PowerPoint
31st JKSF Culture DepartmentTAIYO IKEDA (Grad School of Kobe
Univ.)BEYOND Double Consciousness AND CREOLE the practice of Black
Music by Zainichi Korean
CONTENTS 1. Introduction -About Double Consciousness and
Creole2. Method -About Motif Analysis3. Result of research4.
Consideration -CHOZEN LEE, CHEHON, and PUSHIM 5. Conclusion6.
Discussion points
Black music in all over the world
Also in japan!!
Black music in academic field
Paul Gilroy Black Atlantic (2006)
Double consciousness
THE HISTORY OF OPPRESSION AND RESISTANCE
CREOLE CULTURE
CRITICIZES
Creole CultureEVERY MIXED CULTURE CAN BE SAID CREOLE ??
THREE ZAINICHI KOREAN REGGAE MUSICIANS
PUSHIM CHOZEN LEE CHEHON
MOTIF ANALYSIS (Mita 1967)
CHOZEN LEE~THE INTERNATIONAL BAD JAPANESE~
CHEHON~FROM ZAINICHI TO YELLOW BADMAN~
PUSHIM~AS A WIFE, AS A MOTHER, AS A WOMAN~
CONCLUSION 1 (DOUBLE CONSCIOUSNESS?) Memory of
DiscriminationCrossing BordersMarriagePracticing of Music
CONCLUSION 2 (CREOLE?) And Future?
DISCUSSION POINTS 1. HOW ARE THE WAYS OF EXPRESSION OF SELVES IN
OTHER GENRES OF MUSIC?
2. HOW WILL THOSE WAYS CHANGE IN THE FUTURE?
