47
Using Rapid Video Gettin’ Hi-fi from Low- fi! Mark Chrisman & George Aston

Using Rapid Video

Embed Size (px)

DESCRIPTION

eLearning Guild DevLearn 2008 | Session 402 Presenters: Mark Chrisman, George Aston

Citation preview

Page 1: Using Rapid Video

Using Rapid VideoGettin’ Hi-fi from Low-fi!

Mark Chrisman & George Aston

Page 2: Using Rapid Video

Introduction

Page 3: Using Rapid Video

Session Outline

• Introduction• Design Principles and the Brain• Film/Video Technique (with examples)• Recording Devices• Workshop

Page 4: Using Rapid Video

Design Principlesand

The Brain

Page 5: Using Rapid Video

Must Read

Page 6: Using Rapid Video

Learning from Design

Page 7: Using Rapid Video

Picture Superiority Effect – pg. 152

• A picture is worth a thousand words– Is a video is worth a million?

• Pictures are generally more easily recognized and recalled

• Pictures and words together are even better

Page 8: Using Rapid Video

Example• Step 1: Tie a Starting Knot, then make the right end into a

"loop" by simply doubling it back onto itself. • Step 2: Take the left end and pass it around to the right,

going behind the right loop.• Step 3: Continue the left end around the right loop to end

up in front. • Step 4: Start to feed the left lace into the "hole" that has

just been made.• Step 5: With the left lace now through the "hole", grab

hold of both loops and start to pull the knot tight. • Step 6: Continue pulling on the loops until the knot is

firmly tied.

Page 9: Using Rapid Video
Page 10: Using Rapid Video
Page 11: Using Rapid Video

Immersion – pg. 112

• A state of mental focus so intense that awareness of the “real” world is lost…

• Perceptual and cognitive systems are challenged at near capacity, without be exceeded.

• Optimal immersive experiences involve both rich sensory experiences and rich cognitive engagement.

– Adapted from the theory of Flow by Mihaly Csikszentmihalyi

Page 12: Using Rapid Video

Example

Page 13: Using Rapid Video

Storytelling – pg. 186

• Not just words – use imagery and emotion. • Uniquely human and engaging• Fundamental elements are:

– Setting– Characters– Plot– Invisibility – When engaged the medium becomes forgotten.– Mood– Movement

• When successful, the audience will experience and recall events better – it becomes part of them.

Page 14: Using Rapid Video

Example

Page 15: Using Rapid Video
Page 16: Using Rapid Video

von Restorff Effect – pg. 204

• Noticeably different things are more likely to be recalled than common things

• Two types:– Differences in Context– Differences in Experience

Page 17: Using Rapid Video

Example

Page 18: Using Rapid Video

Classical Conditioning – pg 32

• Influence appeal of design using positive and negative imagery or sounds

Page 19: Using Rapid Video

Example

Page 20: Using Rapid Video

Do any of these sound like you need to have a HD camera and other expensive equipment to

engage the learner’s brain?

Page 21: Using Rapid Video

Film Theory Outline

• How to apply motion picture theory basics • How to use simple production techniques• What tools to use for developing video content • Creative ways for delivering video content

Page 22: Using Rapid Video

Composition & Editing

Page 23: Using Rapid Video
Page 24: Using Rapid Video

Wide Shot Medium close-up

Over the shoulder Close-up

Added layering Medium Shot Wide Shot

Page 25: Using Rapid Video

Camera Angles (Advanced)

• Point of View (POV) shot • Ariel shot (convenient with small sets)• Cut-away (objects)• Cut-away (reaction shots w/out dialogue)• Freeze frame• Follow shot (pan or zoom)

Page 26: Using Rapid Video

First-person (hand held)

Page 27: Using Rapid Video

Rule of two thirds

Page 28: Using Rapid Video
Page 29: Using Rapid Video

MontageKuleshov Experiment (1918)

soup a girl wedding funeral

Audience who the expression on the actor’s face was different each time he appeared, depending on whether he was "looking at" the plate of soup, the girl, or the coffin, showing an expression of hunger, desire or grief respectively.

http://en.wikipedia.org/wiki/Kuleshov_Experiment

Same reaction shot

Page 30: Using Rapid Video
Page 31: Using Rapid Video

Low-fi Tips

• In-camera editing• Slow pans and zooms• Walk arounds• Tri-pod or Hand held

Page 32: Using Rapid Video

Tools

Page 33: Using Rapid Video
Page 34: Using Rapid Video

Sound & Lights

Page 35: Using Rapid Video

Sound

InternalMic

ExternalMic

Audio Quality

Page 36: Using Rapid Video

Lighting Tips

• Limit Your Light Sources• White Balance• Avoid Backlighting• Low-cost Illumination

Page 37: Using Rapid Video

Talent & Props

Page 38: Using Rapid Video

Low-fi Talent

• Paper drawings and cut outs• Characters, puppets and toys• Still images• Friends in your office

Page 39: Using Rapid Video

Cheap props and Photoshop

Page 40: Using Rapid Video
Page 41: Using Rapid Video

Still graphics and Audio

Page 42: Using Rapid Video

Editing Tools

Page 43: Using Rapid Video

Production Tools• Apple Final Cut Pro editing• Adobe Premiere editing• Apple iMovie editing• Windows MovieMaker editing• Adobe Captivate, Powerpoint

Free• Jumpcut edit & host• YouTube capture, annotations, captions and hosting• Qik capture, hosting & stream from mobile device• Ustream capture, hosting, stream from mobile device• Eyejot capture and hosting• 12seconds capture and hosting• GoAnimate flash animation and hosting

Page 44: Using Rapid Video

Workshop

Activity: Break into 3 groups and use the provided storyboard template, props and camera to create a quick (and very lo-fi) training video. Keep videos under 3 mins.

Equipment: Flip cameras

Props: • Group A – Paper Cutouts• Group B – Real People (You!)

Page 45: Using Rapid Video

WorkshopTraining Scenario: How to build a PB&J

Time: 30 Minutes

We realize that it’s right before lunch, but please don’t eat the props

Page 46: Using Rapid Video

Times Up!

Page 47: Using Rapid Video

“I would have written you a shorter letter,

but I didn't have time.”- Mark Twain