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Removing himself
from the authorial process
Morgan Fisher‘()’, 2003Comprised entirely of interests taken from commercial feature films
Bfl.org.uk interview ‘Morgan Fisher: The Man Who Wasn’t There’ by Melissa Gronlund, 2015
• Morgan Fisher created a “rule that organised the shots for [him]”, saving him from “making editorial decisions”
• “we are so conditioned to regard the order of things as expressing intentions”
• “these [paradigms and] procedures let the artists say that the work was motivated, there was a reason for it to be what it was other than personal expressivity”
SUSAN HILLER‘RESOUNDING (INFRARED)’ 2013
“Hiller’s repertoire of assembled images, objects or sounds embodies a delicate balance of the familiar and unexplained that draws the audience into becoming participants in creating meaning” Ann Gallagher , 2011
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https://www.ted.com/talks/jeff_iliff_one_more_reason_to_get_a_good_night_s_sleep?language=en [Accessed 17 Dec. 2014].
• BBC News, (2013). Turner Prize 2013: Laure Prouvost wins £25,000 prize - BBC News. [online] Available at: http://www.bbc.co.uk/news/uk-northern-ireland-25175225 [Accessed 8 Nov. 2015].
• Gronlund, M. (2015). The man who wasn’t there: an interview with Morgan Fisher | Sight & Sound. [online] British Film Institute. Available at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/morgan-fisher-man-who-wasnt-there [Accessed 9 Oct. 2015].
• Hamlyn, N. (2003). Film art phenomena. London: BFI Pub.
• Marks, L. (2002). Touch. Minneapolis: University of Minnesota Press.
• Underwood, E. (2015). Alzheimer's amyloid theory gets modest boost. Science, 349(6247), pp.464-464.
• Xie, L., Kang, H., Xu, Q., Chen, M., Liao, Y., Thiyagarajan, M., O'Donnell, J., Christensen, D., Nicholson, C., Iliff, J., Takano, T., Deane, R. and Nedergaard, M. (2013). Sleep Drives Metabolite Clearance from the Adult Brain. Science, 342(6156), pp.373-377.
• • Hiller, S., Gallagher, A. and Bois, Y. (2011). Susan Hiller. London: Tate Pub.