4. 20/05/2015Nederlands Instituut voor Beeld en Geluid CENTRAL
POSITION OF THE COLLECTION Content is key 70% audio visual heritage
> 800.000 hrs of audiovisual material 2 million photos 20.000
objects and counting 1 catalogue 1 annotation process
5. 20/05/2015
6. 20/05/2015 DIGITAL ARCHIVE 137.200 hours video 17.510 hours
film 123.900 hours audio 1.200.000 photos yearly 8.000 hours video
30.000 hours radio Approx. 300TB per year Born digital: Dutch
television & radio Europes largest digitisation project
7. 20/05/2015 A Visuals https://vimeo.com/51425368 - Sebastiaan
ter Burg CC-BY 5,6 Petabytes of born digital and digitized video
(and audio) 7,4 Petabytes of digitized film ~20.000 hours of
film
9. 20/05/2015 - Content production changed - Distribution
changed - Media consumption changed - Business models changed -
Attention economy (Copyright legislation hardly changes) IN THE
MEANTIME Source:Hokusai.TheGreatWave.1829-1832
10. 20/05/2015Source: kpcb.com/InternetTrendsNote: 1 petabyte =
1MM gigabytes, 1 zetabyte = 1MM petabytes. 2/3DS OF DIGITAL
UNIVERSE CONTENT = CONSUMED & CREATED BY CONSUMERS
11. 20/05/2015 Source: http://blog.1000memories.com/94-number-
of-photos-ever-taken-digital-and-analog-in-shoebox Date of
publication: 2011. Note 1000 Memories stopped its operations after
being acquired by Ancestry
13. 20/05/2015 THE ARCHIVE IN THE MIDDLE Source:
http://www.avid.com/static/resources/common/documents/whitepapers/Avid_Everywhere.pdf
where everything revolves around the archive-
14. 20/05/2015 Source: Horowitz Associates, State of Cable and
Digital Media Report, 4/14. . DIVIDED ATTENTION
15. 20/05/2015 84% OF MOBILE OWNERS USE DEVICES WHILE WATCHING
TV Source: Nielsen Connected Devices Report, Q3, 2013 Sample = 13+
years old, 9,448 respondents who own a mobile device (tablet,
smartphone, etc.)
16. 20/05/2015 Thousands of hrs of new television content
produced by Dutch public broadcasters every year Hours of archival
content of Sound and Vision used in this new content ATTENTION
ECONOMY - SOME GUESTIMATES (1/2)
17. 20/05/2015 Total collection of Sound and Vision 800k of
hours (& growing daily) we need different channels! competing
for attention ATTENTION ECONOMY - SOME GUESTIMATES (2/2)
18. 20/05/2015 SOUND AND VISION - CHANNELS
19. 20/05/2015 (3 examples) general public & creative
industries media studies scholars general public SOUND AND VISION -
CHANNELS
20. 20/05/2015 (3 examples) general public & creative
industries media studies scholars general public SOUND AND VISION -
CHANNELS
21. 20/05/2015 Smart OpenConnected WHAT WE AIM FOR
22. 20/05/2015 OPEN FULFILL THEIR PUBLIC MISSION For content to
be truly accessible, it needs to be where the users are, embedded
in their daily networked lives. (Wabel, 2009) STIMULATING
COLLABORATION AND CREATIVITY No matter who you are, most of the
smartest people work for someone else. (Joys Law, via Michael
Edson)
23. 20/05/2015 if it doesnt spread, its dead (Jenkins, 2013)
SYNDICATION AS STRATEGY
24. 20/05/2015 (3 examples) general public & creative
industries media studies scholars general public SOUND AND VISION -
CHANNEL
25. 20/05/2015 MW2012
26. 20/05/2015 EXAMPLE: SOCCER PAGE DUTCH WIKIPEDIA
27. 20/05/2015 MEASURING IMPACT Number of items on Wikimedia
Commons 1,600 Number of articles on Wikipedia 2,000 Number of
language versions 70 Number of views 50,000,000!!! 2013 numbers
http://www.openimages.eu/blog/2014/09/sound-and-vision-on-the-future-of-video-on-wikipedia/
28. 20/05/2015 Edit-a-thons There is not enough quality
information about fashion on Wikipedia
29. 20/05/2015 1. 2012/04 NM, Stockholm 2. 2013/05 CMU, Utrecht
3. 2013/09 MOMU, Antwerp 4. 2013/11 NM, Stockholm 5. 2013/11 MRC,
Padova 6. 2013/11 HIT, Tel Aviv 7. 2014/03 LAD, Paris 8. 2014/11
MAA, Belgrade 9. 2015/01 MDT, Madrid 10. 2015/02 PFF, Athens 11.
2015/03 NM, Stockholm 12. 2015/03 AM, Amsterdam
30. 20/05/2015 Europeana Fashion content on Wikimedia
Commons
31. 20/05/2015
32. 20/05/2015 SOUND OF THE NETHERLANDS Step 1: uploading
hundreds of high quality, digitized archival sounds to Soundcloud
www.geluidvannederland.nl
33. 20/05/2015 SOUND OF THE NETHERLANDS Step 2: placing the
sounds on the map & ask the world to contribute
34. 20/05/2015 SOUND OF THE NETHERLANDS enrichments on
Soundcloud inserts in Wikipedia pages app Mix van Nederland
https://en.wikipedia.org/wiki/Emperor_Goose
http://tools.wmflabs.org/glamtools/baglama.php?
https://soundcloud.com/beeldengeluid/comment
aar-en-racegeluiden-op
35. 20/05/2015 NEW VISUALISATIONS Source :
https://vimeo.com/103364847
39. 20/05/2015 Open Culture Data guidelines 1. Open Culture
Data is (1) knowledge and information of GLAMS about their
collections and/or (2) digitised objects from collections 2.
Everyone can consult, use, spread, and reuse Open Culture Data
(through an open license or by making material available in the
public domain) 3. Open Culture Data is available in a digital
(standard) format that makes reuse possible 4. The structure and
possible applications of Open Culture Data are documented in a data
blog 5. The provider of the Open Culture Data is prepared to answer
questions about the data from interested parties and respects the
efforts that the open data community invests in developing new
applications Related work at http://openglam.org/principles/
40. 20/05/2015
41. 20/05/2015 SOME LESSONS LEARNED Have access to expertise on
the dimensions of collection Buy-in from the senior management is
essential Necessity to invest in engagement with third parties Face
to face meetups are extremely valuable Start with something sweet
and small
42. 20/05/2015 2. Create something amazing:
http://datahub.io/group/open-glam 1. Join the conversation:
http://openglam.org/ 3. Follow the course:
https://p2pu.org/en/groups/ open-glam/ HOW TO OPEN GLAM
YOURSELF
50. 20/05/201528-5-2015 Enriched version of Na de bevrijding, a
7-part NTR series on about the five years after WWII Original
sources: films, soundtracks, photos & newspaper articles used
in the series and as research material. From official archives (45)
to personal collections (35). Tablet-first development: more and
more tv-viewers use tablet during and after viewing From manual to
linked media AFTER THE LIBERATION
51. 20/05/2015
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53. 20/05/2015
54. 20/05/2015
55. 20/05/2015
56. 20/05/2015 DEVELOPMENT Front-end: HTML5 Back-end data:
Google Drive Content: Amazon S3 for hosting
57. 20/05/2015 LINKEDCULTURE From manual annotations to linked
media
58. 20/05/2015 Use case: Tussen Kunst & Kitsch
59. 20/05/2015 TV and related Web screen- synced
60. 20/05/2015 How: video analysis e.g.
61. 20/05/2015 How: annotation
62. 20/05/2015 How: enrichments via curation tool
63. 20/05/2015
64. 20/05/2015
65. 20/05/2015
66. 20/05/2015
67. 20/05/2015 Smart OpenConnected WHAT WE AIM FOR
68. 20/05/2015 Image:BBCArchive Thank you
[email protected] @erwinverb @benglabs
labs.beeldengeluid.nl Slides with thanks to Lotte Belice Baltussen
Johan Oomen Maarten Brinkerink