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the same for p4 & p5
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10 INTER VALS, CHORDS, AND EAR TRAINING.
Exercise in Ear Training.
Place the pupil where he cannot see the keyboard. Try to
teach him to recognize by ear the intervals in Examples 7 and 8.
Play the perfect prime and the perfect fth in succession.
\
g '96- '6-
Tell the pupil what intervals you have played, and let him dis-
tinguish between them ; do the same with the perfect fourth and
the perfect fth :
a? It
'9' '9-
then play the perfect octave and the perfect fourth. Play other
combinations of perfect intervals till the pupil can distinguish
between the perfect intervals; then play the perfect intervals
separately till the pupil can recognize them all. Then treat the
major intervals in the same way. Play perfect and major inter-
vals in succession, until the pupil can recognize any interval
given in Examples 7 and 8, when it is struck separately.
If the pupil has not a quick ear, let him distinguish at rst
between the major second and perfect fth, the major seventh
and perfect fourth, etc.
Strike each interval simultaneously and successively, that the
pupil may learn to recognize the intervals when they are played
either way. . -
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