jugs of swollen cylinder form with pinched spout and grooved strap handle, one with applied tears, both under tenmoku glazes, impressed personal and Lowerdown seals, 26 and 28cm high.

*£80 - 120

312• Barbara Cass [1921-1992] two stoneware vessels of tapering form with broad flaring rims under speckled wood ash glazes, incised BC Arden, 20 and 13cm high.

*£50 - 80

313 No Lot


314Aldermaston Pottery a group of eight terracotta goblets each with brushwork decoration, two by Alan Caiger Smith with date code for 1960 others with monograms for Edgar Campden, Angela Monckton and others, 13 - 14cm high. *£200 - 250

315Aldermaston Pottery a group of six terracotta goblets each with brushwork decoration, three by Alan Caiger Smith with date codes for 1959 and 1967 others with monograms for Edgar Campden, David Tipler and others, 14 - 15.5cm high. *£150 - 200

316Aldermaston Pottery two goblets, three jugs and a mug each with brushwork decoration, one by Alan Caiger Smith with date code for 1964 others with monograms for Jenny Jowett, Gill Bent and others, tallest goblet 19cm high. [6] *£100 - 150

317• Jeremy Leach [b.1941] five items of stoneware comprising two jugs, a two handled bowl and cover, a unomi and a small capstan form vase, under pale celadon and tenmoku banded glazes with brushwork foliage, impressed personal, Lowerdown and other seals, tallest jug 19.5cm high, some paper labels *£60 - 90

318• Jeremy Leach [b.1941] four stoneware vases of waisted cylindrical form under pale celadon and tenmoku banded glazes with brushwork foliage, tallest 15cm high, impressed personal and Lowerdown seals, the three smaller also with seals for Robert Tinnyunt, with paper labels. *£50 - 80


319• Nick Rees [b.1949] for Muchelney Pottery seven stone ware vases of varying forms, four with carved decoration under blue, green or tenmoku glazes, three with brushwork decoration, impressed Muchelney with personal seals, 14 - 21cm high.

*£100 - 150

320• John Leach [1939-2021] Muchelney Pottery eight pieces of domestic stoneware comprising a bread crock and cover, four storage jars and covers, two flower pots and one stand, impressed marks, bread crock 31cm high. *£70 - 90

321• Jeremy Leach [b.1941] five stoneware bowls under pale celadon and tenmoku banded glazes with brushwork foliage, impressed personal and Lowerdown seals, three with additional seals for Robert Tinnyunt, with paper labels, 12 - 13cm diameter. *£60 - 90

322• John Leach [1939-2021] Muchelney Pottery four stoneware vases of various forms under wood ash over tenmoku or oatmeal over tenmoku each with wax resist or incised decoration, impressed marks, two dated ‘04’ and ‘11’, 8-18.5cm high. *£100 - 150

323• Nick Rees [b.1949] for Muchelney Pottery six stone ware vessels of varying forms, comprising four jars and three covers and two bowls with carved, cut-sided or impressed decoration under green or tenmoku, impressed Muchelney with personal seals, 8 - 12.5cm high. *£80 - 120


324• John Leach [1939-2021] Muchelney Pottery four stoneware vases each of waisted form under wood ash over tenmoku glazes and with wax resist decoration, impressed marks one dated ‘98’, 18-26.5cm high.

*£150 - 200

325• Mary Rich [1940-2022] three porcelain bowls of footed circular form each richly painted to the interior and exterior with banded gold decoration two on a blue ground,one on green, impressed personal seals to the foot, 13 - 17.5cm diameter.

*£100 - 150

326• Mark Melbourne [Contemporary] for Muchelney Pottery four stoneware bowls all circular, one of footed form decorated variously, three with wax resist, impressed Muchelney with personal seals, 13 - 23cm diameter.

*£60 - 90

327• Paul Jackson [Contemporary] three pieces of earthenware comprising a deep conical bowl from the ‘sea series’ decorated, signed and dated 05, 28.5cm diameter, together with a tapering jug from the ‘Madrugada series’ signed and dated 16, 13.5cm high together with a similar mug dated 13, 10.5cm high.

*£80 - 120328Aldermaston Pottery a pottery comport, jug and goblet each with brushwork decoration, the former by Alan Caiger Smith with date code for 1972 the latter with monogram for Simon Rich, 17, 23 and 16cm high. [3]

*£100 - 150


329• Jeremy Leach [b.1941] four stoneware vases one of oviform and three of flattened oviform the latter decorated with an incised lattice under pale celadon glazes, impressed personal and Lowerdown seals, with paper labels, tallest 18cm high.

*£40 - 60330• Roger Cockram [b.1947] a stoneware tea set comprising a teapot and cover, milk jug and sugar bowl under green/blue glazes layered with tenmoku, impressed personal seals, teapot 16cm high.

*£100 - 120331A mixed group of studio pottery comprising a Christine Hester Smith earthenware jar and cover, another porcelain example by Liz Riley, a Lowerdown Pottery stoneware bowl, a stoneware vase probably by Paul Barron, two further vases, a two handled dish and a stem cup. [8]

*£50 - 80332• Tim Andrews [b.1960] a group of stoneware domestic items comprising four two handled dishes, teapot and cover, butter dish and cover, two vases and a jug each decorated with brushwork blooms on a grey and tenmoku banded ground, impressed personal seals, largest dish 28cm wide.

*£120 - 180333• A Nick Chapman [b.1954] stoneware bowl of footed circular form the cavetto decorated with brushwork herons and bees, painted personal monogram and dated 1996, 21cm diameter, together with a collection of Giwili pottery comprising two cups, a jug and eight coffee cups, incised marks to base.

*£70 - 90334 No Lot


335Marcel Goupy [1886-1977]. An Art Deco macassar ebony Tantalus, circa 1930 the six glass angled decanter with macassar ebony and silver plate decorated stoppers, each bottle individually labelled in gilt enamel, set within a case with hinged top and bronzed handles, the case 28 x 43 x 20cm.


336Peter Thursby (1930-2011)Abstract Satellite form stamped PT twice to the base, 1/9, 29.7, 78.14.24.5cm high.

*£600 - 800

337A cylindrical blued steel and samorodok cigar case, possibly the work of Malcolm Appleby (20th Century British School) the cover with gold samorodok decoration over a plain blued steel body, 18.3cm high, 7.5cm diameter.

*£100 - 200Provenance. Formerly the property of Val Barry [1937-2018].

338A George V clear glass and silver mounted inkwell, maker William Neale & Son Ltd, Birmingham, 1932 of square outline with canted corners, 6.5cm wide.

*£60 - 80

338AA pair of Elizabeth II silver rat tail spoons, maker William A Phipps, London, London 1976 the oval bowls with plain stems, 14.5cm long, 125gms, 4.02ozs

*£80 - 120


339Dar Lighting Group. A pair of modern cut glass and opaque glass twelve light cluster pendant electroliers the halogen bulbs suspended between graduated drop suspensions (some damage)

*£250 - 350

339AA mid 20th century Barovier & Toso Murano Glass chandelier, circa 1960s the clear glass bowel supported between leaf decorated wrythen supports, suspended from a knopped column, 50cm high

*£400 - 600

340An Art Deco period painted metal five division plafonnier with moulded amber glass shades issuing from a pierced ovoid suspension stem, includes two 37cm high. spare shades.

*£80 - 120

341A Robert Welch designed wrought iron table lamp 39cm high, with two matching wrought iron “Fancy cage” candle stands 21cm high.

*£50 - 70

341AA pair of Robert Welch designed wrought iron table lamps wisteel central rod flanked by wrought iron spiral twist columns on a circular base, 52cm high

*£50 - 70

342A Monart style variegated glass table lamp and shade of mushroom outline, overall height 63cm high, together with a studio pottery lamp by and table lamp by J Beinmann ? overall height including shade.

*£60 - 80


343Leon Brunswick, an Art Deco patinated metal model of a female Alpine skier on a naturalistic base, signed L Brunswick, mounted on a polished marble plinth, 23cm high, 23 cm long.

*£350 - 450

344 No Lot

345After Karl Hagenauer, a bronze figure of a native child seated under a palm tree looking at a ladybird, mounted on a polished pear-shaped base, 16cm long.

*£150 - 200

346Two pieces of Dutch stoneware comprising a Zaalberg tubular vase, under gun metal glazes, 22cm wide and a Uilenspiegel figural wall plaque, 42cm high.

*£50 - 70

347Three mid 20th Century metal artisan figures, comprising Don Quixote, penny farthing and windmill. [3]

*£80 - 120

348 No Lot


349• Ron Hitchins [1926-2019] a panel of terracotta tiles formed from eighteen square tiles decorated in high relief with abstract designs, mounted on a hessian covered, framed rectangular board, 55 x 29.5cm overall, signed verso.

*£80 – 120Please refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com

350An enamelled metal plaque of rectangular form decorated with an upland landscape, 21 x 15cm in steel frame.

*£40 - 60

351Five stoneware tesserae or puzzles of varying shapes under celadon or tenmoku glazes.

*£60 - 90

352• Paul Jackson [Contemporary] two slab built stoneware vessels one from the ‘wave series’ the combed exterior under bands of ash and salt glazes, signed and dated 2008, 36cm long, the companion from the ‘terrain series’ with incised landscape decoration under salt glaze, incised with a personal inscription to the base, 34cm long.

*£150 - 250


353An Italian ‘Hula-Op’ glass and metal extending dining table, by Naos of Cavriglia, modern, the circular top with a crescent shaped extension hingeing out from the silver painted metal shafts below; 74cm high, 120cm diameter, the extension adding 70cm to the length.


354A contemporary glass and metal mounted occasional table, the top with slightly bowed sides and moulded edges; above a painted and perforated rectangular metal shelf, on four splayed legs; 52cm high, 66cm square

*£100 - 150355A pair of North American coloured plastic and metal ‘Shell’ armchairs, by Herman Miller, to designs by Charles and Ray Eames, modern, in blue and stone, with openwork splayed legs; stamped to undersides and with Herman Miller authenticity certificates; 79cm high, 64cm wide.

*£100 - 150

356A pair of tubular steel and leather ‘B3 Wassily’ armchairs after Marcel Breuer, second half 20th century, the leather back, arms and seat stretched over the openwork frame; 73cm high, 79cm wide, 70cm deep

*£800 - 1200Provenance Purchased October 2010 from Millstone Antiques, Ashbourne. Previously the property of the BBC and apparently used for the filming of Red Dwarf. A copy of the 2010 invoice is available with the lot.

357 No Lot


358A Habo metal and yellow plastic mounted ‘Atomic’ hat and coat stand, circa 1960s/1970s, with six raised hat rests with hooks beneath, on a shaft descending through a circular umbrella rack to a circular base, inset with three plastic drip trays; 172cm high, marked under base.

*£80 - 120

359A pair of Art Deco pitch pine and metal mounted standard uplighters, by Allom Bros. of London, second quarter 20th century, each with electrical fitments in and around an inverted domed metal shade, each with a maker’s plaque for ALLOM BROTHERS LTD., 16 GROSVENOR PLACE, LONDON SW1; on square section tapering shafts descending to square section bases, each on corner bracket feet; 180cm high overall

*£200 - 300

360A chromium plated metal standard lamp, modern, the rectangular pleated fabric shade with translucent perspex panel top, held in an openwork rectangular frame, on a rectangular base; 149cm high

*£60 - 90

361Bernard Holdaway for Hull Traders Furniture Ltd, a Tomatom painted chipboard and card tub chair and conforming shelf unit, circa 1966, both of cylindrical form, the former with original paper label; both 73cm high, 48cm diameter *£200 - 300The property of the late Ann MeyrickThe Tomatom cardboard collection was launched to great acclaim at the Ideal Home Exhibition of 1966. The range comprised of circular chairs, tables and lamps coated with eye-catching colours and a high gloss finish. The collection was made from chipboard, steel pins and cardboard tubes - which were originally designed for concrete pouring in motorway construction. Literature Leslie Jackson, Modern British Furniture Design since 1945, V & A Publishing, 2013, p. 185.

362A glass table lamp, modern, the rectangular pleated card shade and fitment on a square glass platform, on eight vertical rods to a stepped base; 56cm high.

*£40 - 60

360 359

358


363A set of eight contemporary stained oak and upholstered dining chairs, in the manner of Charles Rennie-MackIntosh, the narrow backs with latticed toprails, above spreading seats; the seat rails convex at the front and concave at the sides, above conforming stretchers; 117cm high, 49cm wide

*£100 - 200

364Philippe Starck (1949-) for Kartell, a set of five Louis Ghost black polycarbonate armchairs stamped as per title to rear. [5]

*£200 - 300Designed by Philippe Starck as a reinterpretation of the baroque style Louis XV armchair, three of five in image.

365A set of six contemporary Swedish stained hardwood and upholstered dining chairs by Svegards, including two elbow chairs, all with lath backs and stuff over seats, on straight legs; 102cm high, 45cm wide

*£200 - 300

366Arne Jacobsen for Fritz Hansen, Denmark, a set of six bent ply ‘Ant chairs’, designed in 1952, each with three plastic-coated legs to rubber ferrules; FH and DANMARK trademark stamped to the undersides; 76cm high, 50cm wide across the back legs.

*£300 - 500


367A set of six North American coloured plastic and metal ‘Shell’ chairs, by Herman Miller, to designs by Charles and Ray Eames, modern, all with openwork splayed legs; stamped to undersides and with Herman Miller authenticity certificates; 80cm high, 46cm wide.

*£300 - 500

368A set of seven Danish teak and faux leather upholstered dining chairs, by Nova, late 1960s/early 1970s, all with concave rectangular backrests and bowfronted seats; the straight legs with shaped stretchers; 76cm high, 48cm wide

*£150 - 250

369A set of six walnut and faux leather upholstered dining chairs in Art Deco taste, second quarter 20th century, the rectangular backrests each with a central vertical splat, above drop in seats; the straight legs with ebonised feet; 94cm high, 47cm wide

*£400 - 600Provenance Reedgate Antiques, purchased by the current vendors in 2004

370A pair of Scandinavian rosewood open armchairs the cream rexine upholstered panel back over elbow supports and upholstered seat, raised on slender legs; 102cm high, 57cm wide

*£100 - 150Notes CITES licence applied for.


371Conran, a contemporary cherrywood compactum wardrobe, the cornice above twin panel doors flanking a blind panel, above five short drawers; above two files of three graduated drawers; 228cm high, 143cm wide, 60cm deep.

*£500 - 800

372Ercol, a stained elm dresser, the plate rack with moulded top above two shelves with panel back; the base section with moulded edges above four central drawers, all with twin turned knob handles and moulded upper and lower edges to the drawer fronts; flanked by conforming panel doors; 170cm high, 147cm wide, 52cm deep.

*£70 - 100

373Ercol, a pair of stained elm corner cabinets, each with moulded cornice above open shelves; each with a panel door below; 184cm high, 76cm wide, 43cm deep.

*£60 - 90

374 No Lotone of a pair


375Ercol, a stained elm trestle dining table and six Goldsmith pattern dining chairs, the rectangular top with slightly bowed sides and rounded edges, the shaped ends descending to sled feet and united by a moulded stretcher; 73cm high, 178cm long, 88cm wide; the chairs with shaped toprails and spindle backs; 100cm high, 45cm wide

*£80 - 120

376A Mufti teak day bed with upholstered panel back and seat, raised in square section leg supports; 107cm high, 166cm long, 76cm wide; (some damage to sub frame)

*£80 - 120

377A stained hardwood and ebonised extending dining table by G-Plan, circa 1960s, the rectangular top with rounded corners, on straight tapering legs to metal disc feet; 73cm high, 190cm long with extra leaf in place, 120cm wide.

*£200 - 300

378An oak occasional table in Art Deco style, circa 1930, the octagonal top on four straight supports, with cruciform stretchers; 48cm high, 51cm wide

*£50 - 80378

377

376

375


379A pair of maple and cherrywood veneered and glazed armoires, modern, each in three sections, the uppermost with twin doors with metal handles, the middle sections with glazed doors, above lower sections each with further twin doors; shelved within; bowed to the sides either side of the doors; on plinth bases; 214cm high, 90cm wide, 60cm deep.

*£800 - 1200

380A pair of maple and birdseye maple veneered and cherry banded chests of drawers, modern, the tops with rectangular fields within cleated surrounds; the two short and three long drawers all with square metal knob handles; on plinth bases; 80cm high, 92cm wide, 44cm deep.

*£500 - 800

381A maple and birdseye maple veneered and cherry banded headboard, modern, of shallow arched form; the integral bedside stands at each side each with drawers above and below an open shelf; 96cm high, 242cm wide, 32cxm deep including side stands.

*£100 - 150


382A maple dressing table, modern, of demi-lune section, with moulded outer edges; the central section hingeing up from the front with a mirror within; on four straight, tapering legs; 77cm high, 119cm high mirror opened; 155cm wide, 64cm deep.

*£200 - 300

383A blonde oak veneered and chromium plated metal desk, modern, rectangular, with concave front and convex back; the top with a circular aperture at back left corner for a green glass vase, imitating the ink wells of earlier desks; each side with X frame supports united by a shaped stretcher; 77cm high, 140cm wide, 67cm deep.

*£200 - 300384A North American walnut and metal mounted dining table by Herman Miller, to designs by Charles and Ray Eames, modern, the rectangular top on twin supports descending to splayed legs with disc feet; stamped to underside and with Herman Miller authenticity certificate; 72cm high, 182cm long, 92cm wide.

*£300 - 500385 No Lot


386Jules Leleu for Maison Leleu, a rosewood parquetry, mother-of-pearl marquetry and gilt metal mounted secrétaire à abbatant, circa 1930s / 1940s, (apparently unsigned), with caddy top above a gilt metal band, the fall front with serpentine upper edge above a marquetry floral arrangement on a diapered ground; opening to an inset faux leather skiver and fitted satin birch interior with drawers, slots and a metal shaded light fitting; above four drawers with conforming shaped fronts and satin birch lined interiors, all with twin stylised metal knob handles; above a serpentine apron and splayed legs; 133cm high, 82cm wide, 40cm deep.

*£2500 - 3500

387Jeppe Utzon Table #1, a contemporary oak dining table, the rectangular top with re-entrant corners, with ‘L’ section straight legs; 72cm high, 270cm long, 95cm wide, (lacking leaf extensions)

*£600 - 900Danish designer Jeppe Utzon is the grandson of Jørn Utzon, architect and designer of the Sydney Opera House.

388 No Lot

Cf Sothebys London, Fine & Decorative Arts & Design from 1870, 2006, lot 131 for an example identical but for cupboard doors rather than drawers beneath the fall front. Also Christie’s New York, Roger Prigent’s Malmaison, 26th November 2002, lot 234 for a pair of highly comparable vitrinesPlease refer to the websites for further images www.BHandL.co.uk, www.the-saleroom.com & www.easyliveauction.com


389A North American walnut and metal mounted counter-height table by Herman Miller, to designs by Charles and Ray Eames, modern, the rectangular top on twin supports descending to splayed legs with disc feet; stamped to underside and with Herman Miller authenticity certificate; 91cm high, 152cm long, 76cm wide.

*£200 - 300390An oak extending dining table by Danish Randers Mobelfabrik, circa 1960s, the rectangular top with round corners, with maker’s stamp to the underside; 72cm high, 226cm long (with extra leaf in place), 110cm wide.

*£80 - 120

391An Art Deco walnut and ebonised dining table, circa 1930, the rectangular top with rounded corners; on an arched support at each end, with a serpentine arched stretcher, above twin inverted semi-circular bases; 76cm high, 178cm long, 92cm wide

*£800 - 1200Provenance Reedgate Antiques, purchased by the current vendors in 2004

392 No Lot

393Utility Furniture Scheme, an oak side table, the rectangular top with rounded corners, above a frieze drawer with metal knob handle; the four legs splayed out to the sides; stamped to the underside; 62cm high, 61cm wide, 36cm deep

*£80 - 120


394Stewart Linford of High Wycombe, an oak dining table and eight chairs en suite, the rectangular table top and plain friezes on straight, square section legs; 76cm high, 213cm long, 106cm wide; the chairs, including two elbow chairs all with rectangular open backrests and shaped seats; all with maker’s stamp to back edge of seat rail; 101cm high, the elbow chairs 62cm wide.

*£1000 - 1500

395Niels Koefoed for Koefoeds Møbelfabrik, a Danish rosewood extending dining table, circa 1960s/1970s, the two half-round ends forming a circular top, with cleated surround; on straight, tapering legs; 72cm high, 120cm diameter; 220cm long with both extra leaves in place

*£600 - 800

396A walnut and ebonised demi-lune side table in Art Deco taste, circa 1930, the hinged top opening to a baize lining on straight legs to ebonised feet; 73cm high, 60cm wide, 32cm deep.

*£60 - 90


397Raleigh Furniture, an oak straight front chest, mid 20th century, of three long drawers with ebonised horizontal bar handles and ebonised plinth, maker’s label to drawer interior; 78cm high, 83cm wide, 48cm deep.

*£40 - 60

398A walnut chest of drawers in Art Deco style, circa 1925, the top with moulded edges above four drawers, all with twin vertical metal bar handles; on short bracket legs with pad feet; 82cm high, 78cm wide, 47cm deep.

*£100 - 150

399 No Lot

400A pair of Simplex mahogany and glazed three section library bookcases maker’s label as per title to interior, 101 x 91.5 x 28cm, and a 20th century beech dining table, circa 1970s, 121 x 71cm (3)



401A set of three stained hardwood and leatherette cushioned stacking stools, circa 1970s, of circular form, each with four tapering legs with brass ferrules, locating into lugs on the stool below; 58cm high stacked, 39cm diameter, each stool 23cm high.

*£80 - 120

402A brown leather covered stool in the form of a rhinoceros, in the manner of Liberty & Co., second half 20th century, 49cm high, 104cm long.

*£300 - 500

403A contemporary upholstered revolving easy chair in the form of a stylised upturned hand, with cream faux leather coverings; 89cm high, 78cm wide.

*£100 - 150

404A woven plastic ‘Diamond chair’ in the manner of Harry Bertoia, circa 1960s, the yellow and white striped seat on four straight metal legs; 71cm high, 69cm wide.

*£50 - 80


405A Duresta ‘2.5 seater’ Spitfire sofa, modern, upholstered in Mustang Bournville leather, with matching cushions; 92cm high overall, 200cm wide, 100cm deep.Provenance Cubbin & Bragazza Ltd, St Johns, Isle of Man, purchased 2004

*£1000 - 1500

406A Duresta Spitfire armchair, modern, upholstered in Mustang Bournville leather, with matching cushions; 92cm high overall, 104cm wide, 100cm deep.

*£400 - 600Provenance Cubbin & Bragazza Ltd, St Johns, Isle of Man, purchased 2004

407A stained beech and leather covered elbow chair in the manner of campaign furniture, modern, the back and seat of leather panels held with buckled strops behind, with conforming armrests, the turned legs on bun feet; 77cm high, 58cm wide.

*£80 - 120


408Two Troika pottery vases comprising a marmalade pot with abstract textured decoration under green, cream and sepia glazes, painted Troika Cornwall with monogram for Ann Jones, together with a similarly decorated coffin vase, marked Troika Cornwall with monogram for Sue Lowe, [flake chipped] circa 1976-77.

*£60 - 80

409A Troika pottery cylinder vase decorated with a band of square and circle motifs bisected by triple line borders on a textured green ground,, painted Troika England with monogram for Simone Kilburne, circa 1976, 19cm high.

*£60 - 80

410A Troika pottery wheel vase decorated with raised abstract designs in cream, green and sepia on a textured ground, painted Troika England with monogram for Penny Black, 16.5cm high

*£60 - 80

411A large art glass dish of circular form the clear and white speckled ground applied with orange and yellow ‘tiger stripe’ tesserae, orange and yellow speckled bands and granular decoration, 47cm diameter

*£40 - 60

412• Bob Crooks [b. 1965] a First Glass vase of flattened oviform, the clear body with colourful flower motifs below a green band under a sand blasted finish, diamond point etched Bob Crooks under the foot, 37cm high.

*£200 - 250


413A Gallé cameo glass lamp base of slender waisted form the pale amber body overlaid with purple and acid etched with Clematis-like blooms and foliage, raised signature, 28.5cm high.

*£150 - 250

414An art glass vase of compressed globular form the clear body set with diced red and white canes, 13cm high.

*£30 - 50

415A Murano glass figure of Pegasus the clear and pale blue beast in rearing posture with fanned tail and out stretched wings supported on a ribbed circular stand, diamond point etched Barbini, [possibly Alfredo Barbini], 36cm high

*£80 - 120

416Two Murano glass liqueur decanters for Luxardo of rustic rock like form the large stoppers in the form of a dolphin and an exotic bird respectively, sealed with their contents, 31 and 35cm high.



417Rosenthal for Fornasetti a Palladiana part dinner service after a design by Piero Fornasetti, transfer decorated with architectural designs and comprising thirteen dinner plates, ten soup plates, ten side plates, ten dessert plates, a vegetable dish and stand and a serving plate, printed black marks. [46]

*£1000 - 1500

418A Purbeck stoneware Brown Diamond table service comprising five plates, five two handled bowls, gravy boat, salt shaker, six cups [one chipped], two mugs, seven saucers, teapot, milk jug and sugar box.

*£40 - 60

419• John Leach [1939-2021] Muchelney Pottery an extensive quantity of domestic stoneware including five casserole dishes and covers, a salt pig, two pitchers, two preserve pots and covers, flower pot, numerous bowls, tankards, egg cups and other items, impressed marks. [a lot]

*£150 - 200

420• Tim Andrews [b.1960] a group of primarily stoneware domestic items comprising two jugs, two tankards, two one handled bowls and a cheese plate together with two porcelain mugs, various forms and decoration, impressed personal seals.

*£60 - 90


421• John Maltby [1936 - 2020] a stoneware plaque of square form modelled in high relief with two fishermen before their vessels, under ivory and black oxides, 28 x 28cm, applied personal seal to the front and impressed seal verso.

*£500 - 700

422• Alvaro Quezada [Contemporary] a white earthenware vase of thinly potted egg-shaped form the ivory ground with arbitrary linear designs, incised Alaro Quezada to base, 18cm high.

*£30 - 50

422AAn Arts & Craft influence pewter three-piece tea service together with circular serving tray with loop handles to the sides, 42cm wide.

*£30 - 60


423A pair of circular glass dish ceiling lights on slender and flat knopped stems, 48cm diameter.

*£200 - 300

424Lucien Vin, (French contemporary) ‘The Embrace II’ bronze sculpture, numbered 67/195, initialled to the bronze, mounted on a polished marble base, 55cm overall height.

*£120 - 180

425A continental onyx and plated novelty musical cigarette dispenser in the form of a temple, with domed roof and cherub finial, with revolving panels to the sides, mounted on a circular metal base with grotesque mask decorated feet, 32cm high.

*£50 - 100

426A George V century silver mounted glass table vesta, makers marks worn, London, 1914 of globular form, mounted on a circular base, 15cm high.

*£100 - 150


427After Max Le Verrier, ‘The Challenge’ an Art Deco bronzed metal semi nude male holding a sword and outstretched arm on a rocky base, 82cm high

*£200 - 300

428Jude Jelfs (b. 1950)“Seated Female Nude” bronze study, signed to the bronze jude Jelfs, No 5/10, on a stone plinth base, overall height 20cm.

*£200 - 250

429Daniel Mudidmu (Zimbabwean contemporary)“Family Unity” carved shona stone figure group, on an oval base, 45cm high.

*£150 - 250

430A contemporary carved wood model of a running hare mounted on a rectangular base, incised initials SR, together with a collection of late 20th century turned treen, fruits, dishes and bowls, some by Arthur Cummings, (a lot).

*£60 - 100

430 429

428

427


431• Richard Spare [b.1951]Harbour,etching with aquatintsigned, inscribed and numbered 35/150sight size 34 x 34cm.

*£100 - 150

432• Richard Spare [b.1951]Low Tide,etching with aquatintsigned, inscribed and numbered 77/150sheet size 38 x 40cm.

*£70 - 100

433• Richard Spare [b.1951]At Anchor,etching with aquatintsigned, inscribed and numbered 24/150sheet size 25 x 36cm.

*£60 - 80


Artist IndexARTIST LOT NUMBER

Ackroyd (N.) 279

Akande 246

Allen (G.) 37

Andrews (T.) 420

Barrett (P.) 14, 15, 16, 17, 19, 20, 21

Berg (A.) 283

Boland (C.) 109

Bond (F.) 273

Boshier (D.) 236

Brunswick (L.) 343

Bulow-Hube (V. T.) 49, 60

Caines (S.) 261

Campbell (P.) 288

Cass (B.) 312

Chamberlain (T.) 142

Chapman (A. N.) 333

Cheese (B.) 127

Cisz (H.) 25, 26, 27, 28

Clarke (G.) 285, 286, 287

Cockram (R.) 330

Coker (P. G.) 24

Cook (B.) 245

Cookson (D.) 220

Cooper (S.) 228

Cracknell (A.) 29

Creffield (D.) 266

Crooks (B.) 412

Dali (S.) 299

Davies (G.) 129

Davies (G.) 139

Davies (G.) 234

De Trey (M.) 166

Denis (J.) 211

Ditzel (N.) 41, 48

Downing (P.) 186

Doyly-John (C. R.) 250

Draper (K.) 255

Drew (S.) 260

Edmonds (J. D.) 7

Erik (N.) 39, 115

Eustace (D.) 252

ARTIST LOT NUMBER

Feiler (H.) 91, 97

Fishwick (C.) 154, 155, 156, 157, 158

Fitzgerald (S.) 231, 232

Foote (S.) 191

Forrester (J.) 275

Forshall (B.) 9

Franco 8

Frost (T.) 207

Gabrielsen (B.) 108

Gaspari (F. de) 243

Gatfield (R.) 237, 238

Gear (W.) 149, 150, 151

Giardelli (A.) 249

Greenhalgh (A.) 116, 117, 118, 119, 120, 121, 122, 123, 124

Greenwood (P.) 22

Gregory (M.) 258

Grimshaw (T.) 278

Groupy (M.) 335

Halpern (S.) 132

Harris (C.) 57, 66, 67, 70, 71, 73, 74, 76, 77, 79, 114

Harthill (B.) 256

Hitch (S.) 128

Hitchins (R.) 349

Holdaway (B.) 361

Hull (J.) 43

Hyde (D.) 301

Ikonen (H.) 42, 95

Jackson (P.) 210

Jackson (P.) 327, 352

Jacobsen (A.) 366

Jensen (G.) 40

Jones (C.) 179

Kasamatsu (S.) 293

Keeney (C.) 194

Kellam (C.) 195, 196

Kirton-Smith (J.) 268, 269

Kneer-Zeller (G.) 290A

Kocking (S. J.) 290

Koefoed (N.) 395

ARTIST LOT NUMBER

Koppel (H.) 38, 47, 110

Lalique 106

Lane (P.) 189

Lawrence (J.) 274

Leach (Jeremy.) 311, 317, 318, 321, 329

Leach (John.) 303, 306, 320, 322, 324, 419

Leleu (J.) 386

Lenkiewicz (R. O.) 291

Linford (S.) 394

Longueville (J.) 140

Lovell (M.) 294

Lowry (L. S.) 277

Lyons-Wilson (W.) 1, 2, 3, 4, 5

MacMiadhachin (P.) 35, 36

Mahood (K.) 282

Maltby (J.) 421

Markey (D.) 264

Masters (T.) 145

Mayer-Marton (G.) 152

McCarthy (M.) 141

McClure (D.) 239

Melbourne (M.) 326

Michell (R.) 214

Minami (K.) 267

Morinox 202

Mudidmu (D.) 429

Myers (B.) 32, 33

Nakayama (T.) 292

Nielson (H.) 50

Nubel (B.) 251

O’Cathail (B.) 235

Olabisi (N.) 135

Owen (J.) 136

Pacak (A.) 69, 81, 98

Paine (K. E.) 295, 296

Palmer (S.) 144

Pantling (D.) 226

Paolozzi (E.) 298

Perkins (J. S.) 62

Popham (A.) 193

Quezada (A.) 422

Contact Simon Hay

[email protected]: 07813 890622 Tel: 01392 479111

Lycetts is a trading name of Lycett, Browne-Swinburne & Douglass Ltd which is authorised and regulated by the Financial Conduct Authority. Lycetts is a trading name of

Lycetts Financial Services Ltd which is authorised and regulated by the Financial Conduct Authority.

Not everything is shut away in glass cases.Contact

Simon [email protected]

Mob: 07813 890622 Tel: 01392 479111

Lycetts is a trading name of Lycett, Browne-Swinburne & Douglass Ltd which is authorised and regulated by the Financial Conduct Authority. Lycetts is a trading name of

Lycetts Financial Services Ltd which is authorised and regulated by the Financial Conduct Authority.

Not everything is shut away in glass cases.

ARTIST LOT NUMBER

Ramshaw (W.) 112, 113

Rasmussen (K. A.) 63

Rees (N.) 319, 323

Reid (B.) 284

Rich (M.) 187

Rich (M.) 325

Rooke (B.) 188

Sempe (J. J.) 10

Sepp-Kneer (J.) 253

Seymour (B. M.) 30, 31

Seymour (J.) 133

Sheridan (V.) 11

Simmons (P.) 240

Snowden (R.) 233

Spafford (L.) 126

Spare (R.) 431, 432, 433

Stafford (J.) 134

ARTIST LOT NUMBER

Starck (P.) 364

Sutton (J.) 242

Tchalencko (J.) 305

Thatcher (E.) 52, 54

Thomas (P.) 131

Thornton (V.) 257

Thursby (P.) 336

Tregear (N.) 218

Trinnick (K.) 310

Trpin (B.) 262

Turner (F.) 23

Ufer (T.) 111

Utzon (J.) 387

Vanhorck (H.) 153

Veliz (C.) 146, 147, 148

Vin (L.) 424

Vlaminck (M. de) 247

ARTIST LOT NUMBER

Wallwork (A.) 180, 181, 182, 183, 190

Ware (M.) 270, 271

Warff (G.) 184

Wason (J.) 185

Welch (R.) 203

Westwood (R.) 12

Whalley (A. P.) 197

White (M.) 176

Whybrow (T.) 265

Winterton (C.) 307

Wood (P.) 213

Wood (R.) 300

Wright (P.) 192

Yardley (W.) 125

Yates (F.) 138

Information for Buyers at Auctions1. Introduction. The following notes are intended to assist bidders

and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 25% + VAT (30%) which shall include VAT on the premium at the rate imposed by law (see below). There is a surcharge for bidding on the internet.

5. VAT. Items in our catalogue may be marked in the following ways: a. A ‘dagger’ symbol indicates that VAT is payable by the buyer

on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.

b. The double ‘dagger’ indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)].

c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7. Electrical goods. These are sold as “antiques” and for collection and display only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character

e.g. because the goods contain prohibited materials such as ivory.9. Bidding. Bidders will be required to register with us before the

auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will

be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10. Financial Checks. As auctioneers we may have to conduct various checks into our customers under the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 and related legislation. Unless we confirm we already have this information, on registration you will be required to provide the following:

a. For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document);

b. For corporate entities, the certificate of incorporation (or equivalent) with your official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity;

c. For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries; please contact us for further information.

You may be asked for further information if we deem this necessary. If you are bidding for another person (your “Principal”) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid.

Further information about ID requirements is available on 01392 413100 or [email protected] If we deem that you have not provided sufficient information for us to complete our anti-money laundering and terrorist financing checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any contract made by you and the Seller in the event you have made a successful bid.

11. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or online bidding platform.

12. Methods of PaymentAll payments must be made in sterling. The following methods of payment are available: CHEQUE; STERLING BANK DRAFT; ELECTRONIC BANK

TRANSFER IN STERLING; CREDIT CARD (VISA AND ACCESS-MASTERCARD ISSUED IN THE UK ONLY); DEBIT CARDS; CASH (up to a maximum of £1,000); WEBSITE SAGEPAY PAYMENT LINK

If a purchaser is unknown to the auctioneers and is intending to pay by credit or debit card we will require the card holder to attend in person with suitable photographic identification, otherwise payment is required by BACS/CHAPS or electronic bank transfer. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Cheques and drafts should be made payable to Bearnes Hampton & Littlewood.Card payments where the card holder is not present will only be accepted for transactions up to £1,000Clearance TimesAll other sterling cheques drawn on UK banks will generally clear on the fifth working day after receipt.Sterling bank drafts drawn on UK banks can generally be cleared immediately.Bank transfers clear as soon as our bank receives funds (which does not happen instantaneously after payment instructions are given).Credit and debit card payments can be cleared immediately, subject to paragraph above.13. Collection and storage. Please note what the Terms of Sale say

about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

Conditions of SaleBearnes, Hampton & Littlewood carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1 DEFINITIONS AND INTERPRETATION1.6 To make these Terms of Sale easier to read, we have

given the following words a specific meaning:

“Auctioneer” means Bearnes Hampton & Littlewood LTD, a partnership or company registered in England and Wales with registration number 3857887 and whose registered office is located at St Edmund’s Court, Okehampton Street, Exeter EX4 1DU or its authorised auctioneer, as appropriate;

“Bidder” means a person participating in bidding at the auction;

“Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer;

“Deliberate Forgery”

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

“Hammer Price”

means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer;

“Lot(s)” means the goods that we offer for sale at our auctions;

“Money Laundering Regulations”

means the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017, as amended;

“Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4;

“Reserve” means the minimum hammer price at which a Lot may be sold;

“Sale Proceeds” means the net amount due to the Seller;

“Seller” means the persons who consign Lots for sale at our auctions;

“Terms of Consignment”

means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers;

“Terms of Sale”means these terms of sale, as amended or updated from time to time;

“Total Amount Due”

means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale;

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

“VAT” means Value Added Tax or any equivalent sales tax; and

“Website” means our website available at

www.bhandl.co.uk.

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 INFORMATION THAT WE ARE REQUIRED TO GIVE TO CONSUMERS

2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 6, 8 and 9.

2.4 The arrangements for collection of the Goods as set out in Clauses 9 and 10.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 14.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

2.8 We also refer you to your warranties as a Bidder and Buyer as set out in clause 6.

3 BIDDING PROCEDURES AND THE BUYER3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us (Paragraph [10] of the Information for Buyers in the Sale Catalogue refers). You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person if possible. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 THE PURCHASE PRICEAs a buyer you will pay :-Buyer’s Premium. A buyer’s premium at 25% + VAT (30%) which shall include VAT on the premium at the rate imposed by law (see below) with the exception of Books and unframed maps on which no VAT is payable, any artist’s resale right royalty payable on the sale of the Lot; and any VAT due.

5 VAT5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6 BUYER WARRANTIES6.1 You warrant that the funds used for settlement are not connected with any criminal activity including tax evasion, and that you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

6.2 Where you are bidding on behalf of another person, you warrant that:

6.2.1 You have conducted appropriate customer due diligence on the ultimate buyer(s) of the Lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence;

6.2.2 You will make such documentation promptly available for immediate inspection by an independent third party auditor upon our written request to do so;

6.2.3 The arrangements between you and the ultimate buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes;

6.2.4 You do not know, and have no reason to suspect, that the funds used for settlement are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes.

7 THE CONTRACT BETWEEN YOU AND THE SELLER7.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

7.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

7.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

7.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7.5 In addition to any other rights we may have to cancel a contract for sale under these Terms of Sale, in the event:

7.5.1 you are in breach of your warranties in clause 6; or

7.5.2 we have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or

7.5.3 we have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability,

we may delay completion of a sale, delay release of a Lot or cancel the sale of a Lot.

8 PAYMENT8.1 Immediately following your successful bid on a Lot you will:

8.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations – please refer to Paragraph [10] of the Information for Buyers in the Sale Catalogue ); and

8.1.2 pay to us the Total Amount Due by one of our payment methods.

8.2 If you owe us any money, we may use any payment made by you to repay these debts.

9 TITLE AND COLLECTION OF PURCHASES9.1 While you are bound by the contract for the purchase of the Lot from the fall of the hammer on your successful bid, ownership in the Lot will not pass to you until:

9.1.1 you have paid us in full the Total Amount Due in cleared funds for that Lot;

9.1.2 you have provided us with the information set out in clause 8.1.1; and

9.1.3 we have completed our enquiries pursuant to the Money Laundering Regulations and related legislation.

You may not claim or collect a Lot until you have paid for it and ownership has passed to you.

9.2 Unless notified otherwise, you will (at your own expense) collect any Lots that you have purchased and paid for no later than 5 working days following the day of the auction or upon the clearance of any cheque used for payment.

9.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot, unless the delay was caused by our continuing investigations under Clause 7.5.2.

9.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

9.5 If you do not collect the Lot that you have paid for within 21 days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but (unless the delay was caused by our continuing investigations under Clause 7.5.2) will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

10 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

10.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

10.1.1 take action against you for damages for breach of contract;

10.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;

10.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

10.1.4 remove, store and insure the Lot at your expense;

10.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; to the extent it remains unpaid for more than 28 days a late payment penalty of £40 will be charged.

10.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

10.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

10.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

10.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

11 HEALTH AND SAFETYAlthough we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

12 SELLER’S WARRANTIES12.1 The Seller warrants to us and to you that:

12.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

12.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and

12.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

12.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

12.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

12.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 12.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

12.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

13 DESCRIPTIONS AND CONDITION13.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

13.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

13.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

13.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

14 DELIBERATE FORGERIES14.1 You may return any Lot which is found to be a Deliberate Forgery to us within 21 days of the auction provided that

you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

14.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) PROVIDED that if:

14.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

14.2.2 you personally are not able to transfer good and marketable title in the Lot to us;

you will have no right to a refund under this Clause 13.2.

14.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

14.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

15 OUR LIABILITY TO YOU15.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

15.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

15.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

15.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

15.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);

15.4.2 fraudulent misrepresentation; or

15.4.3 any liability which cannot be excluded by law.

16 NOTICES16.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

16.2 Any notice referred in Clause 15.1 may be given:

16.2.1 by delivering it by hand;

16.2.2 by first class pre-paid post or Recorded Delivery; or

16.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

16.3 Notices must be sent:

16.3.1 by hand or registered post:

a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and

b. to you, at the last postal address that you have given to us as your contact address in writing; or

16.3.2 by email:

a. to us, by sending the notice to the following email address: [email protected]

b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

16.4 Notices will be deemed to have been received:

16.4.1 if delivered by hand, on the day of delivery;

16.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

16.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.

16.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by email, any form of messaging via social media or text message.

17 DATA PROTECTIONWe will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on www.bhandl.co.uk/privacy.

18 GENERAL18.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

18.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

18.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

18.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

18.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

18.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

18.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

Based on recommended terms of sale by the Society of Fine Art Auctioneers & Valuers.

Glossary of cataloguing termsAny statement as to authorship, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. 1. SIDNEY RICHARD PERCY – In our opinion a work by the

artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.)

2. ATTRIBUTED TO SIDNEY RICHARD PERCY – In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

3. STUDIO OF SIDNEY RICHARD PERCY – In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed by under the artist’s direction.

4. CIRCLE OF SIDNEY RICHARD PERCY - In our opinion a work by an as yet unidentified but distinct hand – closely associated with the named artist but not necessarily his pupil.

5. STYLE OF . . . ; FOLLOWER OF SIDNEY RICHARD PERCY - In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

6. MANNER OF SIDNEY RICHARD PERCY – In our opinion a work in the style of the artist and of a later date.

7. AFTER SIDNEY RICHARD PERCY – In our opinion a copy of a known work of the artist.

8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

10. Dimensions are given height before width.

Artist’s resale right (“droit de suite”)If a lot is affected by this right it will be identified by the symbol ”•” next to the lot number. The buyer agrees to pay Bearnes Hampton & Littlewood an amount equal to the resale royalty and we will pay such amount to the artist’s collecting agent. Resale royalty applies where the hammer price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows:Royalty for the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.1 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 00.25% in excess of 500,000Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro ratio rate of exchange will be European Central Bank reference rate on the day of the sale.Post 1950 Upholstered FurnitureAll items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.Cites RegulationsFurniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Bearnes Hampton & Littlewood certificate or are aware of its reference number.It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Bearnes Hampton & Littlewood Fine Art Auctioneers. Items are clearly marked with their certificate number where appropriate.

Wrapping, Packing and Despatch

Preferential rates have been negotiated with Mail Boxes Etc., specialist in the provision of wrapping, packing and despatch services to the Antiques and Fine Art business sector. They provide for all services for lots purchased from our saleroom.

Unfortunately Bearnes Hampton & Littlewood are unable to provide any other wrapping, packing and despatch service of their own.

Mail Boxes Etc. collect items regularly from our saleroom, though special collections can be arranged if required. They offer a professional, domestic and International service by post, courier, road, air and sea, depending on the lot size, destination and speed required. Bespoke cases can also be made up for your lot or lots.

While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing is agreed after wrapping and packing prior to despatch.

The minimum cost with Mail Boxes Etc. is £15.00 plus VAT for small, lightweight non fragile items under 2kgs. This will include collection, professional wrapping, packing and domestic delivery.

Payment can be made with all major credit and debit cards.

InsuranceIf you do not have your own transit insurance, enhanced compensation cover is available from Mail Boxes Etc., to provide either full cover or loss only, as required.

For any further information please call the team at Mail Boxes Etc.

Tel: 0800 783 1381 or 01752 257224

Email: [email protected]

Fax: 01752 257225

Website: www.mbeplymouth.co.uk

Mail Boxes Etc., 91 Mayflower Street, Plymouth PL1 1SB

Delivery instructionsPlease complete the following and leave or return to:

Bearnes Hampton & LittlewoodSt. Edmund’s Court, Okehampton Street, Exeter EX4 1DU.

Telephone 01392 413100

or send direct to Mail Boxes Etc.

Name

Address

Postcode

Telephone Mobile

Lot No. Description

Lot No. Description

Lot No Description

Mail Boxes Etc. will call you after collecting prior to despatch to confirm costs and payment instructions

IMPORTANT: Please note this list is printed only as a guide and clients are requested to contact Bearnes, Hampton & Littlewood for confirmation of sale dates and special advisory days.

Catalogue production by Acanthus Press Ltdwww.acanthuspress.ltd.uk01823 663339

© Bearnes Hampton & Littlewood 2022 Ref CC07

SALEROOMSt Edmund’s Court, Okehampton Street, Exeter EX4 1DUTelephone 01392 [email protected] | www.bhandl.co.uk

CHAIRMAND J K Goddard BA (Hons), ASFAV.

MANAGING DIRECTORR E Littlewood BA (Hons)

DIRECTORSN J Saintey ASFAV, C Beadman MA MRICS, B Goodison-Blanks BA (Hons)

VALUATIONSInheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Department offer a complete and comprehensive service to Executors, Solicitors and Bank Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps.

Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience in preparing insurance valuations and inventories for the purpose of substantiating claims in the event of losses resulting from accident, fire or theft.Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes.For further information please contact: Cristian Beadman

ADMINISTRATIONCompany Secretary Susan TharbyHead of Client Accounts Laura Hayward

SPECIALIST DEPARTMENTSBooks, Manuscripts and Photographs Rachel Littlewood,

Roger Collicott (Consultant)Ceramics and Glass Nicholas Saintey, Andrew ThomasClocks Leigh ExtenceFurniture Cristian BeadmanJewellery Joan Lowther MA, DGA, FGAMaritime, Sporting and Collectors Items Brian Goodison-BlanksPictures Daniel Goddard

Martin Scadgell (Consultant)Silver Martin McIlroyWorks of Art, Collectors’ Items Martin McIlroyValuations for Probate and Insurance Cristian Beadman

SALE ADVICEBearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to their offices which are open:Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without charge or obligation.

Dorset Ambassador: Sally Bartlett - 01308 456208Cornwall Representative: Richard Hamm - 01208 813593Isle of Wight Representative: Tim Smith - 07966 989356

Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887Registered Office: St. Edmund’s Court, Okehampton Street, Exeter

FORTHCOMING SALE DATES 2022

11th, 12th & 13th OctoberQuarterly Fine Sale FS55

8th NovemberSporting & Collectors Sale SC38

6th DecemberBook Sale BK27

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU

01392 413100 I [email protected] I www.BHandL.co.uk Tuesday 13th September 2022

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