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pavelka luka portfolio catalogue
105 - 112елисаwork in progress
91 - 104
studio project 1_2013
07studio project 1_luka pavelka portfolio catalogue 04
SP 1 is a student project in the 3rd semester of the 3-year bachelor program at the Faculty of Architecture. The assignment is to create a conceptual proposal of a set
of 1 story high residential houses with a typology of houses in a row. The assigned location for the project is situated in the eastern part of Belgrade, next to the “Višnjica”
suburb, and right before “Lešće” cemetary. The location is further constrained with a frame of 200 by 400 meters, for a more focused research. The start of the project
was a visit to this location, and analysis of the present contents, conditions and factors influencing this space proceeding with a newly formed methods for designing.
studio project 1_2013
The analysis of the terrain, among other approaches, was chosen to be the driving method for
further research. Planning and positioning a route for a simple path from the lowest to the
highest point in the framed field, led to descovering an existing natural line throughout the
terrain, composed of closely lined up contour lines of different heights. This further continued
to use as a parameter for placement of an aligned system for producing the set of residential
houses. The idea was to use the present conditions of the space as much as possible and as a
supportive context for the new interventions which are to be minimal in terms of interfering the
present structure of the terrain and its surroundings. The system should work with, and cooper-
ate with the context in a synchronized manner, with no waste of matter.
Design methods extracted from the analysis material.
studio project 1_luka pavelka portfolio catalogue 06
20
0m
400m
first location mapping and concept placement
The temporarily placed trajectory is used as a
material for further investigation of the
upcoming design method. The nature of the
terrain analysis will be further transcended
into the construction itself, securing an
approach to design with an attention to
self-sustainability of the unfolding system.
With this in mind, first signs of a form reveal-
ing and challenges started to arise.v
studio project 1_2013studio project 1_2013
a space-producing system emerged from the analysis of the terrain
studio project 1_luka pavelka portfolio catalogue 08
The next primary perspective for further research is a section of the
terrain, and implementation of the system. From the idea of
self-sustainability and use of the located terrain matter in a continuous
flow, emerged a geometry which would further be the working flow of
the unfolding structure. A machine for producing space, digging through
the terrain, and switching the positions of volumes, opening up a gap in
the ground behind it and at the same time, directing the geomerty of the
construction and an included program for the housing itself. Afterwords,
a spacial organization followed.
geometry of the system in a section showing its functioning in the terrain
studio project 1_2013studio project 1_2013
first floor and movement prgram layout proposals
The form of the infinity sign-shaped
geometry is found to be suitable as a
general theme for the project and is
further followed by fy function.The clear
division which this step creates in the
terrain itself, and the theoretical
connection between the two by the
form of the system is afterwords used
in the program layout.
studio project 1_luka pavelka portfolio catalogue 10
The division between each sides of the
system is found to be adequate for
implementing two different programs in
the structure: residential (3/4) and admin-
istrative (business,office) (1/4). Further
on, these opposite programs were
placed in the geometry functioning as a
work-home flow system providing the
connection and the division of the two.
studio project 1_2013
physical structure emerged from the space forming system
studio project 1_luka pavelka portfolio catalogue 12
20
0m
400m
final location and housing assembly positioning
system flow in a different medium
studio project 1_2013
studio project 1_luka pavelka portfolio catalogue 14
06:00
08:00
10:00
16:00
(winter solstice)
18:00
(summer solstice)
studio project 1_2013
±0.00±0.00
+3.00+3.00 +3.00
+6.31+6.31
+8.27+8.27
A - A section of a unit
studio project 1_luka pavelka portfolio catalogue 16
studio project 1_2013
±0.00
±0.00
+6.31+6.31
+3.00 +3.00
+8.27+8.27
+3.00
B - B section of a unit
studio project 1_luka pavelka portfolio catalogue 18
studio project 1_2013
the unit
studio project 1_luka pavelka portfolio catalogue 20
unit top view
unit section front view unit side view
unit axonometry
studio project 1_2013
final base drawing and top view organization
the outer shell is devided and cut diagonally for better viewing purposes of the insideaxonometic preview of a single unit
studio project 1_luka pavelka portfolio catalogue 22
The spatial organization within a single unit works with a construction of the whole
system, but is fitted to accompany the division between the home and the office. As
the structure of the system devides the two sides of the field, to the lower side, a
residential access is assigned, and for the upper side an office access. The inside is
devided by trancelucent walls and vertical communications. A passage through this
border is also present inside the unit. Units are formed of prefabricated elements and
can be fitted inside of the metal construction in different ways. This particular unit fits
inside two spaces in the construction chain. A bigger unit can also be fitted taking 3 or
more spaces in the chain. This system presents a new strategy for planning and a
model for residential/business settlements.
studio project 1_2013
studio project 1_luka pavelka portfolio catalogue 24
studio project 2_part 1_2012
26studio project 1_luka pavelka portfolio catalogue
SP2 is a student project in the 4th semester of the Bachelor’s programme in the faculty of Architecture in Belgrade. The assign-
ment is a pavillion-type building for bearing 40% of the space for administrative purposes in the IT sector, and the other 60%
for an exhibition space. The assigned location is in the New Belgrade, in a wide open area of the city on the north-west side of
the river Sava, with wide streets and modern buildings such as shopping malls and office buildings. The research took off with
the analysis of the behaviour of space in different horizontal access communication restrictions as shown in the first sketches.
studio project 2_part 1_2012
floor 1floor
floor 0floor 0
mentbase
floor 1
floor 0
basement
+6,00
+3,00
-3,00
±0,00
+6,00
+3,00
-3,00
±0,00floor 1
section A - A section B - B
floor 0
floor 1
floor 0
view from the north view from the east
0730
axonometric view from the north-west
studio project 1_luka pavelka portfolio catalogue
Tho horizontal passages led to many space-organizational
challenges, but also led to adequete solutions, without giving up on
the leading idea. Horizontal spatial organization of a double spiral
created unusable narrow angled corners which were solved with
an ongoing concept within this project. The concept of the horizon-
tal curvature of space, and directing lines culminating in the centre
was simply transfered in a vertical position.A new view to the
project opened up with this act. The lines of curved passages in the
top view now are siluettes of the curved walls in the section view.
New curved cuts were added to the walls opening them up from
the bottom or from the top, erasing multiple problems with the
narrow angled dead ends. This way the commitment to the pursuit
of using curves in the project was retained,and problems solved.
studio project 2_part 1_2012
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ndschudsvfd f euvyb8bg enllboerhubihdfin iudbikdlikhbgkl Bla bla ndschudsvfd f euvyb8bg enllboerhubihdfin iudbikdlikhbgkl Bla bla ndschudsvfd f
gb8byvue f dfvsduhcsdn alb alB lkgbhkildkibdui nifdhibuhreobllne gb8byvue f d
enllboerhubihdfin iudbikdlikhbgkl Bla bla ndschudsvfd f euvyb8bg enllboerhubihdfin iudbikdlikhbgkl Bla bla ndschudsvfd f euvyb8bg enllboerhubihd-
fin iudbikdlikhbgkl Bla bla ndschudsvfd f euvyb8bg enllboerhubihdfin iudbikdlikhbgkl Bla bla ndschudsvfd f euvyb8bg enllboerhubihdfin iudbikdlikhb-
studio project 2_part 1_2012
axonometric view from the south
32studio project 1_luka pavelka portfolio catalogue
lighthouse_2012
01lighthouse_luka pavelka portfolio catalogue 34
monolith 06momomomomomomomomomomomonolililililililililililiththththththththth 0 0 0 0 0 0 0 0 0666
Analytical approach to the context - the cliff at the North sea, led to
spontainious and in some way expected surfacing of the object in
its complete physical structure from the utilitary, constructive, to
the asthetical from its location. Characteristics of the current state
of the context are used as a potential for designing. A special
attention was given to avoiding any demolitions and reshaping of
the cliff, ecologically, constructively and aesthetically. The final
object is lightly resting, attached to its terrain whith a predomi-
nantly vertical support, but horizontal as well, near the top of the
construction. This object allows a unique oppertunity for vertical
communications with an open view to the open sea.
The lighthouse is attached, with a usable space organized in a way
that it’s using already present shapes in the cliff with minimal
interventions. Transparent fasade absorbs daylight making this
lighthouse an object of light.
lighthouse_2012
+1.00m±0.00
-15.50m
-5.70
-9.70
-13.70
-18.70
-21.70
A-A sectionelevation
roof top view
A A
+3,00m
-1,00m
-15.50m
lighthouse_luka pavelka portfolio catalogue 36
section drawing
beach guard house_2013
The question of protecting the beach and the need for the guard was the motive fduring the production
of the project. The decision for a specific location, a beach which is disappearing “Ada Bojana” in Monte-
negro, was a frame for the research. In general, en environmentally consciouss approach was started and
it unfolded until the end, until the very physical structure of the objects and the shapes of the movements
conditioned by the objects. The case of this particular location is primarily an ecological problem, and the
proposal isn’t focused towards instant changes for the interest of people. A specific design approach was
needed for solving an issue of a dissapearing land underneath the water, and a specific shape of the
building intended for the correction of the terrain which is in a crytical state was needed. As the riverflow
of the river Bojana which flows into Adriatic sea is slowing down due to the multipbe hydro power plant
built upland, the force of the river is decreasing, and the riverbed is losing its shape as it is widening.
Besides the physical structure of the location which is at risk, the whole underwater life, flora, fauna,
salinity, temperature and the purity of the water itself is also in a dangerous situation. These are the
motives for protecting the beach.
Through analysing the movement of the sand on the riverbed, an idea to create opsticles for allowing sand
to collect around them arose. Ball shaped satelites would be scattered around on the ground which is in
the most places here only upto half a meter under the water, except for far out of the coast. The sand
which is naturally moving on the riverbed would collect itself around these objects untill the sand has
collected enough so the surface is above the water. Afterwords, these objects would be taken out and
placed elsewhere in a systematic manner, so the land can be extracted above the water. These ball
shaped satelites would contain different instruments for analysing the situation of the riverflow and other
aspects of the location. A vertical tower which inland would be the centre for collecting data from the
satelites, aswell as a home for the people in cahrge of the system.
beach guard house_luka pavelka portfolio catalogue 38
2005 201220120122
beach guard house_2013
2012
reduced riverflow - water covering the land
N
S
EW
beach guard house_luka pavelka portfolio catalogue 40
satelite 2
satelite 1
satelite 3
satelite 4swtich board
placement of the mobile obstacles- satelites, and sand naturally gathering around them creating land satelites functioning with the riverflow in the top view
07beach guard house_2013
the switchboard tower - house for the beach guard
-2,00m
+1,00m +13,00m
+7,00m
+13,00m
+1,00m
-2,00m
+7,00m
-3,00m
0,00m
+3,00m
+6,00m
+9,00m
+12,00
2005
beach guard house_luka pavelka portfolio catalogue 42
underground shelter for light _2012
light behaviour
extended light ray piercing through
“Underground shelter” is a
theme for researching the
possibilities of assigning a
physical underground structure
to a certain notion or a subject.
Observation of the elusive
behavior of daylight and its
relations with the physical
forms was the motive for
developing the underground
shelter for light. The task to
adapt a physical structure to
daylight in order to collect and
preserve it in an underground
environment was tackled with
the idea of using a skylight
prism in a fissure on the
ground, connecting the lowest
point underneath it with the
overground end of the prism
as the collector. Aditionally, a
system of ramps leading to the
bottom was included.
underground shelter for light_luka pavelka portfolio catalogue 44
additional directions shaping the form
underground shelter for light _2012
The system of horizontal and
vertical communications using
ramps, gravitates around the
skylight prism following its
leaning form which is favorable
for collecting light during most
of the day. The directed light
focused on the bottom of the
object can be used for
illuminating certain activities
which are forced to be
positioned underground. With
a system of solar collectors
this “light pocket” can be used
for storing and producing
electricity.
Light is compressed, conden-
ced, saved and sustained. The
shelter is grasping the nature
of light, and gives it a space for
stillness, where its potentials
and be preserved and utilized.
A - A section B - B section
underground shelter for light_luka pavelka portfolio catalogue 46
A - A and B - B section and base plans communication lines
overground shelter for light _2012
Encasing space, potentiating and cultivating its content
with the structure of the casing on which it can feed and
grow out of is a challenge for a shelter. Temporary or
permanent stay of an elusive resident is directed by the
physical structure of a built environment. Understanding
the nature of light, and its behaviour in relation with objects
taken into account were the guidelines for creating a
structure for seizing the light. An overground object which
stands separated from the ground and open enough for
light to come in, but closed off enough so it is directed in a
certain way.
A narrow corridor lifted from the ground through which light
passes and is more conciously observed and looked into,
when there is an object for constraining it as a refference
system for comparason.
overground shelter for light_luka pavelka portfolio catalogue 48
model
side view
overground shelter for light _2012
top view
middle section
overground shelter for light_luka pavelka portfolio catalogue 50
A roof extension is a project for analysing the
context raised from the ground in an urban tissue.
Assigned simple shaped buildings bordering the
space between with no additional information are
the context for this space.
A simple geometry of the empty space is to be filled
with a shape which functiones physically and
aesthetically. As the starting point is emptyness, the
first step was to fill in with an unspecific shape. As
an opposite approach was also possible, emptyness
was slowly reduced as a volume. A full object is
consumed by emptyness from within, in an unspe-
cific manner. An organic way of the growth of
emptyness is achieved, and the outside of this
volume is matter, compressed in the corners and
sides of the imaginary closed-off space, bordered by
3 story high neighbouring houses.
roof extension_2012
roof extension_luka pavelka portfolio catalogue 52
emptyness overtaking fullness from the inside
growth of emptyness
emptyness overtaking from the outside
shape fills the space
functioning of the extension within the structureextension , extracted from the context
roof extension _2012
roof extension_luka pavelka portfolio catalogue 54
monoliths_2012
01monoliths_luka pavelka portfolio catalogue 56
Monoliths are a series of seven three dimensional paintings evolving from a 1 meter by 50 centimeters
module panel. A space research carried out with two devices: Three dimensionally presented polygo-
nal objects of open and closed forms, and an impression of emptyness - sky. White objects are consti-
tuted and accentuated with their position in relation to the depiction of the sky. Their positions are
often switched, connected, disconnected, blended and annuled as they are forming a different optical
illusion. The spectator’s involvement with the paintings was one of the main motives in the research,
as a different visual experience was intended to be offered depending on their position. Sky, as a
representation of an elusive empty space is restricted in the frame, pushed out of, condensed in an
object and never experienced in one same way. The prehension on which is where is the spectator’s
decision to be made, and the paintings are there to offer a different perspective to the idea of space.
monoliths_2012
monolith 01 monolith 02
monoliths_luka pavelka portfolio catalogue 58
monolith 03 monolith 04
monoliths_2012
monolith 05monolith 06olith 06monolimonoli
monoliths_luka pavelka portfolio catalogue 60
monolith 07
monoliths_2012monoliths_2012
monoliths_luka pavelka portfolio cataloguemonoliths_luka pavelka portfolio catalogue 62
monoliths_2012monoliths_2012
monoliths_luka pavelka portfolio cataloguemonoliths_luka pavelka portfolio catalogue 64
monoliths_2012monoliths_2012monoliths_2012monoliths_2012
monoliths_luka pavelka portfolio cataloguemonoliths_luka pavelka portfolio cataloguemonoliths_luka pavelka portfolio cataloguemonoliths_luka pavelka portfolio catalogue 66
scratching surfaces_2013
scratching surfaces_luka pavelka portfolio catalogue 68
Scratching Surfaces is the name of the one night event, a production of the Fall 2014 internship
programme at the Danish studio for experimental art, Atelier Hotel Pro Forma which took place on
3rd of October, 2014. The project included several video installations, static art pieces, real time
mechanical contraptions and a performance. Through all pieces, a general theme was drawn from a
previous research at the atelier. Copenhagen Cable Surfing Park was the subject of the research,
throughout which several different currents of inspiration were cultivated. Three particularly similar
thought processes of artists Ingjerd H. Nergaard, Nanna M. Madsen and Luka Pavelka led to the
conception of producing a performance, synchronizing three different impressions into one piece.
The performance consisted of one narrative, one text consisting of sentences from multiple
interviews with different people, as answers to the question “Have you ever almost drownd?”,
which was later the opener for performance. A video projection of the reflection of a human figure
in the water was a second element, in close cooperation with two performers: One holding and
controlling the projection, and the other being projected with the video. The 8 minute long perfor-
mance was accompanied by a live sound scape performance by Tobias Lukassen.
scratching surfaces_2013
The Copenhagen Cable Park was an assigned location for drawing inspiration, by
the artistic dirrector of Hotel Pro Forma, Kirsten Dehlholm. From there, it was up
to us to decide what to do. Water, air, motion, surface, in, out, above, under,
consciouseness, subconsciouseness, meditation, fear, danger, safety. All these,
and other notions were concidered. The ideas of polatities, dualism and divisions
were taken for further research, as these were concidered most subject to
bearing an open theme which could withstand different impressions and
mediums. Water was used as a tool for depicting a surface, as it is a clear
representation of the characteristics of both air, and water. The surface of the
water is constituted by the difference between the two, and it always holds both.
The research led to analysing the concept of the in-between space, which is a
border, with no dimension. Expansion of this space, or zooming-in, showed
remarkable susceptibilities for extracting inspiration and conclusions for the
research as well as the performance. From there, everything was assembled to
this structure, and was held in place until the very product-the performance. In an
area of human perceptions and and activities, two human figures were taken for
representing the conscious and the other (either subconscious or a different
entity). One figure is a living person, and the other is a video footage of the same
figure, captured as a reflection in the water. The difference clearly states the
certainty of the one and the uncertaithy of the other. Other theories were drawn
from this, but this was used as an open tool for questioning the spectators. From
here, many different possibilities for presenting the idea arose, such as visual play
between the projection and the real human figure and possible interaction, which
was further developed. One text consisting of multiple interviews was placed on
this frame and used as a dialog between the two human figure representations.
One asks the question, and afterwords, following the confusing nature of the text
itself, no reasonable social structure was used in forming the dialog. The
sentences were spoken out (or played from the speakers) alternately, one after
the other, but creating a feel of what a conversation would sound like. Sound
wise, different possibilities arose, and were used as much as possible. Which
sentence is recorded, and which is spoken out, was one of the challenges. On
this structure, various visual transformations took place. Synchronized, the
interaction with the projection and the human performer was also performed.
Various visual changes and distortions were controlled by the carrier of the projec-
tor (Luka Pavelka), opening up a wide variety of possible visual modifications on
the part of the projection placement, movement and the appearance. Sound
wise, a complementing live performed sound scape was implemented.
scratching surfaces_luka pavelka portfolio catalogue 70
scratching surfaces_2013
A conversation with the “other”. This is a text
containing answers from multiple interviews with
different people on the question “Have you ever
almost drownd?” The nature of the concluded
text was amplified by the sound scape, using
voice and tone alterations, as well as the visual
aspect by the performer’s movements, and the
movements of the projection.
scratching surfaces_luka pavelka portfolio catalogue 72
Possible interactions between the performer and the projection were thoroughly investigated.
beach guard house_2013scratching surfaces_2013
01 02
03 04
beach guard house_luka pavelka portfolio catalogue 07scratching surfaces_luka pavelka portfolio catalogue 74
05 06
07 08
scratching surfaces_2013
09 10
11 12
beach guard house_luka pavelka portfolio catalogue 07beach guard house_luka pavelka portfolio catalogue 07scratching surfaces_luka pavelka portfolio catalogue 76
13 14
15 16
scratching surfaces_2013
Scratching Surfaces
“Have you ever almost drowned?” performance:
Nanna M. Madsen (Denmark)
Luka Pavelka (Serbia)
Tobias Lukassen (Denmark)
Ingjerd H. Nergaard (Norway)
supervision:
Kirsten Dehlholm (Denmark)
beach guard house_luka pavelka portfolio catalogue 07beach guard house_luka pavelka portfolio catalogue 07scratching surfaces_luka pavelka portfolio catalogue 78
urban agriculture_2012
urban agriculture_luka pavelka portfolio catalogue 80
Location: The chosen location is situated in the “Skojevsko” suburb of Belgrade,
away from the main city centres, which can be beneficial for one experimental
projact. The working subject is a row of abandoned garages on an edge of a hill in
this suburb. Garages are not used, and it can be approached to their rooftops over
a broken leaning concrete panes, which was a roof of one of the garages. The view
from the rooftops is spectaculer as it is open towards the suburb beneath, and the
Avala mountain, and it will be included as an important value of this location.
Description of the solution for approaching the assigned location: Approaching
the row of garages, the first problem which arises is the accessability. The current
leaning concrete panel over which can now be accessed to the rooftops will be
removed. As a replacement, a bended ramp will be placed with a 5% slope. This
ramp will allow different uses for communicating vertically such as agricultural
works which can be placed on the rooftops. Aditionally, a staircase within the ramp
will be placed for faster communication. The ramp and the staircase as a package,
can be mounted on various locations, and their use can be xpanded.
urban agriculture_2012
urban agriculture_luka pavelka portfolio catalogue 82
urban agriculture_2012urban agriculture_2012
urban agriculture_luka pavelka portfolio catalogue 07urban agriculture_luka pavelka portfolio catalogue 84
urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012
axonometric preview of the structure
urban agriculture_luka pavelka portfolio catalogue 07urban agriculture_luka pavelka portfolio catalogue 07agricucucucucucucucucucucucucucucultltltltltltltltltltltltltltltltlturururururururururururururureeeeeeeeeeeeeeurban _l_l_l_l_l_l_l_l_l_l_l_l_l_lukukukukukukukukukukukukukukuka a papavevevevevevelklklklklklklklklklklklklklklklka popopopopopopopopopopoportrtrtrtrtrtrtrtrtrtrtrtfofofofofofofofofofofofolilililio o o o cacatalologugugugugugugugugugugugugugugueeee 07urban agriculture_luka pavelka portfolio catalogue 07
section through the garage A - A detail 1
The relation between the constructive elements and the
hypothetical vitality of the assigned location:
In the base drawings, elevation and sections is clearly
visible that the rooftops are in a mutual denivelation.
This relation will be kept and used as a frame for
segmenting different potential activities which will take
place here. For example, breeding goats, bees, growing
grapes, different fruits and other. Communications
between these denivelated rooftops would be practiced
over mounted ramps, so a continuous accessability
through all rooftops would be achived. In the detail
drawing 1, layers which are to be added to the rooftops
are shown. Garages will be thermoisolated aditionally
so the spaces inside can also be used for manufacturing
produce which is grown on the rooftops.
green roof description:
-soil 20 cm
-membrane 0,5 cm
-drainage layer 10 cm
-protactive foil 0,5 cm
-hydroisolation 1 cm
-termoisolation 20 cm
-vapor barrier
-layer for equalizing
steam pressure 0,5 cm,
-slope layer 20 cm
- reinforced concrete
panel 25 cm
86
urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012
base drawing
urban agriculture_luka pavelka portfolio catalogue 07urban agriculture_luka pavelka portfolio catalogue 07urban agriculture_luka pavelka portfolio catalogue 07urban agriculture_luka pavelka portfolio catalogue 88
The idea for the project originated as an answer to the social -
political aspect of the expansions of the cities with a potential
75% inhabitants living in the cities, as a result of the centraliza-
tion of trade and agriculture. Exploring the values and and roles
of nature in an everyday life, as well as spaces in which it is
appreciated and interacted with actively, we discovered that the
lack of this relationship drastically reduces ones perception of a
human’s habitat as a living organism and todays problems in
terms of ecology, and in the lives of citizens. To this phenomenon
we are responding with a proposal for reanimating the rooftops
of abandoned buildings by greening and importing a layer subjec
to a model of miniature agriculture. This platform would, depend-
ing on the participation of the public, subversively place the
issues, ask questions and provide tools for finding the solution.
The chosen location for the concept is a row of abandoned
garages and their rooftops on which a spatial reanimation will be
achieved, and a model of a miniature urban agriculture. In the
garages themselves, aditional following activities will be carried
out. Green surfaces would be used for bio-dynamical growing of
organic fruits and vegetables as well as livestock breeding. The
production of the by-products will be carried out in the garages
themselves such as honey, goat milk soap, wine, and so on.
By-products and leftovers can further be used for compost and
making fertilizer, so a closed production loop can be acheived.
As a following activities, an educational program would be
organized for the youth in the form of workshops for experi-
ments, as a tool for raising conciouseness about
self-sustainability, energy resources, food and the importance of
rational consumption.
urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012urban agriculture_2012
neglected bigness_2014
neglected bigness_luka pavelka portfolio catalogue 92
Neglected Bigness is the name of the W2 workshop withing the BELGRADE.SCAPES:LAB project. The theme of the
workshop is the suburb of Belgrade, Kaluđerica, its socio-political situation, and the relation with the city itself. The
task was to investigate from a new perspective, blind to the statistics, and thoroughly based on the information
extracted from the location and the inhabitants themselves. The aim was to demistify its socio-political structure by
analising its history, the present moment situation, and the possible future on which impact can be made.
neglected bigness_2014
area of detailed research segments of the movement map
neglected bigness_luka pavelka portfolio catalogue 94
The finished product of the workshow was the comprehensive mind
map consisting of several different research currents, all culminated in
one 1,2 x 1,2 meter panel. The information in it was placed on a six
directions structure, within which segments are both separated and in
close cause - consequence interaction. Any which of these six paths
can be a starting point for reading the map, and all of them provide
information which seeks other sources that can also be found here. In
this booklet, it has been cut horizontally in four pieces so it can be read
more easily, but a full resolution image is on the workshop website.
The link and the qr code can be found on the last page of this project.
neglected bigness_2014
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neglected bigness_2014
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Luka Pavelka
Jelena Tasic
Luna Lukic
Martina Milic
Ana Popovic
Iris Puzovic
Jelena Dzinovic
Ivana Marjanovic
Sanja Đurđevic
Dušan Božić
Ksenija Radosavljević
Srna Tulić
+
Milica Leković
Marko Macura
Haris Piplas
Snežana Timotijević
Nina Radosavljević
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BELGRADE.SCAPES:LAB Neglected Bignessfull resolution map image
елиса _work in progress
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елиса _work in progress
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underground shelter for light _2012елиса _work in progress
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елиса _work in progress
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underground shelter for light _2012
pavelka luka
student index no: 31/2012
mobile phone: 00381643464923
e-mail: pavelkaluka@gmail.com
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