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'Excavating images', Carolyn Lefley, 2014 Slides to illustrate a paper presented at the RAI Anthropology and Photography conference, British Museum. May 2014
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Excavating images: a photographic response to an archaeological
excavation
Carolyn Lefley University of Hertfordshire
Realm, Carolyn Lefley, 2009-2013
Longhouse footings at Caen, Strath of Kildonan, Scotland, 2013
Longhouse excavation at Caen, Strath of Kildonan, Scotland, 2013
Making cyanotypes (sun prints)
New Forms #1, #2, #3Carolyn Lefley
Cyanotype prints in wooden tray frames. Installation shot2013
Descendants #3 (Jean’s hearth), Carolyn Lefley, 2013
Descendants, Carolyn Lefley, 2013
The Diaspora Stones, Carolyn Lefley, silver liquid emulsion on stone, 2013
The Diaspora Stones, Carolyn Lefley, installation at Timespan Museum, Scotland, 2013
Neolithic art at the Ness of Brodgar, Orkney, Antonia Thomas – top rowThe Diaspora Stones, Carolyn Lefley – bottom row
RAI Photography and Anthropology conference portfolio Flickr page: ‘Archaeology’ https://www.flickr.com/photos/raieducation/sets/72157644463102461/
References:
Bachelard, Gaston (1994), The Poetics of Space, Boston: Beacon Press
bbc.com (2013), ‘Archaeologists find evidence of Highland Clearance violence’, available at:
http://www.bbc.co.uk/news/uk-scotland-highlands-islands-22970566
Bird, Jon (1995), ‘Dolce Domum’ in Lingwood, James (1995), Rachel Whiteread: House, London: Phaidon Press Limited
Chadha, Ashish (2002), ‘Visions of discipline: Sir Mortimer Wheeler and the archaeological method in India (1944-1948)’, in Journal of Social Archaeology 2002; 2; 378
Dillon, Brian (2014), Ruin Lust, London: Tate Gallery Publishing
Shanks, Michael and Svabo, Connie (2013) ‘Archaeology and photography: a pragmatology’ in Reclaiming Archaeology: Beyond the Tropes of Modernity, edited by Alfredo González-Ruibal, Routledge 2013.
Shanks, Michael and Svabo, Connie (2014), ‘Mobile-Media Photography: New Modes of Engagement’ in Larsen, Jonas; Sandbye, Mette (eds) (2014), Digital Snaps: The New Face of Photography, London and New York: I. B. Taurus, pp 227-246