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Barroco versus Neoclasicismo
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Baroque in Spain
large squares and stairways
El triunfal pasaje de Ovidio en Las metamorfosis Libro I, evocando un control similar al dios sobre las aguas y describiendo el secado tras el diluvio universal,
Ya Tritón, a su llamada, aparecePor encima de las olas; luce ropa tiria;Y en su mano una trompeta retorcida lleva.El soberano le pide que inspire pacíficos sones,Y dé a las olas la señal para retirarse.Su retorcida concha coge; cuya estrecha aberturaCrece poco a poco hasta hacerse grande,Entonces sopla; el toque con sonido redoblado,Recorre el amplio circuito del mundo entero:El sol lo oyó el primero, en su temprano este,Y encontró los ecos vibrantes en el oeste.Las aguas, escuchando el rugir de la trompeta,Obedece el mandato, y abandona la orilla.
Fountains in Rome
the Trevi Fountain
•The art of the eighteenth century in Spain was the Baroque where facades moved crashed to the eye and thick moldings were light and shadow effects to the facades.Spanish architects built moved cathedrals and reloaded while the French kings liked straight lines and classical
• The no Bourbon kings were portrayed with simple suits and dark or neutral backgrounds
•The Bourbon kings were portrayed luxurious and expensive suits and silk and velvet shirts and jackets. The cape, crown and scepter always accompanied The bottoms of the pictures are classic landscapes and bucolic landscapes and classical columns.•The new style was named neoclassicism.
The Bourbon kings
Portraits before the Bourbon kings