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The Geometry of Melodic, Harmonic, And Metrical Hierarchy
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A Principled Approach to Teaching Music Composition to Children.pdf
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Laney College Musicianship Classes Syllabus
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A Composer Learns His Craft: Anton Bruckner's Lessons in Form and Orchestration, 1861–63
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Order and Freedom - The Composer's Dilemma
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Experimental Music
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How Rare is Symmetry in Musical 12-Tone Rows
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Lewin - Special Cases of Interval Function Between Pitch-Class Sets X and Y
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Hans Erdmann’s Score for Nosferatu and the Idea of Modular Form
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Horror Music, Mutes, And Acoustical Beings In
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Modernism at the Movies - 'the Cabinet of Dr. Caligeri' and a Film Score Revisited
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D. Kern Holoman - The Orchestra - A Very Short Introduction
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Congruence-Association Model and Experiments in Film Music - Toward Interdisciplinary Collaboration 8.2.Cohen
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Easy to Cut - Modular Form in the Film Scores of Bernard Herrmann
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Waging the Peace' - Bernard Herrmann and 'the Day the Earth Stood Still
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Communication Fear in Film Music - A Sociophobic Analysis of Zombie Film Soundtracks
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Composing With Types and Flexible Modules - John Williams' Two-Note Ostinato for Jaws and Its Use in Film-Music History
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Interval Cycles
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Tone Sets
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Numbers
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Straus - Intro to Atonal
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