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Shot list Final Draft Sanel Time Scene Type of shots Descript ion Props/costumes needed 67-69 You see her face (37) Close-up shot She gets scared Black cardigan Red skirt White top Pen/candles/paper/ book/matches 70-71 You see her view (38) Point of view You see what she can see in the closet Black cardigan Red skirt White top Pen/candles/paper /book/matches 72-74 You see her face (39) Close-up shot See she scared then becomes relieved. Black cardigan Red skirt White top Pen/candles/paper/ book/matches 75-78 You see half of her body (43) Mid shot She gets scared when she see what is written on the paper Black cardigan Red skirt White top Pen/candles/paper/ book/matches 79-83 You see the paper (44) Close-up shot She reads what is says on the Black cardigan Red skirt White top Pen/candles/paper/

As 11 fixed draft 7. part 5

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Page 1: As 11 fixed draft 7. part 5

Shot list Final Draft Sanel

Time Scene Type of shots Description Props/costumes needed67-69 You see her face (37) • Close-up shot She gets scared • Black cardigan

• Red skirt• White top• Pen/candles/paper/

book/matches

70-71 You see her view (38) • Point of view You see what she can see in the closet

• Black cardigan• Red skirt• White top• Pen/candles/paper

/book/matches

72-74 You see her face (39) • Close-up shot See she scared then becomes relieved.

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

75-78 You see half of her body (43)

• Mid shot She gets scared when she see what is written on the paper

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

79-83 You see the paper (44) • Close-up shot She reads what is says on the paper

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

Page 2: As 11 fixed draft 7. part 5

Shot list Final Draft Sanel

Time (secs)

Scene Type of shots Description Props/costumes needed

84-87 Pen starts to roll on the table (49)

• Close-up shot Pen rolls on table then falls on the floor

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

88-90 You see a reaction on her face (54)

• Close-up shot She gets scared • Black cardigan• Red skirt• White top• Pen/candles/paper

/book/matches

91-93 You see the ghost face (55)

• Close up shot The ghost appears in from of Laura face

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

94-96 Ghost starts running (56)

• Mid shot The ghost runs inside the cupboard

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

97-99 You see her and the ghost hand. (61)

• Close-up shot The ghost grabs her and pulls her into the cupboard.

• Black cardigan• Red skirt• White top• Pen/candles/paper/

book/matches

Page 3: As 11 fixed draft 7. part 5

LKaya Enigma - How did they do it?

Insidious opening sequence

Mysterious observerThey show a point of view of someone walking around the house at night with a shadowed hint on the window

Mysterious/scary reflectionThey show a refection of the female making the audience want to know who she is and why she is there at night watching over people

Credits and shotsDuring the credits they show shots of things for example the inside of the house making the audience watch more in why these are significant and the titles because they portray ghost like things making the audience want to see more about ghosts

Page 4: As 11 fixed draft 7. part 5

Enigma

How are we creating enigma in our opening sequences…

• By not telling the audience why these girls are haunting this room so their audience will want to find out more

• The audience will want to watch more to see what relevance the dolls have to this closet/house and why they’re always coming back

• At the ending of the opening sequence we build a climax to a sudden shock/scare getting the audience excited to watch more

• Finally to see what happens to Laura in the closet and further of how the ghosts disturb her

Kaya L

Page 5: As 11 fixed draft 7. part 5

LEnigmaKaya

How have we improved from draft 1?...

• Since draft one we have improved greatly on how we can create enigma.

• We have gone through many ideas and various genres to create a very creative and versatile mind to what excited and interests our target audince

• By creating a questionnaire for our target audience to see what they find interesting and what they don’t

• Researching type of films and themes or concept grabs the audiences attention to watch more

• Watching many different genre of films opening sequences to understand what makes enigma and realising what does not

Page 6: As 11 fixed draft 7. part 5

Target AudienceAge – 15 – 17

Gender – Female and Male

Ethnicity – British

Location – United Kingdom

Interests/Hobbies – local groups, precious memories

Lifestyle – Social, attends college/school, quite open minded

Why would our target audience be interested in our idea/plot?• Its based on real life, in London, so it will be familiar with the audience• Our target audience will be interested to learn about how spirits can play with our mind

throughout the film and interested of being scared.• The film is based in modern time and youth culture, use of slang in a closed narrative so they

can connect and relate to what they see in the film and leave thinking about the consequences

MSanel

Page 7: As 11 fixed draft 7. part 5

M

Why would our target audience be interested in our film because of its form?• The use of editing in building up tension will interest the target audience, they may find

interesting when something is about to occur.

• The use of suspension type music will keep the audience at the edge of their seat imagining themselves in certain situations

Why would your target audience be interested in your film because of genre/conventions?• The target audience would be interested in how different spirits can act and play with

your mind so hopefully it would be interest them.

• The thrill of watching it would constantly keep the target audience interested at the edge of their seats

• The target audience could hopefully relate to the character while being interested imaging themselves in them kind of situations

Target AudienceSanel

Page 8: As 11 fixed draft 7. part 5

Zoe

Sanel

Feedback we received from our target audience

MSlide not improved

Page 9: As 11 fixed draft 7. part 5

Sinead

Sanel and Kaya

Feedback we received from our target audience

MSlide not improved

Page 10: As 11 fixed draft 7. part 5

Xheni

Sanel and Kaya

Feedback we received from our target audience

MSlide not improved

Page 11: As 11 fixed draft 7. part 5

Sayana

Sanel and Kaya

Feedback we received from our target audience

MSlide not improved

Page 12: As 11 fixed draft 7. part 5

Susan

Sanel and Kaya

Feedback we received from our target audience

MSlide not improved

Page 13: As 11 fixed draft 7. part 5

Marcin

Sanel and Kaya

Feedback we received from our target audience

M

Page 14: As 11 fixed draft 7. part 5

Overall most of them do enjoy watching thriller films as they like the thought of being scared. Also they find it interesting to see what the spirits will do next to the character in while film. Also none of our audience thought that our opening sequence was complicated and they liked our theme concept. However some said that would like us to film in the dark.

Summary of what our target audience said M

Page 15: As 11 fixed draft 7. part 5

Kaya

Characters How have you developed your characters since draft 1?

• We developed our character to be less dark and a lot more relatable to a wider range of our target audience

• We made the character one age rather than a variety so its less confusing

• The clown and doll have been developed into a spiritual characters who rather than look like the dolls to 2 girls with a doll and clown toys.

N

Page 16: As 11 fixed draft 7. part 5

Characters Kaya

Actor 1:Kaya Sumbland

Age:17

Character 1:Laura Hibbitt

Age:19

N

Page 17: As 11 fixed draft 7. part 5

CharactersCostume and props

Kaya

Black eyes makeup Short skirt

N

White top Black cardigan

Paper

Matches

Candles

Page 18: As 11 fixed draft 7. part 5

CharactersMise –en-scene

Kaya

Name – Laura Hibbit

Gender – Female

Age – 19

Costume – short skirt, white top, black cardigan

Props – book, candles, matches

Make-up – Mascara, tired eyes, blush, eyeliner

Stereotype – Vunerable, down to earth girl

Facial expression – Scared, shock

Body language – open

Representation – Quite likeable, and relatable to the audience. Quiet and vunerable

N

Page 19: As 11 fixed draft 7. part 5

Characters Kaya

Actor 2:Sanel Homer

Age:17

Character 2:Cilia Elizabeth Carter

Age:73

N

Page 20: As 11 fixed draft 7. part 5

N

Pale white face with black circles around eyes

Kaya

Maids dress

CharactersInspirational pictures