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Prism™ Lounge Chair, Ottoman and Side TableDavid Adjaye
6888_BKS-317R.indd 1 11/2/15 12:15 PM
BK
S-3
17R
© 2
015
Kno
ll, In
c.
cs_prism_150707.eps
120% from PLKS Cut Sheet
16.25
31.5
31.5
16.25
Line Weight : 0.35 pt
Prism™
33.25
17
16.75
26.75 14.5
16.25
18
17
WL25WL23WL21SWL21F
15.5
The Washington Collection for Knoll™, designed by David Adjaye
cs_prism_150707.eps
120% from PLKS Cut Sheet
16.25
31.5
31.5
16.25
Line Weight : 0.35 pt
Prism™
33.25
17
16.75
26.75 14.5
16.25
18
17
WL25WL23WL21SWL21F
15.5
The Washington Collection for Knoll™, designed by David Adjaye
cs_prism_150707.eps
120% from PLKS Cut Sheet
16.25
31.5
31.5
16.25
Line Weight : 0.35 pt
Prism™
33.25
17
16.75
26.75 14.5
16.25
18
17
WL25WL23WL21SWL21F
15.5
The Washington Collection for Knoll™, designed by David Adjaye
P R I S M™ Designed by David Adjaye as part of the Washington Collection for Knoll™, the Prism Lounge
Chair, Ottoman and Side Table explore monumental form through faceted geometries. Both sculptural
and architectural in concept, Prism impresses from any angle. The chair and ottoman have a balanced
construction that uses careful geometry to create planes that cradle the form. The craftsmanship that goes
into executing the complex angles is unusual for a mass production piece. Constructed of a color core
laminate shell, the collection is available in a red, white or black gloss, with a variety of approved KnollTextiles
seating upholsteries. The lounge chair swivels, offering functionality to animate any setting. The side table
includes a selection of marble tops.
D AV I D A D J AY E Widely recognized as one of the leading architects of his generation, David Adjaye has
gained international renown with work in Europe, North America, the Middle East, Asia and Africa. Adjaye’s
structures address local concerns and conditions through both a historical understanding of context and a
global understanding of modernism. His projects range in scale from private houses, exhibition design and
temporary pavilions, to major arts centers, civic buildings and masterplans. They include the Smithsonian
Institution’s National Museum of African American History and Culture, the Moscow School of Management,
the Nobel Peace Centre in Oslo, and the Museum of Contemporary Art in Denver. “Making Place: The
Architecture of David Adjaye,” the first large-scale museum survey of his work, opened in 2015 at the Art
Institute of Chicago.
6888_BKS-317R.indd 2 11/2/15 12:21 PM
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