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Egon Schiele (1890-1918) Self-Portrait Standing, 1910, Gouache, watercolor and pencil with white highlighting, 55 x 36cm. “At present, I am mainly observing the physical motion of mountains, water, trees and flowers. One is everywhere reminded of similar movements in the human body, of similar impulses of joy and suffering in plants.” - Egon Schiele

Schiele

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Page 1: Schiele

Egon Schiele (1890-1918)

Self-Portrait Standing, 1910,

Gouache, watercolor and pencil with white

highlighting, 55 x 36cm.

“At present, I am mainly observing the physical motion of mountains, water, trees and flowers. One is everywhere reminded of similar movements in the human body, of similar impulses of joy and suffering in plants.”- Egon Schiele

Page 2: Schiele

Schiele, Egon, Eduard Kosmack, 1910, Oil on canvas, 100 x 100cm

Looking at this painting, describe Schiele’s style in terms of space, colour, figure, form, and line.

What similarities can you see with Klimt? What differences?

Portrait of Emilie Flöge. 1902.

Page 3: Schiele

Schiele, Egon, Pregnant Woman and Death, 1911, Oil on canvas, 100 x 100 cm.

Page 4: Schiele

Self-Portrait as St. Sebastian(Poster for Arnot Gallery exhibition)1914/15Indian ink and opaque67 x 50 cm

What sort of message is Schiele trying to create here with this self-portrait as the martyr St. Sebastian? What makes you think this?

Page 5: Schiele

Self-Portraits

Consider the way that Schiele has created a self-portrait. In what ways might you distinguish between the way Schiele has done a self-portraits compared to someone like Beckmann?

Page 6: Schiele
Page 7: Schiele

Paintings of Women

Artist's wife, 1917

Female Nude, 1910

Female Nude, 1914

Freundschaft, 1913

Consider the way that Schiele has portrayed women. How does is seem different than the way he portrays himself? Why do you think so?

Page 8: Schiele
Page 9: Schiele

Though there are obvious similarities to Klimt in this work, in what ways is this work quite different stylistically?

Frederike Beer

Page 10: Schiele

Schiele, EgonSeated Couple (Egon and Edith Schiele)1915Gouache and pencil on paper52 x 41cm

Page 11: Schiele

Schiele, Egon, Death and the Maiden, 1915/16Oil on canvas, 150 x 180 cm

Page 12: Schiele

Schiele, Egon, Embrace (Lovers II),1917Oil on canvas, 100 x 170cm

Page 13: Schiele

Four Trees

Little Tree

In what ways do Schiele’s landcapes imbue the same sort of stylistic features as his figurative art works? Consider the quote that we started with.

Page 14: Schiele

Tote Stadt

Page 15: Schiele

With this last art works and all that you have seen of Schiele’s, in what ways does it seem that he fits into the Expressionist movement that we have been studying?