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arts-london documents
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Practice-Based PhDs: Limitations and Possibilities. Investigating Art Practice as Research Through a Case Study, Uriel Orlow’s Work and Methodology
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Sustainable Textile Design as bricolage
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Representation and Ideology
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In Challenger’s Wake: a participatory-rephotographic social network site approach to visualizing local urban history
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Re-imaging the environment
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The Dimension of Sound in Flusser
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Chong Kwan, S. (2012) ‘Drawing on Jules Prown’s material culture method of object analysis to investigate sensory engagement with everyday dress’ in Lifter, R. ed. Working Papers
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Mission, curriculum and campus: a study of sustainability in three HEI business schools
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Mazzarella, F., Engler, R. (2014). Self-production and craft: advanced processes for social innovation. In: 5th International Forum of Design as a Process: The Shapes of the Future
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Mazzarella, F., Peruccio, P. P. (2013). Self-production: a human centered design process. The sustainable future of self-production through a humanistic and participatory process
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Designing for Fast and Slow Circular Fashion Systems: Exploring Strategies for Multiple and Extended Product Cycles
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Urban Tapestries: Wireless networking, public authoring and social knowledge
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‘Fashion Concept and Context from the Perspective of the Designer Wearer and Viewer’
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Dancing Dress: experiencing and perceiving dress in movement
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Art & Value Introduction
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Guide to the City's New Collection Displays, Guildhall Art Gallery (January 2015)
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‘Telling your Story’: People and the Aylesbury Estate
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The director between deceit and magic - supernatural narration in author's cinema and short film Bright Black
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What to wear?': Clothing as an example of expression and intentionality
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Digital Public Space(S): Redefining Publicness
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Service Ecosystem: Empowering Textile Artisans' Communities towards a Sustainable Future
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