Prism™ Lounge Chair, Ottoman and Side TableDavid Adjaye

6888_BKS-317R.indd 1 11/2/15 12:15 PM

BK

S-3

17R

© 2

015

Kno

ll, In

c.

cs_prism_150707.eps

120% from PLKS Cut Sheet

16.25

31.5

31.5

16.25

Line Weight : 0.35 pt

Prism™

33.25

17

16.75

26.75 14.5

16.25

18

17

WL25WL23WL21SWL21F

15.5

The Washington Collection for Knoll™, designed by David Adjaye

cs_prism_150707.eps

120% from PLKS Cut Sheet

16.25

31.5

31.5

16.25

Line Weight : 0.35 pt

Prism™

33.25

17

16.75

26.75 14.5

16.25

18

17

WL25WL23WL21SWL21F

15.5

The Washington Collection for Knoll™, designed by David Adjaye

cs_prism_150707.eps

120% from PLKS Cut Sheet

16.25

31.5

31.5

16.25

Line Weight : 0.35 pt

Prism™

33.25

17

16.75

26.75 14.5

16.25

18

17

WL25WL23WL21SWL21F

15.5

The Washington Collection for Knoll™, designed by David Adjaye

P R I S M™ Designed by David Adjaye as part of the Washington Collection for Knoll™, the Prism Lounge

Chair, Ottoman and Side Table explore monumental form through faceted geometries. Both sculptural

and architectural in concept, Prism impresses from any angle. The chair and ottoman have a balanced

construction that uses careful geometry to create planes that cradle the form. The craftsmanship that goes

into executing the complex angles is unusual for a mass production piece. Constructed of a color core

laminate shell, the collection is available in a red, white or black gloss, with a variety of approved KnollTextiles

seating upholsteries. The lounge chair swivels, offering functionality to animate any setting. The side table

includes a selection of marble tops.

D AV I D A D J AY E Widely recognized as one of the leading architects of his generation, David Adjaye has

gained international renown with work in Europe, North America, the Middle East, Asia and Africa. Adjaye’s

structures address local concerns and conditions through both a historical understanding of context and a

global understanding of modernism. His projects range in scale from private houses, exhibition design and

temporary pavilions, to major arts centers, civic buildings and masterplans. They include the Smithsonian

Institution’s National Museum of African American History and Culture, the Moscow School of Management,

the Nobel Peace Centre in Oslo, and the Museum of Contemporary Art in Denver. “Making Place: The

Architecture of David Adjaye,” the first large-scale museum survey of his work, opened in 2015 at the Art

Institute of Chicago.

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