Highlights of the London Original Print Fair

The London Original Print FairThe Royal Academy

Thursday 25th - Sunday 28th April, 2013

sims reed galleryThe Economist Building

30 Bury StreetLondon SW1Y 6AU

Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555

gallery@simsreed.comwww.gallery.simsreed.com

Francis BaconThree Studies of the Human BodyLithograph printed in colours, 1980. Signed in pencil and numbered from the edition of 250. Printed on Arches paper. Published by Marlborough Graphics, London. (Tacou 10)101.5 x 65.9 cm

Francis BaconStudy for Self PortraitLithograph printed in colours, 1984. Signed in pencil and numbered from the edition of 182. Printed on Fabriano paper. Published by Marlborough Graphics, London. (Tacou 16)93.7 x 64.7 cm

Chuck CloseRobert/ManipulatedHandmade pressed paper pulp, 1982. Signed and numbered from the edition of 25. Published by Pace Editions, New Yor. (Butler Institute 30)84 x 66 cm

Peter DoigAlmost GrownEtching and aquatint printed in colours, 2001. Signed in pencil and numbered from the edition of 28. Published by the Paragon Press, London.92 x 102 cm

Richard EstesD-TrainScreenprint in colours, 1988. Signed in pencil and numbered from the edition of 125. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York.107 x 195 cm

Howard HodgkinMonsoonHandcoloured lithograph, 1987-88. Signed in pencil and numbered from the edition of 85. Printed on Arches cover paper by Solo Press, New York. Published by Waddington Graphics, London. (Heenk 79)108 x 135 cm

Howard HodgkinFor JackAquatint and carborundum etching with handcolouring, 2005. Signed in pencil and numbered from the edition of 60. 99 x 136.5 cm

Richard HamiltonFashion-platePhoto-offset lithograph, collage, screenprint from 2 stencils, and pochoir, retouched withcosmetics by the artist, 1969-70. Signed in pencil and numbered from the edition of 70. On Fabriano paper. Photogrphic and screenprint elements printed by the artist and KelpraStudios, London. Offset printing by Sergio and Fausta Tosi, Milan. Collage elementsprinted by David Bailey, Milan. Published by Professional Prints A.G., Zug (Petersburg Press S.A.) (Lullin76)99 x 69 cm

Richard HamiltonReleaseScreenprint in colours with collage, 1972. Signed in pencil and numbered from the edition of 150. Printed on Hodgkinson mould-made paper by Kelpra Studios, London. Published by Petersburg Press for the National Council of Civil Liberties and Release. (Lullin 83)70.1 x 87 cm

David HockneyLithographic water made of Lines, Crayon, and a Blue washLithograph printed in colours, 1978-80. Signed in pencil, dated and inscribed AP IX. An artist’s proof aside from the edition of 48. Printed on TGL handmade paper by Roger Campbell and Kenneth Tyler. Published by Tyler Graphics. (Tokyo 212)74.8 x 86.9 cm

David HockneyLithographic Water Made of Lines, Crayon, and Two Blue WashesLithograph printed in colours, 1978-80. Signed in pencil, dated and numbered from the edition of 85. Printed on TGL handmade paper, by Roger Campbell, Rodney Konopaki and Kenneth Tyler.Published by Tyler Graphics Ltd. (Tokyo 209)75.5 x 87.4 cm

David HockneyRue de Seine Etching and aquatint, 1971. Signed in pencil and numbered from the edition of 150. Printed on J Green mould made paper by the Print Shop, Amstredam. Published by Petersburg Press, London for the National Council of Civil Liberties and Release.(Scottish Arts Council 121; Tokyo 111)89 x 71 cm

David HockneyCold Water about to Hit the Prince Etching and aquatint, 1969. Signed in pencil, and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (Scottish Arts Council 97; Tokyo 94)45.5 x 31 cm

Alex KatzKymLithograph, screenprint, and woodcut in colours, 2011. Signed in pencil and numbered from the edition of 50. Printed and published by Graphic Studio, Florida. 68.5 x 82.5 cm

Gerald LaingTracyScreenprint in colours, 1968. Signed in pencil and numbered from the edition of 200. From: Baby, Baby, Wild Thing. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 25)89 x 58.5 cm

Roy LichtensteinLandscape with BoatsScreenprint and lithograph, 1996. Signed in pencil on the lower margin, and numbered from the edition of 60. Printed on Lanaquarelle watercolor paper by Gemini, G.E.L. Published by Gemini, G.E.L., Los Angeles. 89.7 x 164.9 cm

Roy LichtensteinIllustration for ‘Amerique’Etching and aquatint printed in colours, 1992. Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris. (Corlett 267)48.1 x 35.4 cm

Roy LichtensteinIllustration for ‘De Nouveau au-dessus de Denver’Etching and aquatint printed in colours, 1992. Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris. (Corlett 272)35.4 x 48 cm

Joan MiróLes HommesLithograph, 1948. Signed in pencil and numbered from the edition of 75. Printed on Arches paper by Mourlot, Paris. Published by Galerie Maeght, Paris. (Mourlot 58)65.5 x 50 cm

Joan MiróTrace sur la Paroi VOriginal colour etching, aquatint and corborundum, 1967. Signed in pencil and numbered from the edition 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris. (Dupin 444)72.5 x 104.5 cm

Henry MooreMother and Child IV Etching and aquatint printed in colours, 1983. Signed in pencil and numbered from the edition of 65. Printed on Arches paper by James Collyer and John Crossley, London. Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham. (Cramer 674)62 x 52 cm

Henry MooreMother and Child XXVIII Etching and aquatint printed in colours, 1983. Signed in pencil and numbered from the edition of 65. Printed on Arches paper by James Collyer and John Crossley, London. Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham.(Cramer 698)62 x 52.1 cm

Enoch PerezUntitled (California)Chine colle, etching and aquatint, 2008. Signed and numbered from the edition of 20. From ‘Suite’.52.7 x 36 cm

Bridget RileyRose RoseScreenprint in colours, 2012. Signed in pencil and numbered from the edition of 250. Printed on Fabriano paper. 87 x 69.5 cm

Andy WarholShoes (Black)Screenprint in colours with diamond dust, 1980. Signed in pencil and numbered from the edition of 60 verso. Printed on Arches paper by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman & Schellmann II.256)102.2 x 151.1 cm

Andy WarholShoes (Multi)Screenprint in colours with diamond dust, 1980. Signed in pencil and numbered from the edition of 60 verso. Printed on Arches paper by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman & Schellmann II.254)102.2 x 151.1 cm

sims reed galleryThe Economist Building

30 Bury StreetLondon SW1Y 6AU

Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555

gallery@simsreed.comwww.gallery.simsreed.com